In my photographs it is apparent that there was no posing at the moment I released the shutter.
quote by Jerzy Kosinski
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Heir Apparent
I came back to my old city
With fierce determination
And I couldnt find my way out of the station
Its all changed
You were there
Departing, starting
A trek I had once took
With that no-ones gonna stop me when I feel this way look
Apparent, apparent
Heir apparent
You think its so easy, I tell you - it isnt
But you may change minds with your winning smile
I fell down in my old city
Such sad degradation
So I tried to make my way back to the station
You were still there
Gleaming and leaving
Wide-eyed and awestruck
Saying how can anybody hate me
If I love them first off ?
Apparent, apparent
Heir apparent
You think its so easy, I tell you - it isnt
But you may change minds with your winning smile
Heir, heir, heir
Heir, heir, heir
Heir, heir, heir
Heir, heir, heir
But you may be ok, I dont know
Ill see you back here
In a few bruised years
Pray
Ill see you here
Ill see you here
Ill see you here
Apparent, apparent
Heir apparent
You say that you want it, Im sure that youll get it
Theyll seduce your heart and then theyll slap your arse
Heir, heir, heir
Heir, heir, heir
Heir, heir, heir
Heir, heir, heir
song performed by Morrissey
Added by Lucian Velea
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[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
[...] Read more
poem by Mahendra Bhatnagar
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Moment To Moment
Written by gerry beckley and phil galdston, 1998
Found on human nature.
There was a time I knew
All that there was to know
No one could tell me then
I was wrong
I wasnt strong enough
To see where my weakness lay
The world that you hold so tight
Could slip away
And from moment to moment
Your life can change
Theres a storm over the horizon
A sea no one can see
Somewhere around the bend
Right when you least expect
Someone can walk away
With no regret
Leaving an empty space
Breaking a sacred trust
All of your shiny dreams
Begin to rust
Yes from moment to moment your life can change
Theres a storm over the horizon
The sea you cannot see
Yes from moment to moment
Promise me youll never change
Promise me youll stay the same
Promise me youll never change
Yes from moment to moment your life can change
Theres a storm over the horizon
A sea youll never see
Yes from moment to moment your life can change
Theres a light when the sun is rising
A day after today
Promise me youll never change (promise me youll never change)
Promise me youll stay the same (the same)
Promise me youll never change
Every moment is a shining light
Every moment is the darkest night
Every moment gotta get it right
Every single moment
Every moment is a shining light
Every moment is the darkest night
Every moment gotta get it right
Every moment is a shining light
Every moment is the darkest night
Every moment gotta get it right
Every single moment
Every moment is a shining light
[...] Read more
song performed by America
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Moment To Moment
Too many nights of isolation
Too many echoes in my head
Too many fires left burning
In this bed
Too many thoughts of desperation
So much pain deep down below
So mych a slave to my senses
I cant let go
From moment to moment
I live and I die
This cant go on anymore
Another day, another lie
From moment to moment
I stand and I fall
This cant go on anymore
Unless we both give it all
I ask you how can a man keep his distance
How can he reason with his heart
How can you hold me so near
Yet keep me so far
From moment to moment
I live and I die
This cant go on anymore
Another day, another lie
From moment to moment
I stand and I fall
This cant go on anymore
Unless we both give it all
Sometimes Id like to break you down
To see if theres a trace of woman in you that could be found
But I just keep prayin youll come around
And live from moment to moment
I live from moment to moment
I live from moment to moment
So much a slave to my senses
I cant let go
From moment to moment
I live and I die
This cant go on anymore
Another day, another lie
From moment to moment
I stand and I fall
This cant go on anymore
Unless we both give it all
You know I want to give it all
I live from moment to moment
Everyday of my life
I live from moment to moment
song performed by Gino Vanelli
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Mendocino County Line (feat. Willie Nelson)
(Willie Nelson and Lee Ann Womack)
Counted the stars on the 4th of July
Wishing they were rockets bursting into the sky
Talking about redemption and leaving things behind
As the sun sank west of the Mendocino County Line
As fierce as Monday morning feeling washed away
Our orchestrated paradise couldn't make you stay
You dance with the horses through the sands of time
As the sun sinks west of the Mendocino County Line
I have these pictures and I keep these photographs
To remind me of a time
These pictures and these photographs
Let me know I'm doin' fine
I used to make you happy once upon a time
But the sun sank west of the Mendocino County Line
The two of us together felt nothin' but right
Feeling you near immortal every Friday night
Lost in our convictions left stained with wine
As the sun sank west of the Mendocino County Line
I have these pictures and I keep these photographs
To remain me of a time
These pictures and these photographs
Let me know I'm doin' fine
I used to make you happy once upon a time
But the sun sank west of the Mendocino County Line
I don't talk to you too much these days
I just thank the lord pictures don't fade
I spent time with an angel just passing through
Now all that's left is this image of you
Counted the stars on the 4th of July
Wishing we were rockets bursting in the sky
Talking about redemption and leaving things behind
I have these pictures and I keep these photographs
To remind me of a time
These pictures and these photographs
Let me know I'm doin' fine
We used to be so happy once upon a time
Once upon a time
But the sun sank west of the Mendocino County Line-acap
song performed by Lee Ann Womack
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Moments
Of all the Graces praised
least in the West
but better understood in the East
is that of the ability
to Endure.
Not passivity,
but deep understanding given.
The Western view is that all is chard
and moments are all that matter.
But incidents and moment-pieces
are not lives or even a day given.
But enduring each moment
is better done
from understanding the whole
from which the moment comes.
Moments, the Easterners say
are not aggregated
to be taken together to make a day.
Rather a day is given as a whole
but in the West we pluck moments stray
and munch them according to our appetites.
But the East says each day the sun does not rise to greet a new moment;
the Sun inaugurates a New Day.
So if this moment is now overwhelming
it means you missed the Sun-Rise Last
and will miss the Sun-Rise Next
because you latched onto a stray moment
which is but a chard of the whole day.
So, the wisdom here,
at least I think,
says
Live not for the moment
for but the whole day
there is where salvation,
hope, love, and peace lay.
So if my life-goal is moment placed
there can be no peace
only schizophrenia.
[...] Read more
poem by Lonnie Hicks
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The Idols
An Ode
Luce intellettual, piena d' amore
Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.
Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.
Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?
[...] Read more
poem by Robert Laurence Binyon
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Night Of The Swallow
The night doesnt like it.
Looks just like your face on the moon, to me.
And I wont let you do
What you want to do.
Its funny how, even now,
Youre laughing.
I wont let you do it.
If you go, Ill let the law know,
And theyll head you off when you touch the ground.
Ooh, please, dont go through with this.
I dont like the sound of it.
Its funny how, even now,
Youre miles away.
I wont let you do it.
I wont let you do it.
I wont let you go through with it.
Meet them over at dover.
Ill just pilot the motor,
Take them over the water
With a hired plane,
And no names mentioned.
Tonights the night of the flight.
Before you know,
Ill be over the water
Like a swallow.
Theres no risk.
Ill whisk them up in no moonlight.
And though pigs can fly,
Theyll never find us
Posing as the night,
And Im home before the morning.
In malta, catch a swallow,
For all of the guilty--to set them free.
Wings fill the window,
And they beat and bleed.
They hold the sky on the other side
Of borderlines.
Meet them over at dover.
Ill just pilot the motor,
Take them over the water,
Like a swallow flying to malta,
With a hired plane,
And no names mentioned.
Tonights the night of the flight.
Before you know,
Ill be over the water
Like a swallow.
Theres no risk.
Ill whisk them up in no moonlight.
And though pigs can fly,
[...] Read more
song performed by Kate Bush
Added by Lucian Velea
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A City of The Old
A mature old man from the myth raised a question, 'Who is the oldest poet on earth? . '
when you are old, you will understand more about hope.The city of the Old without hope is the city with lots of hope in the myth.
kitchen, bathroom, market, forest, stock-market, shares prices, bank accounts, logistics plus and minus; the archeology of the old men's skills on carrying travelling bags.
what is the difference between old-aged homes and theatres?
the tide is rising up.
what is your last words?
A sandwithed present moment between the past and the future
congested aesthetics
Buddha said, 'Human beings exist only for a moment'
for a moment for a moment for a moment for a moment for a moment for a moment for a moment for a moment for a moment for a moment vfor a moment for a moment for a moment for a moment for a moment for a moment
where is your hope escaping?
Is this bank account important for you?
Is the kitchen important for you?
Is the bathroom important important for you?
The bathroom said, 'I clean it again and again and who is making dirty again and again?
Let's listen to the birthrooms' voices.
A mature old man from the myth raised a big question, 'Who is the oldest poet on earth?
waling to the east and looking backwards,
this is the oldest myth on earth.
In ther city of the old, nothingness, autobiography, biography, courage, nurseries, paddy fields,
internet, goggle-earth and butterflies
old man in the myth, the myth in old man; old man in the city, the city in the old man
a matur, old man raised a infant question, 'who is the oldest poet on earth now? '
I saw the youngest poet on earth in Phenom Penh in 2004.
poem by Nyein Way
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Moment In Paradise
Oh, yeah
She never cried, she only tried
To fly beyond her dreams
No walls around her mind
Deep inside shed try to hide
That she was way beyond her means
No borders and no lines
She said that its your duty to save your soul
To save it for someone
Moment in paradise
Just a moment in paradise
Oh, yeah
Moment in paradise
Just a moment in paradise
Oh, yeah
She floated out upon the wind
That blew my thoughts into the night
She knew the things she had to know
She drifted high above my mind
Blew my brains out, did alright
I think she knew it all along
She said that its your duty to save your soul
To save it for someone
Moment in paradise
Just a moment in paradise
Oh, yeah
Moment in paradise
Just a moment in paradise
Oh, yeah
Oh, yeah, oh, yeah, oh, yeah
She said that its your duty to save your soul
To save it for someone
Moment in paradise
Just a moment in paradise
Oh, yeah
Moment in paradise
Moment in paradise
Moment in paradise
Moment in paradise
Oh, yeah
Moment in paradise
Moment in paradise
Just a moment in paradise
song performed by Electric Light Orchestra
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Dina Vieny, Maillol And Matisse
When posing for Maillol she looked quite obese,
since Aristide thought fat is fine,
but having been drawn by his good friend Matisse,
she left him reduced to a line.
Inspired by an obituary of Dina Vierny, Aristide Maillol’s model, by William Grimes (“Dina Vierny,89, model for Maillol’s sculptures, ” NYT, January 27,2009) :
Ms. Vierny was a 15-year-old lycée student in Paris when she met Maillol, in the mid-1930s. The architect Jean-Claude Dondel, a friend of her father’s, decided that she would make the perfect model for the artist, who was 73 and in the professional doldrums. “Mademoiselle, it is said that you look like a Maillol and a Renoir, ” Maillol wrote to her. “I’d be satisfied with a Renoir.” For the next 10 years, until his death in a car accident in 1944, Ms. Vierny was Maillol’s muse, posing for monumental works of sculpture that belied her modest height of 5 feet 2 inches. By mutual agreement, the relationship was strictly artistic….Her Rubenesque figure and jet-black hair indeed made her, as Dondel had predicted, “a living Maillol, ” memorialized in works like “The Seated Bather, ” “The Mountain, ” “Air, ” “The River, ” and “Harmony, ” his last, unfinished sculpture. Maillol also turned to her as a subject for drawings and painted portraits, like “Dina With a Scarf, ” now in the Maillol Museum.
In 1939, Maillol took refuge at his home in Banyuls-sur-Mer, at the foot of the eastern Pyrenees. There, Ms. Vierny, who had already begun working for a Resistance group in Paris, was approached by the Harvard-educated classicist Varian Fry, whose organization in Marseille helped smuggle refugees from occupied France into Spain. Unbeknownst to Maillol, she began working as a guide, identifiable to her fleeing charges by her red dress. The work was doubly dangerous because she was Jewish. Ms. Vierny soon began dozing off at her posing sessions. The story came out, and Maillol, a native of the region, showed her secret shortcuts, smugglers’ routes and goat paths to use. After several months of working for the Comité Fry, Ms. Vierny was arrested by the French police, who seized her correspondence with her friends in the Surrealist movement but failed to notice stacks of forged passports in her room. A lawyer hired by Maillol won her acquittal at trial, and to keep her out of harm’s way the artist sent her to pose for Matisse in Nice. “I am sending you the subject of my work, ” Maillol told Matisse, “whom you will reduce to a line.” Matisse did several drawings and proposed an ambitious painting that he called a “Matisse Olympia, ” after the famous painting by Manet. When Maillol heard that the project would take at least six months, he hastily recalled her to Banyuls. She also posed for Dufy and for Bonnard, who used her as the model for “Somber Nude.” In 1943, Ms. Vierny was again arrested, this time by the Gestapo, in Paris. She was released after six months in prison when Maillol appealed to Arno Breker, Hitler’s favorite sculptor.
1/27/09
poem by Gershon Hepner
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The Death Of Regret
I opened my shutter at sunrise,
And looked at the hill hard by,
And I heartily grieved for the comrade
Who wandered up there to die.
I let in the morn on the morrow,
And failed not to think of him then,
As he trod up that rise in the twilight,
And never came down again.
I undid the shutter a week thence,
But not until after I'd turned
Did I call back his last departure
By the upland there discerned.
Uncovering the casement long later,
I bent to my toil till the gray,
When I said to myself, 'Ah - what ails me,
To forget him all the day!'
As daily I flung back the shutter
In the same blank bald routine,
He scarcely once rose to remembrance
Through a month of my facing the scene.
And ah, seldom now do I ponder
At the window as heretofore
On the long valued one who died yonder,
And wastes by the sycamore.
poem by Thomas Hardy
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Water's Edge
I went to the water's edge, forgot I couldn't swim
I went to the water's edge, all ready to jump in
I saw the water shimmer
I heard the wind howl
I saw my own reflection
I just can't see it now
You say it's the way of the world
To somehow co-exists
That eventually life unfurls
A path to happiness
So I whisper your little secret
And repeat it under my breath
I'll save it for you in my heart
In case we both forget
Oh, I wish you could wrap yourself around me
I am gripped by a loneliness
Oh, I wish you could wrap yourself around me
I'd be released in your tenderness
I'd be released in your tenderness
I went to the water's edge and saw my life eclipse
I went to the water's edge and then felt myself slip
I dreamed that I was floating, just coast until I grew fins
I want to catch this tide back home and feel you again
Oh, I wish you could wrap yourself around me
I am gripped by a loneliness
Oh, I wish you could wrap yourself around me
I'd be released in your tenderness
Oh, I wish you could wrap yourself around me
I am gripped by a loneliness
Oh, I wish you could wrap yourself around me
I'd be released in your tenderness
I'd be released in your tenderness
I'd be released in your tenderness
song performed by Cyndi Lauper
Added by Lucian Velea
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This Is The Moment
This is the moment
This is the day
This is the moment
When I know
I am on my way
Every endeavor
I have made ever
Is coming into play
Is here and now today
This is the moment
This the time
When the momentum
And the moment
are in rhyme
Give me this moment
My precious chance
I'll gather up my best
And make some sense atlast
This is the moment
When all I've done
All of the dreaming,
scheming
And screaming
becomes one
This is the day,
Just see it shine
When all that I have lived for
Becomes mine
This is the moment
This is the hour
When I can open up,
Tomorrow
like a flower
And put my hand to
Everything I plan to
Fulfill my grand desire
See all my stars align
This is the moment
My final test
Destiny beckoned
I never reckoned second best
I won't look back
I must not fall
This is the moment
The sweetest moment
Of them all
This is the moment
So double the odds
This day or never
I'll sit forever
[...] Read more
song performed by Moody Blues
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Part I
"That oblong book's the Album; hand it here!
Exactly! page on page of gratitude
For breakfast, dinner, supper, and the view!
I praise these poets: they leave margin-space;
Each stanza seems to gather skirts around,
And primly, trimly, keep the foot's confine,
Modest and maidlike; lubber prose o'er-sprawls
And straddling stops the path from left to right.
Since I want space to do my cipher-work,
Which poem spares a corner? What comes first?
'Hail, calm acclivity, salubrious spot!'
(Open the window, we burn daylight, boy!)
Or see—succincter beauty, brief and bold—
'If a fellow can dine On rumpsteaks and port wine,
He needs not despair Of dining well here—'
'Here!' I myself could find a better rhyme!
That bard's a Browning; he neglects the form:
But ah, the sense, ye gods, the weighty sense!
Still, I prefer this classic. Ay, throw wide!
I'll quench the bits of candle yet unburnt.
A minute's fresh air, then to cipher-work!
Three little columns hold the whole account:
Ecarté, after which Blind Hookey, then
Cutting-the-Pack, five hundred pounds the cut.
'Tis easy reckoning: I have lost, I think."
Two personages occupy this room
Shabby-genteel, that's parlor to the inn
Perched on a view-commanding eminence;
———— -Inn which may be a veritable house
Where somebody once lived and pleased good taste
Till tourists found his coign of vantage out,
And fingered blunt the individual mark
And vulgarized things comfortably smooth.
On a sprig-pattern-papered wall there brays
Complaint to sky Sir Edwin's dripping stag;
His couchant coast-guard creature corresponds;
They face the Huguenot and Light o' the World.
Grim o'er the mirror on the mantlepiece,
Varnished and coffined, Salmo ferox glares
—Possibly at the List of Wines which, framed
And glazed, hangs somewhat prominent on peg.
So much describes the stuffy little room—
Vulgar flat smooth respectability:
Not so the burst of landscape surging in,
Sunrise and all, as he who of the pair
Is, plain enough, the younger personage
Draws sharp the shrieking curtain, sends aloft
The sash, spreads wide and fastens back to wall
[...] Read more
poem by Robert Browning from The Inn Album (1875)
Added by Veronica Serbanoiu
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Gas Hed Goes West
If I was half alive
Then you were dead
Subsistin' on that same old bread
It's the memory that hides
The whole wide world
It's the gas hed's love of america
It's the memory that hides
Take your photographs back
For the love of all gods
Our gas hed marches on
Our gas hed marches on
He's a bonified man
A star amongst his clan
And the only one that let me ride
It's the memory that dies
Our gas hed was right
When they lanced his skull
There was puss and light
It's the memory that dies
So take your photographs back
For the love of all gods
Our gas hed marches on
Our gas hed marches
It's the memory that dies
And make your photographs black
For the love of all gods
Our gas hed marches on
Our gas hed marches on
It's the memory that dies
So take your photographs back
For the love of all gods
Our gas hed marches on
Our gas hed marches
Gas hed is on the radio
song performed by Live from Secret Samadhi
Added by Lucian Velea
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Gas Head Goes West
If I was half alive
and you were dead
subsisiting on that same old bread
it's the memory that hides
the whole wide world
it's the gas hed's love of america
it's the memory that hides
take your photographs back
for the love of all gods
our gas hed marches on
our gas hed marches on
he's a bona fide man
a star amongst his clan
and the only one that let me ride
it's the memory that dies
our gas hed was right
when they lanced his skull
there was puss and light
it's the memory that dies
so take your photographs back
for the love of all gods
our gas hed marches on
our gas hed marches on
it's the memory that dies
and make your photographs black
for the love all gods
gas hed marches on
gas hed marches on
it's the memory that dies
so take your photographs back
for the love of all gods
our gas hed marches on
our gas hed marches on
gas hed is on the radio, radio, radio
song performed by Live
Added by Lucian Velea
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Unhinge
Unhinge the photographs
we licked as
children
tongues in Sarishvili
unhinge
the dead foxes in photographs
kids
that talk Swahili and eat jam.
Jam and Persian ponies-
If I tell you there's no traffic
jam at 4 am in Skopje or no jam in jars, hot suns and super-novas
Will you eat
Me up?
Like air-
Unhinge paper clips or just an eye-lash
and indigo photographs of Romania
In 1963
If I tell you there's no earth-
quakes,
Unhinge Vlach alphabet, breaths caught on cameras
I the darkroom-
when we licked
our photographs of
world chimeras and natural-
yes, natural disas-
ters.
Unhinge.
Lips and nasty
weathers, rain outlets and
rusty sonatas-
Unlock your hair
to
me.
Unlock your hair
to
me.
In one of the mosques in Sarajevo
the cats talk Sanskrit-
Unhinge,
not us in the darkroom licking indigo languages
and scrambled worlds,
but
the sparrows
from
the
sycamore
branches.
Even
they are
sick,
[...] Read more
poem by Afrodita Nikolova
Added by Poetry Lover
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One Mirror Too Many
From the moment you see
The moment you breath
The moment I touch you
From the moment you crawl
The moment you fall
The instant I loved you again
From the moment of darkness
The moment of light
The second I kissed you
From the moment I enter
The moment I leave
In this moment of rapture
Chorus
One mirror to many gonna tie you up
A life forever empty has got to be tough
To many starless night gonna leave you blind
Can never make it right
From the moment you stumble
The moment you run
In your presence I crumble
From the moment it happens
The moment you know
Theres no life without you
song performed by Black Crowes
Added by Lucian Velea
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