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With this book, I truly hope to reach everyone that I don't bump into on the street and share my story.

quote by Teri Hatcher
Added by Lucian Velea
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All You Wanna Do Is Bump

All you wanna do,
Is bump bump.
We don't even talk,
But bump bump.
Morning-noon-and-night-time-too
We bump bump.
Bump bump.

All you wanna do,
Is bump bump.
We don't even talk,
But bump bump.
Morning-noon-and-night-time-too
We bump bump.
Bump bump.

Peace...
Bump bump.
Is hard to find...
Go bump bump.
When on your mind...
Bump bump.
Is thumpin' on someone's rump!
Said, peace...
Bump bump
Is hard to find...
Go bump bump.
When on your mind...
Bump bump.
Is thumpin' on someone's rump!

All you wanna do,
Is bump bump.
We don't even talk,
But bump bump.
Morning-noon-and-night-time-too
We bump bump.
Bump bump.

All you wanna do,
Is bump bump.
We don't even talk,
But bump bump.
Morning-noon-and-night-time-too
We bump bump.
Bump bump.

All you wanna do,
Is bump bump.
We don't even talk,

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
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Baby Do You Wanna Bump

Do you wanna bump?
Baby do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
B.u.m.p. bump
Baby do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
B.u.m.p. bump
... (long instrumental part)
Baby do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
B.u.m.p. bump
Baby do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
B.u.m.p. bump
... (long instrumental part)
Baby do you wanna bump
Do you do you wanna bump
Do you do you wanna bump
Do you do you wanna bump

song performed by Boney M.
Added by Lucian Velea
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Were There Hope

I was never in a league of noble gentlemen
To whom she'd cast polite and flitting smiles,
Only distant hope and dying dreams for me!
Or perhaps descent into a game of wiles

To give a chance of sipping wine on heady nights
With her angelic presence to declare;
Above, an aura playing out hypnotic hues,
And I in awe of blonde cascades of hair.

But no! my tiring soul is sinking in a mire
To haunt me for an age and evermore, for
How could I expect to hold her silken hand
When I am but a soulless ghost of yore?

Copyright Mark R Slaughter 2009

Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope?
Hope hope hope hope hope?
Hope, hope?
Hope?

[...] Read more

poem by Mark R Slaughter
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Early Morning

Early morning
Great
I was a little late last night
got a little messy
I can't be like that anymore (early morning)
uh - no
CHORUS
I was shakin my ass in the street til mornin
Just walked in an it's early mornin - uh!
Bump bump to the break of dawn
And it don't stop til the early mornin
Passed out on the couch I'm yawnin
Just walked in an it's early mornin - let's start again
Bump bump to the break of dawn
And it don't stop til the early mornin
Met a dark dude, kinda dark hair
When he walked up
Tony grabbed him
But I liked him
I told him "come here
Kinda cool
Baby, we can make plans
Where you live?
Do ya mamma live there?
We can hook up at the hotel"
He was down so I told him "let's go"
what happened - guess what, you don't wanna know
CHORUS
I was shakin my ass in the street til mornin
Just walked in n it's early mornin
Bump bump to the break of dawn
And it don't stop til the early mornin
Passed out on the couch i'm yawnin
Just walked in n it's early mornin - let's start again
Bump bump to the break of dawn
And it don't stop til the early mornin
I went out with girl Jen
And we called up gabe and his friends
He was talkin bout hittin up Show
So I said "what the hell? - let's go!"
Got up n got on the dance floor
Hooked up with a guy named Joe
When the music was fast danced slow
what happened next -guess what? you don't wanna know
CHORUS
I was shakin my ass in the street til mornin
Just walked in n it's early mornin
bump bump to the break of dawn
And it don't stop til the early mornin
Passed out on the couch i'm yawnin

[...] Read more

song performed by Britney Spears
Added by Lucian Velea
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Bump It

Phat Beats
Phat Drums
Phat Beats
Phat Beats
(Tongue roll) stick 'em
Ah, Ah, Ah, Ah,
Ah, Ah, Ah, Ah,
Ah, Ah, Ah, Ah,
Ah, Ah, Ah, Ah,
[Chorus]
Push up the fader
Bust the meter
Shake the tweeter
Bump it --- Well Well Well
Bump it - Well Well (4x)
[Verse 1]
You know I love it when they play my beat real loud
Because it moves the band and then it moves the crowd
You know I love it when they play my sh-t sky high
It puts me in a daze
[Bridge]
And oh--oh--oh--oh
Ooh baby before you bump it
Won't you shake it just a little for me
Oh--oh--oh--oh
Wait a minute for you buss it
Won't you roll a lickle something for me
And oh--oh--oh--oh
Ooh baby before you bump it
Won't you shake it just a little for me
Oh--oh--oh--oh
Wait a minute for you bump it
Won't you shake it for me, shake it for me
[Chorus]
Push up the fader
Bust the meter
Shake the tweeter
Bump it --- Well Well Well
Bump it - Well Well(2x)
[Verse 2]
You know I love it when they play my beat real loud
Because it moves the band and then it moves the crowd
You know I love it when they play my sh-t sky high, high, hiiigh, high
[Bridge]
Oh, Oh, oh--oh--oh--oh
Ooh baby before you bump it
Can you roll a lickle for me
Oh--oh--oh--oh
Wait a minute for you buss it
Won't you shake it just little for me

[...] Read more

song performed by Erykah Badu
Added by Lucian Velea
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California

Blonde haired baby standing by the road
A pistol in her hand and talking on the phone
Said go to california (go to california)
Go to california (go to california)
Sidewalk gazing diamonds in the sky
Silent movie gods are flashing in your eye
Said go to california (go to california)
Go to california (go to california)
Get up get out
Get inside the outside
Get up get out get in
Get up get out
Get inside the outside
Get up get out get in
Lon chaney calling
Spelling out your name
Where everybody's different
But they're all the same
Yeah go to california (go to california)
Go to california (go to california)
You are perfect you are insane
We love to watch you break from the pain
Yeah go to california (go to california)
Go to california (go to california)
Get up get out
Get inside the outside
Get up get out get in
Get up get out
Get inside the outside
Get up get out get in
Bump and grind
Bump and grind
Bump and grind
Bump and grind
Bump and grind
Bump and grind
Hit the lights and
Strip down on the floor
Everybody hates you
But they want some more
Yeah go to california (go to california)
Go to california (go to california)
Get up get out
Get inside the outside
Get up get out get in
Get up get out
Get inside the outside
Get up get out get in
Bump and grind
Bump and grind

[...] Read more

song performed by Rob Zombie
Added by Lucian Velea
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(Go To) California

Blonde haired baby standing by the road
A pistol in her hand and talking on the phone
Said go to California (go to California)
Go to California (go to California)
Sidewalk gazing diamonds in the sky
Silent movie Gods are flashing in your eye
Said go to California (go to California)
Go to California (go to California)
Get up get out
Get inside the outside
Get up get out get in
Get up get out
Get inside the outside
Get up get out get in
Lon Chaney calling
Spelling out your name
Where everybody's different
But they're all the same
Yeah go to California (go to California)
Go to California (go to California)
You are perfect you are insane
We love to watch you break from the pain
Yeah go to California (go to California)
Go to California (go to California)
Get up get out
Get inside the outside
Get up get out get in
Get up get out
Get inside the outside
Get up get out get in
Bump and grind
Bump and grind
Bump and grind
Bump and grind
Bump and grind
Bump and grind
Hit the lights and
Strip down on the floor
Everybody hates you
But they want some more
Yeah go to California (go to California)
Go to California (go to California)
Get up get out
Get inside the outside
Get up get out get in
Get up get out
Get inside the outside
Get up get out get in
Bump and grind
Bump and grind

[...] Read more

song performed by Rob Zombie
Added by Lucian Velea
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Early Mornin'

Early mornin'
All right, I was out real late last night
Got a little messy
Early morning
Can't be like that anymore, oh
I was shaking my ass in the streets this morning
Just walked in and it's early morning
Bump, bump till the break of dawn and
It don't stop till the early morning
Passed out on the couch I'm yawning
Just walked in and it's early morning
Bump, bump till the break of dawn and
It don't stop till the early morning
Wanna talk to
When he walked up someone grabbed him
But I liked him to come here
Kinda cool
Baby, we can make plans
Where ya live
Does your mama live there
We can hook up at the hotel
Hands down so
I told him, let's go
But waht happened next, guess?
But you don't wanna know
I was shaking my ass in the streets this morning
Just walked in and it's early morning
Bump, bump till the break of dawn and
It don't stop till the early morning
Passed out on the couch I'm yawning
Just walked in and it's early morning
Bump, bump till the break of dawn and
It don't stop till the early morning
Oh, in love
So I approached him
We gotta give him his friends
There's something bout him that show
So I said, what the hell
Let's go
Got up, got on the dance floor
Hooked up with a guy named Joe
When the music was fast and slow
But waht happened next, guess?
But you don't wanna know
I was shaking my ass in the streets this morning
Just walked in and it's early morning
Bump, bump till the break of dawn and
It don't stop till the early morning
Passed out on the couch I'm yawning
Just walked in and it's early morning

[...] Read more

song performed by Britney Spears
Added by Lucian Velea
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Bump 'em

Bump 'em,
The ones unbelieving.
Just bump 'em...
To the curb and street.
Just bump 'em...
No need to be keeping them,
Around to corrupt your fortune.
Or any sign of luck you've got lapped up!

Just bump e'm,
The ones unbelieving.
Just bump 'em...
To the curb and street.
Just bump 'em...
No need to be keeping them,
Around to corrupt your fortune.
Or any sign of luck you've got lapped up!

Just bump 'em...
No need to be keeping them,
Around to corrupt your fortune.
Or any sign of luck you've got lapped up!
Just bump 'em.
To the curb and street.
Just bump 'em...
No need to be keeping them,
Around to corrupt your fortune.
Or any sign of luck you've got lapped up!
Just bump 'em!

poem by Lawrence S. Pertillar
Added by Poetry Lover
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His Story

Yo, this is a story of a male female threat to society
You know being misjudged and not respected for what we are
But I want to send this special shout out to my girl tawana brawley
Cause no matter what we say or what we do
Theyll always believe his story (ow)
Chorus:
His story (yeahee, yeahee, yeahee)
Hist story (ow)
Theyre gonna believe
His story
His story
Why does it have to be that we get labeled for what we do
Its hard enough for us to be ourselves without being used
Girls have an image too
But when they get mad at you
There is no telling what theyll say to hurt you
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
Theyre gonna believe
Chorus
Sometimes I feel like there is no reason for me to explain
No matter how much we complain
You know it all stays the same
They try to call us freaks
Why does it have to be
We cant get justified until we speak up (oooh)
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
(you know its just a waste of my time)
Theyre gonna believe
His story over mine
So what you gonna do
Dont let it take over you (hey)
My story is a waste of time
Its hard enough to be ourselves without being used
So yo take it from me
Dont be a victim of society
You cant put yourself in a position to be neglected
And disrespected
You have to do whats not expected
Alright
Or all be his story
His story over mine
His story will be his story
(this is a story of) how could you do this to us
Theyre gonna believe

[...] Read more

song performed by TLC
Added by Lucian Velea
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Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Like a Seesaw that Bumps Your Rump

Don't blame me...
Like a seesaw that bumps your rump.
When you're riding high,
Times come when you meet a slump!

I wont pretend to be amazed,
When the rush begins to slow...
And your flow is on hold!

Don't be mean...
When you see me get over a hump!
I was too keen,
To realize I might be dumped!

You warned me many years ago,
If I couldn't keep up with you...
Then no more of me you'd know!

Don't blame me...
Like a seesaw that bumps your rump.
When you're riding high,
Times come when you meet a slump!

I wont pretend to be amazed,
When the rush begins to slow...
And your flow is on hold!

You warned me many years ago,
If I couldn't keep up with you...
Then no more of me you'd know!

That one hint given...
Got me up to go!
And that seesaw that you ride is old!
You're on your rump alone and now it shows!

Don't blame me...
Like a seesaw that bumps your rump.
When you're riding high,
Times come when you meet a slump!

You warned me many years ago,
If I couldn't keep up with you...
Then no more of me you'd know!
And that seesaw that you ride is old!
You're on your rump alone and now it shows!

Like a seesaw,
Bump. Bumpin' your rump.
A seesaw,

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Truth and the Devil

The devil unstoppably took pride in salaciously writing; the book of
obnoxious caste-creed and venomously penalizing hatred,

The devil unstoppably took pride in acrimoniously writing; the book of
indiscriminate bloodshed and disastrously traumatizing ruthlessness,

The devil unstoppably took pride in vengefully writing; the book of
tyrannical devastation and lecherously bellicose orphaning,

The devil unstoppably took pride in fretfully writing; the book of
vindictive war and satanically criminal holocausts,

The devil unstoppably took pride in maliciously writing; the book of
coldblooded barbarism and manipulatively bizarre malice,

The devil unstoppably took pride in forlornly writing; the book of
worthless
ghosts and mortuaries brutally anointed with fresh blood,

T The devil unstoppably took pride in indigently writing; the book of
nonchalant spuriousness and fecklessly insipid meaninglessness,

The devil unstoppably took pride in torturously writing; the book of
ominous
animosity and hedonistically pugnacious illwill,

The devil unstoppably took pride in dictatorially writing; the book of
licentious bawdiness and insanely threadbare nothingness,

The devil unstoppably took pride in heinously writing; the book of
lascivious poverty and baselessly crippling uncertainty,

The devil unstoppably took pride in savagely writing; the book of
despicable
defeat and lethally ballistic atrociousness,

The devil unstoppably took pride in raunchily writing; the book of
dolorous
delinquency and insidiously slandering betrayal,

The devil unstoppably took pride in preposterously writing; the book of
scurrilous lunatism and barbarously incarcerating fiendishness,

The devil unstoppably took pride in frigidly writing; the book of
jejune
mockery and impudently castigating brazenness,

The devil unstoppably took pride in heartlessly writing; the book of
ghastly
bloodshed and indefatigably bombarding politics,

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poem by Nikhil Parekh
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Street Fighting Man

Everywhere I hear the sound of marching, charging feet, boy
cause summers here and the time is right for fighting in the street, boy
Tell me what can a poor boy do
cept for sing for a rock n roll band
cause in this sleepy l.a. town
Theres just no place for a street fighting man
A street fighting man
A street fighting man
A street fighting man
Do you think the time is right for a palace revolution
Where I live the game to play is compromise solution
Well then what can a poor boy
cept for sing for a rock n roll band
cause in this sleepy l.a. town
Theres just no place for a street fighting man
A street fighting man
A street fighting man
A street fighting man
Well what else can a poor boy do?
Well what else can a poor boy do?
Well what else can a poor boy do?
Well what else can a poor boy do?
Hey my name is called disturbance
Ill shout and scream, Ill kill the king, Ill rail at all his servants
Well what can a poor boy do
For sing for a rock n roll band
In this sleepy l.a. town
Theres just no place for
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man

song performed by Rage Against The Machine
Added by Lucian Velea
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Faces In The Street

They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street --
Drifting past, drifting past,
To the beat of weary feet --
While I sorrow for the owners of those faces in the street.

And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street --
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.

In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street --
Flowing in, flowing in,
To the beat of hurried feet --
Ah! I sorrow for the owners of those faces in the street.

The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street --
Grinding body, grinding soul,
Yielding scarce enough to eat --
Oh! I sorrow for the owners of the faces in the street.

And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat --
Drifting round, drifting round,
To the tread of listless feet --
Ah! My heart aches for the owner of that sad face in the street.

And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street --
Ebbing out, ebbing out,
To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.

And now all blurred and smirched with vice the day's sad pages end,
For while the short `large hours' toward the longer `small hours' trend,

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poem by Henry Lawson
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