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When you see a snake, never mind where he came from.

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Shudder/king Of Snake

Kkking of snake
King of snake
Kkking of snake
Kkking of snake
Kkking of snake
Kkking of snake
Snake
Snake
Snake
Snake
24 hours with the king of snake
Kkking of snake
Dogman and the king of snake
Im on a boast and the king of snake
Dogman and the king of snake
King of snake race
Im on a boast and the king of snake
Dogman and the king of snake
Im on a boast and the king of snake
24 hours with the king of snake
Daily daily daily daily to dream like
Tom and jerry thing
And drink drink drink
And you go ping
Daily daily daily daily to dream like
Tom and jerry thing
And drink drink drink drink
And you go ping
Heat that stuff enough
Right
That stuff enough
Right
That stuff enough
Right [x4]
That stuff enough
Snake
Drink that stuff enough
Right
That stuff enough
Right
That stuff enougha
Right [x4]
That stuff enough
Right
Daily daily daily daily to dream like
Tom and jerry thing
And drink drink drink
And you go ping
Daily daily daily daily to dream like
Tom and jerry thing

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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The Cause of Enmity between Snake and Man

Snake, the first owner of fire.
Dog, the robber of fire.
Man the last owner of fire.
The snake gave birth first to fire.
Thus fire, the first born of snake.
Thus snake, only owner of fire long ago.
One cold evening
The man dying of coldness
The dog seen it master dying of coldness
It went to snake house and begged
The snake, the mother of fire to let
It tail get warm of fire
The snake cordially welcomed the dog
The dog twisted it tail on fire
The tail caught the fire
The dog jumped over the snake in door
Ran quickly to it master, the man
The man took the grass and wood
And lit up the fire
The fire lit up in man’s house
And it extinguished in snake’s house
The snake come to get fire back
But the man attack the snake
The hostility between man and snake
Began then

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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.


For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.


And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.


For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.


Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.


Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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Change Your Mind

When you get weak, and you need to test your will
When lifes complete, but theres something missing still
Distracting you from this must be the one you love
Must be the one whose magic touch can change your mind
Dont let another day go by without the magic touch
Distracting you (change your mind)
Supporting you (change your mind)
Embracing you (change your mind)
Convincing you (change your mind)
When youre confused and the world has got you down
When you feel used and you just cant play the clown
Protecting you from this must be the one you love
Must be the one whose magic touch can change your mind
Dont let another day go by without the magic touch
Protecting you (change your mind)
Restoring you (change your mind)
Revealing you (change your mind)
Soothing you (change your mind)
You hear the sound, you wait around and get the word
You see the picture changing everything youve heard
Destroying you with this must be the one you love
Must be the one whose magic touch can change your mind
Dont let another day go by without the magic touch
Destroying you (change your mind)
Embracing you (change your mind)
Protecting you (change your mind)
Confining you (change your mind)
Distracting you (change your mind)
Supporting you (change your mind)
Distorting you (change your mind)
Controlling you (change your mind)
Change your mind (change your mind)
Change your mind, change your mind (change your mind)
Change your mind (change your mind)
The morning comes and theres an odor in the room
The scent of love, more than a million roses bloom
Embracing you with this must be the one you love
Must be the one whose magic touch can change your mind
Dont let another day go by without the magic touch
Embracing you (change your mind)
Concealing you (change your mind)
Protecting you (change your mind)
Revealing you (change your mind)
Change your mind, change your mind (change your mind)
Change your mind (change your mind)
Change your mind, change your mind (change your mind)
Change your mind (change your mind)
Change your mind, change your mind
Change your mind
Change your mind, change your mind

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Amy Lowell

The Book Of Hours Of Sister Clotilde

The Bell in the convent tower swung.
High overhead the great sun hung,
A navel for the curving sky.
The air was a blue clarity.
Swallows flew,
And a cock crew.

The iron clanging sank through the light air,
Rustled over with blowing branches. A flare
Of spotted green, and a snake had gone
Into the bed where the snowdrops shone
In green new-started,
Their white bells parted.

Two by two, in a long brown line,
The nuns were walking to breathe the fine
Bright April air. They must go in soon
And work at their tasks all the afternoon.
But this time is theirs!
They walk in pairs.

First comes the Abbess, preoccupied
And slow, as a woman often tried,
With her temper in bond. Then the oldest nun.
Then younger and younger, until the last one
Has a laugh on her lips,
And fairly skips.

They wind about the gravel walks
And all the long line buzzes and talks.
They step in time to the ringing bell,
With scarcely a shadow. The sun is well
In the core of a sky
Domed silverly.

Sister Marguerite said: 'The pears will soon bud.'
Sister Angelique said she must get her spud
And free the earth round the jasmine roots.
Sister Veronique said: 'Oh, look at those shoots!
There's a crocus up,
With a purple cup.'

But Sister Clotilde said nothing at all,
She looked up and down the old grey wall
To see if a lizard were basking there.
She looked across the garden to where
A sycamore
Flanked the garden door.

She was restless, although her little feet danced,

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Snake Eye

You paint a picture
So its plain to see
Aint no hiding
No security
Ill be watching
Every move you make
When you hear the rattle
Better be awake
Chorus:
Snake eyes, Im watching
Snake eyes, look out
Snake eyes, its coming
Snake eyes, aint no escaping from the snake eye
(no way)
You leave a footprint
For my eye to see
Catch an echo
From a lock and key
From the shadow
Or behind a rock
Get you anywhere
From the darkest shack
Chorus
Hear a rustle
From behind a tree
Get you running
Home to sanctuary
Bolt the door and -
You think youre safe
Im coming to get you
Gonna reach out (? ? ? )
Chorus
Got the snake eyes, they call me a snake in the bush
Snake eyes, biting
Snake eyes, always watching
Snake eyes
Aint no escaping from the -
Just keep a lookout for the -
Snake eye

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Eden bower

It was Lilith the wife of Adam:
(Sing Eden Bower!)
Not a drop of her blood was human,
But she was made like a soft sweet woman.
Lilith stood on the skirts of Eden;
(Alas the hour!)
She was the first that thence was driven;
With her was hell and with Eve was heaven.
In the ear of the Snake said Lilith:—
(Sing Eden Bower!)
“To thee I come when the rest is over;
A snake was I when thou wast my lover.
“I was the fairest snake in Eden:
(Alas the hour!)
By the earth's will, new form and feature
Made me a wife for the earth's new creature.
“Take me thou as I come from Adam:
(Sing Eden Bower!)
Once again shall my love subdue thee;
The past is past and I am come to thee.
“O but Adam was thrall to Lilith!
(Alas the hour!)
All the threads of my hair are golden,
And there in a net his heart was holden.
“O and Lilith was queen of Adam!
(Sing Eden Bower!)
All the day and the night together
My breath could shake his soul like a feather.
“What great joys had Adam and Lilith!—
(Alas the hour!)
Sweet close rings of the serpent's twining,
As heart in heart lay sighing and pining.
“What bright babes had Lilith and Adam!
(Sing Eden Bower!)
Shapes that coiled in the woods and waters,
Glittering sons and radiant daughters.
“O thou God, the Lord God of Eden!
(Alas the hour!)
Say, was this fair body for no man,
That of Adam's flesh thou mak'st him a woman?
“O thou Snake, the King-snake of Eden!
(Sing Eden Bower!)
God's strong will our necks are under,
But thou and I may cleave it in sunder.
“Help, sweet Snake, sweet lover of Lilith!
(Alas the hour!)
And let God learn how I loved and hated
Man in the image of God created.
“Help me once against Eve and Adam!
(Sing Eden Bower!)

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Book III - Part 03 - The Soul is Mortal

Now come: that thou mayst able be to know
That minds and the light souls of all that live
Have mortal birth and death, I will go on
Verses to build meet for thy rule of life,
Sought after long, discovered with sweet toil.
But under one name I'd have thee yoke them both;
And when, for instance, I shall speak of soul,
Teaching the same to be but mortal, think
Thereby I'm speaking also of the mind-
Since both are one, a substance interjoined.

First, then, since I have taught how soul exists
A subtle fabric, of particles minute,
Made up from atoms smaller much than those
Of water's liquid damp, or fog, or smoke,
So in mobility it far excels,
More prone to move, though strook by lighter cause
Even moved by images of smoke or fog-
As where we view, when in our sleeps we're lulled,
The altars exhaling steam and smoke aloft-
For, beyond doubt, these apparitions come
To us from outward. Now, then, since thou seest,
Their liquids depart, their waters flow away,
When jars are shivered, and since fog and smoke
Depart into the winds away, believe
The soul no less is shed abroad and dies
More quickly far, more quickly is dissolved
Back to its primal bodies, when withdrawn
From out man's members it has gone away.
For, sure, if body (container of the same
Like as a jar), when shivered from some cause,
And rarefied by loss of blood from veins,
Cannot for longer hold the soul, how then
Thinkst thou it can be held by any air-
A stuff much rarer than our bodies be?

Besides we feel that mind to being comes
Along with body, with body grows and ages.
For just as children totter round about
With frames infirm and tender, so there follows
A weakling wisdom in their minds; and then,
Where years have ripened into robust powers,
Counsel is also greater, more increased
The power of mind; thereafter, where already
The body's shattered by master-powers of eld,
And fallen the frame with its enfeebled powers,
Thought hobbles, tongue wanders, and the mind gives way;
All fails, all's lacking at the selfsame time.
Therefore it suits that even the soul's dissolved,
Like smoke, into the lofty winds of air;

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In-convenience

Very early in the morning we were woken from our sleep,
We were going on safari, being driven in a jeep,
We went out before our breakfast, we went out before sunrise,
We went out before the sleep had fully vanished from our eyes.
We had to dress quite quickly, and we went out in a rush,
And after we'd been driving through miles and miles of bush
For an hour or two (I have to say forgive the way I speak) ,
But - the roads were very bumpy - I was dying for a leak.
The driver stopped the jeep and kindly offered us a drink,
But it might have been more kind if he had only paused to think;
We had seen a herd of elephants, some vultures in the sky,
Several wildebeest and zebra, a hyena passing by,
Giraffes, a pair of ostriches, a buffalo or two,
And we'd taken lots of photographs (well, that's what tourists do) :
We had even seen some lions lazing underneath a tree,
But... we hadn't seen a toilet... and I really had to pee.
Beside a water-hole at last we found a pair of loos,
And I hurried to the gents', 'cause that's the one I have to use.
Yes, I went up to the gentlemen's, and pushed the door ajar,
But I didn't push it hard, and it didn't open far.
There was something in the way, you see. I did a double-take,
For it looked just like a tail, the last six inches of a snake.
I decided not to panic - I'm not that sort of bloke,
And it could have been a rubber one, left there for a joke -
So I pushed the door wide open, to be sure of no mistake,
And what should I clap eyes on but two yards of living snake!
... I closed the door, quite firmly, and went to tell the guide,
'I was going to the loo, but then I found a snake inside.'
He didn't quite believe me, but he went across to check.
- Not just a snake, a cobra! - 'Gosh, ' I thought, and 'Flipping Heck.'
For the snake looked very supple, and the snake looked very strong,
And if it would uncurl itself, the snake looked very long,
And a cobra's bite is savage, and a cobra's bite is quick,
And if that snake had bitten me, I'd be feeling rather sick.
'It might even be a spitter, judging by the size,
'So don't you go too close, and please be careful of your eyes.'
But I had to take a photograph, for that's what tourists do,
And, warily, I took a snap of the cobra in the loo.
The driver wrote a notice 'Danger, Big Big Snake Inside',
And the lady with the first-aid box took out of it with pride
A strip of sticking plaster to stick it to the door,
To tell anyone who came, there was a cobra on the floor.
By now the snake was moving, it was climbing up the wall;
It hid behind the cistern, and could not be seen at all;
It came down again, and wrapped itself around the waste-pipe neatly,
Then slithered right into the pan and disappeared completely.
Now I was on a mission to tell others what I'd seen,
But I was very conscious of the fact I'd Still Not Been!
So in that situation, though most times I wouldn't dare,
When I found the ladies' empty, I quickly popped in there.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Book III - Part 02 - Nature And Composition Of The Mind

First, then, I say, the mind which oft we call
The intellect, wherein is seated life's
Counsel and regimen, is part no less
Of man than hand and foot and eyes are parts
Of one whole breathing creature. But some hold
That sense of mind is in no fixed part seated,
But is of body some one vital state,-
Named "harmony" by Greeks, because thereby
We live with sense, though intellect be not
In any part: as oft the body is said
To have good health (when health, however, 's not
One part of him who has it), so they place
The sense of mind in no fixed part of man.
Mightily, diversly, meseems they err.
Often the body palpable and seen
Sickens, while yet in some invisible part
We feel a pleasure; oft the other way,
A miserable in mind feels pleasure still
Throughout his body- quite the same as when
A foot may pain without a pain in head.
Besides, when these our limbs are given o'er
To gentle sleep and lies the burdened frame
At random void of sense, a something else
Is yet within us, which upon that time
Bestirs itself in many a wise, receiving
All motions of joy and phantom cares of heart.
Now, for to see that in man's members dwells
Also the soul, and body ne'er is wont
To feel sensation by a "harmony"
Take this in chief: the fact that life remains
Oft in our limbs, when much of body's gone;
Yet that same life, when particles of heat,
Though few, have scattered been, and through the mouth
Air has been given forth abroad, forthwith
Forever deserts the veins, and leaves the bones.
Thus mayst thou know that not all particles
Perform like parts, nor in like manner all
Are props of weal and safety: rather those-
The seeds of wind and exhalations warm-
Take care that in our members life remains.
Therefore a vital heat and wind there is
Within the very body, which at death
Deserts our frames. And so, since nature of mind
And even of soul is found to be, as 'twere,
A part of man, give over "harmony"-
Name to musicians brought from Helicon,-
Unless themselves they filched it otherwise,
To serve for what was lacking name till then.
Whate'er it be, they're welcome to it- thou,
Hearken my other maxims.

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Kissing the Fang

Snake biting once biting dead
Snake biting twice biting life
Walking in the sorghum stalk
The oldest foe- the snake heard my feet
The snake raised the neck and hissed
As our eyes met at equilibrium
I stopped and drew my spear
The hateful send boiled to the brim
The brawl commenced I speared it back fatefully
The snake bitten my right feet fatefully
The biting bit me dead I fell down breathing not
The snake bitten my left feet again.
The biting bit me life I raised up breathing lively
The snake snaked away
The venom paralyzed me but
I giddily crawled after the snake
I gasped and kissed the snake fang
I spate the healing saliva in the snake wound
We departed in peace-indeed peace in death

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Snake; an oracle of oath

The godless men worship the snake
The godless men take oath in name of snake
And the curse comes upon wrongdoer
The godless men take oath in the name of snake
And blessing rains upon the innocent
The godless men take oath in the name of snake
And snake bitten dead the lair
And snake spare life of the truer
Despite snake answers to godless men
No votive or thank given to snake, the god
So the stopped the men to swear
By it name, snake said men used
Thunder and fire for swearing instead of it name
As snake disowned the godless men
Hex fallen upon

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I Palindrome I

Someday mother will die and Ill get the money
Mom leans down and says, my sentiments exactly,
You son of a bitch
I palindrome I (I palindrome I)
I palindrome I (I palindrome I)
And I am a snake head eating (snake head)
The head on the opposite side (snake head)
I palindrome I (manonam)
I palindrome I (manonam)
See that bulletproof dress hanging from the clothesline
See the medical chart with the random zig-zag
Now Ill help it decide
I palindrome I (I palindrome I)
I palindrome I (I palindrome I)
And I am a snake head eating (snake head)
The head on the opposite side (snake head)
I palindrome I (manonam)
I palindrome I (manonam)
I palindrome I (manonam)
I palindrome I (manonam)
Son I am able, she said though you scare me.
Watch, said i
Beloved, I said watch me scare you though. said she,
Able am i, son.
See the spring of the grandfather clock unwinding
(egad, a base tone denotes a bad age)
See the hands of my offspring making windmills
(egad, a base tone denotes a bad age)
Dad palindrome dad
I palindrome I (I palindrome I)
I palindrome I (I palindrome I)
And I am a snake head eating (snake head)
The head on the opposite side (snake head)
I palindrome I (manonam)
I palindrome I (manonam)
I palindrome I (manonam)
I palindrome I (manonam)
Notes
Dial-a-song had a substantially different song with the same name. this piece, which had a different melody and was sung by flansburgh instead of linnell, goes as follows:
I palindrome i
Born on the 5th of july
One door shut, another one closed
I palindrome i
She king of brooklyn she
Master of all she surveys
Lives a life unencumbered by me
She king of brooklyn she
Man, when I was a young man
Not like Im driving a rocking chair now, but
Man, when I was a young man

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Ballad Of Jingle Jangle Jim (Fun Poem 32)

This is the ballad of Jingle Jangle Jim,
the bravest man there has ever been.
Jingle Jangle was walking through a wooded jungle one day,
when from a bush he heard a maiden call out in distress.
‘Oooh there is a snake in the grass.’
Jingle Jangle being the brave sort,
just jumped over the bush to save the young lass.

He grabbed hold of the six-inch snake in the grass.
The biggest grass snake he ever saw.
He wrassled that snake here and there,
even got it in a scissor grip.
He grabbed it with both hands
and waved it about a bit more,
and then rolled repeatedly on the wooded jungle floor.

The poor little snake looked cross-eyed
at this Jingle Jangle twit.
‘Hey, you idiot, you could have killed me.
Now just what do you think you were doing? ’
Jingle Jangle looked at the snake for a minute.
‘Wait just a minute, snakes don’t talk.’
‘This one can and if you don’t put me down I’ll arrest you,
I‘m an undercover pygmy policeman you see.
I’m on a stake out to catch the thief
who has been stealing Farmer Giles,
beautiful, award winning blue-belles.
Now put me down you Jingle Jangle idiot,
or Ill arrest you for the said crime.’

Jingle Jangle dropped him right there.
The grass snake was as dizzy as hell.
He looked up at Jingle Jangle,
shook his little head.
’Farmer Giles can look after
his own precious bluebells
’cause I quite.
The story is not over just yet,
for Jingle Jangle Jim and the snake
did a moonlight flit
with all of Farmer Giles precious bluebells.
The moral of the story
is never ask a snake in the grass
to look after your precious bluebells.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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