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Ads are the cave art of the twentieth century.

quote by Marshall McLuhan
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20 Century Boy

Friends say its fine, friends say its good
Everybody says its just like robin hood
I move like a rat, talk like a cat, sting like a bee
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your toy your twentieth century boy
Friends says its fine, friends says its good
Everybody says its just like robin hood
Fly like a plane, drive like a car, hold out your hand
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your boy your twentieth century toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Friends say its fine, friends say its good
Everybody says its just like rock n roll
I move like a cat, talk like a rat, sting like a bee
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your toy your twentieth century boy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy

song performed by Placebo
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Twentieth Century

Oh, the Twentieth Century wasn't all that bad
It was a time like no one else has ever had
We learned to drive, we learned to fly
We sent a man into the sky
When he walked on the moon, we were so glad
Yeah, the Twentieth Century wasn't all that bad
Yeah, the Twentieth Century was quite a ride
We had to learn to see the other side
We had demonstrations and liberations
Great depressions and good vibrations
And doors that once were closed were opened wide
Oh, the Twentieth Century was quite a ride
We had movin' pictures and radio
And Broadway, country, rock and roll
In 1900, who'd a bet we'd all be surfing on the internet
Yeah, the Twentieth Century was a heck of a show
We all had our fifteen minutes, don't you know
Assembly lines, celebrities,
the spotlight shined on you and me
And everybody got a standin' O
Yeah, the Twentieth Century was a heck of a show
From blocks of ice to air condition
Telegraph to television
In 1900, who'd a known we all wind up
with pocket phones
The Twentieth Century wasn't all that long
Just a hundred years has come and gone
We can't go back even if we try
So I'll just smile and wave goodbye
To see it leavin' makes me kinda sad
It was a time like no one else has ever had
Oh, the Twentieth Century wasn't all that bad
The Twentieth Century
Bye-bye
The Twentieth Century
Goodbye

song performed by Alabama
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Twentieth Century Fox

Well, shes fashionably lean, and shes fashionably late
Shell never wreck a scene, shell never break a date
But shes no drag, just watch the way she walks
Shes a twentieth century fox, shes a twentieth century fox
No tears, no fears, no ruined years, no clocks
Shes a twentieth century fox, oh yeah
Shes the queen of cool, and shes the lady who waits
Sent to manless school, it never hesitates
She wont waste time, on elementary talk
cause shes a twentieth century fox, shes a twentieth century fox
Got the world locked up, inside a plastic box
Shes a twentieth century fox, oh yeah
Twentieth century fox, oh yeah
Twentieth century fox
Shes a twentieth century fox

song performed by Doors
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Twentieth Century Fox

Written by The Doors
Well, she's fashionably lean
Hey and she's fashionably late
She'll never gonna wreck a scene
She'll never break a date
But now she's no drag
Just watch the way that she walks
She's a twentieth century fox
She's a twentieth century fox
She's got world, she's got the world
All locked up inside a plastic box
She's a twentieth century fox, oh yeah
She's the queen of cool
And she's the lady who waits
Sent to manless school
She never gonna hesitate
Well know she don't waste her time
On all this elementary talk
She's a twentieth century fox
She's a twentieth century fox
She got the world, babe,
Now she got this world
She got it all locked up
Inside some kind of plastic plastic box
She's a Twentieth century fox, oh yeah
She's a Twentieth century fox, oh yeah
She's a Twentieth century fox, oh yeah
She's a Twentieth century fox

song performed by John Mellencamp
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20th Century Man

This is the age of machinery,
A mechanical nightmare,
The wonderful world of technology,
Napalm hydrogen bombs biological warfare,
This is the twentieth century,
But too much aggravation
Its the age of insanity,
What has become of the green pleasant fields of jerusalem.
Aint got no ambition, Im just disillusioned
Im a twentieth century man but I dont wanna be here.
My mama said she cant understand me
She cant see my motivation
Just give me some security,
Im a paranoid schizoid product of the twentieth century.
You keep all your smart modern writers
Give me william shakespeare
You keep all your smart modern painters
Ill take rembrandt, titian, da vinci and gainsborough,
Girl we gotta get out of here
We gotta find a solution
Im a twentieth century man but I dont want to die here.
I was born in a welfare state
Ruled by bureaucracy
Controlled by civil servants
And people dressed in grey
Got no privacy got no liberty
Cos the twentieth century people
Took it all away from me.
Dont wanna get myself shot down
By some trigger happy policeman,
Gotta keep a hold on my sanity
Im a twentieth century man but I dont wanna die here.
My mama says she cant understand me
She cant see my motivation
Aint got no security,
Im a twentieth century man but I dont wanna be here.
This is the twentieth century
But too much aggravation
This is the edge of insanity
Im a twentieth century man but I dont wanna be here.

song performed by Kinks
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Admiral Mike

(michael nesmith)
Peaceful music (bmi)
Lead vocal: micky dolenz
Youre selling ads you slimy toad
Dont smile at me and shake my hand
Youre killing me
Youre killing us
Because youre only
only selling ads
Youre selling ads you stupid twit
The naked lunch is on your knife
The homicides are suicides
Because youre only
only selling ads
Your copy kills
Your copy smells
Realities are crushed beneath the ads your copy sells
Go back to hell you giddy fools
There is no truth you cannot maim
He killed himself
You killed him first
Because youre only
only selling ads
Your copy kills
Your copy smells
Realities are crushed beneath the ads your copy sells
Youre selling ads you slimy toad
Dont smile at me and shake my hand
Youre killing me
Youre killing us
Because youre only
only selling ads
Because youre only only selling ads
Because youre only only selling ads
Because youre only only selling ads

song performed by Monkees
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Twentieth Century Fox

She claims we travel in a rollin' jet
But in fact she arrived on a blue Corvette
She almost dares to plush your tail
Loves her daddy's cash 'cause it spends so well
Just watch the way she walks, she's got a double [wild] figure
Watch her body talk
Chorus:
She's a twentieth century fox, oh watch her walk
She's a twentieth century fox, talk that talk
She got designer jeans, so tight 'n blue
Regardin' the sweat when she looks at you
She loves lights, cameras and action
To the boys on the set, she's the star attraction
Just watch the way she walks, she's got it all up front
Just watch her body talk
(chorus)
(Solo)
(Talk that talk, ooh)
She got designer jeans, so tight 'n blue
Regardin' the sweat when she looks at you
She loves lights, cameras and action
To the boys on the set, she's the star attraction
Just watch the way she walks, she's got a double [wild] figure
Just watch her body talk
(chorus)
She's a twentieth century fox, oh watch her walk, watch her walk
She's a twentieth century fox, talk that talk
(Walk that walk, talk that talk)
Twentieth century fox, she's a twentieth century fox
Twentieth century fox, twentieth century fox... (to fade

song performed by 38 Special
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In The 21st Century

When the river runs dry, what will we say
Na na na na na na na na hey hey
In the 21st century
Oh when the river runs dry, what will we do
Na na na na na na na na oh-hoo
In the 21st century
When the river runs dry, what will we wear
Na na na na na na na na where?
To the 21st century
Now some people sing, some people say
Na na na na na na na na hey hey
Get up off your knees and pray
Pray that the earth dont tire, of the way that were puttin her down
Hope that the universe dont say Im still expanding but your time is up
Some people sing, some people sigh
Na na na na na na na na why?
Why cant we live in peace
Some people sing, some people say
Na na na na na na na na hey hey
In the 21st century
Hope that the earth dont tire, of the way that were puttin her down
Hope the universe dont say - stop spinning around
Hope the world dont say that weve got no place to go
Hope the universe dont say Ill be expanding for a while, you? no!
In the 21st century
In the 21st century
In the 21st century
In the 21st century
In the 21st century
21st century
21st century
21st century
21st century
21st century
In the 21st century
21st century
When the river runs dry, what will we say
Na na na na na na na na hey hey
21st century
The 21st century
The 21st century
The 21st century
Oh when the river runs dry, what will we do
Na na na na na na na na oh-hoo

song performed by Men Without Hats
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The Odyssey: Book 9

And Ulysses answered, "King Alcinous, it is a good thing to hear a
bard with such a divine voice as this man has. There is nothing better
or more delightful than when a whole people make merry together,
with the guests sitting orderly to listen, while the table is loaded
with bread and meats, and the cup-bearer draws wine and fills his
cup for every man. This is indeed as fair a sight as a man can see.
Now, however, since you are inclined to ask the story of my sorrows,
and rekindle my own sad memories in respect of them, I do not know how
to begin, nor yet how to continue and conclude my tale, for the hand
of heaven has been laid heavily upon me.
"Firstly, then, I will tell you my name that you too may know it,
and one day, if I outlive this time of sorrow, may become my there
guests though I live so far away from all of you. I am Ulysses son
of Laertes, reknowned among mankind for all manner of subtlety, so
that my fame ascends to heaven. I live in Ithaca, where there is a
high mountain called Neritum, covered with forests; and not far from
it there is a group of islands very near to one another- Dulichium,
Same, and the wooded island of Zacynthus. It lies squat on the
horizon, all highest up in the sea towards the sunset, while the
others lie away from it towards dawn. It is a rugged island, but it
breeds brave men, and my eyes know none that they better love to
look upon. The goddess Calypso kept me with her in her cave, and
wanted me to marry her, as did also the cunning Aeaean goddess
Circe; but they could neither of them persuade me, for there is
nothing dearer to a man than his own country and his parents, and
however splendid a home he may have in a foreign country, if it be far
from father or mother, he does not care about it. Now, however, I will
tell you of the many hazardous adventures which by Jove's will I met
with on my return from Troy.
"When I had set sail thence the wind took me first to Ismarus, which
is the city of the Cicons. There I sacked the town and put the
people to the sword. We took their wives and also much booty, which we
divided equitably amongst us, so that none might have reason to
complain. I then said that we had better make off at once, but my
men very foolishly would not obey me, so they stayed there drinking
much wine and killing great numbers of sheep and oxen on the sea
shore. Meanwhile the Cicons cried out for help to other Cicons who
lived inland. These were more in number, and stronger, and they were
more skilled in the art of war, for they could fight, either from
chariots or on foot as the occasion served; in the morning, therefore,
they came as thick as leaves and bloom in summer, and the hand of
heaven was against us, so that we were hard pressed. They set the
battle in array near the ships, and the hosts aimed their
bronze-shod spears at one another. So long as the day waxed and it was
still morning, we held our own against them, though they were more
in number than we; but as the sun went down, towards the time when men
loose their oxen, the Cicons got the better of us, and we lost half
a dozen men from every ship we had; so we got away with those that
were left.
"Thence we sailed onward with sorrow in our hearts, but glad to have

[...] Read more

poem by Homer, translated by Samuel Butler
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Temora - Book VIII

ARGUMENT.

The fourth morning from the opening of the poem comes on Fingal, still continuing in the place to which he had retired on the preceding sight, is seen, at intervals, through the mist which covered the rock of Cormul. The descent of the king is described. He orders Gaul, Dermid, and Carril the bard, to go to the valley of China, and conduct from thence the Caledonian army, Ferad-artho, the son of Cairbar, the only person remaining of the family of Conar, the first king of Ireland. The king makes the command of the army, and prepares for battle. Marching towards the enemy, he comes to the cave of Lubar, where the body of Fillan lay. Upon seeing his dog, Bran, who lay at the entrance of the cave, his grief returns. Cathmor arranges the Irish army in order of battle. The appearance of that hero. The general conflict is described. The actions of Fingal and Cathmor. A storm. The total rout of the Fir-bolg. The two kings engage, in a column of mist, on the banks of Lubar, Their attitude and conference after the combat. The death of Cathmor. Fingal resigns the spear of Trenmor to Ossian. The ceremonies observed on that occasion. The spirit of Cathmor, in the mean time, appears to Sul-malla, in the valley of Lona. Her sorrow. Evening comes on. A feast is prepared. The coming of Ferad-artho is announced by the songs of a hundred bards. The poem closes with a speech of Fingal.

As when the wintry winds have seized the waves of the mountain lake, have seized them in stormy night, and clothed them over with ice; white to the hunter's early eye, the billows still seem to roll. He turns his ear to the sound of each unequal ridge. But each is silent, gleaming, strewn with boughs, and tufts of grass, which shake and whistle to the wind, over their gray seats of frost. So silent shone to the morning the ridges of Morven's host, as each warrior looked up from his helmet towards the hill of the king; the cloud-covered hill of Fingal, where he strode in the folds of mist. At times is the hero seen, greatly dim in all his arms. From thought to thought tolled the war, along his mighty soul.

Now is the coming forth of the king. First appeared the sword of Luno; the spear half issuing from a cloud, the shield still dim in mist. But when the stride of the king came abroad, with all his gray dewy locks in the wind; then rose the shouts of his host over every moving tribe. They gathered, gleaming round, with all their echoing shields. So rise the green seas round a spirit, that comes down from the squally wind. The traveller hears the sound afar, and lifts his head over the rock. He looks on the troubled bay, and thinks he dimly sees the form. The waves sport, unwieldy, round, with all their backs of foam.

Far distant stood the son of Morni, Duthno's race, and Cona's bard. We stood far distant; each beneath his tree. We shunned the eyes of the king: we had not conquered in the field. A little stream rolled at my feet: I touched its light wave, with my spear. I touched it with my spear: nor there was the soul of Ossian. It darkly rose, from thought to thought, and sent abroad the sigh.

"Son of Morni," said the king, "Dermid, hunter of roes! why are ye dark, like two rocks, each with its trickling waters? No wrath gathers on Fingal's soul, against the chiefs of men. Ye are my strength in battle; the kindling of my joy in peace. My early voice has been a pleasant gale to your years, when Fillan prepared the bow. The son of Fingal is not here, nor yet the chase of the bounding roes. But why should the breakers of shields stand, darkened, far way?"

Tall they strode towards the king: they saw him turned to Morn's wind. His, tears came down for his blue-eyed son, no slept in the cave of streams. But he brightened before them, and spoke to the broad-shielded kings.

"Crommal, with woody rocks, and misty top, the field of winds, pours forth, to the sight, blue Lubar's streamy roar. Behind it rolls clear-winding Lavath, in the still vale of deer. A cave is dark in a rock; above it strong-winged eagles dwell; broad-headed oaks, before it, sound in Cluna's wind. Within, in his locks of youth, is Ferad-artho, blue-eyed king, the son of broad-shielded Cairbar, from Ullin of the roes. He listens to the voice of Condan, as gray he bends in feeble light. He listens, for his foes dwell in the echoing halls of Temora. He comes, at times, abroad in the skirts of mist, to pierce the bounding roes. When the sun looks on the field, nor by the rock, nor stream, is he! He shuns the race of Bolga, who dwell in his father's hall. Tell him, that Fingal lifts the spear, and that his foes, perhaps, may fail.

"Lift up, O Gaul, the shield before him. Stretch, Dermid, Temora's spear. Be thy voice in his ear, O Carril, with the deeds of his fathers. Lead him to green Moi-lena, to the dusky field of ghosts; for there, I fall forward, in battle, in the folds of war. Before dun night descends, come to high Dunmora's top. Look, from the gray skirts of mist, on Lena of the streams. If there my standard shall float on wind, over Lubar's gleaming stream, then has not Fingal failed in the last of his fields."

Such were his words; nor aught replied the silent striding kings. They looked sidelong on Erin's host, and darkened as they went. Never before had they left the king, in the midst of the stormy field. Behind them, touching at times his harp, the gray-haired Carril moved. He foresaw the fall, of the people, and mournful was the sound! It was like a breeze that comes, by fits, over Lego's reedy lake; when sleep half descends on the hunter, within his mossy cave.

"Why bends the bard of Cona," said Fingal, "over his secret stream? Is this a time for sorrow, father of low-laid Oscar? Be the warriors remembered in peace; when echoing shields are heard no more. Bend, then, in grief, over the flood, where blows the mountain breeze. Let them pass on thy soul, the blue-eyed dwellers of the tomb. But Erin rolls to war; wide tumbling, rough, aid dark. Lift, Ossian, lift the shield. I am alone, my son

As comes the sudden voice of winds to the becalmed ship of Inis-huna, and drives it large, along the deep, dark rider of the wave; so the voice of Fingal sent Ossian, tall along the heath. He lifted high his shining shield, in the dusky wing of war; like the broad, blank moon, in the skirt of a cloud, before the storms. arise.

Loud, from moss-covered Mora, poured down, at once, the broad-winged war. Fingal led his people forth, king of Morven of streams. On high spreads the eagle's wing. His gray hair is poured on his shoulders broad. In thunder are his mighty strides. He often stood, and saw, behind, the wide-gleaming rolling of armor. A rock he seemed, gray over with ice, whose woods are high in wind. Bright streams leapt from its head, and spread their foam on blasts.

Now he came to Lubar's cave, where Fillan darkly slept. Bran still lay on the broken shield: the eagle-wing is strewed by the winds. Bright, from withered furze, looked forth the hero's spear. Then grief stirred the soul of the king, like whirlwinds blackening on a lake. He turned his sudden step, and leaned on his bending spear.

White-breasted Bran came bounding with joy to the known path of Fingal. He came, and looked towards the cave, where the blue-eyed hunter lay, for he was wont to stride, with morning, to the dewy bed of the roe. It was then the tears of the king came down and all his soul was dark. But as the rising wind rolls away the storm of rain, and leaves the white streams to the sun, and high hills with their heads of grass; so the returning war brightened the mind of Fingal. He bounded, on his spear, over Lubar, and struck his echoing shield. His ridgy host bend forward, at once, with all their pointed steel.

Nor Erin heard, with fear, the sound: wide they come rolling along. Dark Malthos, in the wing of war, looks forward from shaggy brows. Next rose that beam of light, Hidalla! then the sidelong-looking gloom of Maronnan. Blue-shielded Clonar lifts the spear: Cormar shakes his bushy locks on the wind. Slowly, from behind a rock, rose the bright form of Atha. First appeared his two-pointed spears, then the half of his burnished shield: like the rising of a nightly meteor, over the valley of ghosts. But when ha shone all abroad, the hosts plunged, at once, into strife. The gleaming waves of steel are poured on either side.

As meet two troubled seas, with the rolling of all their waves, when they feel the wings of contending winds, in the rock-sided firth of Lumon; along the echoing hills in the dim course of ghosts: from the blast fall the torn groves on the deep, amidst the foamy path of whales. So mixed the hosts! Now Fingal; now Cathmor came abroad. The dark tumbling of death is before them: the gleam of broken steel is rolled on their steps, as, loud, the high-bounding kings hewed down the ridge of shields.

Maronnan fell, by Fingal, laid large across a stream. The waters gathered by his side, and leapt gray over his bossy shield. Clonar is pierced by Cathmor; nor yet lay the chief on earth. An oak seized his hair in his fall. His helmet rolled on the ground. By its thong, hung his broad shield; over it wandered his streaming blood. Tla-min shall weep, in the hall, and strike her heaving breast. Nor did Ossian forget the spear, in the wing of his war. He strewed the field with dead. Young Hidallan came. "Soft voice of streamy Clonra! why dost thou lift the steel? O that we met in the strife of song, in thine own rushy vale!" Malthos beheld him low, and darkened as he rushed along. On either side of a stream, we bent in the echoing strife. Heaven comes rolling down; around burst the voices of squally winds. Hills are clothed, at times, in fire. Thunder rolls in wreaths of mist. In darkness shrunk the foe: Morven's warriors stood aghast. Still I bent over the stream, amidst my whistling locks.

Then rose the voice of Fingal, and the sound of the flying foe. I saw the king, at times, in lightning, darkly striding in his might. I struck my echoing shield, and hung forward on the steps of Alnecma; the foe is rolled before me, like a wreath of smoke.

The sun looked forth from his cloud. The hundred streams of Moi-lena shone. Slow rose the blue columns of mist, against the glittering hill. Where are the mighty kings? Nor by that stream, nor wood, are they! I hear the clang of arms! Their strife is in the bosom of that mist. Such is the contending of spirits in a nightly cloud, when they strive for the wintry wings of winds, and the rolling of the foam-covered waves.

I rushed along. The gray mist rose. Tall, gleaming, they stood at Lubar. Cathmor leaned against a rock. His half-fallen shield received the stream, that leapt from the moss above. Towards him is the stride of Fingal: he saw the hero's blood. His sword fell slowly to his side. He spoke, amidst his darkening joy.

"Yields the race of Borbar-duthul? Or still does he lift the spear? Not unheard is thy name, at Atha, in the green dwelling of strangers. It has come, like the breeze of his desert, to the ear of Fingal. Come o my hill of feasts: the mighty fail, at times. No fire am I to low-laid foes; I rejoice not over the fall of the brave. To close the wound is mine: I have known the herbs of the hills. I seized their fair heads, on high, as they waved by their secret streams. Thou art dark and silent, king of Atha of strangers!"

"By Atha of the stream," he said, "there rises a mossy rock. On its head is the wandering of boughs, within the course of winds. Dark, in its face, is a cave, with its own loud rill. There have I heard the tread of strangers, when they passed to my hall of shells. Joy rose, like a flame, on my soul; I blest the echoing rock. Here be my dwelling, in darkness; in my grassy vale. From this I shall mount the breeze, that pursues my thistle's beard; or look down on blue-winding Atha, from its wandering mist."

"Why speaks the king of the tomb? Ossian, the warrior has failed! Joy meet thy soul, like a stream, Cathmor friend of strangers! My son, I hear the call of years; they take my spear as they pass along. Why does not Fingal, they seem to say, rest within his hall? Dost thou always delight in blood? In the tears of the sad? No; ye dark-rolling years, Fingal delights not in blood. Tears are wintry streams that waste away my soul. But when I lie down to rest, then comes the mighty voice of war. It awakes me in my hall and calls forth all my steel. It shall call it forth no more; Ossian, take thou thy father's spear. Lift it, in battle, when the proud arise.

[...] Read more

poem by James Macpherson
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Liberation Seeker

The following poem is the translation of my hindi poem Mumukhshu from the book Sab Rang
.--0-

Twentieth century
at the fag end of life
standing & waiting
to turn into history
still in two minds
thinking what to say
and to gift
twenty-first century
on its birthday.

Nuclear holocaust & nuclear proliferation?
warning on depletion of ozone?
class and color struggle?
devalued or hollow speeches
on environmental degradation?
or
the human race
which has lost its sense
in the murky world of
separatism, terrorism & extremism
playing into the hand of cancer, AIDS and drugs
yet wearing a mask of humanity and concern
weeping for fellow human beings.

Suddenly
twentieth century smiled
an aura surrounded it
springing new hope
why? why?
after all why?
twenty-first century be birthed by it
why it shouldn’t allow 21st century
to stand on it own foundation
let 21st century build itself de-novo
without the crutches of 20th century.

So without notice
20th century found solace into oblivion
into time and history
allowing 21st century to emerge
with a new dawn
liberation seeker
waiting to liberate itself
from its previous deeds
------------.
Copyright 2010 Tribhawan Kaul

poem by Tribhawan Kaul
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21st Century War

another little lethal step
another little blatant threat
another political point to score
it’s a 21st century war

Standing here right on the brink
ain't gonna be the first to blink
so absolutely deadly sure
in a 21st century war

no one is innocent don’t pass the blame
don’t dare to shout “not in my name”
wherever you’re going from wherever you came
we’re all players in this deadly game

you can close your eyes but you cannot sleep
got a whirlwind storm to reap
now it’s right at your front door
it’s 21st century war

don’t hope for peace too late for that
come dance the two step tit for tat
now everybody takes the floor
it’s a 21st century war

don’t come crying don’t look sad
you can wish it ain’t so till it drives you mad
it ain’t too good but it ain’t all bad
just count the blessings that you’ve had

one step up two steps back
defend your right to massive attack
might is right in international law
it’s a 21st century war

how hard is it? what’s to learn
people we kill will kill in return
no one is safe anywhere anymore
it’s a 21st century war

get the gear and display the brand
get your head deep in the shifting sand
no need to listen with a gun in your hand
it’s the only language that they understand

no room for doubt no margin of error
who can you trust in the war on terror
say goodbye to the freedoms you’re fighting for
it’s a 21st century war

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poem by Tim Casswell
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Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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A strong Bear, a poor cave

A quarrel took place,
Between a tight, narrow cave,
and a huge, black, hairy bear.
the poor cave was afraid of,
her narrowness,
the bear had no fear.

Actually, the bear was
in search of a cave,
where he could spent
his night merrily,
his mission was to hide himself,
by all means, fair or unfair.
The bear begged the shelter,
from the cave to get entered,
but cave denied.

she said, ' I am not wide.
if I take you in,
you may get me in trouble,
every thing mine get in disorder.
how can you stay in me quite?
seek other place to-night.'
The bear snored a loud,
as if, thunders of big cloud.
huge bear tried getting forcibly in,
smiled and said, 'I have to win.

O' poor cave, see my strong body,
look at my height!
I am quite black,
while you are white.
you are unaware of facts,
you are mine, my cave,
you are made for me.

I know, you think yourself too small,
If I enter, you will be torn,
and might get burst,
but it is nothing like this,
surrender yourself
before me silently.
or I will react violently.

the little cave said nothing,
but tried to scape herself,
with all her might.
thrusting the bear out.
Bear so huge, no doubt.
He tried utmost entering forcibly,

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poem by Rani Madhubala
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Intrigue

THOU art my love
And thou art the peace of sundown
When the blue shadows soothe
And the grasses and the leaves sleep
To the song of the little brooks
Woe is me.

Thou art my love,
And thou art a storm
That breaks black in the sky
And, sweeping headlong,
Drenches and cowers each tree
And at the panting end
There is no sound
Save the melancholy cry of a single owl
Woe is me!

Thou art my love
And thou art a tinsel thing
And I in my play
Broke thee easily
And from the little fragments
Arose my long sorrow
Woe is me.

Thou art my love
And thou art a weary violet
Drooping from sun-caresses.
Answering mine carelessly
Woe is me.

Thou art my love
And thou art the ashes of other men's love
And I bury my face in these ashes
And I love them
Woe is me.

Thou art my love
And thou art the beard
On another man's face
Woe is me.

Thou art my love
And thou art a temple
And in this temple is an altar
And on this altar is my heart
Woe is me.

Thou art my love
And thou art a wretch.

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poem by Stephen Crane
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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision

[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]

Kahlo Strophes

As with love, also the bellows.

Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.

She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.

- the author, from the text below

*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .

'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256

Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'

I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.

Heraclitus noted thousands of years ago, 'All is flux.'

To this I would only add, and perhaps this is what all of my writing amounts to,

'All is reflux.'

Selah. WF

NYC,1/31/11

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poem by Warren Falcon
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Century City

Sometimes I wanna leave you
Sometimes I wanna go
Right back where I came from
Back where I belong
But it never lasts for too long
Always goes away
Well I s till dont look for reasons
Thats much too hard these days
Why worry about the rain?
Why worry about the problem?
Honey century citys got everything covered
Well your mama gave you lovin
Mama held you near
Baby mam a cant do nothin
Honey mama just aint here
And you can pretend all you want to
But that wont work no more
No you cant run back to daddy
Yeah you tried that once before
Why worry about your father?
Why worry about your mother?
Honey century citys got everything covered
Were gonna live in century city
Go ahead and give in, century city
Like modern men, modern girls
Were gonna live in the modern world
Were gonna live in century city
Go ahead and give in, century city
Like modern men, modern girls
Were gonna live in the modern world
Sometimes I get discouraged
Sometimes I feel so down
Sometimes I get so worried
But I dont know what about
But it w orks out in the long run
Always goes away
And Ive come now to accept it
As a reoccurring phase
Dont worry about the rain
Dont worry about the problem
Honey century citys got everything covered
Were gonna live in century city
Were gonna live in century city
Were gonna live in century city
Were gonna live in century city

song performed by Tom Petty
Added by Lucian Velea
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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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poem by Alfred Lord Tennyson
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Fingal - Book II

ARGUMENT.

The ghost of Crugal, one of the Irish heroes who was killed in battle, appearing to Connal, foretells the defeat of Cuthullin in the next battle, and earnestly advises him to make peace with Swaran. Connal communicates the vision; but Cuthullin is inflexible; from a principle of honor he would not be the first to sue for peace, and he resolved to continue the war. Morning comes; Swaran proposes dishonorable terms to Cuthullin, which are rejected. The battle begins, and is obstinately fought for some time, until, upon the flight of Grumal, the whole Irish army gave way. Cuthullin and Connal cover their retreat. Carril leads them to a neighboring hill, whither they are soon followed by Cuthullin himself; who descries the fleet of Fingal making towards their coast; but night coming on, he lost sight of it again. Cuthullin, dejected after his defeat, attributes his ill success to the death of Ferda, his friend, whom he had killed some time before. Carril, to show that ill success did not always attend those who innocently killed their friends, introduces the episode of Connal and Galvina.

Connal lay by the sound of the mountain-stream, beneath the aged tree. A stone, with its moss, supported his head. Shrill, through the heath of Lena, he heard the voice of night. At distance from the heroes he lay; the son of the sword feared no foe! The hero beheld, in his rest, a dark-red stream of fire rushing down from the hill. Crugal sat upon the beam, a chief who fell in fight. He fell by the hand of Swaran, striving in the battle of heroes. His face is like the beam of the setting moon. His robes are of the clouds of the hill. His eyes are two decaying flames.

Dark is the wound of his breast! "Crugal," said the mighty Connal, "son of Dedgal famed on the hill of hinds! Why so pale and sad, thou breaker of shields? Thou hast never been pale for fear! What disturbs the departed Crugal?" Dim, and in tears he stood, and stretched his pale hand over the hero. Faintly he raised his feeble voice, like the gale of the reedy Lego.

"My spirit, Connal, is on my hills; my course on the sands of Erin. Thou shalt never talk with Crugal, nor find his lone steps in the heath. I am light as the blast of Cromla. I move like the shadow of mist! Connal, son of Colgar, I see a cloud of death: it hovers dark over the plains of Lena. The Sons of green Erin must fall. Remove from the field of ghosts." Like the darkened moon he retired, in the midst of the whistling blast. "Stay," said the mighty Connal " stay, my dark-red friend. Lay by that beam of heaven, son of windy Cromla! What cave is thy lonely house? What green-headed hill the place of thy repose? Shall we not hear thee in the storm? in the noise of the mountain-stream? when the feeble Sons of the wind come forth, and, scarcely seen, pass over the desert?"

The soft-voiced Connal rose, in the midst of his sounding arms. He struck his shield above Cuthullin. The son of battle waked. "Why," said the ruler of the car, "comes Connal through my night? My spear might turn against the sound, and Cuthullin mourn the death of his friend. Speak, Connal; son of Colgar, speak; thy counsel is the sun of heaven!" "Son of Semo!" replied the chief, "the ghost of Crugal came from his cave. The stars dim twinkled through his form His voice was like the sound of a distant stream He is a messenger of death! He speaks of the dark and narrow house! Sue for peace, O chief of Erin!, or fly over the heath of Lena!"

"He spoke to Connal," replied the hero, "though stars dim twinkled through his form. Son of Colgar, it was the wind that murmured across thy car. Or if it was the form of Crugal, why didst thou not force him to my sight? Hast thou inquired where is his cave? the house of that son of wind? My sword might find that voice, and force his knowledge from Crugal. But small is his knowledge, Connal; he was here to-day. He could not have gone beyond our hills! who could tell him there of our fall?" "Ghosts fly on clouds, and ride on winds," said Connal's voice of wisdom. "They rest together in their caves, and talk of mortal men."

"Then let them talk of mortal men; of every man but Erin's chief. Let me be forgot in their cave. I will not fly from Swaran! If fall I must, my tomb shall rise amidst the fame of future times. The hunter shall shed a tear on my stone: sorrow shall dwell around the high-bosomed Bragéla. I fear not death; to fly I fear! Fingal has seen me victorious! Thou dim phantom of the hill, show thyself to me! come on thy beam of heaven, show me my death in thine hand! yet I will not fly, thou feeble son of the wind! Go, son of Colgar, strike the shield. It hangs between the spears. Let my warriors rise to the sound in the midst of the battles of Erin. Though Fingal delays his coming with the race of his stormy isles, we shall fight; O Colgar's son, and die in the battle of heroes!"

The sound spreads wide. The heroes rise, like the breaking of a blue-rolling wave. They stood on the heath, like oaks with all their branches round them, when they echo to the stream of frost, and their withered leaves are rustling to the wind! High Cromla's head of clouds is gray. Morning trembles on the half-enlightened ocean. The blue mist swims slowly by, and hides the Sons of Inis-fail!

"Rise ye," said the king of the dark-brown shields, "ye that came from Lochlin's waves. The sons of Erin have fled from our arms; pursue them over the plains of Lena! Morla, go to Cormac's hall. Bid them yield to Swaran, before his people sink to the tomb, and silence spread over his isle." They rose, rustling like a flock of sea-fowl, when the waves expel them from the shore. Their sound was like a thousand streams, that meet in Cona's vale, when after a stormy night, they turn their dark eddies beneath the pale light of the morn.

As the dark shades of autumn fly over the hills of grass, so gloomy, dark, successive came the chiefs of Lochlin's echoing woods. Tall as the stag of Morven, moved stately before them the king. His shining shield is on his side, like a flame on the heath at night, when the world is silent and dark, and the traveller sees some ghosts sporting in the beam! Dimly gleam the hills around, and show indistinctly their oaks! A blast from the troubled ocean removed the settled mist. The Sons of Erin appear, like a ridge of rocks on the coast; when mariners, on shores unknown, are trembling at veering winds!

"Go, Morla, go," said the king of Lochlin, "offer peace to these. Offer the terms we give to kings, when nations bow down to our swords. When the valiant are dead in war; when virgins weep on the field!" Tall Morla came, the son of Swaran, and stately strode the youth along! He spoke to Erin's blue-eyed chief, among the lesser heroes. "Take Swaran's peace," the warrior spoke, "the peace he gives to kings when nations bow to his sword. Leave Erin's streamy plains to us, and give thy spouse and dog. Thy spouse, high-bosomed heaving fair! Thy dog that overtakes the wind! Give these to prove the weakness of thine arm, live then beneath our power!"

"Tell Swaran, tell that heart of pride, Cuthullin never yields! I give him the dark-rolling sea; I give his people graves in Erin. But never shall a stranger have the pleasing sunbeam of my love. No deer shall fly on Lochlin's hills, before swift-footed Luäth." "Vain ruler of the car," said Morla, " wilt thou then fight the king? the king whose ships of many groves could carry off thine isle! So little is thy green-hilled Erin to him who rules the stormy waves!" " In words I yield to many, Morla. My sword shall yield to none. Erin shall own the sway of Cormac while Connal and Cuthullin live! O Connal, first of mighty men, thou hearest the words of Morla. Shall thy thoughts then be of peace, thou breaker of the shields? Spirit of fallen Crugal, Why didst thou threaten us with death? The narrow house shall receive me in the midst of the light of renown. Exalt, ye sons of Erin, exalt the spear and bend the bow; rush on the foe in darkness, as the spirits of stormy nights!"

Then dismal, roaring fierce and deep, the gloom of battle poured along, as mist that is rolled on a valley when storms invade the silent sunshine of heaven. Cuthullin moves before me in arms, like an angry ghost before a cloud, when meteors enclose him with fire; when the dark winds are in his hand. Carril, far on the heath, bids the horn of battle sound. He raises the voice of song, and pours his soul into the minds of the brave.

"Where," said the mouth of the song, "where is the fallen Crugal? He lies forgot on earth; the hall of shells is silent. Sad is the spouse of Crugal. She is a stranger in the hall of her grief. But who is she that, like a sunbeam, flies before the ranks of the foe? It is Degrena, lovely fair, the spouse of fallen Crugal. Her hair is on the wind behind. Her eye is red; her voice is shrill. Pale, empty, is thy Crugal now! His form is in the cave of the hill. He comes to the ear of rest; he raises his feeble voice, like the humming of the mountain-bee, like the collected flies of the eve! But Degrena falls like a cloud of the morn; the sword of Lochlin is in her side. Cairbar, she is fallen, the rising thought of thy youth! She is fallen, O Cairbar! the thought of thy youthful hours!"

Fierce Cairbar heard the mournful sound. He rushed along like ocean's whale. He saw the death of his daughter: he roared in the midst of thousands. His spear met a son of Lochlin! battle spreads from wing to wing! As a hundred winds in Lochlin's groves, as fire in the pines of a hundred hills, so loud, so ruinous, so vast, the ranks of men are hewn down. Cuthullin cut off heroes like thistles; Swaran wasted Erin. Curach fell by his hand, Cairbar of the bossy shield! Morglan lies in lasting rest! Ca-olt trembles as he dies! His white breast is stained with blood! his yellow hair stretched in the dust of his native land! He often had spread the feast where he fell. He often there had raised the voice of the harp, when his dogs leapt round for joy, and the youths of the chase prepared the bow!

Still Swaran advanced, as a stream that bursts from the desert. The little hills are rolled in its course, the rocks are half-sunk by its side. But Cuthullin stood before him, like a hill, that catches the clouds of heaven. The winds contend on its head of pines, the hail rattles on its rocks. But, firm in its strength, it stands, and shades the silent vale of Cona. So Cuthullin shaded the sons of Erin, and stood in the midst of thousands. Blood rises like the fount of a rock from panting heroes around. But Erin falls on either wing, like snow in the day of the sun.

O sons of Erin," said Grumal, "Lochlin conquers in the field. Why strive we as reeds against the wind? Fly to the hill of dark-brown hinds." He fled like the stag of Morven; his spear is a trembling beam of light behind him. Few fled with Grumal, chief of the little soul: they fell in the battle of heroes on Lena's echoing heath. High on his car of many gems the chief of Erin stood. He slew a mighty son of Lochlin, and spoke in haste to Connal. "O Connal, first of mortal men, thou hast taught this arm of death! Though Erin's Sons have fled, shall we not fight the foe? Carril, son of other times, carry my friends to that bushy hill. Here, Connal, let us stand like rocks, and save our flying friends."

Connal mounts the car of gems. They stretch their shields, like the darkened moon, the daughter of the starry skies, when she moves a dun circle through heaven, and dreadful change is expected by men. Sith-fadda panted up the hill, and Stronnal, haughty steed. Like waves behind a whale, behind them rushed the foe. Now on the rising side of Cromla stood Erin's few sad sons: like a grove through which the flame had rushed, hurried on by the winds of the stormy night; distant, withered, dark, they stand, with not a leaf to shake in the vale.

Cuthullin stood beside an oak. He rolled his red eye in silence, and heard the wind in his bushy hair; the scout of ocean came, Moran the son of Fithil "The ships," he cried, "the ships of the lonely isles. Fingal comes, the first of men, the breaker of the shields! The waves foam before his black prows! His masts with sails are like groves in clouds!" — "Blow," said Cuthullin, "blow, ye winds that rush along my isle of mist. Come to the death of thousands, O king of resounding Selma! Thy sails, my friend, are to me the clouds of the morning; thy ships the light of heaven; and thou thyself a pillar of fire that beams on the world by night. O Connal, first of men, how pleasing in grief are our friends! But the night is gathering around. Where now are the ships of Fingal? Here let us pass the hours of darkness; here wish for the moon of heaven."

The winds came down on the woods. The torrents rush from the rocks. Rain gathers round the head of Cromla. The red stars tremble between the flying clouds. Sad, by the side of a stream, whose sound is echoed by a tree, sad by the side of a stream the chief of Erin sits. Connal, son of Colgar, is there, and Carril of other times. "Unhappy is the hand of Cuthullin," said the son of Semo, "unhappy is the hand of Cuthullin since he slew his friend! Ferda, son of Damman, I loved thee as myself!"

"How, Cuthullin, son of Semo, how fell the breaker of the shields? Well I remember," said Connal, "the son of the noble Damman. Tall and fair, he was like the rainbow of heaven. Ferda from Albion came, the chief of a hundred hills. In Muri's hall he learned the sword, and won the friendship of Cuthullin. We moved to the chase together: one was our bed in the heath."

Deugala was the spouse of Cairbar, chief of the plains of Ullin. She was covered with the light of beauty, but her heart was the house of pride. She loved that sunbeam of youth, the son of the noble Damman. "Cairbar," said the white-armed Deugala, "give me half of the herd. No more I will remain in your halls. Divide the herd, dark Cairbar!" "Let Cuthullin," said Cairbar, "divide my herd on the hill.

His breast is the seat of justice. Depart, thou light of beauty!" I went and divided the herd. One snow-white bull remained. I gave that bull to Cairbar. The wrath of Deugala rose!

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poem by James Macpherson
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