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We don't sell technical drawings except when they are incorporated into a drawing or a collage.

quote by Christo
Added by Lucian Velea
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Murder Incorporated

Bobbys got a gun that he keeps beneath his pillow (oh yeah)
Out on the streets your chances are zero (oh yeah)
Take a look around you (come on down)
It aint too complicated
Youre messin with murder incorporated
Now you check over your shoulder everywhere that you go (oh yeah)
Walkin down the streets, theres eyes in every shadow (oh yeah)
You better take a look around you (come on down)
That equipment you gots so outdated
You cant compete with murder incorporated
Everywhere you look now theres murder incorporated
So you keep a little secret down deep inside your dresser drawer
From dealing with the heat youre feelin down on the killin floor
No matter where you step you feel youre never out of danger
So complicated you keep complaining some bones hurtin
I hear that you, you got dogged downtown, man it leaves your head cold (oh
Yea)
And everywhere you look life aint got no soul (oh yeah)
That apartment you live in feels like its just a place to hide
When your walkin down the streets you wont need nowhere there to hide
Now the cops reported you as just another homicide
I could tell that you was just frustrated from livin with murder
Incorporated
Incorporated
Everywhere you look now
Murder incorporated
Down on your knees
Murder
Everywhere that you turn its murder
Murder
Everywhere you look theres murder.
Aaaah, mmmmm, yeah, I said aaah, mmmmm, yeah
I said aaah, wooo, yeah

song performed by Bruce Springsteen
Added by Lucian Velea
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Sell Me A Coat

La la la la la la la la la la la la la
A winters day, a bitter snowflake on my face
My summer girl takes little backward steps away
Jack frost took her hand and left me, jack frost aint so cool
Sell me a coat with buttons of silver
Sell me a coat thats red or gold
Sell me a coat with little patch pockets
Sell me a coat cause I feel cold
And when she smiles, the ice forgets to melt away
Not like before, her smile was warming yesterday
See the trees like silver candy, feel my icy hand
Sell me a coat with buttons of silver
Sell me a coat thats red or gold
Sell me a coat with little patch pockets
Sell me a coat cause I feel cold
See my eyes, my window pane
See my tears like gentle rain
Thats the memory of a summer day
Sell me a coat with buttons of silver
Sell me a coat thats red or gold
Sell me a coat with little patch pockets
Sell me a coat cause I feel cold
Sell me a coat with buttons of silver
Sell me a coat thats red or gold
Sell me a coat with little patch pockets
Sell me a coat cause I feel cold
La la la la la la

song performed by David Bowie
Added by Lucian Velea
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A Wreath Of Sonnets To A Sweetheart

I

Tonight for the first time I caught your gaze
where you smelt roses in a garden,
with auburn curly hair hanging down your shoulders,
at morning glories trumpeting in strings over the wall

the window reflected you, caught in bright glass
and from the street I saw how lovely you are
feelings dancing in your sea-green eyes
aware of a unknown secret bond

but in the morning light you did disappear like mist
and when I rose
your were just a thought
you were already gone

like a pretty withered flower;
our friendship came suddenly.

II

Our friendship came suddenly.
like lightning falling from the blue sky
where two people in the great universe
are astounded by each other momentarily,

maybe we knew intrinsically that troubled days were coming,
perhaps had a intuition that moments decay with time
and for the time that was given to us, we were madly in love
like everyone in mankind at times

as if you came into my life unstoppable,
the winter rain of months changed
with a unknown adaptability
and although you are at times far off and distant
you still remain the only one;
like two jewels your eyes are shining.

III

Like two jewels your eyes are shining
pierced by a bright light,
they are oval like olives
with the glittering of rainbows

still they have got the ability
to with a own secret language
draw my thoughts to you

[...] Read more

poem by Gert Strydom
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Soccer Under 20

soccer teams close to pa
soccer teams cartoons
soccer teams england
soccer teams aurora co age 11
soccer teams for ren jacksonville fl
soccer teams for girls in atlanta
soccer teams for ren
soccer teams aurora co
soccer teams fo age 11
soccer teams from europe
soccer teams for toddlers
soccer teams from spain
soccer teams girls massachusetts
soccer teams in alberta
soccer teams for women in massachusetts
soccer teams for women n massachusetts
soccer teams for the facup 2007
soccer teams for toddlers in california
soccer teams from colombia and argentina
soccer teams for winfield
soccer teams games in sarasota florida
soccer teams hotels brescia
soccer teams for s in delaware
soccer teams in allen texas
soccer teams for undder 14s girls
soccer teams in 1987 varsity
soccer teams from mexico
soccer teams for s
soccer teams for youth in newark
soccer teams in clifton new jersey
soccer teams in chaicago
soccer teams in brazil
soccer teams in around chicago
soccer teams in cocoa
soccer teams in central america
soccer teams in chamblee georgia
soccer teams in chula vista
soccer teams in carrollton tx
soccer teams in canada
soccer teams in central valley
soccer teams in charlotte nc
soccer teams in athens greece
soccer teams in charlotte
soccer teams in chile
soccer teams in argintina
soccer teams in arizona
soccer teams in argentina and chile
soccer teams in argentina
soccer teams in concord mass
soccer teams in dundee il

[...] Read more

poem by Rwetewrt Erwtwer
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Syndicated Inc.

My whole family
Loves threes company
See the reruns constantly
There on my tv
Syndicated incorporated
Well, I know whats on the tube
I know just what to see
Got my tv guide with me
mash and all in the family
the munsters and mayberry r. f. d.
I will always be busy
Watching my tv
Oprah winfrey talks to me
Every day at three
Then soon itll be
wheel and jeopardy
Syndicated incorporated
Syndicated incorporated
Well, Im in such ecstasy
When Im watchin tv
Im a boob tube devotee
Think Im losin my sanity
Im addicted to regis and kathie lee
Forever I will always be
Glued to my tv
Love the partridge family
And dynasty
And laverne and shirley
And hard copy
Syndicated incorporated
Syndicated incorporated

song performed by Weird Al Yankovic
Added by Lucian Velea
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Pictures In The Sand

And Im gonna spend my time,
Drawing pictures in the sand for you.
And Im gonna ride the tide[? ],
And Im gonna make a rendezvous.
Sitting by the sea,
Sipping at my tea,
Drawing pictures in the sand,
And writing message to you.
Pictures in the sand (drawing pictures in the sand)
There is nothing I would rather do (there is nothing I would rather do)
Than just sit here in the sand (drawing pictures in the sand)
And think of thinks Id like to say to you (I love you true)
Every single day (every single day)
I waste my time away,
Drawing pictures in the sand,
And writing messages to you.
(all together)
Pictures in the sand. (drawing pictures in the sand)
Pictures in the sand.
If I didnt have a dime,
Would you still be loving me?
While I spend my whole life through,
Drawing pictures just for you.
But I could never draw my love,
Its so very hard to do.
Every single day,
I waste my time away,
Drawing pictures in the sand,
And writing messages to you.
Pictures in the sand. (drawing pictures in the sand)
Pictures in the sand. (do-bum, do-bum...)
Pictures in the sand. (drawing pictures in the sand)

song performed by Kinks
Added by Lucian Velea
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We Have A Technical

We have a random on the westside
Personality malfunction
He says I cant give you anything at all
Just a room with a bad view of you
He sent a letter to a downstat
Saying sorry that I missed you
But I cant think of anything to do
Hes addicted to the time track
We have a technical
We have a technical
Hes in a hotel where they all go
Saying boy, Ive lost my memory
Its so surprising
Just how quickly things can end
Like a hero on a platform of friends
This table is so crowded
With people that I dont know
And I never really turn
My thoughts on you
So the image breaks down again
We have a technical
We have a technical
I suppose its very shady
At least until the lights go out
Advertising posters on the wall
And the young boys singing softly
Do they ever come back
Or is it always at the wrong time
I could crawl around the floor
Just like Im real
And move a hand in front of my eyes
We have a technical
We have a technical

song performed by Gary Numan
Added by Lucian Velea
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Knowledge Is Power

In the morning watch,
Into the midst of learning;
In the evening tide,
Out of the muse that muses;
A knowledge from a pavement made to achieve success,
Like the tune of a beautiful song.
Say it again,
Write it again,
Sing it again,
Play it again,
Come to ACTION SECONDARY TECHNICAL SCHOOL;
A learning environment with love and care.
I do remember, i do remember! !
Like the watchful minutes to the hour when,
I have this loving muse to all who want to learn.

Look!
Over there is ACTION SECONDARY TECHNICAL SCHOOL;
A place where knowledge gained is power to you!
I remember,
Like the open window;
With 'deep-green unifrom' to the vegetation.
Now i know,
'Knowledge is power'!
A peaceful atmosphere of love and care to share with you.

To learn,
To know,
Of a muse like rain drops;
With teachers dedicated to serve you all.
Go, tell it on the moutains;
A candle light from MADINA ESTATE where,
Knowledge is power.
Listen oh heavens,
Hear oh earth,
ACTION SECONDARY TECHNICAL SCHOOL is around you;
A place where knowledge is acquired through learning.

Of the 'grey-trousers' to the world so sweet,
A candle light of hope;
Of the muse that leads to love,
Like a pleasant wit at hand;
A timely success iy all that you need in life.
This is wher love is found,
This is where people learn to gain,
With hopeful years at school;
I remember,
I remember!

'Grey-trousers like grey hairs;

[...] Read more

poem by Edward Kofi Louis
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A Political Fruit: A Political Solution!

A yokel’s assessment
loft pigeon holing
key kiwi politics
for term year 2001.

Under Labouring Leadership
exhibited by Prime Minister.
Housewife mentality not
her honourable Helen Clark.

“I’m glad I’m a kiwi
in the land of the free(?)
I wish I was a dog
and Jenny Shipley was a tree! ”

That former National Leader
of the N.Z. Socialist Welfare State.
Effectively exterminated some of
the old the sick the maimed not retained.
The (destained) . Supposedly unemployable.
Through effective long hospital waiting lists.
Patients patiently dying in sickening turn.
Waiting for their turn lifetime tax paid for.

Grossly government underfunded operations.
Patients could not live long enough to have.
Contrast increasing youth adult suicide rates.
Highlights dispirited dispossessed chose to die.
Rather than live with unstomachable shame.
Shame for their families to deal with if had one.

National gave their last paid jobs away to
cheaper ill fated foreign third world workers.
To even more socially exploited workers.
In even more exploited less fortunate lands.

Ensuring aspiring elite rich may free trade
grossing ever more greed upon greed
sweat and misery maximized equating to
an advanced global industrial slavery.

As Neo-liberal policies bite ever harder.

“Full employment is necessary
for capitalism
to grow”; did you never realize!

Shrinking profit rates! Economic Solution?

[...] Read more

poem by Terence George Craddock
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Everybodys Selling Something

More 4/4s in the neighborhood
Banging on the same guitar
Dreaming of living in hollywood
Puffing on a big cigar
Prima ballerina in a magazine
Call her on the telephone
Tell her that youre sending up a limousine
She say: I dont know...
I know where to go!
Now 4/4s in a different mood
Thinks hes gonna change the world
Making all the money that some others should
Guess its cause we dont deserve
Meet a lot of people in a magazine
Tell you where not to go
Tell you that Im living out a fantasy
You say: you dont know
They play me on the radio
You gotta walk before you crawl
Remember everybodys selling something
You gotta talk before you know
Remember everybodys selling something
Theres like a racket on the ball
Remember everybody wants attention
You gotta rock before you roll
Remember everybodys selling something
Sell me something
Sell me something
Sell me something
Now!
Now 4/4s into mother earth
Hurry up and wait t.v.
Funny how your lifell take a different turn
And how you get to dance for free
See a lot of freedom in your magazine?
Does it tell you what you want to know?
Tell you once and maybe twice and maybe three times
Thats all right!
Were coming out in stereo!!!
You gotta walk before you crawl
Remember everybodys selling something
You gotta talk before you know
Remember everybodys selling something
Theres like a racket on the ball
Remember everybody wants attention
You gotta rock before you roll
Remember everybodys selling something
Sell me something
Sell me something
Sell me something

[...] Read more

song performed by Men Without Hats
Added by Lucian Velea
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The Martyred Democrat

In Lady Lusher's drawing-room, where float the strains of Brahms,
While cultured caterpillars chew the leaves of potted palms
In Lady Lusher's drawing-room, upon a summer's day,
The democrats of Toorak met to pass an hour away.
They hearkened to a long address by Grabbit, M.L.C.,
While Senator O'Sweatem passed around the cakes and tea;
And all the brains and beauty of the suburb gathered there,
In Lady Lusher's drawing-room - Miss Fibwell in the chair.

(With increasing interest):
Ay, all the fair and brave were there - the fair in fetching hats;
The brave in pale mauve pantaloons and shiny boots, with spats.
But pride of all that gathering, a giant 'mid the rest,
Was Mr Percy Puttipate, in fancy socks and vest.
Despite his bout of brain-fag, plainly showing in his eyes,
Contracted while inventing something new in nobby ties,
He braved the ills and draughts and chills, damp tablecloths and mats,
Of Lady Lusher's drawing-room: this prince of Democrats.

(Resume the breeze):
Upon a silken ottoman sat Willie Dawdlerich,
Who spoke of democratic things to Mabel Bandersnitch.
And likewise there, on couch and chair, with keen, attentive ears,
Sat many sons and daughters of our sturdy pioneers;
Seed of our noble squatter-lords, those democrats of old,
Who held of this fair land of ours as much as each can hold;
Whose motto is, and ever was, despite the traitor's gab:
'Australia for Australians - as much as each can grab.'

(In cultured tones):
'Deah friends,' began Miss Fibwell, 'you - haw - understand ouah league
Is formed to stand against that band of schemers who intrigue -
That horrid band of Socialists who seek to wrest ouah raights,
And, with class legislation, straive to plague ouah days and naights.
They claim to be the workers of the land; but Ai maintain
That, tho' they stand for horny hands, we represent the bwain.
Are not bwain-workers toilers too, who labah without feah?'
(The fashioner of fancy ties: 'Heah, heah! Quaite raight! Heah, heah!')

'They arrogate unto themselves the sacred name of Work.
But still, Ai ask, where is the task that we've been known to shirk?
We're toilahs, ev'ry one of us, altho' they claim we're not.'
(The toiler on the ottoman: 'Bai jove, I've heard thet rot!')
'Moahovah, friends, to serve theah ends, they're straiving, maight and main,
To drag down to theah level folk who work with mind and bwain.
They claim we do not earn ouah share, but, Ai maintain we do!'

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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The Dancer (Mine Muse Mime)

she is circumambulating
circumscribe spiral scribing
she is drawing me, drawing me in
calling, drawing it out from me

this poor lusting linguist with
limber arches alabaster
pillar
pleading pouting panting
teasing pleasing pirouettes

She is arousing me; unveiling inviting
awaiting my reaction
from dancer's distance
rite reciprocating

She is possessing, unveiling inviting
acrostic acrobatic adolescent arabesques
...awaiting my reaction
for her want of waiting

floor fashion marble
tiles tripping tessellate
gliding charming guiding
fantastic goads geometric

Templar template tessellate tesseracts
She, she, she...

She is swallowing me
sybaritic staccato swaying
mantric tantric magnetic
movements
...mmm... mandalaic
She, she, she...

magnetic majestic marvelous
magnificent as magic
She is leading for revealing

concealing captive
choreography

Oh, that I might spill more
spill more, spill more the so
in writing....

fluid frame flush flowing
squaring circle
she mine living miracle

[...] Read more

poem by Randy Resh
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Peace & Love, Inc.

Look at the world
It's a complicated place
And it's hard to keep the pace
You've got to wear a smiling face
But what we've got
Is a blue-light special on truth
It's the hottest thing with the youth
You've got nervers we need to soothe
If you've got to believe in something
Believe in us we make it easy
Peace and love incorporated
Shop around
See if you don't agree
We think it fits you to a "t"
And the best part is it's free
I believe
We got the market cornered this time
We can make you feel fine
It could impact your bottom line
If you've got to belong to something
Belong to us we'll make you pc
Peace and love incorporated
Peace and love
It's the newest cause by far
And we've got all the biggest stars
Get your politics up to par
Welcome... to peace and love incorporated

song performed by Information Society
Added by Lucian Velea
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Peace Love, Inc.

Look at the world
Its a complicated place
And its hard to keep the pace
Youve got to wear a smiling face
But what weve got
Is a blue-light special on truth
Its the hottest thing with the youth
Youve got nervers we need to soothe
If youve got to believe in something
Believe in us we make it easy
Peace and love incorporated
Shop around
See if you dont agree
We think it fits you to a t
And the best part is its free
I believe
We got the market cornered this time
We can make you feel fine
It could impact your bottom line
If youve got to belong to something
Belong to us well make you pc
Peace and love incorporated
Peace and love
Its the newest cause by far
And weve got all the biggest stars
Get your politics up to par
Welcome... to peace and love incorporated

song performed by Information Society
Added by Lucian Velea
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Sell It And They Will Come

I fell asleep on the couch last night, woke up with the tv on.
There was a woman in tight cotton exercise shorts
And a big plastic machine she was climbing on.
She said "the abacycle guarantees ten inches off your waist,
And 50 pounds in just 3 minutes a day."
I went to bed knowing the revolution had been postponed
And everything was ok.
You can buy it, you can try it, go right ahead.
But dont be fooled folks, theres only one.
I forget the guys name but I know somebody must have said
Sell it and they will come boys, sell it and they will come.
I switched the channels and there was evel knievel, I thought that he was
Dead.
I found myself sitting there quietly, hanging on every word he said.
"now folks, the stimulator removes all pain from your life.
And the best day of your life will be when you try this little thing out."
The camera moved in as he said, "now let me tell you ladies and gentlemen,
Pain is something old evel knows a little about"
You can buy it, you can try it, thats what I said.
But dont be fooled folks, theres only one.
I forget that guys name but I know somebody must have said
Sell it and they will come boys, sell it and they will come.
And a fellow comes on shouting "free haircuts for life!",
Somehow you cut your hair with a vacuum cleaner.
And then I switched the channels and there was dionne warwick, communing
With her psychic friends.
I watched for hours, taking warmth, comfort,
And pleasure in the things that I despise.
Touched by how much they needed me, and that gleeful desperation in their
Eyes.
You can buy it, you can try it, itll help you in bed.
But dont be fooled folks, theres only one.
I forget that guys name but I know somebody said
Sell it and they will come boys, sell it and they will come.
So dionne, cher, and all my late-night friends, I drink to your health.
And tony little, americas personal trainer, please kill yourself.
Now Ive sold a few things myself in my time, and by the way folks,
Theres some t-shirts on your way outside.
Well last night I dreamed of lipstick and tight little cotton shorts
"harder, faster", she breathed.
"one, two, three, four, five"
Ride, sally ride, girl, ride sally ride.
You can buy it, you can try it, itll help you in bed.
But dont be fooled folks, theres only one.
I forget that guys name but somebody said
Sell it and they will come boys, sell it and they will come.

song performed by Bruce Springsteen
Added by Lucian Velea
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Sell It & They Will Come

I fell asleep on the couch last night, woke up with the tv on.
There was a woman in tight cotton exercise shorts
And a big plastic machine she was climbing on.
She said the abacycle guarantees ten inches off your waist,
And 50 pounds in just 3 minutes a day.
I went to bed knowing the revolution had been postponed
And everything was ok.
You can buy it, you can try it, go right ahead.
But dont be fooled folks, theres only one.
I forget the guys name but I know somebody must have said
Sell it and they will come boys, sell it and they will come.
I switched the channels and there was evel knievel, I thought that he was
Dead.
I found myself sitting there quietly, hanging on every word he said.
Now folks, the stimulator removes all pain from your life.
And the best day of your life will be when you try this little thing out.
The camera moved in as he said, now let me tell you ladies and gentlemen,
Pain is something old evel knows a little about
You can buy it, you can try it, thats what I said.
But dont be fooled folks, theres only one.
I forget that guys name but I know somebody must have said
Sell it and they will come boys, sell it and they will come.
And a fellow comes on shouting free haircuts for life!,
Somehow you cut your hair with a vacuum cleaner.
And then I switched the channels and there was dionne warwick, communing
With her psychic friends.
I watched for hours, taking warmth, comfort,
And pleasure in the things that I despise.
Touched by how much they needed me, and that gleeful desperation in their
Eyes.
You can buy it, you can try it, itll help you in bed.
But dont be fooled folks, theres only one.
I forget that guys name but I know somebody said
Sell it and they will come boys, sell it and they will come.
So dionne, cher, and all my late-night friends, I drink to your health.
And tony little, americas personal trainer, please kill yourself.
Now Ive sold a few things myself in my time, and by the way folks,
Theres some t-shirts on your way outside.
Well last night I dreamed of lipstick and tight little cotton shorts
Harder, faster, she breathed.
One, two, three, four, five
Ride, sally ride, girl, ride sally ride.
You can buy it, you can try it, itll help you in bed.
But dont be fooled folks, theres only one.
I forget that guys name but somebody said
Sell it and they will come boys, sell it and they will come.

song performed by Bruce Springsteen
Added by Lucian Velea
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Romance Never Dies

a boy and girl walking home from school one day.
girl-so what are we doing tonight
boy-i dont know want to watch a movie
girl-sure what are we going to watch?
boy-not sure yet ill think of something
girl-lets watch a romance.
boy-nooo thats boyfriend girlfriend junk.
gurl-(sighs) but umm well...
boy- what? whats rong.
girl-i was just hoping.
boy-what? (confused)
walks to front door
boy-umm oook well ill see you later.
girl- yeah' right cya (frowns) as she walks away
girl goes over boys house and rings the doorbell boy answers

boy-Wow You look GREAT' thought we where just watching a movie.
girl-we are i just thought i would dress up a little.
boy-lol what ever
boy and girl sits on couch.
girl- soo what are we going to watch-gets closer.
boy-idk-backs up.
girl and boy start watching a horror flick
girl-hides face in boys chest.
boy-(smiles) kisses girls head.
girl-smiles back.
girl and boy look into eachers eyes.
boy-moves closer
girl-moves closer
boy and girl start kissing

Boy-i have loved you for so long im glad were togeather.
Girl-i loved you to i mean i love you so much does this mean were dating
Boy-yes and im glad im dating you.
A yr later still dating boy girl get into a fight
Girl-i have to go im sorry please just understand we cant see eacher anymore
Boy-please tell me why did i do something rong?
Girl- no no please just let it be where it is im sorry i love you bye
week after that night
Boy goes over girls house theres a moving truck.
Boy walks up...girl carrying boxes
Boy-why cant we see eacher anymore and whats going on with the trucks
Girl-im moving.
Boy-i noticed
Boy- where you moving to
Girl-Florida ill call you when i get there and settled
Girl- im sorry I have to go (starts to sob/cry)
Guy just stands there and watches girl leave. as a tear rolls down his cheek
3 years later.
Girl in collage now.and has moved on with her life

[...] Read more

poem by Lynn samantha
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University Of Central Florida Volleyball

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[...] Read more

poem by Caasder Fronds
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Joseph's Gloss On God

When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.

The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.

Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:

To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was the “The Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.

10/22/09

poem by Gershon Hepner
Added by Poetry Lover
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Drawing Crazy Patterns

Its like sleeping now
He got married in the rush
Abels only son was gone
He finds hard to adjust
Hes feeling younger now
Younger than he was before
He wishes he had changed his mind
Yeah old mistakes they seem so small
And if he had to be you
Then hed get out and do the things hes always wanted
Standing outside
Like a joker on a hill
Hes drawing crazy patterns
With his shoes
Some people push by
And everyone is cursing them
But he doesnt raise his hand
He broke his dreams and lost his friends
Hes asking questions now
Got caught in his confusion
He shakes his head and looks at me
Then he shouts out loud
If you had to be me
Would you get out and do the things you always wanted
Standing outside
Like a joker on a hill
Hes drawing crazy patterns
With his shoes
Standing outside
Like a joker on a hill
Hes drawing crazy patterns
With his shoes
Its like sleeping now
When youre gazing at the floor
And on this late night
Its getting harder now harder now
Standing outside
Like a joker on a hill
Hes drawing crazy patterns
With his shoes
Hes drawing crazy patterns
With his shoes
Hes drawing crazy patterns
With his shoes

song performed by Texas
Added by Lucian Velea
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