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Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that.

quote by Robert Morgan
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0005 Totally Boring Poem

I’m totally bored by:

poems that sound like other poems

poems that try to sound unlike any other poems

poets who never take risks

poets who think that taking risks
makes them good poets

poems with 'meaning'

poems with no meaning

poets who slag off other poets
as if that achieves something

poets that tell you that rhyme
is not for an age but for all time

poets that tell you that rhyme is outmoded and boring

poets who think that the poetry of 'the past'
is greater than that of 'the present'

poets who think that the poetry of 'the present'
is greater than that of 'the past'

poems that tell you the poet's the first to discover sex

poets that tell you they’re the best sex you’ll ever have
although you’ll never meet them to find out

poets that tell you they’ve been dumped

poets who've never known love and being dumped

poets who are ambitious

poets who are unambitious

poets who tell you all about higher things

poets who reject higher things

poets who think life’s just a joke

poets who think life’s no joke

[...] Read more

poem by Michael Shepherd
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Good Poets and Bad Poets

Some poets get awards and think they are good poets.

Some poets never get awards and think they are bad poets.

Some poets think they are good poets only in their own mind

Some poets think they are bad poets in somebody's else mind.

Some poets think they are good poets in somebody else mind.

Some poets think others think they are good poets but they don't in their hearts.

Some poets think they are good poets in their hearts but not in anyone else's mind.

All are insecure, except those who get security from the opinions of others and that, alas, doesn't last and isn't real.

Some poets have left the entire scene and live only in their mind.

Some poets take criticism and don't mind.

Some poets avoid criticism and do mind.

Some poets write poetry to get love.

Some poets love to write poetry.

Some poets are ahead of their time, in their mind

Some poets spend a lifetime feeling like failures in their mind

Some poets live only after they die.

Some poets have much to say but can't articulate

Some poets retreat, believing others don't understand

So which one of these am I?

I guess I am all of these and none of these

and no matter what my description

I intend to keep doing what I do:

Write. Right

poem by Lonnie Hicks
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Truth and the Devil

The devil unstoppably took pride in salaciously writing; the book of
obnoxious caste-creed and venomously penalizing hatred,

The devil unstoppably took pride in acrimoniously writing; the book of
indiscriminate bloodshed and disastrously traumatizing ruthlessness,

The devil unstoppably took pride in vengefully writing; the book of
tyrannical devastation and lecherously bellicose orphaning,

The devil unstoppably took pride in fretfully writing; the book of
vindictive war and satanically criminal holocausts,

The devil unstoppably took pride in maliciously writing; the book of
coldblooded barbarism and manipulatively bizarre malice,

The devil unstoppably took pride in forlornly writing; the book of
worthless
ghosts and mortuaries brutally anointed with fresh blood,

T The devil unstoppably took pride in indigently writing; the book of
nonchalant spuriousness and fecklessly insipid meaninglessness,

The devil unstoppably took pride in torturously writing; the book of
ominous
animosity and hedonistically pugnacious illwill,

The devil unstoppably took pride in dictatorially writing; the book of
licentious bawdiness and insanely threadbare nothingness,

The devil unstoppably took pride in heinously writing; the book of
lascivious poverty and baselessly crippling uncertainty,

The devil unstoppably took pride in savagely writing; the book of
despicable
defeat and lethally ballistic atrociousness,

The devil unstoppably took pride in raunchily writing; the book of
dolorous
delinquency and insidiously slandering betrayal,

The devil unstoppably took pride in preposterously writing; the book of
scurrilous lunatism and barbarously incarcerating fiendishness,

The devil unstoppably took pride in frigidly writing; the book of
jejune
mockery and impudently castigating brazenness,

The devil unstoppably took pride in heartlessly writing; the book of
ghastly
bloodshed and indefatigably bombarding politics,

[...] Read more

poem by Nikhil Parekh
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Your Southern Can Is Mine

Lookie here momma let me explain ya this
If ya wanna get crooked ill even give ya my fist
Ya might read from revelation back to genesis
Ya keep forgetten your southern can belongs to me
So there aint no use in bringin no jive to me
Your southern can is mine in the mornin
Your southern can belongs to me
Ya might go uptown have me arrested, put in jail
Some hotshots got money gonna pull my bail
Soon as i get out, hit the ground
Your southern can is worth a thousand, half a pound
So there aint no use in bringin no jive to me
Your southern can is mine, talkin about it
Your southern can belongs to me
Ya might take it from the south, baby, hide it up north
Understand ya cant rule me and be my boss
Take it from the east and hide in the west
But when i get ya momma your canll see no rest
So there aint no use in bringin no jive to me
Your southern can is mine, im screamin
Your southern can belongs to me
Now baby, ashes to ashes, sand to sand
When i hit ya momma then ya feel my hand
Give ya punch through that barbed wire fence
When i hit ya baby, ya know i make no sence
So there aint no use in bringin no jive to me
Your southern can is mine, i know it
Your southern can belongs to me
Now look here woman, dont get hot
Im gettin me a brick outta my backyard
So there aint no use in bringin no jive to me
Your southern can is mine, im takin about it
Your southern can belongs to me
Well if i catch you momma down in the heart of town
Im gonna grab me a brick and tear your can on down
So there aint no use in bringin no jive to me
Your southern can is mine, i know it
Your southern can belongs to me
You maybe get bed sick, cause youre graveyard bound
Im gonna make you moan like a graveyard hound
So there aint no use in bringin no jive to me
Your southern can is mine, im screamin
Your southern can belongs to me

song performed by White Stripes
Added by Lucian Velea
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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When I wasn't breathing

When I wasn’t blissfully snoring; I was still inexhaustibly writing a
cistern of stupendously rhapsodic and gloriously majestic Immortal Love
Poetry,

When I wasn’t unsurpassably fantasizing; I was still inexhaustibly
writing a
garden of ingeniously magical and miraculously mitigating Immortal Love
Poetry,

When I wasn’t superbly adventuring; I was still inexhaustibly writing
an
ocean of bountifully resplendent and timelessly undefeated Immortal
Love
Poetry,

When I wasn’t scrumptiously relishing; I was still inexhaustibly
writing a
playground of optimistically enlightening and unbelievably royal
Immortal
Love Poetry,

When I wasn’t limitlessly triumphing; I was still inexhaustibly writing
a
cascade of beautifully panoramic and effulgently liberating Immortal
Love
Poetry,

When I wasn’t pricelessly smiling; I was still inexhaustibly writing a
lantern of unendingly vibrant and inscrutably tantalizing Immortal Love
Poetry,

When I wasn’t gloriously partying; I was still inexhaustibly writing a
paradise of eternally vivacious and pristinely redolent Immortal Love
Poetry,

When I wasn’t unassailably inspiring; I was still inexhaustibly writing
a
festoon of incredulously ameliorating and perpetually compassionate
Immortal
Love Poetry,

When I wasn’t magnanimously feasting; I was still inexhaustibly writing
a
cocoon of symbiotically philanthropic and ubiquitously coalescing
Immortal
Love Poetry,

When I wasn’t ebulliently fornicating; I was still inexhaustibly
writing a
mist of wonderfully reinvigorating and blessedly burgeoning Immortal

[...] Read more

poem by Nikhil Parekh
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

[...] Read more

poem by Alexander Pope
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Southern Gul

Hmm...
Yeah, show you right
Come on
Shing a ling shing, shing a ling shong
Shing a ling shing, shing a ling shong
Shing a ling shing, shing a ling shong
Twing twing dign ding dong
I'm from the South
I'm a Southern Girl
Home of the burning church
Don't know much about the world
Home of the pocket stones
Home of the booty songs
Home of the fingerwave that lasts
All night long
Home of the On & On
Home of the dominoes
Home of the two piece and a pepper
Home of the teeth is gold
Home of the Never Miss
Home of the platinum hits
I'm a Southern Girl
(Southern Girl)
Countryfied
Everything I eat is fried
Got a Southern drawl
I'm so country, y'all
Well that's way down South
Yeah it's way down low
Check my Southern-fried style
And my Southern flow
(Southern Girl)
Countryfied
I like my Tofu fried
Got about a hundred friends
That ain't caught on the trends
Don't know about the Internet
Don't know about the radio
Don't know about the television
All I know is 'bout my flow
My kin folks snet me out
To make money for the house
Hooked up with my boy, Rahzel
I sure hope the record sell
(Southern Girl)
Southern Girl, and I'll rock your world
Fly as a bumble bee (Buzz)
Can't nobody f*** with me
I'm a Southern Girl
From way down South

[...] Read more

song performed by Erykah Badu
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Science Fiction Woman

She was my science fiction woman,
I was her science fiction man,
Yet our love was no fiction
In our science fiction land.

I wore my science fiction spacesuit,
She wore a spacesuit just like mine,
While we were floating together
In our science fiction minds.

She said her name was Taylor Trippy-
A flower child light years beyond-
She was a science fiction hippy-
A spacey and vivacious blonde.

She told me of our global warming,
Greenhouse gases, acid rain,
She told me everything I know
About the structure of the brain.

So we cruised through constellations
In our science fiction ship,
Transcending time and generations-
Forever free, forever hip.

She came from some unknown planet
In some uncharted galaxy,
And we were both kindred souls
In our cosmic fantasy.

And I don't know how I knew her
Or how we came to meet that night-
She was my science fiction woman,
Who traveled at the speed of light.

At night I look upon the ocean,
The distant stars where she might be-
She was my science fiction woman,
Who set my heart forever free.

June 17,2008

poem by Alexander Shaumyan
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Old Spookses' Pass

I.
WE'D camped that night on Yaller Bull Flat,--
Thar was Possum Billy, an' Tom, an' me.
Right smart at throwin' a lariat
Was them two fellers, as ever I see;
An' for ridin' a broncho, or argyin' squar
With the devil roll'd up in the hide of a mule,
Them two fellers that camp'd with me thar
Would hev made an' or'nary feller a fool.
II.
Fur argyfyin' in any way,
Thet hed to be argy'd with sinew an' bone,
I never see'd fellers could argy like them;
But just right har I will hev to own
Thet whar brains come in in the game of life,
They held the poorest keerds in the lot;
An' when hands was shown, some other chap
Rak'd in the hull of the blamed old pot!
III.
We was short of hands, the herd was large,
An' watch an' watch we divided the night;
We could hear the coyotes howl an' whine,
But the darned critters kept out of sight
Of the camp-fire blazin'; an' now an' then
Thar cum a rustle an' sort of rush--
A rattle a-sneakin' away from the blaze,
Thro' the rattlin', cracklin' grey sage bush.
IV.
We'd chanc'd that night on a pootyish lot,
With a tol'ble show of tall, sweet grass--
We was takin' Speredo's drove across
The Rockies, by way of "Old Spookses' Pass"--
An' a mite of a creek went crinklin' down,
Like a "pocket" bust in the rocks overhead,
Consid'able shrunk, by the summer drought,
To a silver streak in its gravelly bed.
V.
'Twas a fairish spot fur to camp a' night;
An' chipper I felt, tho' sort of skeer'd
That them two cowboys with only me,
Couldn't boss three thousand head of a herd.
I took the fust of the watch myself;
An' as the red sun down the mountains sprang,
I roll'd a fresh quid, an' got on the back
Of my peart leetle chunk of a tough mustang.
VI.
An' Possum Billy was sleepin' sound
Es only a cowboy knows how to sleep;
An' Tommy's snores would hev made a old
Buffalo bull feel kind o' cheap.

[...] Read more

poem by Isabella Valancy Crawford
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Southern Girls

Words and music by rick nielsen and tom petersson
Ive been north,
Ive been east to the california beach
Theres only one place I know where to find you
And all you southern girls got a way with your words
And you show it
You say hump and Ill jump
You say go and Ill know
Waste no time getting
So close to you
And youll never run way
When you find out why I wanted to find you
Ooh baby need some brand new shoes
Get out on the street
You got nothing to lose
You rock me and your crazy
And everyone says it, yeah yeah
Southern girls, you got nothing to lose
Southern girls, you got nothing to lose
Ive been up Ive been down
Ive been weak Ive been strong
But I never met someone like you
And youll never run away
When you find why I wanted to find you
You say hump and Ill jump
You say go and Ill know
Waste no time getting
So close to you
All you southern girls
Got a way with your words
And you show it
Ooh baby need some brand new shoes
Get out on the street
You got nothing to lose
You rock me and your crazy
And everyone says it, yeah yeah
Southern girls, you got nothing to lose
Southern girls, you got nothing to lose
You think this boy, he loves you
Southern girls
You make it hard oh, so hard
Ive been north, Ive been east to the california beach
Theres only one place I know where to find you
And all you southern girls got a way with your words
And you show it
Ooh baby need some brand new shoes
Get out on the street
You got nothing to lose
You rock me and your crazy
And everyone says it, yeah yeah

[...] Read more

song performed by Cheap Trick
Added by Lucian Velea
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Southern Comfort

(eric carmen)
Recorded by the quick
Epic 10516 / 1969
Northern lovins mean, so cold and weary
You know, I got to go down south to get love right
And the way they love down south
You know it makes my blood run hot
I need some southern comfort, hey, hey, hey
Gimme some of your southern comfort, hey, hey, hey
Well Ive had my fill of gold I trade for women
Now I need some southern hospitality
And the way they love down south,
You know it makes my blood run hot
I need some southern comfort, hey, hey, hey
Gimme some of your southern comfort, hey, hey, hey
So if you wanna keep me satisfied
You gotta give me some southern comfort tonight
Well Ive had my fill of gold I trade for women
No, I need some southern hospitality
And the way they love down south,
You know it makes my blood run hot
I need some southern comfort, hey, hey, hey
Gimme some of your southern comfort, hey, hey, hey
And the way they love down south,
You know it makes my blood run hot
Gimme some of your southern comfort, hey, hey, hey
Gimme some of your southern comfort, hey, hey, hey
Some southern comfort, hey, hey, hey
(oh, you know I want it baby)
Gimme some of your southern comfort, hey, hey, hey

song performed by Eric Carmen
Added by Lucian Velea
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Powerful Thing

(written by al anderson and sharon vaughn)
Ive never seen two people in my life
More determined to ignore the obvious
We better stop thinking
Let our hearts start doing the talking
Youd have to be stone deaf dumb and blind
Not to see whats going on with us
So lets jump in
And get over our fear of fallin
cause what we got here
Is a powerful thing
Its a powerful thing
More than three words
And a diamond ring
It can open up the heavens
Make the angels sing
Our love, baby, is a powerful thing
We started out strangers on a two-way street
Neither one of us lookin to fall in love
But we dont need us a map
To know were headed in that direction
Well, its out of our hands
And over our heads
Its something thats bigger than both of us
Turnin back nows completely out of the question
cause what we got here
Is a powerful thing
Its a powerful thing
More than three words
And a diamond ring
It can open up the heavens
Make the angels sing
Our love, baby, is a powerful thing
Stronger than the force of a driving wind
Hotter than a forest fire
There never has been and there never will be
Nothing like the power of you and me, yeah
Its a powerful thing
Its a powerful thing
More than three words
And a diamond ring
It can open up the heavens
Make the angels sing
Our love, baby, is a powerful thing
Its a powerful thing
Its a powerful thing
More than three words
And a diamond ring
It can open up the heavens
Make the angels sing

[...] Read more

song performed by Trisha Yearwood
Added by Lucian Velea
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Writing To

Writing to feel
Writing to heal
Writing to steal
Writing every emotion..
With such a white background.
It makes no sound
Even as the keys I pound.
Let my words have bite
Let from my words drip out meanings beyond meanings
Its something I try to be constantly be achieving.

Writing to feel
Writing to heal
Writing to steal
I want every heart and mind
Sucked in cause this is my world stage
No sense of the time.
Never to turn the page
Stuck in to a world oh so oh so fine

Writing to feel
Writing to heal
Writing to steal
Listen to her melody, as she sings.
Let chaos reign down from the skies
What will this day really bring?
Will the letter say good bye?
Will it mend everything?

Making everything better.
Destroying all the consequences
That exist in your world.
Welcome to the place I visit daily.
Inspirational maddness,
It attacks, attacks, and attacks.
With perfect sadness
I must let go once more.
And then the words hit the floor

Writing to feel
Writing to heal.
Writing to steal.
Becoming one with my soul.
Fighting for its one and only control.
Its mine, Its mine. Its mine.
In this reality it subsequently is not
A constant questioning of what?

Writing to feel
Writing to heal.

[...] Read more

poem by Ace Of Black Hearts
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Hand Of God

Been gone more days this year than I have been home
Trading friends for trips to the coast
This hotel room feels more like a tomb
Been gone more days this year than I have been home
Trading friends for trips to the coast
This hotel room feels more like a tomb
It's not gossip if it's the truth
I'm sick of always writing songs for you to slit your wrists to
So which is it: the boy who writes the songs or the boy who's in them?
Who's the girl? Is this truth or is he writing fiction?
Hand over my heart, gun to my head
I swear to God I'm through with this
I am the worst liar I know
It's not gossip if it's the truth
I'm sick of always writing songs for you to slit your wrists to
So which is it: the boy who writes the songs or the boy who's in them?
Who's the girl? Is this truth or is he writing fiction?
Which is it: the boy who writes the songs or the boy who's in them?
Who's the girl? Is this truth or is he writing fiction?
(So which is it?) So which is it? Which is it? (So which is it?)
(So which is it?) So which is it? Which is it? (So which is it?)
(So which is it?) So which is it? Which is it? (So which is it?)
(So which is it?) So which is it? Which is it?
Who's the girl? Is this truth or is he writing fiction?
Which is it: the boy who writes the songs or the boy who's in them?
Who's the girl? Is this truth or is he writing fiction?
(Been gone more days this year than I have been home)
(Been gone more days this year than I have been home)

song performed by Fall Out Boy
Added by Lucian Velea
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As I Sat Alone By Blue Ontario's Shores

AS I sat alone, by blue Ontario's shore,
As I mused of these mighty days, and of peace return'd, and the dead
that return no more,
A Phantom, gigantic, superb, with stern visage, accosted me;
Chant me the poem, it said, that comes from the soul of America--
chant me the carol of victory;
And strike up the marches of Libertad--marches more powerful yet;
And sing me before you go, the song of the throes of Democracy.

(Democracy--the destin'd conqueror--yet treacherous lip-smiles
everywhere,
And Death and infidelity at every step.)

A Nation announcing itself,
I myself make the only growth by which I can be appreciated, 10
I reject none, accept all, then reproduce all in my own forms.

A breed whose proof is in time and deeds;
What we are, we are--nativity is answer enough to objections;
We wield ourselves as a weapon is wielded,
We are powerful and tremendous in ourselves,
We are executive in ourselves--We are sufficient in the variety of
ourselves,
We are the most beautiful to ourselves, and in ourselves;
We stand self-pois'd in the middle, branching thence over the world;
From Missouri, Nebraska, or Kansas, laughing attacks to scorn.

Nothing is sinful to us outside of ourselves, 20
Whatever appears, whatever does not appear, we are beautiful or
sinful in ourselves only.

(O mother! O sisters dear!
If we are lost, no victor else has destroy'd us;
It is by ourselves we go down to eternal night.)

Have you thought there could be but a single Supreme?
There can be any number of Supremes--One does not countervail
another, any more than one eyesight countervails another, or
one life countervails another.

All is eligible to all,
All is for individuals--All is for you,
No condition is prohibited--not God's, or any.

All comes by the body--only health puts you rapport with the
universe. 30

Produce great persons, the rest follows.

[...] Read more

poem by Walt Whitman
Added by Poetry Lover
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Im A Southern Man

Tony joe white
Send me a pan of corn bread with some turnip greens on the side
And if you really want to mess with my head give me anything southern fried
Give me some faded blue jeans and a pair of old cowboy boots
And Im gonna tell you where I come from tell you somethin about my roots
Im a southern man, Im a southern man,
Im a southern man, (spoken) Im a southern man
Send me a woman to love me with a lot of meat on her bones
Theres something about a big lady I just cant leave em alone
Id like to take her down to the river go skinny dippin in the night
Aint nothin like being with my lady and makin love in the pale moon light
Cause Im a southern man, a hah ah Im a southern man, Im a southern
Man, southern man, Im a southern man
Give me that soulful music it sure makes me feel so nice
So I can do the alligator and get it on every saturday night
Give me that southern comfort, give me annie greensprings wine
Take me on down to the bayou and Ill sure have a real good time
Im a southern man repeated many times to end

song performed by Roy Orbison
Added by Lucian Velea
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Wild Eyed Southern Boys

Its a hot night at the juke joint
And the bands pumpin rhythm and blues
Gonna spill a little rock and roll blood tonight
Gonna make some front page news
And the ladies hate the violence
Still they never seem to look away
Cause they love those
Wild eyed southern boys
Wild eyed boys
Wild eyed southern boys
Its a southern point of honor
You got a get right in on the action
You can hear the outlaws holler
Fight for the lady in black
And she's just one in a million
But she's all I need tonight
Cause she loves those
Wild eyed southern boys
Wild eyed boys
Wild eyed southern boys
Wild eyed boys
Oohhh yeah
Wild eyed boys
A man of wealth and power
Is out on the dance hall floor
He got a champagne Eldorado parked outside the door
And he's looking for a honky tonk angel
But he don't stand a chance in hell
Cause he ain't no wild eyed southern boy
Wild eyed boy
Wild eyed southern boy
Wild eyed
Wild eyed southern boy
Wild eyed southern boys
Wild eyed boy
Wild eyed southern boy
Wild eyed boy
Wild eyed boy
Wild eyed southern boys
Wild eyed boys

song performed by 38 Special
Added by Lucian Velea
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