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David Lynch

The concept of absurdity is something I'm attracted to.

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Anchorless and Engulfed

Two who each other barely knew -
though both drew down delinquency
some streets apart, are past, and few
shall etch sketch wretched memory.
Two travelled on lines parallel
while wheeled real reel of history,
banned reel ran out span's tocsin bell
tolled once to tell eternity

‘Bonjour, ma mie, je t'aime, adieu! '
The mocking bird of Destiny
nests but a moment. All falls through
before each earth-bound entity
grasp pain's pain glass a second, spell
life's sensitivity to see
things in perspective ere Death's knell
engulfs hopes in Styx misery.

Confined upon Earth's ark our zoo
builds up its bars too readily.
Why all the fuss and bother to
paint rosy hues enticingly
when threescore ten years pass pell-mell,
too few attain vain century,
and those that do weak souls would sell
for one more week's dichotomy.

Upon Life's cruise a motley crew
free choice demands, yet few feel free,
awash with superstitious spew,
how few refuse to bend the knee?
The ‘finger writes' and then farewell!
A door to which there is no key
was ever veiled when curtains fell,
'and then no more of thee and me.'

'Time out! ' Reflection's hard to chew
in context where modernity
accelerates change [st]range most rue,
soon redefines autonomy,
confines empowerment to brew
disinformation debility,
losing second thoughts' review
of truth till last breath's verity
renders verdict curlicue
on humankind's inanity.

Climate out of kilter new
climactic catastrophe
prepares, ice-melt sends shockwaves through

[...] Read more

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Deepness In The Throat

Like a deepness in your throat
I'm here to make you choke.
A miss step to the abiding course
Scream of the divorce of those of fantasy and the real.
No concept is ever a far cry from the from the truth.
Of the abused
Mentally used
Confused
Bitter
Sour
Anger
Ha te
In everything we relate
So do not agitate

Look at yourself making so many miscalculations
In your proclamations
As am I
We speak, we learn
We follow through
Like an oppression upon the chest
Looky their its sitting on that shelf
Just reach for it.

Like a deepness in your throat
I'm here to make you choke.
A miss step to the abiding course
Scream of the divorce of those of fantasy and the real.
No concept is ever a far cry from the from the truth.
Of the abused
Mentally used
Confused
Bitter
Sour
Anger
Ha te
In everything we relate
So do not agitate

Bang bang the drugs take effect
Are you hallucinating yet.
Don't fret
You'll be soon enough
Think you got it rough
Come on now be tough
Stand up for yourself
Emotional distrust

Like a deepness in your throat
I'm here to make you choke.

[...] Read more

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Tall, Dark Handsome Stranger

Im so tired of these men trying to
Impress me with nothing
The same old routine and the smooth
Fancy talking
Now I know and believe that I found
It for real
cos youre good and youre kind and
You care how I feel
I had a tall dark handsome stranger
Ive had the devil in disguise
Ive been attracted to the danger
But I was never satisfied
And I know what I like
And I like what I see in your eyes
Youre so beautiful
Ive been pushed Ive been pulled
Ive been put out and trod on
Just by taking my chances I finally
Caught on
When I see in your eyes all the love
Shining through
Im so glad I held out for somebody
Like you
I had a tall dark handsome stranger
Ive had the devil in disguise
Ive been attracted to the danger
But I was never satisfied
And I know what I like
And I like what I see in your eyes
Heaven must have sent you I know
Youre so good to me
I feel good with you
Id be such a fool to let you go
Theres something about you
I cant live without you
Ive had fast talking good looking men
At my door
Now Im a wiser woman than I was before
I had a tall dark handsome stranger
Ive had the devil in disguise
Ive been attracted to the danger
But I was never satisfied
And I know what I like
And I like what I see in your eyes
I had a tall dark handsome stranger
Ive had the devil in disguise
Ive been attracted to the danger
But I was never satisfied
And I know what I like
And I like what I see in your eyes

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Patrick White

Paid The Rent

Paid the rent. Roof over my head for another month.
Car bills coming up, and contraband cigarettes;
got to feed myself, provide what is needed,
address myself to elemental concerns,
keep my body clean, my clothes, the house, the sheets,
my wits about me on the streets,
and my heart wary of vagrant urgencies
that take a bride like an ambulance to an emergency
just for the ride, and ends up dedicating themselves like a bloodbank
to a wound that isn't in the book
and won't be healed,
though I apply the moon like a poultice,
like a scar with a dark side that's always concealed.

Even who I thought I was,
more life behind me than ahead,
no more than a passing flaw of feeling,
gusts of birds in the groves of a sacred delirium
where the fools make fun of the saints
and it takes ages to understand
why the blood writes and paints
what the spirit sees of a world
that stains the grace of its mystic absurdity
by forgetting how to play with God, the faceless one.

And things are done that rot like bells
and torture and war and rape and winning sells
peanuts in the Colosseum
and no one knows who I am
because they're clinging like frost
to their own faces
in dangerously intimate places.

And that's okay; that's okay too
because I'm just an empty lifeboat passing through
the eye of a dream that won't wake anybody up,
just another prophetic crack in the cup
that proposes a toast to its host like a grail
as we fail and fail and fail our way through life
all the way to the top of our decline
like a parachute tangled in a powerline
that didn't know how to jump toward paradise.

And I wouldn't advise anyone giving or taking advice,
but I will go out and encompass the day like an accident
that didn't happen to me,
and there will be moments like mini-blackholes
that will grain my image into the ferocious clarity
of a face that bends space like a lens
to cloak the offence of my rarity

[...] Read more

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An Alliterative Amorous Answer

Alliterative Love Letter

Adored and angelic Amelia. Accept an ardent and artless amourist’s affections, alleviate an anguished admirer’s alarms, and answer an amorous applicant’s avowed ardour. Ah, Amelia! all appears an awful aspect! Ambition, avarice and arrogance, alas are attractive allurements, and abase an ardent attachement. Appease an aching and affectionate adorer’s alarms, and anon acknowledge affianced Albert’s alliance as agreeable and acceptable.

Anxiously awaiting an affectionate and affirmative answer, accept an ardent admirer’s aching adieu. Always angelic and admirable Amelia’s admiring and affectionate amourist, Albert
Wit and Wisdom 1826


An Alliterative Answer


Artless Amelia Acme’s answer adamantly admonishing artful Albert Acne’s announced amorous ambitions, and assertive advances, actively advocates appropriate alternatives. Also, attesting abhorrent Albert’s attempted abduction, Amelia asks an adequate aureate award. Advance “ amical ” arrangements are altogether abjured.

Adieu Albert!


Abused Amelia, an adorable angel, aghast and askance, acknowledges agile apostate Albert’s apparently avuncular, albeit astonishingly audacious application, and, as alleged affiancement alliances and anticipations are absent, appends an acceptable, accurate answer.

Aggressively accosted, Amelia acts advisedly, asking an acceptably authentic apology affirming all Albert’s avowed affiancement allegations as archetypal authoritarian autocratic attempts at annulling Amelia’s autonomy. Also, Albert’s absolutely alarmingly acquisitive ambitions afford anguish, anxiety, and, afterall, acute anger. All are anathema, as Albert, an adder, assumed angelic approbation after an abject attempt at abrogating and appropriating all Amelia’s assets.

Agamous Albert’s age, adiposity, and abnormally abrasive accents also argued against amorous agglutination. Agamy appeared advisable as Amelia always aspired at attaining an absolute amour, assiduously avoiding ambiguity. Ardent admiration activated Albert’s appetite as Amelia’s allure and accomplishments attracted all-round applause.

Amelia and Albert are at an apogee. Alliance anticipations are antilogical as Amelia’s aplomb and articulateness, and Albert ’s anthropomorphic antics are as antipodes apart as Aphrodite and an anthropoid ape. Acataleptic Albert, Amelia’s antithesis, acting almost as an aggressive animal, abused Amelia’s adolescent acquaintance, Anabelle, an alluring afro actress, - actually auditionning as an aria alto, - adventuring affront abruptly abbreviated.

Albert’s apologists are accomplices aiding and abetting an attack (after anticipating advantages agreed aforehand) .... At Ashcloth Abbey altar agnostic Albert asked Assyriac Abyssinian Archdeacon Ahasuerus and Arabian acolyte Abdul abn Abdulaziz abn Abdullah Abu an aboveboard absolution although Abbott Abraham Allsaints’ anterior abjuration altered all accomodating actions.

Apprehending arrogant acquiline Albert’s arbitrary approach, Amelia appositely acted appropriately, adjusting apparel. Applause and approbation are apropos.

Albert abusively alledges aristocratic alabaster Amelia’s assent - an assumption as absurd as an ass astride an advocate assiduously assembling an ascorbic acid apparatus!

Abstemious Amelia’s abilities attract acclaim - above all admirable administrative aptitudes, artistic aims, analytical assurance, amiability and amenability. Altruistic Amelia amalgamating agreeableness and authority, always assists aliens.

Alcoholic Albert’s abominations abound, as aforementioned as all adults agree, admonishing an aggressive ambiance........Albert apes affability!

Abusive adulation appalls, accelerates aversion and attracts adverse acknowledgements alienating affirmative adhesions. Allegorical accolades, artificially addressed, accumulate absurdities. although amiable acolytes are acceptable additions. Argot argues against acceptance as avid adventurers assume affected accents -, acquiring added artificial accomplishments.


Addressing amoral Albert, and apprehending amorphous arrangements, Amelia advises acrimonious Albert’s accepting any alternative Abigail, Alice and Anabella, as affianced amourette. Auburns are also admired as are armed assegaie’d ashanti, andalousian, algonquin, anabaptist and amerindian amours:

Abigail, Ada, Adrienne, Adriana, Adelaide, Agatha, Aglaë, Alice, Aliette, await Albert,
Aline, Alison, Amy Amanda, Amandine Andrea, Angela, Angelica, Ann, anticipate Albert
Anna, Annabelle, Anne, Annette, Angelina, Annick, Annie, Andrée, Anthea, alleviate Albert
April, Ariane, Ariane, Arlette, Armande, Armelle, Ashley, Astarte, Ava, appreciate Albert
.....And Albert annoys Amelia! - aggravating!

[...] Read more

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Hopelessly Addicted

Opened my eyes today
And I knew there's something different
Saw you in a brand new way
Like the clouds had somehow lifted
And if yesterday I heard
Myself saying these words
I would swear it was a lie

I don't know why but suddenly I'm falling
Was I so blind
I was loving you all the time
Now I'm hopelessly addicted
Helplessly attracted

I'll make a wish this day
And I'll send it to the heavens
That we will always stay
Entwined like this forever
And though the world may change
Coz nothing stays the same
I know we will survive

I don't know why but suddenly I'm falling
I was so blind
I was loving you all the time
Now I'm hopelessly addicted
Naturally we acted

I don't know why but suddenly I'm falling
I was so blind
I was loving you all the time
And now I'm
Hopelessly addicted
Helplessly attracted
Chemically reacted
Naturally we acted
I was loving you all the time
Hopelessly addicted
Helplessly attracted
Chemically reacted
Naturally we acted
Yeah

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Hyperactive

Shes got a date for lunch in Singapore,
Holds stock in I.B.M. and hates Dior.
She puts up her make-up on at 6.00am
She goes to work, gets home then puts it on again
And its a mystery how wild that girl can be;
Shes got so much energy;
Shes such an expert at surprising me.
Shes hyperactive when she starts to dance.
And shes so attracted to a wild romance,
And more effective than a stimulant -
Shes hyperactive.
Shes hyperactive when she starts to dance.
she never missed a beat or missed a chance,
And Im persuaded by her argument.
Shes hyperactive.
The other dancers hypervantilate and start to sweat.
One look at her - I know the nights not over yet.
She says Where are we going now?
Her voice is sweet and soft.
I think she lost the key that turns her motor off.
And its a mystery how wild that girl can be;
Shes got so much energy;
Shes such an expert at surprising me.
Shes hyperactive when she starts to dance.
She never missed a beat or missed a chance,
And Im persuaded by her argument.
Shes hyperactive.
Shes hyperactive when she starts to dance.
And shes so attracted to a wild romance,
And more effective than a stimulant -
Shes hyperactive.
And its a mystery how wild that girl can be;
Shes got do much energy;
Shes such an expert at suprising me.
Shes hyperactive when she starts to dance.
And shes so attracted to a wild romance,
And more effective than a stimulant -
Shes hyperactive.
Shes hyperactive when she starts to dance.
she never missed a beat or missed a chance,
And Im persuaded by her argument.
Shes hyperactive.
Shes hyperactive when she starts to dance.
She never missed a beat or missed a chance,
And more effective than a stimulant -
Shes hyperactive.
Shes hyperactive when she starts to dance.
She never missed a beat or missed a chance,
And more effective than a stimulant -
Shes hyperactive.

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People Like To Keep A Heat Provoked

Blowing out fires after starting them...
Isn't going to clear the smoke.
And,
Whoever is hired to keep smoke chokers away...
Is the one that chokes the most.

People like to keep a heat...
Provoked.
Even people on the streets,
Are...
Attracted to the smoke.

People like to keep a heat...
Provoked.
Even people on the streets,
Are...
Attracted to the smoke.

Blowing out fires after starting them...
Isn't going to clear the smoke.

People like to keep a heat...
Provoked.
Even people on the streets,
Are...
Attracted to the smoke.

And,
Whoever is hired to keep smoke chokers away...
Is the one that chokes the most.

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That Was Part One. Maybe Part Two Needs Review

In the meantime,
Save up all your nickles and dimes...
And make yourself that charity case.
Goodbye.
Good luck.
This enviroment I'm in,
Needs to be replaced.

And in the meantime,
You can stop that whining you sigh...
And lift yourself over hurdles that appear.
My leaving you will help you find,
What's been missing for years...
Between both of your ears.

You chose to booze up when you wanted to.
You chose to do what you wanted to do.
You choose to eliminate a listening to hear.
Now you think I want you close...
Although distant when I wish you near?

That was part one.
Maybe part two needs review!

You chose to booze up when you wanted to.
You chose to do what you wanted to do.
You choose to eliminate a listening to hear.
Now you think I want you close...
Although distant when I wish you near?

'Come here.
You don't have to say it twice.
Come here,
I know what you need and like.'

Oh no,
I'm not attracted to defeat.
I know...
How to stand on my own two feet.
And I,
Wish not to ever repeat...
Being alone while you roam the streets.

Oh no,
I'm not attracted to defeat.
I know...
How to stand on my own two feet.
And I,
Wish not to ever repeat...
Being alone while you roam the streets.

[...] Read more

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Two Fuse

Interactive,
And a catalyst that captures...
And a catalyst that captures,
Manufactures what it matches...
To attach and sack a catch.

Two fuse and they become attracted,
To be seen as a known fact.

Interactive,
And a catalyst that captures...
Factors in and snatches fast.

Interactive,
And a catalyst that captures...
And a catalyst that captures,
Manufactures what it matches...
To attach and sack a catch.

Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and they become attracted,
To be seen as a known fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.

Interactive,
And a catalyst that captures...
Factors in and snatches fast.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and they become attracted,
To be seen as a known fact.

Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.

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Pavement(sidewalk) Eyes

In a rumble tumble morning
After an evenings firelight glow
Prayers are left unanswered
From a God who didn't show
Cold air breath a signal
The only sign of life
Skipping over Yellow skins
Courtesy of Mr Fyfe
Pavement eyes attracted
No comfort in a stare
Window shopping affection
For a love that isn't there
Arms linked to heartache
Reflection scowls abuse
Yesterday fights tomorrow
Today calls a truce
Wallet has no answer
Money cannot buy
Last nights dream of hope
Tomorrow's tears yet dry
Alpine steps to ease
A burden self packed
Twist and turn the image
Pollyfilla over cracks
Crystal sky drops diamonds
That die in crowns cascade
Pavement eyes attracted
To rivers grey skies made
Sales receipts discarded
Drown in gutters deep
Bright tomorrow's lie hidden
In someone else's sleep
Bottle tops and ring pulls
Fellow travellers answer
Blur the edge of safety
Tightrope ballet dancer

Pavement eyes attracted
Red shoes shine a light
Eyes raised to heaven
Glorious, glorious sight
Matching lips to footwear
Hair of Auburn hue
Perfection in a stranger
Window shopping too?
Two reflections
Standing side by side
A touch away from loving
A word hidden in pride
Golden band spells danger

[...] Read more

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The Seduction Of The Vampire

In her way she encircled him

told him in their talk the night before

of her desires and fears with her eyes

stroking then his flowing cape

mesmerized by his stately broad gestures

his white, long slender fangs

tingling with, she thought, some previous nights

blood-soaked delight;

and she could see he desired her too

was attracted to her soft dinner table tremblings

as she sat next to him.

But then that interest devolved to mild interest

perhaps, she thought, sated from other conquests

or perhaps more attracted to other lades

who looked plying for his staring eyes.

Or, perhaps she thought, he was not attracted to her

so she small-gestured to him her gleaming white neck

while reaching for the salad fork

feeling him react
mentioning in the process

that she always left her window open

at night

communicating to him

that she was often afraid

that someone or something would fly in
and have his way with her;

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Voyage around the Square Root of Minus One

I often heard
that while the sciences concern themselves
with objective truths
the arts deal with subjective phenomena.

Many years ago I held the same view,
but later came to the conclusion
that this is just a well-combed popular myth.

It is an untenable credo
because the sharp separation
of the arts and sciences is a rigid
and arbitrary mandate, full of holes.

Although all subjects have their specificities,
at the same time they also share
many common traits with each other.

There is art in science and science in art.

Artists, for example,
apply geometry to represent
a three dimensional scene in a painting,
which is a two dimensional surface.

By using ‘objective' geometrical perspective,
Renaissance artists, among them Alberti,
Brunelleschi, Uccello, Leonardo and Dürer,
developed in Europe the ‘subjective' illusion
of perceptual realism.

Later, in the Dutch Republic of the 17th century,
Johannes Vermeer applied expensive pigments
to the canvas and conducted
pioneering research in optics that enhanced
the supreme quality of his work,
imbuing his paintings with sublime,
otherworldly light.

In the 19th century
the Romantic painter John Constable
prepared detailed studies
of the landscape and weather conditions
of England, before transcribing them
into images of stunning accuracy and grace.

Following the closing of the Weimar Bauhaus
by the Nazis in 1933, the artist Josef Albers
moved to the USA, where he worked at
Black Mountain College and at Yale University.

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Post-conceptual Poetics(6)

post-conceptual concept of form- without- forms -and- formlessness- with -forms will reflect the contemporary existence of multi-disciplinary arts.
forms with formlessness is beyond concept
formlessness with forms is beyond concept

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Give me the Light,

Give me the Light,
Give me the Light that I may Flow more,
Take the Moment and see all Movement,
What came from the Heavenly is a Reward,
Whilst my Concept will not make me fail anymore,
All moments,
The LIGHT will come back with that High Life,
Every Word was a Concept that we are Blessed,
Give me the LIGHT that I may flow with the Beauty of Words,
Give me Love that we may share a Concept of Eternal Glory,
The Words Reveal the Essence of what Earthly Kingdom beholds,
The New Understanding of Highest Realm saved Humane,
It all came from the Light that is from above.

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Reason is a supple nymph, and slippery as a fish by nature. She had as leave give her kiss to an absurdity any day, as to syllogistic truth. The absurdity may turn out truer.

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Wislawa Szymborska

Possibilities

I prefer movies.
I prefer cats.
I prefer the oaks along the Warta.
I prefer Dickens to Dostoyevsky.
I prefer myself liking people
to myself loving mankind.
I prefer keeping a needle and thread on hand, just in case.
I prefer the color green.
I prefer not to maintain
that reason is to blame for everything.
I prefer exceptions.
I prefer to leave early.
I prefer talking to doctors about something else.
I prefer the old fine-lined illustrations.
I prefer the absurdity of writing poems
to the absurdity of not writing poems.
I prefer, where love's concerned, nonspecific anniversaries
that can be celebrated every day.
I prefer moralists
who promise me nothing.
I prefer cunning kindness to the over-trustful kind.
I prefer the earth in civvies.
I prefer conquered to conquering countries.
I prefer having some reservations.
I prefer the hell of chaos to the hell of order.
I prefer Grimms' fairy tales to the newspapers' front pages.
I prefer leaves without flowers to flowers without leaves.
I prefer dogs with uncropped tails.
I prefer light eyes, since mine are dark.
I prefer desk drawers.
I prefer many things that I haven't mentioned here
to many things I've also left unsaid.
I prefer zeroes on the loose
to those lined up behind a cipher.
I prefer the time of insects to the time of stars.
I prefer to knock on wood.
I prefer not to ask how much longer and when.
I prefer keeping in mind even the possibility
that existence has its own reason for being.

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Poetry Book - Spider Web

A Choice

Better to lack food
Than to lack truth.
Rather perish in body
Than in soul.
Better to walk naked
Than to walk empty.
Rather be silent
Than to speak falsely.
Better to accomplish nothing
Than to achieve no virtue.


Walk for Shelter

Each of one!
One of each will,
Will walk!
Some up, some down, some inside…
The hill.

Millions of flags will flutter in the wind.
Swinging pieces of cloth on plastic sticks.

And the division of territories,
Will keep each group in a box.
Tiny boxes.
Big boxes.
Tiny boxes next to big boxes.
Some boxes will have no box next to them.
Some boxes will be in the shape of a boot!

The ones who walk down,
Will be the ones swinging their flags!
Each with an individual flag.
Made of cloth and plastic.

The ones who walk up,
Will have a big flag!
Made of silk!
To place on top of the hill.
So the rest,
Each individual flag included,
Will know its place.

And the ones who walk inside,
Will have no flags.
No division.

[...] Read more

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A Tease Ate At Ease

Forty-five fragile film frames flickered fast,
Offered fragile existential fantasy.
Rehearsal? repetition? f[o]ray fancy-free?
Timed role’s played only once before cold blast.
Youth spins loaded dice, Styx stones cast, fall forecast,
Fickle fate finesses foresight finicky.
Iconoclastic? idyllic? lottery
Voids mortal cyphers’ sore core scores. Vacuum vast.
Emphemeral existence fades fast. Past
Youth clings, sings, rings prime passed preparing Lethe -
Exit pursued by bare Life’s absurdity.
A tease ate at ease? Flea’s frieze freeze, picked, nicked, repast.
Rose scent sent doom dissolves all errors paid,
Stage gauged age paging, gloom’s page terror greyed.

Forty-five frames flicker fast,
Opt out of final fantasy.
Rehearsal over, piper’s fee
Toxic toxin tolled. Cold blast.
Yearned remission ends, soon past.
Fate finesses finicky
Ideals as lethal lottery
Vacuums mortal coil at last.
Expunges wishful-thinking fast
Deadlines loom, dread signs tomb see
Aware of hope’s absurdity.
Yet fear flees further fears die cast.
Self-indulgence pointless proves.
A tease? at ease? last ga[s]p removes.

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Patrick White

Childhood Never Ends

Childhood's never over.
It goes on evolving along with us
as if maturing had nothing to do
with growing up.
It's what's still creative about yesterday
that lives on inside us
like an ongoing work of art
whose finishing stroke of genius
was never to abandon it.
My childhood has the eyes of a homeless boy.
The eldest son of a single welfare mother
how could I not become a hero
to be worthy of her
who gave her life up for me?
Even the worthless can make noble mistakes
and if I started out tilting at windmills
the ironic absurdity
of my many-headed imagination
has long since turned me into
some kind of dragon voodoo doll
that keeps taking hits from the past
like a junkie trying to curse someone
by sticking pins in himself
as if his blood had eyes.
Who knows the fate
of the fatherless son
who's been martyred
on the heartless altars
of maternal compassion?
I was middle-aged by the time I was seven years old.
I'm sure my mother never meant to raise this.
But there you go.
Things get out of control sometimes
like morning glory vines in a cedar hedge
after a forest fire.
Some people are the point of the sword.
Some are the edge.
Some grab the blade by the hilt
and then there are all those who bleed.
I played Russian roulette with the moon
to clarify my intensities
with Zen bullets
I held to my head like koans
that kept bouncing off my platinum skull
or went clean through
without touching any of my vital organs.
There's a subtle ambiguity
about enlightenment
that makes it hard to distinguish
a great bodhisattva from a contract killer.

[...] Read more

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