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Books do furnish a room.

quote by Anthony Powell
Added by Lucian Velea
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Revel In The Joy Of Books

Revel in the Joy of books

Revel in the joy of books
On the joy of get hooked
It’s an addiction that’s boredom proof
Indulge, it’s fun to revel in the joy of books

Take up a book and get hooked
Nothing’s wrong with getting hooked on the joy of books
Don’t’ be a fool change your outlook take up a book
Look into the joy of books

Revel in the joy of books
In monotony don’t remain stuck take a journey with a book
Find adventure and excitement in the joy of books
A book will certainly change your gloomy outlook

Take up a boot and leisurely get hooked
Books are enlightening just try reading
Free your imagination with a book allow it to roam freely
Shucks get with the program revel in the joy of books

Books they are boredom proof just revel in the joy of books.

Anthony S.Phillander©280112

Revel in the Joy of books

Revel in the joy of books
On the joy of get hooked
It’s an addiction that’s boredom proof
Indulge, it’s fun to revel in the joy of books

Take up a book and get hooked
Nothing’s wrong with getting hooked on the joy of books
Don’t’ be a fool change your outlook take up a book
Look into the joy of books

Revel in the joy of books
In monotony don’t remain stuck take a journey with a book
Find adventure and excitement in the joy of books
A book will certainly change your gloomy outlook

Take up a boot and leisurely get hooked

[...] Read more

poem by Anthony Shurland Phillander
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Headroom

I need headroom,
Got to have headroom,
Some place to rest my head.
I'm gettin' taller,
Thinkin's gettin' smaller,
Time is winnin' out instead.
Well, I heard it on the news,
They're selling everything they can.
And the American flag
Is manufactured in Japan.
They're fightin' battles in the stars,
They're pourin' billions into Mars.
And layin' right there at my feet,
There're people sleepin' in the street.
Give me room, room, room, room, room, room.
Well, I'm livin' on the farm,
Where chemistry has lost its charm.
And every dusty wind that blows,
Is burnin' big holes in my clothes.
They're burnin' big holes in the sky,
Makin' people wonder why
With all our land and sea and space,
Progress is wreckin' every place.
Give me room, room, room, room, room, room.
Well, if you want an assen-ell,
The government will wish you well,
And if you steal a million bucks,
The government will wish you luck.
And they might even give you more,
If you're makin' things for war.
But if you're poor and stealin' cars,
You'll spend your life behind the bars.
Give me room, room, room, room, room, room.
They're talkin' ethics on the hill,
They're talkin' union at the mill,
They're talkin' justice at the farm,
They're talkin' safety in the car.
They're talkin' murder in the states,
They're talkin' cash to get a fix.
They're talkin' virus in the bed,
I'm talkin' room to rest my head.
Give me room, room, room, room, room, room.
I need headroom,
Got to have headroom,
Some place to rest my head.

song performed by Don McLean
Added by Lucian Velea
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Books

The universe (which others call the library). . .
-Jorge Luis Borges

Books which are stitched up the center with coarse white thread
Books on the beach with sunglass-colored pages
Books about food with pictures of weeping grapefruits
Books about baking bread with browned corners
Books about long-haired Frenchmen with uncut pages
Books of erotic engravings with pages that stick
Books about inns whose stars have sputtered out
Books of illuminations surrounded by darkness
Books with blank pages & printed margins
Books with fanatical footnotes in no-point type
Books with book lice
Books with rice-paper pastings
Books with book fungus blooming over their pages
Books with pages of skin with flesh-colored bindings
Books by men in love with the letter O
Books which smell of earth whose pages turn

poem by Erica Jong
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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

[...] Read more

poem by George Crabbe
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Head Room

Ive never been kissed before
Its been on my list before
A flick of the wrist before would do
But when you get down to it
Its got a good sound to it
Dont meddle around with it
cos its far too wet to woo
When mummy and daddy play
They tell me to go away
But by hanging around
I can learn all the rules
Now I got the technique
Im away
Develop a taste for it
A time and a place for it
Although on the face of it, its a crime
Ive nibbled the cheese of it
The birds and the bees of it
Are weak at the knees
>from making honey
Every time
Im throwing my toys away
Im leaving the boys to play
With the boys
Gimme girls
And its time I was breaking away
Just gimme some head room
Just a little bitta head room
I need some leg room
Just a little bitta leg room
I see myself oh lord
I see a mess
Im making a meal of it
Im breaking the seal of it
Im getting the feel of what to do
Its got a good ring to it
Im getting a thing for it
And if theres a sting in it
Ill have met my waterloo
My mummy and daddy said
Youre liable to wind up dead
Oo, theyve been shooting me a line
Maybe it doesnt exist at all
Oo, Ive been towing the line
Now Im hook line and sinkered
Ive never been kissed before
Its been on my list before
A flick of the wrist before would do
But when you get down to it
Its got a good sound to it

[...] Read more

song performed by 10 Cc
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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Second Hand Books

Books! Books! Books! There are so many different designs.
There are some which, by the author, are personally signed.
Some books have pages with gilt edges, which look all posh.
Some have nice pictures on their covers, which are embossed.

Some books have hard covers, while some have soft.
Some are all dusty, where they’ve been kept in the loft.
Some books have fancy covers; some just have plain.
Some have suffered mishaps, and are now all stained.

Some books are all dog-eared at the corners of their pages.
Some have gone yellow, where they’ve been around ages.
Inside some books, there can be seen a pencilled name;
Someone, who once, on this particular book, had a claim.

Some are obviously well read; their spines are all creased.
From out of a book, amazing adventures can be unleashed.
Some books have pages which are spoiled or a bit torn.
Some have covers which are grubby and look well worn.

Some just have text, while others also include illustrations.
Some are former prize winners; once the toast of the nation.
There are books by famous authors, as well as the lesser known.
Some are former library books which, to the public, were loaned.

There are romances, poetry, classics, sci-fi, humour, and histories;
Gardening, cookery, travel, thrillers, manga, and murder mysteries.
In wooden bookcases, the books are categorised, and are neatly lined.
In a second hand bookshop, you just never know what you may find.

poem by Angela Wybrow
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Room Service

Im feelin low, no place to go
And Im a-thinking that Im gonna scream
Because a hotel all alone is not a
Rock and roll stars dream
But just when Im about to shut the light and go to bed
A lady calls and asks if Im too tired or if Im just to dead for
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no
My planes delayed and Im afraid
Theyre gonna keep me waiting here till nine
Then a stewardess in a tight blue dress says
I got the time
But just as Im about to take my coat and get my fly
She says oh please, shes on her knees
And one more time before I leave I get some
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no, no
In my home town, Im hangin round
With all the ladies treatin me real good
A sweet sixteen lookin hot and mean says
I wish you would
But just as Im about to tell her yes, I think I can
I see her dad, hes getting mad
All the time he knows that Im in need of
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no, I cant say no
Room service, baby I could use a meal
Room service, you do what you feel
Room service, you take the pleasure with the pain
I cant say no
Room service, well maybe baby, room service

song performed by Kiss
Added by Lucian Velea
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Tale V

THE PATRON.

A Borough-Bailiff, who to law was train'd,
A wife and sons in decent state maintain'd,
He had his way in life's rough ocean steer'd
And many a rock and coast of danger clear'd;
He saw where others fail'd, and care had he,
Others in him should not such feelings see:
His sons in various busy states were placed,
And all began the sweets of gain to taste,
Save John, the younger, who, of sprightly parts,
Felt not a love for money-making arts:
In childhood feeble, he, for country air,
Had long resided with a rustic pair;
All round whose room were doleful ballads, songs,
Of lovers' sufferings and of ladies' wrongs;
Of peevish ghosts who came at dark midnight,
For breach of promise, guilty men to fright;
Love, marriage, murder, were the themes, with

these,
All that on idle, ardent spirits seize;
Robbers at land and pirates on the main,
Enchanters foil'd, spells broken, giants slain;
Legends of love, with tales of halls and bowers,
Choice of rare songs, and garlands of choice

flowers,
And all the hungry mind without a choice devours.
From village-children kept apart by pride,
With such enjoyments, and without a guide,
Inspired by feelings all such works infused,
John snatch'd a pen, and wrote as he perused:
With the like fancy he could make his knight
Slay half a host, and put the rest to flight;
With the like knowledge he could make him ride
From isle to isle at Parthenissa's side;
And with a heart yet free, no busy brain
Form'd wilder notions of delight and pain,
The raptures smiles create, the anguish of disdain.
Such were the fruits of John's poetic toil -
Weeds, but still proofs of vigour in the soil:
He nothing purposed but with vast delight,
Let Fancy loose, and wonder'd at her flight:
His notions of poetic worth were high,
And of his own still-hoarded poetry; -
These to his father's house he bore with pride,
A miser's treasure, in his room to hide;
Till spurr'd by glory, to a reading friend,
He kindly show'd the sonnets he had penn'd:

[...] Read more

poem by George Crabbe
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The White Room

Spanna noo na noo na ne na naho
Spanna noo na ne ne naho
Spa noo na naho
Noo na naho
Noo na naho
Spa noo na naho
Spanna noo na noo na noo na naho
Spanna noo na noo na nehhey
Spa noo na nehhey
Noo na naho
Noo na naho
Spanna noo na noo na ne na naho
Spanna noo na ne ne naho
[more spa na noo ne na noo things]
Talk to me, talk to me
If you want to know the things we see
Then step inside our skins
The white room, the white room
We spin, we turn, watch and wait
As the world just creeps on bye
The white room, the white room
Ooohhaaa
Talk to me, talk to me
Far below, a small boat sails,
Catching fish from the sea.
The white room, the white room
We climb the mountain,
Feel the wind,
We climbed to touch the stars.
The white room, the white room
Ooohhaaa
The white room, the white room
[more spetta na noo ne na noo things]
The white room, the white room
The white room, the white room
[more spetta na noo ne na noo things]
The white room, the white room

song performed by KLF
Added by Lucian Velea
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Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Dad and Me

Inside our house you'll find crannies and nooks.
Crevices and cracks and fissures and books!
Books under the bed and on the floor,
Books around the table and beside the door,
Books on the bookshelf and surrounding it,
Books all over the house, every single bit!
Not a one of these books are non-fiction,
Different worlds are their depiction.
Fictional, sci-fi, dark and fantasy,
Horror and happy, more books for me!
Books belonging to my father,
Or belonging to me as I rather.
My father and I in bookworm heaven,
Until mum cleans up around half past seven.
She throws the books in a huff,
Says it's a mess and to clean it up!
Well dad and I try to clean,
But on the work we quickly wean
And in one of the larger nooks
You'll find dad and me reading our books.

poem by Lenore Lee
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The Boston Athenaeum

Thou dear and well-loved haunt of happy hours,
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about
The middle of a most secluded room,
Midway between the ceiling and the floor.
A type of those high thoughts, which while we read
Hover between the earth and furthest heaven
As fancy wills, leaving the printed page;
For books but give the theme, our hearts the rest,
Enriching simple words with unguessed harmony
And overtones of thought we only know.
And as we sit long hours quietly,
Reading at times, and at times simply dreaming,
The very room itself becomes a friend,
The confidant of intimate hopes and fears;
A place where are engendered pleasant thoughts,
And possibilities before unguessed
Come to fruition born of sympathy.
And as in some gay garden stretched upon
A genial southern slope, warmed by the sun,
The flowers give their fragrance joyously
To the caressing touch of the hot noon;
So books give up the all of what they mean
Only in a congenial atmosphere,
Only when touched by reverent hands, and read
By those who love and feel as well as think.
For books are more than books, they are the life,
The very heart and core of ages past,
The reason why men lived, and worked, and died,
The essence and quintessence of their lives.
And we may know them better, and divine
The inner motives whence their actions sprang,
Far better than the men who only knew
Their bodily presence, the soul forever hid
From those with no ability to see.
They wait here quietly for us to come

[...] Read more

poem by Amy Lowell
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Ladies Room

Every time its the same
What follows me is my fame
Youre what I need to play the game
You say you like to dance
Mmm, I think Ill take a chance
Ooh, baby, maybe its time for romance
Youre such a jewel in the rough
You wanna show me your stuff
For my money, you cant be too soon
Meet, meet you in the ladies room
Meet, meet you in the ladies room
For my money, you cant be too soon
You say you like to play
Well, its too late for you to get away
And youve gotta believe me, when I say
Baby, youre such a jewel in the rough
You wanna show me your stuff
For my money, you cant be too soon
Meet, meet you in the ladies room
Meet, meet you in the ladies room
For my money, you cant be too soon
You cant be too soon
Youre such a jewel in the rough
You wanna show me your stuff, come on baby
For my money, you cant be too soon
Meet, meet you in the ladies room
Ill meet you, greet you in the ladies room
For my money, you cant be too soon
Meet you, greet you in the ladies room
Ill meet you, greet you in the ladies room
For my money, you cant be too soon
Meet you, greet you in the ladies room
Mmm, meet, meet you in the ladies room
For my money, you cant be too soon
Meet, meet you in the ladies room
Ill meet you, greet you in the ladies room
For my money, you cant be too soon
Ill meet, meet you in the ladies room
Ill meet you, greet you in the ladies room
For my money, you cant be too soon
Meet, meet you in the ladies room

song performed by Kiss
Added by Lucian Velea
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The Back Room

In the back room (in the back room)
In the back room (in the back room)
I waited for you (waited for you)
Ya waited for me (waited for me)
Rain came down, pitter-pat
Say, what you think, its raining outside
You said, so what
You turned the record player on, had a smoke
Stood up, walked across to the joint in a cloud of mist
Couldnt resist
A kitty stepped in the hall and she rapped the door
Found the key in the letter box, she turned the door
Walked into the room and said, whats goin on?
I just got back from down the road
Gotta couple a bottles of wine, somethin to turn you on
What-a you think of that? (think of that, girl)
(think of that girl)
I said, sit down cat, pull up a seat, youre soakin wet
Take off your coat and hat, wipe your feet on the mat
In the back room (in the back room)
In the back room (in the back room)
I waited for you (waited for you)
Ya waited for me (waited for me)
I said, what time is it charlie, where did we go all day?
Seem to get nowhere and do nothin but sit lookin at each other
He said, I know, I been doin the same thing for weeks
I look at the clock and all of a sudden Im hypnotized
It speaks to me, it goes tick-tock, tick-tock, tick-tock, ah-huh the kid he said, I dont know what you guys do but I been workin
So hard, lately that I can just only fall asleep in bed
So he played some more sounds and grooved a while
Somebody brought out some cherry wine, cherry wine
And we talked about what was goin on in the music world
And other things
Ha-ha-ha, ha-ha
The rain outside came down like it came never before
Down, came down, it came, rain rain rain
And I said, baby what time is it, what time is it, tell me what time is it?
Ah, four-thirty
So I peeked round the corner, the blind
An there ya go, theres another girl thats comin home from school
Lookin so cool, just learned her as to zs
And said,
Hey man dont look funny, all the little girls comin home from school
And theyre sittin, talkin and drinkin and all them other funny things
A-ha-ha-ha
And charlie said to me, ya know what? I said, what?
He said, man you gotta go out there and do somethin for yourself
Feel like you wanna make it or else you gonna be sittin round here like,
Nothin
I said, youre right, I said youre so right

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song performed by Van Morrison
Added by Lucian Velea
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A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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poem by James Russell Lowell
Added by Poetry Lover
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Leave A Little Room

(michael randall)
If your heart is breaking
cause your dreams not coming true
Leave a little room
To start again
If your faith is shaken
Though it seems you thought it through
Leave a little room
For it to mend
Leave a little room
To find a friend
Leave a little room
To start again
First you think youre alone
And the worlds made of stone
And the game isnt fair
till you know someone cares
till someone cares
If your love is leaving
And you thought that it was true
Leave a little room
To think again
If your heart is bleeding
And you dont know what to do
Leave a little room
For it to mend
Leave a little room
To find a friend
Leave a little room
To start again
And youre glad youre alive
Youve got nothing to hide
And the feeling is free
And the feeling is me
If your heart is breaking
cause your dreams not coming true
Leave a little room
To start again
If your love is leaving
And you thought that it was true
Leave a little room
To find it
Put a little faith behind it
Leave a little room
And start again
Leave a little room
To find it
Put a little faith behind it
Leave a little room
And start again

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song performed by Diana Ross
Added by Lucian Velea
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