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Life isn't a tiptoe through the tulips.

quote by Shannon Hoon
Added by Lucian Velea
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Spring Day

Bath

The day is fresh-washed and fair, and there is a smell of tulips and narcissus
in the air.

The sunshine pours in at the bath-room window and bores through the water
in the bath-tub in lathes and planes of greenish-white. It cleaves the water
into flaws like a jewel, and cracks it to bright light.

Little spots of sunshine lie on the surface of the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir of my finger
sets them whirring, reeling. I move a foot, and the planes of light
in the water jar. I lie back and laugh, and let the green-white water,
the sun-flawed beryl water, flow over me. The day is almost
too bright to bear, the green water covers me from the too bright day.
I will lie here awhile and play with the water and the sun spots.

The sky is blue and high. A crow flaps by the window, and there is
a whiff of tulips and narcissus in the air.

Breakfast Table

In the fresh-washed sunlight, the breakfast table is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over its side,
draped and wide. Wheels of white glitter in the silver coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl - and my eyes
begin to smart, the little white, dazzling wheels prick them like darts.
Placid and peaceful, the rolls of bread spread themselves in the sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white, scream,
flutter, call: 'Yellow! Yellow! Yellow!' Coffee steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin spiral
up the high blue sky. A crow flies by and croaks at the coffee steam.
The day is new and fair with good smells in the air.

Walk

Over the street the white clouds meet, and sheer away without touching.

On the sidewalks, boys are playing marbles. Glass marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red striped agates.
The glass marbles spit crimson when they are hit, and slip into the gutters
under rushing brown water. I smell tulips and narcissus in the air,
but there are no flowers anywhere, only white dust whipping up the street,
and a girl with a gay Spring hat and blowing skirts. The dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap, tap,

[...] Read more

poem by Amy Lowell
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Bad Side Of The Moon

(bernie taupin/elton john)
Published by songs of polygram international - bmi
Seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
It seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
There aint no need for watchdogs here, to justify our ways
We lived our lives in manacles, the main cause of our stay
And exiled here from other worlds, my sentence comes to soon
Why should I be made to pay on the bad side of the moon
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life

song performed by April Wine
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

poem by Mahendra Bhatnagar
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Tight Rope

My words are weapons in which I murder you with please don't be scared please
do not turn your head we are the future the 21st. century dyslexic glue
sniffing cybersluts with homicidal minds and handguns we are insane nothing
will change we are insane nothing will change there is a thin line between
what is good and what is evil and I will tiptoe down that line but I will
feel unstable my life is a circus and I am tripping down the tightrope well
there is nothing to save me now so i will not look down and again and again
and again it happens again and again and again there's no beginning there is
no end there is only change progression backwards is this where we are
heading take back your soul forget your emptiness there is a thin line
between what is good and what is evil and I will tiptoe down that line but I
will feel unstable my life is a circus and I am tripping down the tightrope
well there is nothing to save me now I'm falling to the ground falling to the
ground down to the ground i speak of madness my heart and soul I cry for
people who aint got control lets take our sanity lets take compassion and be
responsible for every action hell no know how the way the way the way know
how the way know how there is a thin line between what is good and what is
evil and I will tiptoe down that line but I will feel unstable my life is a
circus and I am tripping down the tightrope well there is nothing to save me
now so I will not look down there is a thin line between what is good and
what is evil and I will tiptoe down that line but I will feel unstable my
life is a circus and I am tripping down the tightrope well there is nothing
to save me now I'm falling to the ground down to the ground all the way down.

song performed by Papa Roach from Infest
Added by Lucian Velea
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Tightrope

My words are weapons, in which i murder you with
Please don't be scared; please do not turn your head
We are the future the 21st century dyslexic glue sniffing cyber sluts
With homicidal minds and hand guns
We are insane nothing will change
We are insane nothing will change
There is a thin line between what is good and what is evil
And i will tiptoe down that line but i will feel unstable
My life is a circus and i am tripping down that tightrope
Well there is nothing to save me now
So i will not look down
And a you, and a you, and a you, happen to you, and a you
And a you
There's no beginning there is no end
There is only change
Progression backwards is this were we are heading
Take back your soul forget your emptiness
There is a thin line between what is good and what is evil
And i will tiptoe down that line but i will feel unstable
My life is a circus and i am tripping down that tightrope
Well there is nothing to save me now
I'm falling to the ground
Falling to the ground, down to the ground yeah
I speak of madness, my heart and soul
I cry for people who aint got control
Lets take our sanity, lets take compassion
And be responsible for ever reaction
Hell no, no how no way no way no way no how no way no how
There is a thin line between what is good and what is evil
And i will tiptoe down that line but i will feel unstable
My life is a circus and i am tripping down that tightrope
Well there is nothing to save me now
So i will not look down
There is a thin line between what is good and what is evil
And i will tiptoe down that line but i will feel unstable
My life is a circus and i am tripping down that tightrope
Well there is nothing to save me now
I'm falling to the ground
Down to the ground, all the way down

song performed by Papa Roach
Added by Lucian Velea
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It's Gonna Rain

It's gonna rain, (it's gonna rain)
It's gonna rain, (it's gonna rain)
It's gonna rain like you've never seen before.
(it's gonna rain, it's gonna rain)
It's like the heaven packed out, the sky fell out,
It's gonna rain, it's gonna rain.
You say life is a bowl of cherries,
You give me a bowl of pits.
The pits will grow into trees one day,
I'm getting my cherries anyway. (maybe so, maybe so)
I'm just living on tiptoe, (tiptoe)
Feeling like so-so, (so-so)
Trying not to step on your eggs.
'cause i know, it's gonna rain, it's gonna rain.
You say life is a bowl of cherries,
While trying to hide your bowl of pits.
Don't tip my bowl, don't crush my cherries,
One day you'll get your trees and all. (yes, i know, yes i know))
I'm just living on tiptoe, (tiptoe)
Feeling like so-so, (so-so)
Trying not to step on your eggs.
'cause i know, it's gonna rain, it's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain, it's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain, it's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain, it's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain, it's gonna rain.

song performed by Yoko Ono
Added by Lucian Velea
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It's Gonna Rain

It's gonna rain, (it's gonna rain)
It's gonna rain, (it's gonna rain)
It's gonna rain like you've never seen before.
(it's gonna rain, it's gonna rain)
It's like the heaven packed out, the sky fell out,
It's gonna rain, it's gonna rain.
You say life is a bowl of cherries,
You give me a bowl of pits.
The pits will grow into trees one day,
I'm getting my cherries anyway. (maybe so, maybe so)
I'm just living on tiptoe, (tiptoe)
Feeling like so-so, (so-so)
Trying not to step on your eggs.
'cause i know, it's gonna rain, it's gonna rain.
You say life is a bowl of cherries,
While trying to hide your bowl of pits.
Don't tip my bowl, don't crush my cherries,
One day you'll get your trees and all. (yes, i know, yes i know))
I'm just living on tiptoe, (tiptoe)
Feeling like so-so, (so-so)
Trying not to step on your eggs.
'cause i know, it's gonna rain, it's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain, it's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain, it's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain, it's gonna rain.
Shake your vessels, break your pretzels,
It's gonna rain, it's gonna rain.

song performed by Yoko Ono
Added by Lucian Velea
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Spring Flowers ~ Tulips

Tulips shyly smiling, greet the spring
Tightly closed when at
First we meet
Tulips slowly opening, begin to sing
Gaining volume
Ever sweet

No longer shy, as days grow longer,
Raising their heads
They begin to flirt
Tulips dressed in many a color
Breezes swirling
Each floral skirt

Tulips, brazen painted hussies,
Part their bright lips trying to seduce
The busy buzzing bees
Far too bold for dainty tussies
Vibrant Tulip flowers produce
Visions certain to please

poem by Mary Havran
Added by Poetry Lover
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

[...] Read more

poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Snobbery

A solitary rose in red attire
Condescended:
A fleeting glance -
She apprehended
My affections,
Turned away
From me, a stray -

Stubble weed -
Genes to build an oddity:
Common seed -
Happy-go-lucky entity
In dull array.

The rose glowered,
But in ascension
Slipped a view of blight
Upon her regal greenery:
Black spot!

In all her bold perfumery
And blushing flower,
The sheen of vulnerability in jet
Reminded me how snobbery
And haughty shower
Tarnish with an underlying debt!

She wavered in her shallow play -
Man-bred -
Hardiness foregone.

The rose no longer shone.

Copyright © Mark R Slaughter 2010
From: Poetry Rivals 2010 - A New Dawn Breaks
Forward Press

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poem by Mark R Slaughter
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The Great Adventure Of Max Breuck

1

A yellow band of light upon the street
Pours from an open door, and makes a wide
Pathway of bright gold across a sheet
Of calm and liquid moonshine. From inside
Come shouts and streams of laughter, and a snatch
Of song, soon drowned and lost again in mirth,
The clip of tankards on a table top,
And stir of booted heels. Against the patch
Of candle-light a shadow falls, its girth
Proclaims the host himself, and master of his shop.

2

This is the tavern of one Hilverdink,
Jan Hilverdink, whose wines are much esteemed.
Within his cellar men can have to drink
The rarest cordials old monks ever schemed
To coax from pulpy grapes, and with nice art
Improve and spice their virgin juiciness.
Here froths the amber beer of many a brew,
Crowning each pewter tankard with as smart
A cap as ever in his wantonness
Winter set glittering on top of an old yew.

3

Tall candles stand upon the table, where
Are twisted glasses, ruby-sparked with wine,
Clarets and ports. Those topaz bumpers were
Drained from slim, long-necked bottles of the Rhine.
The centre of the board is piled with pipes,
Slender and clean, the still unbaptized clay
Awaits its burning fate. Behind, the vault
Stretches from dim to dark, a groping way
Bordered by casks and puncheons, whose brass stripes
And bands gleam dully still, beyond the gay tumult.

4

'For good old Master Hilverdink, a toast!'
Clamoured a youth with tassels on his boots.
'Bring out your oldest brandy for a boast,
From that small barrel in the very roots
Of your deep cellar, man. Why here is Max!
Ho! Welcome, Max, you're scarcely here in time.

[...] Read more

poem by Amy Lowell
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Selected Poems Of Dr. Mahendra Bhatnagar [2]

[1] O WINGED STEEDS OF DESTINY

O Winged steeds of Destiny!
Holding thy reins
With confidence
And with firm hands,
We will pull them
To give ye direction,
Every time!

Lustrous and indomitable,
We are the sons of the soil
We stand by the toil
We cherish the youthful vigour;
We will pull
Thy bridle — mind you —
To give ye direction,
Every time!

O ye, the sentinels and the stars foretelling!
Our labour is marked with brilliance,
We will pull out
Thy light undecaying;
For, we can reach
The inaccessible Space
Through endurance and steadfast endeavours.
O ye, our stars!
We will, forsooth,
Take away from ye
Thy brilliance!

O ye, the moving invisible hand!
Thou art the invincible citadels
Echoing the distressed cries
Of the ill-fated ones!
Bathed in sweat
We will wash
Thy ominous lines,
And singing sweet the inspiring music
Of hard work,
We will break through
Thy citadels
Of distress and destruction!

O winged steeds of Destiny!
We will hold thy bridle
And give ye direction!

 

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poem by Mahendra Bhatnagar
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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poem by Jonathan Robin
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Salimuang sa kanahan nga nangandoy ug anak

Ang amahan kugos ang duha ka anak
Ang inahan tapad
Posing silang upat sa kilid sa mga tulips

Balhin na pud sila sa tunga
Dayon sa tuo Sa wala Sa sentro

Pagkaanindot jud tan-awon ang ilang family Picture,
gusto sa pud unta ko pa-take ug family Picture

Pila ra gud unta pagposing sama nila
Maka-afford man sad kog bakasyon diha ba
Palit ug round trip ticket
Kuyog ang akong asawa
Maka-afford man sad kog palit ug digital camera
Bisan pa gani ug paliton nako ang mga tulips
Kanang tanang klase sa kolor

Apan ang problema ug duna bay baligya
Nga bata dihang lugara
Bisag for rent lang, para posing sad ming upat
Aron duna na koy
Family picture with the tulips in the states
Dayon akong i-email sa akong mga
Close nga higala

poem by Ric S. Bastasa
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Home Train Improvisation 04 02 2004

HOME TRAIN:
Improvisation Number 01 24 04

From city light horizons she is going to become my day-lady
rising too soon sprung spouting with tulips and the early spring
on the home train my heart beats fiddle bass tones and sings
desperate reasoning in the heart: why her whole body stands on
my soul softly resting upon that generation of secret separate trusts
intended in the passing smile for the joy of being alive being alive
for just one more day from distant light horizons on the home train
from distant city light horizons my city leaves me with my lady
my joy on the home train to soon sprung early tulips crocus in
the rain in the solar fun my lady to soon sprung in the early spring
all rise to spread the joy and join the fun on the home train for just
one more day from distant light horizons my city leaves me with
my lady on the home train to soon my heartbeats fiddle bass tones
and sings she is too soon sprung joyously into spring my heart beat
sings for her whole body stands on my soul softly resting in my joy
time is passing rapaciously through the night passing city after city
the home train races out of light horizons sucking my city away
fading into the rhythm of the blues quietly my lady to soon sprung
begins to make her midnight move joyously leaping into spring
blooming with the rising sun with tulips and the joy of passing time
rapaciously through the night I will hold her softly for nothing more
than the repetitious passing of time while she will hold me too; city
after city the home train races out of light horizons onto spirit lifted
tracks with my lady to soon sprung from city light horizons on
the home train from distant light horizons the city leaves a mellow
glowing cinder each time I leave her she is the love that draws me
back; city after city now nearer home where my love to soon sprung
in springs come and gone she is my wife my mistress my platonic
friend city after city wherever she lets me in; she’s with me every day
she sits with me on the home train she sits a seat away at the cinema
on the benches in the park in the lobby the dining and the sleeping car
the lounge and café I sleep where the memories stay -on the home train.

Lee Mack copyright 2009. ISBN # 0615318347. Do not reproduce without permission.

poem by Lee B Mack
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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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poem by Coventry Patmore
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