You know, Hillary Clinton gives of herself. Princess Diana gave of herself. But they are not saints.
quote by Edward James Olmos
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The Princess Betrothed To The King Of Garba
WHAT various ways in which a thing is told
Some truth abuse, while others fiction hold;
In stories we invention may admit;
But diff'rent 'tis with what historick writ;
Posterity demands that truth should then
Inspire relation, and direct the pen.
ALACIEL'S story's of another kind,
And I've a little altered it, you'll find;
Faults some may see, and others disbelieve;
'Tis all the same:--'twill never make me grieve;
Alaciel's mem'ry, it is very clear,
Can scarcely by it lose; there's naught to fear.
Two facts important I have kept in view,
In which the author fully I pursue;
The one--no less than eight the belle possessed,
Before a husband's sight her eyes had blessed;
The other is, the prince she was to wed
Ne'er seemed to heed this trespass on his bed,
But thought, perhaps, the beauty she had got
Would prove to any one a happy lot.
HOWE'ER this fair, amid adventures dire,
More sufferings shared than malice could desire;
Though eight times, doubtless, she exchanged her knight
No proof, that she her spouse was led to slight;
'Twas gratitude, compassion, or good will;
The dread of worse;--she'd truly had her fill;
Excuses just, to vindicate her fame,
Who, spite of troubles, fanned the monarch's flame:
Of eight the relict, still a maid received ;--
Apparently, the prince her pure believed;
For, though at times we may be duped in this,
Yet, after such a number--strange to miss!
And I submit to those who've passed the scene,
If they, to my opinion, do not lean.
THE king of Alexandria, Zarus named,
A daughter had, who all his fondness claimed,
A star divine Alaciel shone around,
The charms of beauty's queen were in her found;
With soul celestial, gracious, good, and kind,
And all-accomplished, all-complying mind.
THE, rumour of her worth spread far and wide,
The king of Garba asked her for his bride,
And Mamolin (the sov'reign of the spot,)
To other princes had a pref'rence got.
THE fair, howe'er, already felt the smart
[...] Read more
poem by La Fontaine
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Hudibras: Part 3 - Canto II
THE ARGUMENT
The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.
THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,
[...] Read more
poem by Samuel Butler
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Hudibras: Part 2 - Canto II
THE ARGUMENT
The Knight and Squire, in hot dispute,
Within an ace of falling out,
Are parted with a sudden fright
Of strange alarm, and stranger sight;
With which adventuring to stickle,
They're sent away in nasty pickle.
'Tis strange how some mens' tempers suit
(Like bawd and brandy) with dispute,
That for their own opinions stand last
Only to have them claw'd and canvast;
That keep their consciences in cases,
As fiddlers do their crowds and bases,
Ne'er to be us'd, but when they're bent
To play a fit for argument;
Make true and false, unjust and just,
Of no use but to be discust;
Dispute, and set a paradox
Like a straight boot upon the stocks,
And stretch it more unmercifully
Than HELMONT, MONTAIGN, WHITE, or TULLY,
So th' ancient Stoicks, in their porch,
With fierce dispute maintain'd their church;
Beat out their brains in fight and study,
To prove that Virtue is a Body;
That Bonum is an Animal,
Made good with stout polemic brawl;
in which some hundreds on the place
Were slain outright; and many a face
Retrench'd of nose, and eyes, and beard,
To maintain what their sect averr'd;
All which the Knight and Squire, in wrath,
Had like t' have suffered for their faith,
Each striving to make good his own,
As by the sequel shall be shown.
The Sun had long since, in the lap
Of THETIS, taken out his nap,
And, like a lobster boil'd, the morn
From black to red began to turn,
When HUDIBRAS, whom thoughts and aking,
'Twixt sleeping kept all night and waking,
Began to rub his drowsy eyes,
And from his couch prepar'd to rise,
Resolving to dispatch the deed
He vow'd to do with trusty speed.
But first, with knocking loud, and bawling,
He rouz'd the Squire, in truckle lolling;
[...] Read more
poem by Samuel Butler
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Mr. Darcy
Is Obama Mr. Darcy,
fighting prejudice with pride,
or is it simply that he’s classy,
superior, and rarely snide?
Until with Hillary he dances
as Darcy would not with Miss Bennet
he’ll not succeed Bill with romances
in the White House, and the Senate
will be the only place where he
can demonstrate, while laughing at
himself, that he’s not truly lost in
a world where every Democrat
must be more feminist than Austen.
Though pride’s abominable, it
is far less reprehensible
than sensibility sans wit
in women who aren’t sensible.
Inspired by Maureen Dowd’s Op-Ed article in the NYT on August 3,2008 (“Mr. Darcy Comes Courting”:
It is a truth universally acknowledged that Barack Obama must continue to grovel to Hillary Clinton’s dead-enders, some of whom mutter darkly that they will not only not vote for him, they will never vote for a man again. Obama met for an hour Tuesday with three dozen top Hillaryites at a hotel here, seeking their endorsement and beguiling their begrudging. He opened the session by saying that he knew there had been frustration about what they saw as sexism during the primary. The Los Angeles Times reported that Hillary die-hards want to enshrine a whine in the Democratic platform about how the primaries “exposed pervasive gender bias in the media” and call on party leaders to take “immediate and public steps” to denounce any perceived bias in the future. That is one nutty idea. Perhaps it is because feminists are still so busy cataloging past slights to Hillary that they have failed to mount a vivid defense of Michelle Obama, who has taken over from Hillary as the one conservatives like to paint as a harridan….
The odd thing is that Obama bears a distinct resemblance to the most cherished hero in chick-lit history. The senator is a modern incarnation of the clever, haughty, reserved and fastidious Mr. Darcy. Like the leading man of Jane Austen and Bridget Jones, Obama can, as Austen wrote, draw “the attention of the room by his fine, tall person, handsome features, noble mien....he was looked at with great admiration for about half the evening, till his manners gave a disgust which turned the tide of his popularity; for he was discovered to be proud, to be above his company, and above being pleased.” The master of Pemberley “had yet to learn to be laught at, ” and this sometimes caused “a deeper shade of hauteur” to “overspread his features.” The New Hampshire debate incident in which Obama condescendingly said, “You’re likable enough, Hillary, ” was reminiscent of that early scene in “Pride and Prejudice” when Darcy coldly refuses to dance with Elizabeth Bennet, noting, “She is tolerable; but not handsome enough to tempt me.” Indeed, when Obama left a prayer to the Lord at the Western Wall in Jerusalem, a note that was snatched out and published, part of his plea was to “help me guard against pride.” If Obama is Mr. Darcy, with “his pride, his abominable pride, ” then America is Elizabeth Bennet, spirited, playful, democratic, financially strained, and caught up in certain prejudices. (McCain must be cast as Wickham, the rival for Elizabeth’s affections, the engaging military scamp who casts false aspersions on Darcy’s character.) In this political version of “Pride and Prejudice, ” the prejudice is racial, with only 31 percent of white voters telling The New York Times in a survey that they had a favorable opinion of Obama, compared with 83 percent of blacks. And the prejudice is visceral: many Americans, especially blue collar, still feel uneasy about the Senate’s exotic shooting star, and he is surrounded by a miasma of ill-founded and mistaken premises. So the novelistic tension of the 2008 race is this: Can Obama overcome his pride and Hyde Park hauteur and win America over? Can America overcome its prejudice to elect the first black president? And can it move past its biases to figure out if Obama’s supposed conceit is really just the protective shield and defense mechanism of someone who grew up half white and half black, a perpetual outsider whose father deserted him and whose mother, while loving, sometimes did so as well? Can Miss Bennet teach Mr. Darcy to let down his guard, be more sportive, and laugh at himself?
8/3/08
poem by Gershon Hepner
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
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Thespis: Act I
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT I - Ruined Temple on the Summit of Mount Olympus
[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]
CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.
SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.
[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the
[...] Read more
poem by William Schwenck Gilbert
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The Cap And Bells; Or, The Jealousies: A Faery Tale -- Unfinished
I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.
II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.
III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.
IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.
V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;
[...] Read more
poem by John Keats
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Thespis: Act II
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT II - The same Scene, with the Ruins Restored
SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.
CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.
SILL. To work and think, my dear,
Up here would be,
[...] Read more
poem by William Schwenck Gilbert
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Hey Now Princess (demo Version)
by Jack Bruce and Pete Brown
Look here Princess
I'm not just here for you
So take off in your new Rolls Royce
I've got things to do
Look here Princess
I gave you everything
But now I want it all back
So I can start some living
Look here Princess
I want to be famous and rich
So I can be empty and bitter like you
Sitting home with nothing to do
Princess look now
I've got 15 women called Sue
20 women called Jane
And I'm sad
Look here Princess
Now I'm singin' this sad song
About a man in a kennel
Who cries all day long
Look here Princess
Don't shut me out for good
But keep me in mind for later
Like I always knew you would
Look here Princess
I'm in a desert now
I don't see no way out
You've got to show me how
Look here now Princess
I've got 15 women called Sue
20 women called Jane
And I'm sad
Look here Princess
I'm not just here for you
So take off in your new Rolls Royce
I've got things to do
Look here Princess
I gave you everything
But now I want it all back
So I can start some living
Look here Princess
I want to be famous and rich
So I can be empty and bitter like you
Sitting home with nothing to do
Princess look now
I've got 15 women called Sue
20 women called Jane
And I'm sad
song performed by Cream
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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The Bakchesarian Fountain
A TALE OF THE TAURIDE.
Mute sat Giray, with downcast eye,
As though some spell in sorrow bound him,
His slavish courtiers thronging nigh,
In sad expectance stood around him.
The lips of all had silence sealed,
Whilst, bent on him, each look observant,
Saw grief's deep trace and passion fervent
Upon his gloomy brow revealed.
But the proud Khan his dark eye raising,
And on the courtiers fiercely gazing,
Gave signal to them to begone!
The chief, unwitnessed and alone,
Now yields him to his bosom's smart,
Deeper upon his brow severe
Is traced the anguish of his heart;
As full fraught clouds on mirrors clear
Reflected terrible appear!
What fills that haughty soul with pain?
What thoughts such madd'ning tumults cause?
With Russia plots he war again?
Would he to Poland dictate laws?
Say, is the sword of vengeance glancing?
Does bold revolt claim nature's right?
Do realms oppressed alarm excite?
Or sabres of fierce foes advancing?
Ah no! no more his proud steed prancing
Beneath him guides the Khan to war,-
Such thoughts his mind has banished far.
Has treason scaled the harem's wall,
Whose height might treason's self appal,
And slavery's daughter fled his power,
To yield her to the daring Giaour?
No! pining in his harem sadly,
No wife of his would act so madly;
To wish or think they scarcely dare;
By wretches, cold and heartless, guarded,
Hope from each breast so long discarded;
Treason could never enter there.
Their beauties unto none revealed,
They bloom within the harem's towers,
As in a hot-house bloom the flowers
Which erst perfumed Arabia's field.
To them the days in sameness dreary,
[...] Read more
poem by Alexander Sergeyevich Pushkin
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Hudibras: Part 3 - Canto I
THE ARGUMENT
The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.
'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place
No sooner was the bloody fight,
Between the Wizard, and the Knight,
[...] Read more
poem by Samuel Butler
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Saints In Hell
They laughed at their gods
And fought them in vain
So he turned his back on them
And left them in pain
Now here come the saints
With their banners held high
Each one of them martyrs
Quite willing to die
Wake the dead, the saints are in hell
Wake the dead, theyve come for the bell
Cover your fists
Razor your spears
Its been our possession
For 8,000 years
Fetch the scream eagles
Unleash the wild cats
Set loose the king cobras
And blood sucking bats
Wake the dead, the saints are in hell
Wake the dead, theyve come for the bell
We are saints
In hell
We are saints
In hell
Were going down
Into the fire
Were going down
Into the fire
The streets run with blood from the mass mutilation
As carnage took toll for the bell
Abattoir, abattoir, mon dieu quelle horreur
For a time is was like second hell
Saints in hell
Saints in hell
The battle is over, the saints are alive
How can we all thank you, we felt so despised
Saints in hell
Saints in hell
Saints in hell
Saints in hell
Saints in hell
Saints in hell
(fade)
song performed by Judas Priest
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Queen of Spades
Death of Diana, Princess of Wales
From Wikipedia, the free encyclopedia
The entrance to the Pont de l'Alma tunnel, the site where Diana was fatally injured.On August 31,1997, Diana, Princess of Wales, died as a result of injuries sustained in a car collision in the Pont de l'Alma road tunnel in Paris, France. Her companion, Dodi Fayed, and the driver of the Mercedes-Benz W140, Henri Paul, were pronounced dead at the scene of the accident. Fayed's bodyguard, Trevor Rees-Jones, was the only survivor. Although early on the media pinned the blame on the paparazzi, the crash was ultimately found to be caused by the reckless actions of the chauffeur, who was the head of security at the Ritz and had earlier goaded the paparazzi waiting outside the hotel. An eighteen-month French judicial investigation concluded in 1999 that the crash was caused by Henri Paul, who lost control of the car at high speed while under the influence of alcohol, which may have been made worse by the simultaneous presence of an antidepressant and traces of a tranquilizer in his body Since February 1998, Dodi's father, Mohamed Al-Fayed (the owner of the Hôtel Ritz, for which Paul worked) has claimed that the crash was a result of a conspiracy, and later contended that the crash was orchestrated by MI6 on the instructions of Prince Philip, Duke of Edinburgh.His claims that the crash was a result of a conspiracy were dismissed by a French judicial investigation and by Operation Paget, a Metropolitan police inquiry that concluded in 2006.An inquest headed by LJ Scott Baker into the deaths of Diana and Dodi began at the Royal Courts of Justice, London, on October 2 2007 and was a continuation of the original inquest that began in 2004.On 7 April 2008, the jury released an official statement that Diana and Dodi were unlawfully killed by the grossly negligent driving of chauffeur Henri Paul and the paparazzi.Though the official verdict implicated the pursuing vehicles, the jury also named the intoxication of the driver and the victims' decisions to not wear seat-belts as contributing factors to their deaths. Additionally, the Mercedes had been traveling at over twice the legal speed limit of that particular section of road and had long since left the paparazzi vehicles far behind by the time the accident occurred.
Old *Cambrians play cards
On a Mahogany table,
And the trump Queen of Spades's missing
A sober one of the players
Found the Queen's hiding under the table
And she mutters; ' I didn't kill Princess Diana! '
* Cambrians; Those who studied at Prince of Wale's College, Moratuwa, Sri Lanka.
poem by Nimal Dunuhinga
Added by Poetry Lover
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Diana
The first time I saw you - was in a magazine
The next time was you was walkin' 'cross my television screen
I knew right there that I had to make you mine
The day that you married him - I nearly lost my mind
Chorus
Diana - What cha doin' with a guy like him
Diana - I'd die for you please let me in
Diana - Can't you see you drive me wild
Diana - I'll bet you're just a reckless child!
So you've got it made;
I've seen you promenade a time or two
He might have lots of dough;
But I know he ain't right for you
Well I've watched you smile n' shakin hands;
When you're doin' your social scene
But you wouldn't have to do that;
If you came and lived with me - oh yeah!
Chorus
Diana - I just can't get you off of my mind
Diana - Why don't ya leave it all behind?
Diana - She's the queen of all my dreams
Diana - Give me a chance - I'll set ya free!
Since I saw that picture of ya;
Nothin' matters - I just wanna love ya;
We can make it you and me;
So come on baby - come on baby
So here's how I see it...
You got one choice - you can get away;
Leave it up to me;
I'll bring the ladder - if you bring your limousine!
You really got a hold on me
Gimme a chance - I'll set you free!
song performed by Bryan Adams
Added by Lucian Velea
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Saints An Sinners
(coverdale/lord/moody/marsden/murray/paice)
Get ready for judgement day
An the final curtain call,
Dont lie when you testify
cos the good lord know youre all
Saints an sinners, priests an thieves,
Saints an sinners, priests an thieves
When moses stood on the red sea shore
Laying the law on the line,
He said dont come knocking
On the pearly gates
If all you did was have a real good time
Saints an sinners, priests an thieves,
Saints an sinners, priests an thieves
For what we are about to receive
May the lord make us truly thankful.
Saints an sinners
I stand guilty of a thousand crimes,
An I suffer temptation still,
Show me a man who wont give it to his woman
An Ill show you somebody who will
Saints an sinners, priests an thieves,
Saints an sinners, priests an thieves
For what we are about to receive
May the lord make us truly thankful
Saints an sinners,
Saints an sinners, priests an thieves,
Get ready for judgement day
An the final curtain call,
Dont lie when you testify
cos the good lord know youre all
Saints an sinners, priests an thieves,
Saints an sinners, priests an thieves
For what we are about to receive
May the lord make us truly thankful
Saints an sinners, priests an thieves
Saints an sinners...
song performed by Whitesnake
Added by Lucian Velea
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A princess' ordeal
In a backward forgotten land,
Where magic was yielded by man,
Lived a princess who wasn't bland,
Yet she was ignored by her clan,
She often craved to hear a rant,
She tried everything that one can,
But soon learned she'd no confidant,
With which to talk and gallivant,
Had she had someone she'd have been,
Less adventurous and caprice,
And ready for dangers unseen,
So she could live her life in peace,
A wizard that'd been made a flea,
By a foe that he tried to fleece,
Craved to reclaim what used to be,
So that he could quell his envy,
He hijacked the princess's life,
By filling her head up with advice,
With the intent of causing strife,
But his sway could not quite suffice,
So he took control of her mind,
And used the girl like a device,
Then proved himself a mastermind,
By changing how some were inclined,
But before he could pose a threat,
His deed had an adverse effect,
Which rightfully caused him to fret,
As it could be seen as suspect,
Changes which were hard to accept,
Soon made the princess imperfect,
All wished her beauty could be kept,
And as a result many wept,
The king wanted a cure found quick,
So he sought a witch to enlist,
Who claimed that she could heal the sick,
And knew all spells that did exist,
The cause of the blight stayed secret,
As the witch had been dishonest,
Such failure was hard to permit,
So she was put in a casket,
The course of action seemed quite rash,
But it made the problem vanish,
Which then caused the king to act brash,
And plan something yet more fiendish,
Within a nearby dragon's crèche,
The princess was left to perish,
The king was sure she'd lose her flesh,
As the beasts craved meat that was fresh,
[...] Read more
poem by Christian Lacdael
Added by Poetry Lover
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Princess Of The Posse
Basslines affect me when my rhymes direct me
Forgive the crowds, o lord, they know not why they sweat me
Bitings against the law in the place that I live
So I lock up the door with the keys to my crib
The call me the high priestess of this hasta
Although Im not a dread and not a rasta
Theres never been a word I cant master
Ive always been, a piddly pastor
I reign, the lesson of today
You have to listen to each and every single word I have to say
Because the ruler lord ramsey is on my side
And Im the princess of the posse, so yo, take it light
The princess of the posse, me say she a cool one
She rhyme on my record and she ram jam me gun
The princess of the posse, me say she a cool girl
She rhyme brooklyn, the bronx, usa, the world
You try to dissect my rhymes to see if theres a pattern
I bounced it all around you like the rings around saturn
Let me know now if youd like to protest
And proceeding a greeting, or would you rather progress
Onto a higher plateau, to the peak and Im taking it slow
Enough for you to see the knowledge and to know
Im the q-u-e-e-n, l-a-t-i-f-a-h
Queen of the army posse, the dla which is
Get live alright, you standing there chewing on your fingernails
Nervous, watching me doing the live thing
Singing like a bird sing, ringing like the phone ring
Im the queen and youre the underling
Im never following, I follow nothing
The princess of the posse is a cool one
The princess of the posse, me say she a cool one
She rhyme on my record and she ram jam me gun
The princess of the posse, me say she a cool girl
She rhyme brooklyn, the bronx, usa, the world
Im the queen of the clan, with a mic in my hand
I step over suckers to position myself to rule this land
Its a concoction, for my ability
To show the skeezers the meaning of humility
Cause they dont know Im the one to fly one or two
Im snatching hearts cause Im latifah and I want to
I find it necessary to tell you to get off my tip
Im kicking gold, so grab a hoe and get a good grip
Stop the lying, the trying
The time buying, youve been denying
Youre dependent on me, the princess of the posse
I got the cards, so Im dealing a death blow
Youre taking no crowns, put that on cease
My djs name is mark the 45 king to the posse
Peace, got to let you know where I come from
The princess of the posse is a cool one
[...] Read more
song performed by Queen Latifah
Added by Lucian Velea
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When The Saints Go Marching In
We are traveling in the footsteps
Of those whove gone before
But well all be reunited (but if we stand reunited)
On a new and sunlit shore (then a new world is in store)
Oh when the saints go marching in
When the saints go marching in
Oh lord I want to be in that number
When the saints go marching in
And when the sun refuse (begins) to shine
And when the sun refuse (begins) to shine
Oh lord I want to be in that number
When the saints go marching in
When the moon turns red with blood
When the moon turns red with blood
Oh lord I want to be in that number
When the saints go marching in
On that hallelujah day
On that hallelujah day
Oh lord I want to be in that number
When the saints go marching in
Oh when the trumpet sounds the call
Oh when the trumpet sounds the call
Oh lord I want to be in that number
When the saints go marching in
Some say this world of trouble
Is the only one we need
But Im waiting for that morning
When the new world is revealed
When the revelation (revolution) comes
When the revelation (revolution) comes
Oh lord I want to be in that number
When the saints go marching in
When the rich go out and work
When the rich go out and work
Oh lord I want to be in that number
When the saints go marching in
When the air is pure and clean
When the air is pure and clean
Oh lord I want to be in that number
When the saints go marching in
When we all have food to eat
When we all have food to eat
Oh lord I want to be in that number
When the saints go marching in
When our leaders learn to cry
When our leaders learn to cry
Oh lord I want to be in that number
When the saints go marching in
song performed by Louis Armstrong
Added by Lucian Velea
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When The Saints Go Marchin' In (Live)
WHEN THE SAINT GO MARCHING IN
Louis Armstrong
I: We are trav'ling in the footsteps
Of those who've gone before
But we'll all be reunited (But if we stand reunited)
On a new and sunlit shore (Then a new world is in store)
D - - - / G - - - / D - - - / A - - - /
D - - - / G - - - / D - A - / D - - - //
V: O when the Saints go marching in
When the Saints go marching in
O Lord I want to be in that number
When the Saints go marching in
D - - - / / / A7 - - - / D - - - / G - - - / D - A - / D - - - //
And when the sun refuse (begins) to shine
And when the sun refuse (begins) to shine
O Lord I want to be in that number
When the Saints go marching in
When the moon turns red with blood
When the moon turns red with blood
O Lord I want to be in that number
When the Saints go marching in
On that hallelujah day
On that hallelujah day
O Lord I want to be in that number
When the Saints go marching in
O when the trumpet sounds the call
O when the trumpet sounds the call
O Lord I want to be in that number
When the Saints go marching in
B: Some say this world of trouble
Is the only one we need
But I'm waiting for that morning
When the new world is revealed
(As Intro)
V: When the revelation (revolution) comes
When the revelation (revolution) comes
O Lord I want to be in that number
When the Saints go marching in
When the rich go out and work
When the rich go out and work
O Lord I want to be in that number
When the Saints go marching in
When the air is pure and clean
When the air is pure and clean
O Lord I want to be in that number
When the Saints go marching in
When we all have food to eat
When we all have food to eat
O Lord I want to be in that number
When the Saints go marching in
[...] Read more
song performed by Louis Armstrong
Added by Lucian Velea
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