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A consultant is someone who saves his client almost enough to pay his fee.

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Holy Is The Ghost

Do I believe that you can be,
Saved?
It's not up to me,
To place that judgement made.

And,
Do I believe that you can be,
Saved?
It's not up to me,
To grade or rate your days!

I'm not one to sum up with a fuss...
Who has had it tough,
Without a suffering one covers.

I'm not one to sum up with a fuss...
Who has had it tough,
Without a suffering one covers.

Some days I slip away to pray.
Knowing the expense,
Of the dues I had to pay.
And,
Some days I slip away to pray.
Knowing the expense,
Of the dues I had to pay.

Do I believe that you can be,
Saved?
It's not up to me,
To place that judgement made.

Holy is the Ghost,
That paves the way!
Holy is the Ghost,
That saves!

Holy is the Ghost that paves the way.
Holy is the Ghost that saves.

In the morning,
That Ghost saves.
In the evening,
That Ghost saves.
From the dawn and through the night time too!

Holy is the Ghost that paves the way.
Holy is the Ghost that saves.

In the morning,

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Fee

Fee
In the cool shade of the banana tree
On the rugged trail toward the balcony
A child of the twentieth century
A dried up goliath and a weasel named fee
Far away in another place
A fading beauty named milly grace
A gospal singer with pox on her face
And a bamboo cane to help her keep the pace
Fee was a buddhist prodigy
Long past the age of maturity
Someday he knew it would set him free
Like it did for floyd the chimpanzee
Oh, fee, youre trying to live a life
Thats completely free.
Youre racing with the wind
Youre flirting with death
So have a cup of coffee
And catch your breath
Fee first met milly in a bar in peru
His heart was jumping like a kangaroo
Like a beast in a cage in an old dutch zoo
It was hopping and thumping in wooden shoes
But floyd was jealous and alone
He wanted milly for his own
A desperate craving in his bones
Their love, he said, I will not condone.
Then one day on a ship to Quebec
Floyd found fee and milly on a lovers trek
He picked up a bottle and broke off the neck
It sliced through the air, and fee hit the deck
Oh, fee, youre trying to live a life
Thats completely free
You want to stay with milly
Until youre dead
But you just got a bottle
Upside the head
Milly turned and began to scream at floyd
She said you think youre pretty mean
And though she was as thin as a small string bean
She slammed him in the face with a nectarine
Floyd fell back over the edge of the ship
Till he hung from the rail by his fingertip
Milly said, floyd Ill make you lose your grip
With this tiny piece of paper I can make you slip
So milly took that paper and did the deed
Floyd hit the water with astonishing speed
And as the sharks circled and began to feed
Milly knew her weasel was finally free
Oh, fee, youre trying to live a life

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Ladies Pay

All the sailors theyre all home from leave
And everybodys waiting for them to try to deceive
The storekeepers have drawn their lace curtains bare
And all the women and the wee young girls all waiting there
Oh, but how the ladies pay
Oh, if they only knew how the ladies pay
Yeah now, how the ladies pay
Oh, when the men theyve gone away
Nobody is standing on upon the door
And nobody is feeding any of the poor
The poor sick soldier lies in bed beside his girl
Thinking of another place on the other side of the world
Ah
How the ladies pay
Oh-oh, oh, how the ladies pay
When the men theyve gone away
Oh, I wish I knew how the ladies pay
Day and night, night and day
How the ladies pay
Day and night, night and day
How the ladies pay
Day and night
Night and day
Day and night
Day and night, night and day, ladies pay now
Night and day, day and night
How the ladies pay
Day and night, night and day
How the ladies pay
Day and night now
Night and day and now
How the pay now
Oh, how the pay now
Ladies pay, ladies pay
Ah, ladies pay the way now
Ladies pay, ah, ladies pay
Ah, ladies pay
Night and day, night and day, night and day
Oh, how the ladies pay
Oh, night and day, night and day, night and day
Oh, how the ladies pay

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Angels Of The Disappeared

You let me read your pretty poetry
And I fell for your trailer park majesty
And I, When I said I'd die for you (for you)
I didn't mean for you to write the eulogy
You betrayed yourself and me too
CH. I know you lie when it's true
Jesus saves white trash, baby, like you
It's too late for you to undo
Jesus saves white trash, baby, like you
I should appreciate the irony
Cause I led us both to my Gethsemane
And I, I don't hate you I hate love (it's true)
I held you so close I couldn't see
While you had the grander view
I know sometimes it's true
(Jesus saves white trash, baby like you)
We make what we can't undo
(Jesus saves white trash, baby like you)
solo
CHORUS: I know you lie when it's true
Jesus saves white trash, baby like you
It's too late for you to undo
Jesus saves white trash, baby like you
CHORUS: I know sometimes it's true
(Jesus saves white trash, baby like you)
We make what we can't undo
(Jesus saves white trash, baby like you)

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Remember, Faith Saves

Grab some time to be alone.
Rest your mind...
And put aside your anguish.
Don't condone,
Or savor despair.
Don't try to own it!
Leave it there.

Remember,
Faith saves.
Remember,
Faith saves.
Remember...
Keep your belief,
You can and will receive peace.
As much as you need.
Faith saves.

Whatever reasons that are there...
To magnify your sorrows.
Sunshine tomorrow comes.
If you allow it to be welcomed.

Troubles are meant to sit.
Like any obstacle that comes...
Wishing you not to get over it.
Unless you wish your problems to remain...
Like a pain that is given attention to drain.
With your wish to claim it in repeated complaints.

Remember,
Faith saves.
Remember,
Faith saves.
Remember...
Keep your belief,
You can and will receive peace.
As much as you need.
Faith saves.

Whatever reasons that are there...
To magnify your sorrows.
Sunshine tomorrow comes.
If you allow it to be welcomed.

Grab some time to be alone.
Rest your mind...
And put aside your anguish.
Don't condone,
Or savor despair.

[...] Read more

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Trial by Jury

DRAMATIS PERSONAE

THE LEARNED JUDGE
THE PLAINTIFF
THE DEFENDANT
COUNSEL FOR THE PLAINTIFF
USHER
FOREMAN OF THE JURY
ASSOCIATE
FIRST BRIDESMAID


SCENE - A Court of Justice, Barristers, Attorney, and Jurymen
discovered.

CHORUS

Hark, the hour of ten is sounding:
Hearts with anxious fears are bounding,
Hall of Justice, crowds surrounding,
Breathing hope and fear--
For to-day in this arena,
Summoned by a stern subpoena,
Edwin, sued by Angelina,
Shortly will appear.

Enter Usher

SOLO - USHER

Now, Jurymen, hear my advice--
All kinds of vulgar prejudice
I pray you set aside:
With stern, judicial frame of mind
From bias free of every kind,
This trial must be tried.

CHORUS

From bias free of every kind,
This trial must be tried.

[During Chorus, Usher sings fortissimo, "Silence in Court!"]

USHER Oh, listen to the plaintiff's case:
Observe the features of her face--
The broken-hearted bride.
Condole with her distress of mind:
From bias free of every kind,
This trial must be tried!

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Guillaume Apollinaire

Le trésor

Jadis, jadis vivait m'amie
Une princesse aux cheveux d'or,
En quel pays ? Ne le sais mie.
Jadis, jadis vivait m'amie
La fée Yra, son ennemie,
Qui changea la belle en trésor.
Jadis, jadis vivait m'amie
Une princesse aux cheveux d'or.

En un trésor caché sous terre
La fée, au temps bleu des lilas,
Changea la belle de naguère
En un trésor caché sous terre.
La belle pleurait solitaire :
Elle pleurait sans nul soulas
En un trésor caché sous terre :
C'était au temps bleu des lilas.

De la mousse je suis la fée,
Dit à la princesse une voix,
Une voix très douce, étouffée,
De la mousse je suis la fée,
D'un bleu myosotis coiffée.
Pauvrette ! En quel état vous vois !
De la mousse je suis la fée,
Dit à la princesse une voix.

Par un homme jeune et fidèle
Seront sauvés vos yeux taris,
Dit cette fée à voix d'oiselle
Par un homme jeune et fidèle
Qui vous désirera, ma belle,
Et pour l'or n'aura que mépris,
Par un homme jeune et fidèle
Seront sauvés vos yeux taris.

Cent ans attendit la princesse.
Un jour quelqu'un passa par là,
Chevalier de haute prouesse,
- Cent ans l'attendit la princesse -
Brave, invaincu, mais sans richesse,
Qui prit tout l'or et s'en alla.
Cent ans attendit la princesse.
Un jour quelqu'un passa par là.

La pauvre princesse invisible
Fut mise en la bourse de cuir ;
La pauvre princesse sensible,
Adorable, mais invisible.
Un brigand tua l'invincible,

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The Price You Pay

(bruce springsteen)
You make up your mind, you choose the chance you take
You ride to where the highway ends and the desert breaks
Out on through an open road you ride until the day
You learn to sleep at night with the price you pay
Now with their hands held high, they reached out for the open skies
And then with their last breath
They built the roads they would ride to their deaths
Driving on through the night unable to break away
>from the restless pull of the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Now theyve come so far and theyve waited so long
Just to end up caught in a dream where everything goes wrong
Where the dark of night holds back the light of the day
And you gotta stand and fight for the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Little girl down on the strand
With that pretty little baby in your hands
Do you remember the story of the promised land
How he crossed the desert sands
And could not enter the chosen land
On the banks of the river he stayed
To face the price you pay
So let the games start
You better run you little wild heart
You can run through all the nights and all the days
But just across the county line
A stranger passin through put up a sign
That counts so many fallen away
To the price you pay,
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay

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William Shakespeare

Venus and Adonis

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;

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William Shakespeare

Venus and Adonis

'Vilia miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.'

To the right honorable Henry Wriothesly, Earl of Southampton, and Baron of Tichfield.
Right honorable.

I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation.

Your honour's in all duty.

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis hied him to the chase;
Hunting he loved, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor 'gins to woo him.
'Thrice-fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;
'And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens:--O, how quick is love!--
The steed is stalled up, and even now
To tie the rider she begins to prove:

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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Luxurious

Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
Champagne kisses, hold me in your lap of luxury
I only want to fly first-class desires, you're my limousine
So elegant, the way we ride, our passion, it just multiplies
There's platinum lightning in the sky
Look I'm livin' like a queen
This kind of love is getting expensive
We know how to live, baby
We're luxurious, like Egyptian cotton
We're so rich in love, we're rollin' in cashmere
Got it in fifth gear, baby
Diamond in the rough is lookin' so sparkly
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
Sugar, honey, sexy baby
When we touch it turns to gold
Sensitive and delicate, kinda like a tuberose
You know you are my treasure chest
It's pure perfection when we kiss and
You're my Mr., I'm your Miss
Gonna be until we're old
This kind of love is getting expensive
We know how to live, baby
We're luxurious, like Egyptian cotton
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
[2x]
Cha-ching, cha-ching, we're loaded and we're not gonna blow it
Cha-ching, cha-ching, we're hooked up with the love cause we grow it
Cha-ching, cha-ching, we got hydroponic love and we're smokin'
Cha-ching, cha-ching, we burn it, you and I, we are so lit
And we're so rich in love, we're rollin' in cashmere
Got it in fifth gear, baby
Diamond in the rough is lookin' so sparkly
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper

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Wonderwall

Today is gonna be the day
That they're gonna throw it back to you
By now you should've somehow
Realized what you gotta do
I don't believe that anybody
Feels the way I do about you now

Backbeat the word was on the street
That the fire in your heart is out
I'm sure you've heard it all before
But you never really had a doubt
I don't believe that anybody feels
The way I do about you now

And all the roads we have to walk along are winding
And all the lights that lead us there are blinding
There are many things that I would
Like to say to you
I don't know how

Because maybe
You're gonna be the one who saves me ?
And after all
You're my wonderwall

Today was gonna be the day?
But they'll never throw it back to you
By now you should've somehow
Realized what you're not to do
I don't believe that anybody
Feels the way I do
About you now

And all the roads that lead to you were winding
And all the lights that light the way are blinding
There are many things that I would like to say to you
I don't know how

I said maybe
You're gonna be the one who saves me ?
And after all
You're my wonderwall

I said maybe
You're gonna be the one who saves me ?
And after an
You're my wonderwall

Said maybe
You're gonna be the one that saves me

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song performed by Oasis from (What's The Story) Morning GloryReport problemRelated quotes
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Virginia

Fragments of a Lay Sung in the Forum on the Day Whereon Lucius Sextius Sextinus Lateranus and Caius Licinius Calvus Stolo Were Elected Tribunes of the Commons the Fifth Time, in the Year of the City CCCLXXXII.


Ye good men of the Commons, with loving hearts and true,
Who stand by the bold Tribunes that still have stood by you,
Come, make a circle round me, and mark my tale with care,
A tale of what Rome once hath borne, of what Rome yet may bear.
This is no Grecian fable, of fountains running wine,
Of maids with snaky tresses, or sailors turned to swine.
Here, in this very Forum, under the noonday sun,
In sight of all the people, the bloody deed was done.
Old men still creep among us who saw that fearful day,
Just seventy years and seven ago, when the wicked Ten bare sway.

Of all the wicked Ten still the names are held accursed,
And of all the wicked Ten Appius Claudius was the worst.
He stalked along the Forum like King Tarquin in his pride:
Twelve axes waited on him, six marching on a side;
The townsmen shrank to right and left, and eyed askance with fear
His lowering brow, his curling mouth which always seemed to sneer;
That brow of hate, that mouth of scorn, marks all the kindred still;
For never was there Claudius yet but wished the Commons ill;
Nor lacks he fit attendance; for close behind his heels,
With outstretched chin and crouching pace, the client Marcus steals,
His loins girt up to run with speed, be the errand what it may,
And the smile flickering on his cheek, for aught his lord may say.
Such varlets pimp and jest for hire among the lying Greeks:
Such varlets still are paid to hoot when brave Licinius speaks.
Where'er ye shed the honey, the buzzing flies will crowd;
Where'er ye fling the carrion, the raven's croak is loud;
Where'er down Tiber garbage floats, the greedy pike ye see;
And wheresoe'er such lord is found, such client still will be.

Just then, as through one cloudless chink in a black stormy sky
Shines out the dewy morning-star, a fair young girl came by.
With her small tablets in her hand, and her satchel on her arm,
Home she went bounding from the school, nor dreamed of shame or harm;
And past those dreaded axes she innocently ran,
With bright frank brow that had not learned to blush at gaze of man;
And up the Sacred Street she turned, and, as she danced along,
She warbled gayly to herself lines of the good old song,
How for a sport the princes came spurring from the camp,
And found Lucrece, combing the fleece, under the midnight lamp.
The maiden sang as sings the lark, when up he darts his flight,
From his nest in the green April corn, to meet the morning light;
And Appius heard her sweet young voice, and saw her sweet young face,
And loved her with the accursed love of his accursed race,
And all along the Forum, and up the Sacred Street,
His vulture eye pursued the trip of those small glancing feet.

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Rent

(again... again... again... ooooh
(again... again... again... again... ...)
You dress me up, Im your puppet
You buy me things, I love it
You bring me food, I need it
You give me love, I feed it
And look at the two of us in sympathy
With everything we see
I never want anything, its easy
You buy whatever I need
But look at my hopes, look at my dreams
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, oh, you pay my rent
You phone me in the evening on hearsay
And bought me caviar
You took me to a restaurant off broadway
To tell me who you are
We never-ever argue, we never calculate
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, you pay my rent
(ooooh) I love you, oh, you pay my rent
Im your puppet
I love it
And look at the two of us in sympathy
And sometimes ecstasy
Words mean so little, and money less
When youre lying next to me
But look at my hopes, look at my dreams
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, you pay my rent
(ooooh) ooh, I love you, you pay my rent
Look at my hopes, look at my dreams
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, you pay my rent
Look at my hopes, look at my dreams
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, you pay my rent
(ooooh) I love you, you pay my rent (its easy, its so easy)
(ooooh) you pay my rent (its easy, its so easy)
(ooooh) you pay my rent (its easy, its so easy)
(ooooh) I love you (its easy, its so easy)
(its easy, its so easy)
(its easy, its so easy)
(its easy, its so easy)
(its easy, its so easy)

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XII. The Book and the Ring

Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!

After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.

"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.

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poem by from The Ring and the BookReport problemRelated quotes
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Ooh, Ohh, Hey...

(hook)
Ill pay a penny for your thoughts
A nickel for your kiss, you know that I will
Ill pay a penny for your thoughts, yes I will
A nickel for your kiss, you know that I will (listen)
Listen honey baby, theres something that ive
Gotta make clear
You may have had other lovers in your life
That cant compare to whats going down here
I promise Ill be gentle, Im gonna give you all
That Ive got (got)
Dont say no, let your body go,
Ill do my thing nice and slow if you tell me your
Thoughts
(hook)
Ill pay a penny for your thoughts
A nickel for your kiss, you know that I will
Ill pay a penny for your thoughts, come on
Nickel for your kiss, you know that I will, I will
I will pay anything to know whats on your mind
I do whatever it takes, pretty baby
I will pay anything to know whats on your
Mind please tell me baby, I would pay anytime, tell me whats on your mind
Yeah, yeah, yeah
Girl I wanna work your body
Like your body was a (9) to (5)
And just when you think Im getting tired baby
Ill be putting in overtime
I only want to please you, to tease you is not my style
Just let me know when your ready for love
Girl you gotta make up your mind
Ill pay a penny for your thoughts
A nickel for your kiss, you know that I will
Ill pay a penny for your thoughts, yes I will
A nickel for your kiss, you know that I will
I will pay anything to know whats on your mind
I will pay anythign to know whats om your mind
I will pay anytime, tell me whats on your mind
I will pay anytime, tell me whats on your mind
Baby tell me, tell me baby
Whatever you want girl
Whatever you need lady
Ill be right there for you baby, yes I will
Ill pay a penny for your thoughts
A nickel for your kiss, I will

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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