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I think that every sexual position is fundamentally comic.

quote by Judith Butler
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Hold Your Position (Stones)

Now here comes the great musical thing called "hold your position"
Rasta, them style ya a just levelment Uncle seen
Hold me position, Just a hold me position
I ya, hold me position, just a hold me position
Go on, hold me position, just a hold me position
Just like Jesus Christ in the valley of decision
Devil come along and tru to deceive man through him
Got him plan from the older one
Him had to hold him position, had to hold him position yeh
Hold him position, had to hold him position
Well rhythm like this makes me and me daughter
Go down at the dance, bubble on the corner
When the rhythm is sweet, we a go hold tighter
Rub-adub like this makes you go one
So you hold your position
Say you hold you position aya
Hold your position, say hold your position
Things and time was a getting slow let off the rhythm
Let the good time roll
Don't bother go a slow and stay a back row
I man come to make the rhythm
Just a rock and flow, because me hold me position
Just a hold me position
Special request to 39 Acker Tree, Frontline, everyman on Kime
UB40 say come and rhyme
Yes, Daddy Stone, me in the dance hall style
So we really come to make it versatile
Because one of a kind we come to blow your mind
So you should hold you position
Yes, hold your position, aya
Hold your position, hold your position
Hold Your Position (cont'd) Stones
Skank steady, Skank Steady
I tell you rock the rhythm
You should skank down steady
You know you say, it heavier than lead
Kinda tougher than tough
You know that Jah, Jah covers
Since he stands over us
So hold your position
Hold your position
Move to the east, and you could a move to the west
Lyrics like this Jab know never go jest
Say chunk ice water say right to your chest
Intercity, outer city everywhere the best you better
Hold you position, just hold your position
Hold you position, say hold your position
Well rhythm like this is really so hot
Let off the vilse because a legal shot
Because we hold our position

[...] Read more

song performed by Ub40
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Dinner Menu Affected The Bedroom

Insecticides concentrated
in meat and fish cause sterility
Amyloid plaque from meat
and fish... cause senility
The animal fat in meat fish
and dairy
clogs the arteries
reducing sexual
ability
*

PREVENTION OF SEXUAL TRAUMA

Impotence And Animal Flesh

A. CONQUERING IMPOTENCE
Dr. Michael Klaper, Md, in a public speech mentioned that a 25 per
cent blockage of penile arteries from cholesterol (animal fat) accounts for a quadrupled lack of function. Elimination of animal products in many cases returns sexual function. The Physicians' Desk Reference lists sexual dysfunction or impotence as a byproduct of many psychiatric drugs.
(Dr. Klaper is available through archives and live discussion on the web
at
Drs. Neal Barnard MD and Chaitowitz both concurred in this opinion in an
article in May in the Montreal Gazette.
National Public Radio on Sept 9,98 hosted the author of a book on Prozac
who stated that 30 to 40% of users feel a loss of sensation sexually.
Viagra has been correlated to heart attacks. (Eli Lilly and Pfizer
make these 2 drugs.) Fox News reported June 10,98 that Viagra in combination
with nitrates such as sodium nitrate used to color hot dogs can be lethal.
Dr. Drew, MD, host of Loveline, stated one should research the many
antidepressants which cause impotence.
B. CURING BREAST CANCER
(See the Ohio file no.7 under Nonviolent Action for an analysis of
federal and state programs regarding breast cancer.)
The New England Journal of Medicine in November of 1997 stated that
animal fats which become trans-fatty acids are a cause of breast cancer.
The major cause of breast removal in the U.S.is animal products.
(The five countries with the highest rates of breast
cancer have the highest animal product consumption. They are
Scandinavian countries, the U.S. and one other. Women with mastectomies lose
none of their beauty, but they have
a difficult time adjusting. Elimination of the butyric acid in animal
products makes the body more fragrant.
(Other factors in sexual dysfunction are generalized anger, anger with
the partner, low self esteem, general exhaustion, female hormones in animal
products, etc.)
The dietary causes of breast cancer are both the animal products and the
female hormones given to the animals. The Dept. of Defense Health Section in
October did a symposium on the trans fatty acids found in animal products as
a cause of cancer.
The administration's plan to give 450 million dollars to the testing

[...] Read more

poem by O. Anna Niemus
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Sexual Healing (Capital Radio Session)

Baby I'm hot just like an oven
I need lovin'
And baby, I can't hold on much longer
It's getting stronger and stronger
And when I get that feeling
I need sexual healing
Sexual healing
Oh baby
Makes me feel so fine
Helps to relieve my mind
Oh baby sexual healing baby, it's good for me
Sexual healing something that's so good for me
Whenever blue tear drops are fallin'
And my emotional stability is leavin' me
There is something I can do
I can just get on the telephone and call you up baby
And honey I know you'll be there to relieve me
The love you give to me will free me
If you don't know the things you're dealin'
Oh, I can tell you, darling, that it's sexual healing
(Heal me darlin')
(Heal me darlin')
Oh, and baby I got sick this morning
A sea was storming inside of me
And, baby I can't hold on much longer
It's getting stronger and stronger
And when I get that feeling
I need sexual healing
Sexual healing
Oh baby, makes me feel so fine
Helps to relieve my mind
Oh baby, sexual healing, baby, it's good for me
Sexual healing is something that's good for me
And it's good for me and it's so good to me
My baby ohhh
Come take control, just grab a hold
Of my body and mind soon we'll be making it, honey
Oh we're feeling fine
You're my medicine open up and let me in
Darlin' you're so great
I can't wait for you to operate
(Heal me darlin')
(Heal me darlin')
I can't wait for you to operate
(Heal me)
When I get that feeling, I need sexual healing
Oh, when I get that feeling I need sexual healing
I gotta have it sexual healing
I wanna have it sexual heali

song performed by Darren Hayes
Added by Lucian Velea
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Those Sexual Innuendos

Innocence has blown up in a puff!

Those,
Sexual innuendos...
Can stir things up!
And addict a kid to lust.
With a stirring that corrupts.

All those sexual innuendos,
Can stir things up.
And when children think of chicken...
They want to know if the rooster plucks.
And in what position does a chicken cluck.

Those,
Sexual innuendos...
Can stir things up!
And addict a kid to lust.
With a stirring that corrupts.

Those sexual innuendos...
That stir things up.
Are fed to feed attraction,
With a stirring things up!

And made to trap...
Weak minds to keep attracted.

Those sexual innuendos...
That stir things up.
Are fed to feed attraction,
With a stirring things up!

And made to trap...
Weak minds to keep attracted.

Those,
Sexual innuendos...
Can stir things up!
And addict a kid to lust.
With a stirring that corrupts.

All those sexual innuendos,
Can stir things up.
And when children think of chicken...
They want to know if the rooster plucks.
And in what position does a chicken cluck.

All those sexual innuendos,
Can stir things up.

[...] Read more

poem by Lawrence S. Pertillar
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Joseph's Gloss On God

When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.

The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.

Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:

To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was the “The Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.

10/22/09

poem by Gershon Hepner
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Sexual Device

(stuart emerson)
Producer for bonnie: stuart emerson
Im a run away freight train
Headin on down your track
Im the eye of a hurricane
Shooting daggers in your back
Im the howl at the window
The sound of a crackling flame
Getting uncontrollable
And the lines about to break
Nine times out of ten
I get what I want
I always want more
Gonna get what Im looking for
Be my sexual
Be my sexual device
Be my sexual
Be my sexual device
Im a tiger in the bedroom
A mist in the air at night
Inconceivable
An oasis in the fire
A shock on the airwaves
A fighter with a hungry heart
Im incurable
A new sensation
No reservations
This time I win
This time you lose
I still want more
Give me what Im looking for
Be my sexual
Be my sexual device
Be my sexual
Be my sexual device
Be my sexual
Be my sexual device
Be my sexual
Be my sexual device

song performed by Bonnie Tyler
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Freeek!

Verse 1
You got yourself some action
Said you got yourself a body
You got yourself an ass with
Mind of it's own bring something to the party
You got yourself addicted
You shoot up, it saves you time
You got yourself a paycheck
Faces in the places where the sun don't shine
CHORUS 1
I'll be your sexual freeek (freeek)
Of the week
I'll be your inspirational brother (sister)
Yo mama can't you see
I'll be your sexual freeek
Of the week (Ohh touch it)
I'll be your educational lover
Your one fxxx fantasy
Can I come on in, my sweet baby
Can I move on in
Can I come on in, my sweet baby,
Can I move on in
Verse 2
You got yourself some action
Said you got your sexy Java
You got your speed connection
Free chat, fxxx that, get a little harder
You got yourself a big bed
You shoot off, take your time
In the house with a bitch and a mouse
And your daddy's plastic how fantastic yeah
CHORUS 2
I'll be your sexual freeek (Back up on this)
Of the week (Yeah . . . I think I need a re-booty)
I'll be your inspirational brother (Sister)
Yo mama can't you see
I'll be your sexual freeek (B,B,Back)
Of the week (B,B,Back back, sexy mama) (Sexual)
I'll be your educational lover
(Yeah) Your one fxxx fantasy
BRIDGE
Sexual freeek (Sister)
I think I need a re-booty
Sexual freeek (Sister)
I'll be your sexual freeek, of the week
I'll be your inspirational brother, Yo mama can't you see
I'll be your sexual freeek, of the week
I'll be your educational lover, your one fxxx fantasy
(Sister) (Baby) Sexual freeek, (Baby) Inspirational brother
You got yourself some action

[...] Read more

song performed by George Michael
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I Love Sensual Women

I love sensual women and not passionate ones. A passionate woman closes her eyes, moans and shouts and the enjoyment of a passionate woman is blind.

A passionate woman writhes about, grabs you with her hands without looking where, clasps you, kisses you, even bites you and hurries to reach her climax as soon as she can. She has no time to display her sexual organs, no time to examine, touch with the hand and kiss your sexual organs, she is in such a hurry to slake her passion. Having slaked her passion, the passionate woman will fall asleep. The sexual organs of a passionate woman are dry. A passionate woman is always in some way or another mannish.

The sensual woman is always feminine.
Her contours are rounded and abundant.

The sensual woman rarely reaches a blind passion. She savours sexual enjoyment.
The sensual woman is always a woman and even in an unaroused state her sexual organs are moist. She has to wear a bandage on her sexual organs, so as not to soak them with moisture.

When she takes the bandage off in the evening, the bandage is so wet that it can be squeezed out.

Thanks to such an abundance of juices, the sexual organs of a sensual woman give off a slight, pleasant smell which increases strongly when the sensual woman is aroused. Then the juice from her sexual organs is secreted in a syrupy stream.

A sensual woman likes you to examine her sexual organs.

poem by Daniil Ivanovich Kharms
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Candlelight of Lust

The candlelight, that burns forever,
Surrounded in darkness or light, lust that flares inside wherever,
Sexual satisfaction, inflicted on humans whoever,
The journey through sexual pleasure, the most pleasurable endeavor,
The candlelight burns forever burns throughout life,
The firery yellow flame, that projects through eyes of delight,
The candlelight, that shines forever, through the darkness of the night,
Sexual intercourse, the flame that shines in plain sight,
Such a wonderful feeling, the most pleasurable to humanity,
An escape from the unjust world, the sexual fantasy,
The candlelight, the lightbulb in the mind, on the edge of sanity,
The light that guides the path away from all vanity,
Lust, the instinctive form of physical emotion,
The unsealed bond between two people without devotion,
Sexual satisfaction with high tension of notion,
The candlelight burns, even when the wind blows,
The phenomenon between love and lust, that was coined long ago,
A mystery in a two piece puzzle that no one will ever know,
The candlelight in the darkness that forever glows,
Sexual fantasy, the emotional bond between two,
A beautiful nature, frowned upon in society as a form of taboo,
An addictive nature, the constant fantasy to renew,
The best feeling of human pleasure, beyond what’s true,
Lust, the momentum pushed by sexual desire,
An equal partnership in happiness, the path to acquire,
The candlelight the glows everywhere with the tip of fire,
That lights up the horizon of the sea of dark desires,
The phenomenon of lust, the human instinct hardwired,
The candlelight, also correlated with nature around Earth,
Sex linked to the creation of birth,
The aftermath of sexual pleasure, the high degree of mirth,
Something humanity will never know, the fine line between lust and love,
Weather it’s the manipulation of sexual pleasure, or the connection to the beloved,
Nymphomania, the candlelight I speak of.

poem by Kurt Kacich
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

poem by Charles Churchill
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Sexual Thing

(laughing)
Jam blues man
There you lay
All by yourself
So please allow me
To introduce myself
I welcome you
To the house of sin
Open your mind
And let the games begin
Im your lust
And Im your greed
Im every sick thought
That you ever done dreamed
Eaten your cake
Now you want some more
Mmm, where have i
Heard that before?
Chorus:
I am your
I am your
Im just your sexual thing
I am your
I am your
Im just your sexual
Aint nothin but a sexual
Its just a sexual thing
Lyin there
You look so horny
Talk is cheap
And startin to bore me
Hold me close
And tell me it feels so good
But damn, girl
You knew it would
Chorus
Solo
Glad to have met you
So pleased that youve come
But I must be movin on
My work here is done
Best believe me you, child
The pleasures been all mine
If youre in need, please do indeed
Call me anytime
Chorus
Theyve got you medicated
Its got you so frustrated
He caught you masturbatin
You rather be fornicating

[...] Read more

song performed by Poison
Added by Lucian Velea
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Sexual Suicide

Baby, u take a walk
Take a walk and leave me behind
Baby, u gonna walk, yeah
Gonna walk right out of your mind
U better have 2 feet
We got no reason, reason 2 lie
Baby, u take a walk
Think Im gonna take a sexual suicide
Baby, if u only knew
All the love, want a love thats deep in my heart
Ooh baby, bein here with u
Wouldnt be nothin could tear us apart
Alright, uh, every night
Cool surrender, lost in your arms
U, ull be surprised
Doin it in the cuffs, sound your alarm
Baby, gonna take a walk
Think Im gonna take a sexual suicide
No body like my body, baby
Aint no ride like my ride
Super skin in my car, baby
If ure drivin me, then maybe
Sexual suicide
Aint it a shame
That u wont play the game
Got 2 much pride
U, u make your bed
But u got 2 see the sexual, sexual suicide
Suicide, sexual, sexual suicide
U take a walk
We can talk

song performed by Prince
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Comic Books

Long before I was 12 I would read by myself.
Archie, josie, super-heroes.
I would read them by myself.
I had the stars on my wall.
14 was a gas for me.
Batman on tv.
I would cheer the super-heroes.
They were all I wanted to be.
I had the stars on my wall.
18 I was guaranteed.
I would lose my teenage dream.
But its so funny how I got to look.
Like all the people in my comic books.
Now Im a star on my wall.
Comic books.
Comic books.
Comic books.
Comic books.

song performed by Blondie
Added by Lucian Velea
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100 STD's 10,000 MTD's

There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.

The latter take a lot more lives.

*********

In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria

Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.

WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)

POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST

a partial list in alphabetical order

acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)

ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)

BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting

bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions

BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken

[...] Read more

poem by O. Anna Niemus
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Josejoi Banzai

Two thousand years of male society,
Smoke-filled land of the rising sun.
History indicates that they're good for nothing,
Time has come for all male retirement.
It's time for women to show her true self,
With women soul and power let's open a new era.
Female-up, position banzai,
Female-up, position banzai.
Two thousand years of male society,
Mah-jong ridden land of the rising sun.
History shows that they're good for nothing,
Time has come for female-up position.
It's time for women to show her true power,
With women soul and power let's open a new era.
Female-up, position banzai,
Female-up, position banzai.
Two thousand years of male society,
Violence-controlled land of the rising sun.
History shows that they're good for nothing,
Time has come for women's solidarity.
It's time for women to sing her true song,
With women soul and power let's create a new era.
Female-up, position banzai,
Female-up, position banzai.

song performed by Yoko Ono
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Josejoi Banzai

Two thousand years of male society,
Smoke-filled land of the rising sun.
History indicates that they're good for nothing,
Time has come for all male retirement.
It's time for women to show her true self,
With women soul and power let's open a new era.
Female-up, position banzai,
Female-up, position banzai.
Two thousand years of male society,
Mah-jong ridden land of the rising sun.
History shows that they're good for nothing,
Time has come for female-up position.
It's time for women to show her true power,
With women soul and power let's open a new era.
Female-up, position banzai,
Female-up, position banzai.
Two thousand years of male society,
Violence-controlled land of the rising sun.
History shows that they're good for nothing,
Time has come for women's solidarity.
It's time for women to sing her true song,
With women soul and power let's create a new era.
Female-up, position banzai,
Female-up, position banzai.

song performed by Yoko Ono
Added by Lucian Velea
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Modern Love LXXI (Kama Sutra-Sat Nam)

Kama Sutra, simple kiss
straight kiss, first kiss
bent kiss, movie kiss
stolen kiss, spicy kiss
forehead kiss, eye kiss
cheek kiss, throat kiss
bosom kiss, breast kiss
lip kiss, mouth kiss
Hear the click clack
Kiss of intention
Kiss that kindles love
Kiss that awakens
Kiss that turns away
Kiss back of knees
Kiss insteps
Kiss ear lobes
Sat Nam
Embrace forehead
embrace eyes,
embrace face
embrace breasts
smoldering slow dance
embrace twining of a creeper
embrace climbing a tree
embrace thighs
piercing embrace
embrace of the jaghana
Mixture of sesamum seed
with rice
feel those dark clouds disappear
Sat Nam
Touch, encircle, entwine
Milk and water embrace
Auparishataka
Nominal Congress
Inside and outside pressing
Sucking a mango fruit
Swallowing it up
all the dream is you
sat nam
Tickle the peacock feather
Draw out trunk of elephant
Worship at the gate
Congress of the crow
Widely opened position
Hear the ring of far off gongs
Yawning position
Hear music playing
Splitting of the bamboo
Fast, slow echo endlessly

[...] Read more

poem by Liberatore Suffoletta
Added by Poetry Lover
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This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.

quote by Kristen Bell
Added by Lucian Velea
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Bipolar

Oh no here we go,
here we go again
You were so afraid
you let me back in
Back in thru a door
you had long forgot
Its resistance is shot,
mine was not
But I waited..
my complicated,overrated girl
You know that I hated,we suffocated
and Overstated everything
Why can't you be bi-sexual instead of bi-polar?
Oh look there she goes
There she goes again
She keeps on checkin out
Checkin out her friends
I swear you'll never know
Know what's on her mind
Wish she'd given in
At least one time, Cuz
I waited..
my complicated,overrated girl
You know that I hated,we suffocated
and Overstated everything
Why can't you be bi-sexual instead of bi-polar?
Get up get up, whatcha doing in bed
I think it's all in your head
Get up get up, no don't sleep sunday morning
And there's a whole world around you gotta let in
Especially the girls, we all like the girls
I waited..
my complicated,overrated girl
You know that I hated,we suffocated
and Overstated everything
Why can't you be bi-sexual?
Why can't you be bi-sexual?
Why can't you be bi-sexual?
instead of bi-polar

song performed by Bowling For Soup
Added by Lucian Velea
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Next Position Please

Words and music by rick nielsen
People all over the world
They get up they get down
They get in they get out
They get pushed, they go back
Start all over again
Till they get to the end
Im from a small town
Had a poor family
Mama was sick, papa worked the factory
I led a rich life
Never had to work hard
House in the country
Horses in my backyard
Next position please
Do I have to get down on my knees
Next position please
Im in a hurry, so hurry please
Read between the lines
Learn a new message
Read the latest book
Its a new twist
Be the first one to have a new ideal
Youll never get bored with mirrors on the ceiling
Next position please
Do I have to get down on my knees
Next position please
Im in a hurry, so hurry please
People all over the world
They get up they get down
They get in they get out
They get pushed, they go back
Start all over again
Till they get to the end
I wanna move up within the company
I can do better with an opportunity
Why dont they use me instead of abuse me?
Im ten out of ten, not some whore in some movie
I wanna be the biggest gun in the world
I wanna see the tits on every girl
Next position please
You have to get down on your knees
Next position please
Im in a hurry, so hurry please
(repeat to coda)

song performed by Cheap Trick
Added by Lucian Velea
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