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My mother's life had been destroyed by the Garland legend.

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Im A Legend Tonight

Ive been working at my job, slaving like a dog all day
And Ive been thinking about you, girl
And watching the minutes slip away
Yeah, and I know theres someone inside me that nobody sees
And I know in the darkness youre gonna be reaching for me
Im a legend tonight
Gonna make you feel right
When you reach for the light
Im a legend tonight
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight
You know they try to slow me, sometimes I think Im gonna stop
But I gotta keep on going, believing in 5 o clock, yeah
And on the edge of the darkness well be living in another world
And I know that a part of yous gonna be part of me, girl
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight
Look at me
I dont know what happens when the race is run
I dont know what tells me if Ive lost or won
But I know that Ill make it through the day alright
And girl, youre gonna find out
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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What Becomes A Legend Most

What becomes a legend most
When shes alone in a hotel lobby
What becomes a legend most
Some bad champagne and some foreign bottled beer
What becomes a legend most
When the musicians have come and then leave her
What becomes a legend most
Besides being a legendary star
What becomes a legend most
Lying in bed cold and regal
What becomes a legend most
Lying in bed watching a talk show on tv
What becomes a legend most
Fifty days in fifty cities
And everyone says she looks pretty
At least as pretty as a legend should
Fifty days can wear you down
Fifty cities flying by
A different man in each different hotel
And if youre not careful, word can get around
What becomes a legend most
Not a bed, that is half empty
Not a heart, that is left empty
Thats not pretty, not pretty at all
What becomes a legend most
When shes lying in her hotel room
What becomes a legend most
Well baby, tonight its you (tonight its you)
Baby, tonight its you
(what becomes a legend most, sha-la-la-la-la) baby, its you
(what becomes a legend most, sha-la-la-la-la) maybe tomorrow
(what becomes a legend most, sha-la-la-la-la) baby, its you
(what becomes a legend most, sha-la-la-la-la)
(what becomes a legend most, sha-la-la-la-la)
(what becomes a legend most, sha-la-la-la-la)
(what becomes a legend most, sha-la-la-la-la)
(what becomes a legend most, sha-la-la-la-la)

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Willow, Willow, Willow

A poore soule sat sighing under a sicamore tree;
O willow, willow, willow!
With his hand on his bosom, his head on his knee:
O willow, willow, willow!
O willow, willow, willow!
Sing, O the greene willow shall be my garland.

He sigh'd in his singing, and after each grone,
Come willow, willow, willow!
Come willow, willow, willow!
'I am dead to all pleasure, my true-love is gone.
O willow, willow, willow!
O willow, willow, willow!
Sing, O the greene willow shall be may garland.

'My love she is turned; untrue she doth prove;
O willow, willow, willow!
O willow, willow, willow!
She renders me nothing but hate for my love.
O willow, willow, willow!
O willow, willow, willow!
Sing, O the grene willow, &c.

'O pitty me' (cried he), 'ye lovers each one;
O willow, willow, willow!
O willow, willow, willow!
Her heart's hard as marble; she rues not my mone.
O willow, willow, willow!
O willow, willow, willow!
Sing, O the greene willow, &c.'

The cold streams ran by him, his eyes wept apace;
O willow, willow, willow!
O willow, willow, willow!
The salt tears fell from him, which drowned his face.
O willow, willow, willow!
O willow, willow, willow!
Sing, O the greene willow, &c.

The mute birds sate by him, made tame by his mones;
O willow, willow, willow!
O willow, willow, willow!
The salt tears fell from him, which softened the stones.
O willow, willow, willow!
O willow, willow, willow!
Sing, O the greene willow shall be my garland!

'Let nobody blame me, her scornes I do prove;
O willow, willow, willow!
O willow, willow, willow!

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Random things about my Mother

My mother whose eyes were strained
By a sadness that stained her eyes
With grey and blue hue

My mother who never blew
Out candles on a birthday cake

My mother who never knew
The thrills of flying in an airplane

My mother who forever threw
Her pearls to swine

My mother who knew
No contentment in living

My who mother never lived
To be even seventy two

My mother who it is true
Stopped living long before she died

My mother from whose mouth flew
Words of disappointment and fury

My mother whose lips
Tasted bitter tears

My mother sat impatiently
In sorrow through her years

My mother who like Kunta Kinte
Was tamed by Diabets

My mother who was tamed
By my father

My mother who was captured by my father

My mother who fought with my father
The two them struggling false teeth piercing each others flesh

My mother who my father told to go and cook the mint

My mother who would beat us and cause wounds and bruises to our skin

My mother who love to walk about

My mother who gave a toe
A day away

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Death Drugs

Long live the legend.
Long live the legend.
Long live the legend.
Itll out live us.
Aw mom, I need some long sleeved shirts.
You got to get me some long sleeved shirts.
Mom mom, I need some long sleeved shirts.
You gotta hide the marks where I stick the works.
The things we were doing got me under the rugs.
Were doin the death drugs.
How come bobby dilan and louie reed
Theyre never seen in short sleeves.
Hey the sixties everybodys going to heaven.
Sixty-nine, sixty-eight, sixty-seven.
The things we were doing got me under the rugs.
We be doing the death drugs.
Long live the legend.
Its not for everyone.
Long live the legend.
Its not for everyone.
Long live the legend.
Its not for everyone.
Long live the legend.
Its not for everyone.
Long live the legend.
Long live the legend.
Long live the legend.
Itll out live us.
Gordon gano: vocals, guitar
Brian ritchie: acoustic bass guitar, vocals
Guy hoffman: drums, vocals
Produced by brian ritchie and gordon gano
Recorded and mixed by david vartanian at dvs perversion room, milwaukee, wi
gorno music reprinted with permission

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Like No Other...Mother

Mother...

Mother, who gave us her heart...her very soul.
Mother, who's understanding never wavered.
Mother, the one who dried our tears.
Mother, she lead us to the path of His Love.
Mother, who washed our cloths and cleaned the house.
Mother, who instilled confidence in her children.
Mother, who walked us to school.
Mother, who loved us like no other.
Mother, who quelled the anger within us.
Mother, who drove us to all our practices.
Mother, who never forgot our special occasions.
Mother, who protected her family, as a lion to a cub.
Mother, who always supported our father.
Mother, who scrimped and saved for our daily needs.
Mother, who was always the last to eat.
Mother, who was always the first to rise.
Mother, who cared for the animals.
Mother, a love that knew no limits.
Mother, who forever placed her family, before herself.
Mother, who was grateful, for every passing acknowledgement.
Mother, whose eyes shined, when she heard the words,
I love you mom.
Mother, who always saw the good in us.
Mother, who always taught us to never, never, give up.
Mother, who instilled in us, to be better.
Mother, who made us believe, we could accomplish anything.
Mother, mother...mother, you were like no other.

Mother, you will always remain, in our
hearts, in our deeds, in our thoughts,
in our lives and in our prayers.

Surely, beyond the stars, there's a special place for Mothers.

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

poem by from Childe Harold's Pilgrimage (1818)Report problemRelated quotes
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Mother...

Mother, who gave us her heart...her very soul.
Mother, who's understanding never wavered.
Mother, the one who dried our tears.
Mother, she lead us to the path of His Love.
Mother, who washed our cloths and cleaned the house.
Mother, who instilled confidence in her children.
Mother, who walked us to school.
Mother, who loved us like no other.
Mother, who quelled the anger within us.
Mother, who drove us to all our practices.
Mother, who never forgot our special occasions.
Mother, who protected her family, as a lion to a cub.
Mother, who always supported our father.
Mother, who scrimped and saved for our daily needs.
Mother, who was always the last to eat.
Mother, who was always the first to rise.
Mother, who cared for the animals.
Mother, a love that knew no limits.
Mother, who forever placed her family, before herself.
Mother, who was grateful, for every passing acknowledgement.
Mother, whose eyes shined, when she heard the words,
I love you mom.
Mother, who always saw the good in us.
Mother, who always taught us to never, never, give up.
Mother, who instilled in us, to be better.
Mother, who made us believe, we could accomplish anything.
Mother, mother...mother, you were like no other.

Mother, you will always remain, in our
hearts, in our deeds, in our thoughts,
in our lives and in our prayers.

Surely, beyond the stars, there's a special place for Mothers.

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Mother...This ones' For You...

Mother, who gave us her heart...her very soul.
Mother, who's understanding never wavered.
Mother, the one who dried our tears.
Mother, she lead us to the path of His Love.
Mother, who washed our cloths and cleaned the house.
Mother, who instilled confidence in her children.
Mother, who walked us to school.
Mother, who loved us like no other.
Mother, who quelled the anger within us.
Mother, who drove us to all our practices.
Mother, who never forgot our special occasions.
Mother, who protected her family, as a lion to a cub.
Mother, who always supported our father.
Mother, who scrimped and saved for our daily needs.
Mother, who was always the last to eat.
Mother, who was always the first to rise.
Mother, who cared for the animals.
Mother, a love that knew no limits.
Mother, who forever placed her family, before herself.
Mother, who was grateful, for every passing acknowledgement.
Mother, whose eyes shined, when she heard the words,
I love you mom.
Mother, who always saw the good in us.
Mother, who always taught us to never, never, give up.
Mother, who instilled in us, to be better.
Mother, who made us believe, we could accomplish anything.
Mother, mother...mother, you were like no other.

Mother, you will always remain, in our
hearts, in our deeds, in our thoughts,
in our lives and in our prayers.

Surely, beyond the stars, there's a special place for Mothers.

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Mother In Law

(a. toussaint)
Mother in law, mother in law
Mother in law, mother in law
The worst person I know
Mother in law, mother in law
She worries me so
Mother in law, mother in law
If she leaves us alone
We could have a happy home
Sent from down below
Mother in law, mother in law
Mother in law, mother in law
Satan should be her name
Mother in law, mother in law
To me theyre about the same
Mother in law, mother in law
Everytime I open my mouth
Steps in trying to put me out
How could you stood so low
Mother in law, mother in law
Mother in law, mother in law
Come home with my pay
Mother in law, mother in law
She asks me what I made
Mother in law, mother in law
She thinks her advice is a contribution
If she would leave that would be the solution
Dont come back no more
Mother in law, mother in law
Mother in law, mother in law....

song performed by Huey Lewis And The NewsReport problemRelated quotes
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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