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Most people give up just when they're about to achieve success. They quit on the one yard line. They give up at the last minute of the game one foot from a winning touchdown.

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Handles Bermuda

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Soccer–Passion Song

Soccer–Passion Song

Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.

Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.

Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.

Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.

Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.

Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.

Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.

Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.

Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.

Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.

Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.

Soccer I learn the rights;
Soccer I confess the fouls;

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Touchdown Tennessee

(Dean Dillon/ Kenny Chesney)
(This limited edition single was released as a Tribute to John
Ward - the Voice of the Vols. A portion of all sales proceeds
were delivered to the St. Jude's Children's Hospital and to
the John Ward Scholarship Fund.)
(Voice over by announcer)
Tennessee, Halloway rolling out this way, needs a block,
Halloway looking, Halloway on the run, Halloway at the ten,
Halloway at the five, Halloway dives!
Give him six! Give him six large ones.
(Switches to a different game, same announcer)
Back is Kelly, the score 22-17, the dive, Touchdown!
Big 'Oleans in the Superdome!
(Start song)
With a voice you could hear all the way to Rocky Top
Play by Play for thirty one years, it never stopped
We heard twenty, fifteen, ten and five
Your voice was our eyes and we could see
Touchdown Tennesee.
(Announcer again)
It is Gault, pulling it down at the six, Gault, ten, fifteen,
Twenty, Gault outside, Gault thirty, Gault thirty-five,
Gault forty, Gault forty-five, fifty, forty-five, forty,
Yes sir, Willie Gault, ladies and gentlemen, is running
All the way to the state capital. Give him six.....Willie Gault!
Quarterback roll right. It was a long throw down field to Willie Gault.
For a second no one knew if it was caught.
We heard twenty, fifteen, ten and five
Your voice was our eyes and we could see
Touchdown Tennesee.
Your voice painted us a picture of all the losses and the wins
And it's so hard to imagine a game without your voice again
Saying twenty, fifteen, ten and five,
Your voice was our eyes and we could see
Touchdown Tennessee.
(Announcer again)
To the thirty-five, down to the thirty, twenty-five, twenty,
Fifteen, ten, He carries the ball all the way for one touchdown!
Phillip running through, around, over and underneath
Defenders for South Carolina, takes the ball all the way
Home for a miraculous touchdown and...
(Song)
So thank you, John. What a run, it's been fun for us all
Oh the way our hearts pounded when you called
Twenty, fifteen, ten and five
Your voice was our eyes and we could see
Touchdown Tennessee.
(Announcer)
Manning sneaks, pitches forward, falls down, as yet,
No whistle, Manning rolling to the right side, motions

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Oliver Goldsmith

Vida's Game Of Chess

TRANSLATED

ARMIES of box that sportively engage
And mimic real battles in their rage,
Pleased I recount; how, smit with glory's charms,
Two mighty Monarchs met in adverse arms,
Sable and white; assist me to explore,
Ye Serian Nymphs, what ne'er was sung before.
No path appears: yet resolute I stray
Where youth undaunted bids me force my way.
O'er rocks and cliffs while I the task pursue,
Guide me, ye Nymphs, with your unerring clue.
For you the rise of this diversion know,
You first were pleased in Italy to show
This studious sport; from Scacchis was its name,
The pleasing record of your Sister's fame.

When Jove through Ethiopia's parch'd extent
To grace the nuptials of old Ocean went,
Each god was there; and mirth and joy around
To shores remote diffused their happy sound.
Then when their hunger and their thirst no more
Claim'd their attention, and the feast was o'er;
Ocean with pastime to divert the thought,
Commands a painted table to be brought.
Sixty-four spaces fill the chequer'd square;
Eight in each rank eight equal limits share.
Alike their form, but different are their dyes,
They fade alternate, and alternate rise,
White after black; such various stains as those
The shelving backs of tortoises disclose.
Then to the gods that mute and wondering sate,
You see (says he) the field prepared for fate.
Here will the little armies please your sight,
With adverse colours hurrying to the fight:
On which so oft, with silent sweet surprise,
The Nymphs and Nereids used to feast their eyes,
And all the neighbours of the hoary deep,
When calm the sea, and winds were lull'd asleep
But see, the mimic heroes tread the board;
He said, and straightway from an urn he pour'd
The sculptured box, that neatly seem'd to ape
The graceful figure of a human shape:--
Equal the strength and number of each foe,
Sixteen appear'd like jet, sixteen like snow.
As their shape varies various is the name,
Different their posts, nor is their strength the same.
There might you see two Kings with equal pride
Gird on their arms, their Consorts by their side;
Here the Foot-warriors glowing after fame,

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Nun in FRiar Small-Bro's Grave... Yard

The midnight clings to dwarfish kings
While robot drones, adorning thrones,
Kneel, bowing to the Old...Guard.
Arrhythmic clocks and wooden box
Grace FRiar Small-Bro's grave...yard.

The diplohacks, in melting wax,
Are swept along, a thriving throng,
Just dying for a life...guard.
And Nun, alone, has beached their bones
In FRiar Small-Bro's grave...yard.

Beyond the streams, a raven screams
At loser fish that swarm and swish;
Nun gently drips her dreams...jarred.
There are no thanks along the banks
Of FRiar Small-Bro's grave...yard.

While FRiar smiles and prowls the aisles
The hierarch obeys his bark;
His maw is oozing pure...lard.
He tells you who and what to do
In FRiar Small-Bro's grave...yard.

Well, FRiar's pets are in a sweat;
He calls the tunes near burning dunes
And taps his cloven feet...charred.
They roast in rooms within the tombs
In FRiar Small-Bro's grave...yard.

His myrmidons, they drool and fawn
While chanting verse near FRiar's hearse -
Extolling, wild, the van...guard.
Remote controls promote the trolls
In FRiar Small-Bro's grave...yard.

With faces straight, in bent debate,
They compromise their empty lies
With any passing re...tard.
Grey zombies groom white flies in bloom
In FRiar Small-Bro's grave...yard.

With ghouls, unlearned, no stone's unturned,
They burnish blame with Nun's proud name
And leave the midnight sky... scarred.
They raise their hats to copy cats
In FRiar Small-Bro's grave...yard.

The rumours spread amongst the dead -
Nun marks the place with saving grace,

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Minute By Minute

Michael mcdonald/lester abrams
Hey, dont worry, Ive been lied to
Ive been here many times before
Girl, dont you worry, I know where I stand
I dont need this love, I dont need your hand
I know I could turn, blink, and youd be gone
Then I must be prepared any time to carry on
But minute by minute by minute by minute
I keep holding on
Oh, minute by minute by minute by minute
I keep holding on
You will stay just to watch me, darlin
Wilt away on lies from you
Cant stop the habit of livin on the run
I take it all for granted like youre the only one
Livin on my own
Somehow that sounds nice
You think Im your fool
Well, you may just be right
cause minute by minute by minute by minute
I keep holding on
Oh, minute by minute by minute by minute
I keep holding on
Call my name and Ill be gone
Youll reach out and I wont be there
Just my luck youll realize
You should spend your life with someone
You could spend your life with someone
Minute by minute by minute by minute
Ill be holding on
Oh, minute by minute by minute by minute
Ill be holding on...

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Minute By Minute (Dobbie Brothers)

(Michael McDonaldLester Abrams)
Hey, don't worry, I've been lied to
I've been here many times before
Girl, don't you worry, I know where I stand
I don't need this love, I don't need your hand
I know I could turn, blink, and you'd be gone
Then I must be prepared any time to carry on
But minute by minute by minute by minute
I keep holding on
Oh, minute by minute by minute by minute
I keep holding on
You will stay just to watch me, darlin'
Wilt away on lies from you
Can't stop the habit of livin' on the run
I take it all for granted like you're the only one
Livin' on my own
Somehow that sounds nice
You think I'm your fool
Well, you may just be right
'Cause minute by minute by minute by minute
I keep holding on
Oh, minute by minute by minute by minute
I keep holding on
Call my name and I'll be gone
You'll reach out and I won't be there
Just my luck you'll realize
You should spend your life with someone
You could spend your life with someone
Minute by minute by minute by minute
I'll be holding on
Oh, minute by minute by minute by minute
I'll be holding on...

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Give The Po Man A Break

Give po man a break
Give po man a break
Give po man a
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Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Forgetchu 4 a Minute

You like to give it like it's being regulated.
And...
Then you want to send it in a memo to me.

You like to give it like it's being regulated.
And...
Then you want to send it in a memo to me.

Gon' forgetchu 4 a minute.
Forgetchu 4 a minute.
Gon' forgetchu 4 a minute.
And flick you like some lint!

Gon' forgetchu 4 a minute.
Forgetchu 4 a minute.
Gon' forgetchu 4 a minute.
Then flick you like some lint!
Since you pay no rent,
4 me!

You like to give it like it's being regulated.
And...
Then you want to send it in a memo to me.

You like to give it like it's being regulated.
And...
Then you want to send it in a memo to me.

Gon' forgetchu 4 a minute.
Forgetchu 4 a minute.
Gon' forgetchu 4 a minute.
And flick you like some lint!

Gon' forgetchu 4 a minute.
Forgetchu 4 a minute.
Gon' forgetchu 4 a minute.
Then flick you like some lint!
Since you pay no rent,
4 me!

Owwwww!

Forgetchu 4 a minute.
Forgetchu 4 a minute.
Gon' forgetchu 4 a minute.
And flick you like some lint!

Gon' forgetchu 4 a minute.
Forgetchu 4 a minute.
Gon' forgetchu 4 a minute.

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Up By Two Possessions

Up by two possessions,
In a heated competing session.
And the hope is to reach to the goal,
To keep...
A winning told.
And keep...
That winning bold.

You can't let moss grow under your feet!
And keep...
A winning told.
You can't stay satisfied and sleep!
And keep...
That winning bold.
You must push alibis aside!
To keep...
A winning told.
And sacrifice with a drive inside!
To keep...
A winning told.
And keep...
That winning bold.

Up by two possessions,
In a heated competing session.
And the hope is to reach to the goal,
To keep...
A winning told.

Up by two possessions,
In a heated competing session.
And the hope is to reach to the goal,
To keep...
That winning bold.

You can't let moss grow under your feet!
And keep...
A winning told.
You can't stay satisfied and sleep!
And keep...
That winning bold.
You must push alibis aside!
To keep...
A winning told.
And sacrifice with a drive inside!
To keep...
A winning told.
And keep...
That winning bold.

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Counting Every Minute

Gonna break these chains
Gonna set myself free
Gonna turn on the mains
Feel the power inside of me
Gonna burn all night--gonna burn all day
Youll see me coming
From miles away
Feel me in the air
Feel me all around you
Gonna show you how I care
Teach you something new
Im gonna take my time
Make love to you
Yeah I know I can satisfy you
Thats what I intend to do
Now Im counting every minute
Every single minute
Im calling for you, honey
Come and get it while its hot
Counting every minute
Ooh Im living it
Ill make every minute count
Give it everything Ive got
Feel me getting closer
Im almost there
Can you fell my fingers
Running through your hair
Can you feel my hands
Draw you closer to me
Can you hear that clock tick, tick, ticking baby
Ill soon be there to set you free
Im counting every minute
Every single minute
Dont fool around come and
Get it while its hot
Counting every minute
Ooh Im living in it
Ill make every minute count
Give it everything Ive got
Counting every minute
Every single minute
Im calling for you, honey
Come and get it while its hot
Counting every minute
Ooh Im gonna give it
Ill give it to you honey
Ill give you everything
Ive got
Yeah Im counting every minute
Every single minute

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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Forgot To Follow

All I can hear is another year pass me by.
They pass me by.
They pass underneath you know theres nothing to see here, except ten bridges.
They pass underneath you know theres nothing to see here, except ten bridges.
Coz when you're winning you're charming,
you're winning you're charming,
when you're winning you're charming, it wont...
You might have noticed that i've fallen down on the road,
It could happen to anyone, I know.
They pass underneath you know theres nothing to see here, except ten bridges.
They pass underneath you know theres nothing to see here, except ten bridges.
Coz when you're winning you're charming,
you're winning you're charming,
when you're winning you're charming, it wont...
You're winning you're charming,
coz when you're winning you're charming,
when you're winning you're charming,
coz when you're winning you're charming,
when you're winning you're charming,
when you're winning you're charming,
when you're winning you're charming,
when you're winning you're charming.
ohhh!

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The Aeneid of Virgil: Book 11

SCARCE had the rosy Morning rais’d her head
Above the waves, and left her wat’ry bed;
The pious chief, whom double cares attend
For his unburied soldiers and his friend,
Yet first to Heav’n perform’d a victor’s vows: 5
He bar’d an ancient oak of all her boughs;
Then on a rising ground the trunk he plac’d,
Which with the spoils of his dead foe he grac’d.
The coat of arms by proud Mezentius worn,
Now on a naked snag in triumph borne, 10
Was hung on high, and glitter’d from afar,
A trophy sacred to the God of War.
Above his arms, fix’d on the leafless wood,
Appear’d his plumy crest, besmear’d with blood:
His brazen buckler on the left was seen; 15
Truncheons of shiver’d lances hung between;
And on the right was placed his corslet, bor’d;
And to the neck was tied his unavailing sword.
A crowd of chiefs inclose the godlike man,
Who thus, conspicuous in the midst, began: 20
“Our toils, my friends, are crown’d with sure success;
The greater part perform’d, achieve the less.
Now follow cheerful to the trembling town;
Press but an entrance, and presume it won.
Fear is no more, for fierce Mezentius lies, 25
As the first fruits of war, a sacrifice.
Turnus shall fall extended on the plain,
And, in this omen, is already slain.
Prepar’d in arms, pursue your happy chance;
That none unwarn’d may plead his ignorance, 30
And I, at Heav’n’s appointed hour, may find
Your warlike ensigns waving in the wind.
Meantime the rites and fun’ral pomps prepare,
Due to your dead companions of the war:
The last respect the living can bestow, 35
To shield their shadows from contempt below.
That conquer’d earth be theirs, for which they fought,
And which for us with their own blood they bought;
But first the corpse of our unhappy friend
To the sad city of Evander send, 40
Who, not inglorious, in his age’s bloom,
Was hurried hence by too severe a doom.”
Thus, weeping while he spoke, he took his way,
Where, new in death, lamented Pallas lay.
Acoetes watch’d the corpse; whose youth deserv’d 45
The father’s trust; and now the son he serv’d
With equal faith, but less auspicious care.
Th’ attendants of the slain his sorrow share.
A troop of Trojans mix’d with these appear,
And mourning matrons with dishevel’d hair. 50

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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

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