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If you want 1 year of prosperity, grow grain. If you want 10 years of prosperity, grow trees. If you want 100 years of prosperity, grow people.

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Social Netowrking Of Robots

end of world war
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Trash Bag

1 bag cement mold
10 inch leather titleist golf bag
2006 kia rio side air bags
1900 s tapestry bag
1,000 face value silver bag buyers
100ft x 200ft plastic bag
16 flow-through infuser bags order e-mail
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2005 jackie o gucci hand bag
1 bag cement mixers
1920s clutch bag
1.5 oz bag reg chips
1 bag popcorn serving size
2000 saturn sl air bag light
11 gallon garbage bags
306 leather tour sissy bag

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Fitration Bags

2.5 gallon shopvac bags
1995 ktm 400 rxc hard bags
2006 black leather prada bags list
24 x 36 shrink bags
18 x 9 padded bag
3m printscape personalized gift bag
20lb bag parrot food
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12x18 carry bag
1001 grab bag ideas
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15,000 cfm used bag dustcollector
12 lb turkey recipies in bag
14.1 laptop messenger bags
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4 mil zip bags
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1970s bean bag
18th century shooting bags
48 superman bop bag
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250 ninja nelson-rigg saddle bag
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1996 lincoln continental air bag suspension
2006 aka boule bag
400d horn bag

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The King of the Vasse

A LEGEND OF THE BUSH.


MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.

But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.

In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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Funky New Year

Went to a party just last night
Wanted to bring the year in right
Woke up this morning I don't know how
Last night I was a happy man, but the way I feel right now
It's gonna be a FUNKY NEW YEAR
FUNKY NEW YEAR
Ooo, Ahh, got to be a FUNKY NEW YEAR
FUNKY NEW YEAR
Can't remember when I ever felt worse
Nothing matters and everything hurts
They were passin' round the bottle, made me feel brand new
Trouble with the new man he wants a hit too, hit me
FUNKY NEW YEAR
FUNKY NEW YEAR
oooooo, it's a FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
Lord, mmm, FUNKY NEW YEAR
Nurse I'm worse FUNKY NEW YEAR
I got to perk up a little FUNKY NEW YEAR
My hair hurts FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
A party baby
Never again FUNKY NEW YEAR
FUNKY NEW YEAR
Who's shoes are these FUNKY NEW YEAR
FUNKY NEW YEAR
Party hardy baby FUNKY NEW YEAR
FUNKY NEW YEAR
What year is this anyway?

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Three Simple Words

100 children lie awake.
100 lashes left to take.
100 mouths still left to feed.
100 infants cry in need.
100 people die alone.
100 orphans need a home.
100 flags; all burnt in hate
100 murders and court dates.
100 reasons to stand up.
3 simple words; Enough is enough.

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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Cyder: Book II

O Harcourt, Whom th' ingenuous Love of Arts
Has carry'd from Thy native Soil, beyond
Th' eternal Alpine Snows, and now detains
In Italy's waste Realms, how long must we
Lament Thy Absence? Whilst in sweet Sojourn
Thou view'st the Reliques of old Rome; or what,
Unrival'd Authors by their Presence, made
For ever venerable, rural Seats,
Tibur, and Tusculum, or Virgil's Urn
Green with immortal Bays, which haply Thou,
Respecting his great Name, dost now approach
With bended Knee, and strow with purple Flow'rs;
Unmindful of Thy Friends, that ill can brook
This long Delay. At length, Dear Youth, return,
Of Wit, and Judgement ripe in blooming Years,
And Britain's Isle with Latian Knowledge grace.
Return, and let Thy Father's Worth excite
Thirst of Preeminence; see! how the Cause
Of Widows, and of Orphans He asserts
With winning Rhetoric, and well argu'd Law!
Mark well His Footsteps, and, like Him, deserve
Thy Prince's Favour, and Thy Country's Love.

Mean while (altho' the Massic Grape delights
Pregnant of racy Juice, and Formian Hills
Temper Thy Cups, yet) wilt not Thou reject
Thy native Liquors: Lo! for Thee my Mill
Now grinds choice Apples, and the British Vats
O'erflow with generous Cyder; far remote
Accept this Labour, nor despise the Muse,
That, passing Lands, and Seas, on Thee attends.

Thus far of Trees: The pleasing Task remains,
To sing of Wines, and Autumn's blest Increase.
Th' Effects of Art are shewn, yet what avails
'Gainst Heav'n? Oft, notwithstanding all thy Care
To help thy Plants, when the small Fruit'ry seems
Exempt from Ills, an oriental Blast
Disastrous flies, soon as the Hind, fatigu'd,
Unyokes his Team; the tender Freight, unskill'd
To bear the hot Disease, distemper'd pines
In the Year's Prime, the deadly Plague annoys
The wide Inclosure; think not vainly now
To treat thy Neighbours with mellifluous Cups,
Thus disappointed: If the former Years
Exhibit no Supplies, alas! thou must,
With tastless Water wash thy droughty Throat.

A thousand Accidents the Farmer's Hopes
Subvert, or checque; uncertain all his Toil,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Trees

whenever the lustre of my amber glistens,
i could feel the price it had exacted on the trees,
blood red tears meandering rough and uneven tracks
to land where they were kept like a child for a million years

they emerge to fascinate us with coruscating tales
of the romances with time, lost on the memory of men,
the dinosaurs, the first forests, the insects -
which now sparkle with such subtlety - they draw us
to the heart of their very existence, the million
years in the now, solidified, and now dangling right
at the door to the heart, our bossom

the trees, the trees, so many of them
standing tall and proud, as if broadcasting to us
if they had not been around, creation
would have been at a standstill

the trees, the trees, they fuel the world
a panacea to foibles rolled into one tall order, -
so that our cars run, our kitchen cooks, our umbrella works,
the news reach us handsomely wrapped, the chopsticks
to pick our food, the clogs to walk and rattle autumn,
the medicine to heal our rebellious body, fruits for
the seasons, the table for us to write on and a cosy
space for the dead to dream on

when they stand in a fusion at the break of dawn
it feels one has stumbled upon a meditative realm
of the highest kind - the orchestra blasting away
in them permeates every hidden place - they only help
to enhance that robustness and promises of the day
the sun channels its recuperative light - leaves that dance,
filter the music and the essence of the day

trees, trees.... abodes of birds, animals, they tell
on the weather, sing the storm before it approaches
and whistles to us fine spring tunes

trees trees standing so tall, majestic affording
a luxuriance to cool ourselves as we brood over
our destiny - trees our only saviours as the earth
climbs the mercury ever ready to send us
into obivion in a spinning fiery hot cauldron

second version:


whenever the lustre of my amber
glistens, i could feel the price

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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A Faithful Witness

To the firstborn of Yahseph,
Of all that is created;
To the secondborn of Yahseph,
Do set set your mind on Mount Zion;
For His name is His glory and,
Of the economic well-being.

Of the year of the rat,
Of the year of the dog,
Of the year of the cow,
Of the year of the bull,
Of the year of the sheep,
Of the year of the dragon,
Of the year of the snake,
Of the year of the pig,
Of the year of the goat,
Of the year of the lizard,
Of the year of the crocodile,
Of the year of the elephant,
Of the year of the scorpion,
Of the year of the turtle,
Of the year of the fish,
Of the year of the earth,
Of the year of the wind,
Of the year of the fire,
Of the year of the water,
And of the year of the bush!
Like the firstborns of slaves.

The hips of romance,
The faithful witness will not lie;
The same day,
The same night,
Of the love shared at where no oxen are;
And the crib was very clean.

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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Seasonal Cycle - Chapter 06 - Spring

"Oh, dear, with the just unfolded tender leaflets of Mango trees as his incisive arrows, and with shining strings of honeybees as his bowstring, the assailant named Vasanta came very nigh, to afflict the hearts of those that are fully engaged in affairs of lovemaking...

"Oh, dear, in Vasanta, Spring, trees are with flowers and waters are with lotuses, hence the breezes are agreeably fragrant with the fragrance of those flowers, thereby the eventides are comfortable and even the daytimes are pleasant with those fragrant breezes, thereby the women are with concupiscence, thus everything is highly pleasing...

"This Spring season endows prosperity to waters of swimming pools, and to moonshine, for their water or shine is pleasurable, and even to mango trees, as their flowers are just flowered, more so, to the bejewelled girdle strings of women, for their wearing is neither cumbersome nor irksome in this season, thus it endows prosperity to womenfolk of age, as they enjoy in wearing them, thus they too, become enjoyable, these days...

"These days the flirtatious women are adorning their roundish behinds with silk cloths that are dyed with Kusumbha flower's reddish dye, and their bosomy busts with thin silks that are dyed with ocherish and reddish colours, for thinness and silkiness are agreeable in this thinnish ambience...

"The womenfolk of age are now decorating their temples with just unfolded new whitish flowers of Karnikara, and with new and reddish Ashoka flowers and with whitish jasmines flowers in their blackish hair-locks that are swaying, thus unfolded is the beauty of these women, with the flourishing resplendence of these newly unfolded flowers...

"The bosoms of women with burly rumps, whose hearts are now flurried by the Love-god, are now sharing pearly pendants that are wetted with white sandal-paste that is bedaubed on their busts, and their biceps with circlets of bicep-lets, and their hiplines with the strings of cinctures, that are till recently unbearably coldish to touch... thus, the touch of season is romantic...

"The golden lotuses like faces of flirtatious women are tattooed with erasable foliage tattoos with black Kasturi lines, and in those designs sweat-drops are now percolating, with them those faces are delightfully beautified as gem-studded jewellery, interspersed with pearls...

"Now the limbs of womenfolk are flustered by the Love-god, thus they are panting for their need-fulfilment, hence they are now loosening the fastenings of their undergarments, since spring fever makes them sultrily fervent, thus they are enamoured of their lovers, who are tarrying at their nearby...

"The Love-god is making the limbs of sybaritic women as thinnish, palish and lethargic, and tending to yawn time and again, and with these syndromes the bodies of women are becoming restless in the spring fever, with an air of enchantment...

"Now the Love-god is diversely apparent in women, who are jaded out by hard drinks, for their eyes are fluttery, their cheeks are whitely, their bosoms are stony, their waists are slimly, and their behinds are sturdy... thus these features are the evidences for their seasonal infatuation with Him...

"Advent to spring Love-god makes the limbs of womenfolk sluggishly dizzy with sleepiness, He makes their speech a little teeter-tottering with sensualities, and He also makes their looks aslant with the knitting and unknitting of their eyebrows, seeking vehement sensual pleasures...

"The frolicsome and lustful women that are with faineance are bedaubing their whitish bosoms with sandal-paste, in which well kneaded are the fragrant seeds of Priyangu, yellowish turmeric, saffron and musk, to relieve themselves of spring fever...

"These days the people, whose limbs are wearied down with their desire induced ebullience, are wearing thinnish cloths, that are fumigated with fragrant aloe vera resin and dyed in the colour of reddish lac resin, quickly discarding their coarse clothing, for this season is neither coarse nor crude...

"The passionate male koel, black singing bird, on savouring the invigorative essence of just grown flowers of Mango trees, is gladdened and passionately kissing his love, so also this honeybee, abiding in lotuses, and savouring their nectar, this too is passionately mating with his love to her complaisance, sequestered in the petals of lotuses...

"Delightful are the branches of mango trees that are laden with bunches of coppery tender leaves, and with just flowered flowers, and with their heads a little bent down, for they simile with the bashful women, whose heads are with flowery hairdos and coppery half-veils, and a little bent down and swaying in lustiness, like mango treetops that are gently swaying, swayed by the gentle breezes of this season, and on identifying themselves with those mango trees, the womenfolk is rendered muchly overenthusiastic for love, in this spring time...

"All-over adorned are those Ashoka trees with bunches of reddish folioles, and reddish flowers that resemble the hue of red corals, and when the new entrants to adulthood are observing those unfolded red flowers, those Ashoka trees are making them agonised, for unfulfilled is their new longing for a newish love...

"The charming flowers of mango trees are with delightful thickish buds, and they are overly swilled by tipsy honeybees, and slow breezes are flurrying and tilting their delicate leaflets, thus when lovelorn youngsters observe them, their hearts are quickly ecstasized by those mango trees...

"Oh, dear, the mien of this season is akin to the facial resplendence of ladyloves, with the utmost beauty of the clusters of flowers of Kuravaka plants that are uprisen in this season, and if this is observed by any good-hearted person, won't his heart be agonised, indeed, struck by the arrow of Love-god?

"The ruddy flowers in springtime are sprung by the winds simile with the reddy flames that are just now set to flame, and everywhere the earth is overspread with such brakes of Kimshuka trees, and presently when their treetops are bent under the weight of those red flowers, whole of this earth similes with a new bride, shining forth in her new bridal redly costume, and her head a little bent under the half-veil of that costume...

"Aren't the youthful hearts of youthful lovers that are hidden in the hearts of their pretty faced ladyloves unsplit by these Kimshuka flowers, that are in shine with the reddish bills of parrots... aren't they already and definitely burnt by the flame-like redly Karnikaara flowers... then why for this Kokila, the black singing bird, is again gnawing away those hearts, with its gnawingly melodious singing...

"Passion is surging out in male Kokila-s, singing birds, as they obtained jollity in this springtime on chewing mango flowers, thus they are singing inexplicably, and the honeybees, when they are drunk with the flowery nectar of those flowers, they are also droning hums murmuringly as their drinking song, and with these hums and drones the hearts of new brides are flustered in a trice, even if they are in the service of their in-laws, where certain docility and prudishness are in demand...

"On the departure of mist-fall in springtime, the propitious breeze is breezing pleasantly to undulate the flowered branches of Mango trees, and to transmit the singings of Kokila-s in all directions, thereby to steal the hearts of humans, who can neither be blatant nor silent, of their longings...

"These days the pleasure gardens are brightened up with whitely jasmines, thus they simile with the toothy grins of sprightly brides, and hence they are heart-stealing, and these gardens are now stealing the hearts of saints or sages that have neutralised their materialistic indulgences long back, as such, these gardens must have stolen the hearts of youths, which are already tainted with seasonal sensualities...

"This Madhu month, Chaitra, nectarean month at the end of springtime, is forcefully stealing away the hearts of people, for the womenfolk, whose bodies are slenderised by the pride of Love-god, is eyeful with their golden strings of girdle that are pensile onto their hiplines, and their bosoms are clung by pendulous pearly pendants, besides, earful are the singings of Kokila-s and the humming of honeybees...

"These interiors of visible horizon are comprised of mountains that are adorned with divers and delightful flowery trees, and the areas of those mountainsides are hurly-burly with the singings of Kokila-s, and the masses of their rock faces are hemmed in and enwrapped with fragrant mountainy moss, that comes out now when those rocks were fissured during last summer, to see such an environ, all the people are rejoiced...

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Georgic 2

Thus far the tilth of fields and stars of heaven;
Now will I sing thee, Bacchus, and, with thee,
The forest's young plantations and the fruit
Of slow-maturing olive. Hither haste,
O Father of the wine-press; all things here
Teem with the bounties of thy hand; for thee
With viny autumn laden blooms the field,
And foams the vintage high with brimming vats;
Hither, O Father of the wine-press, come,
And stripped of buskin stain thy bared limbs
In the new must with me.
First, nature's law
For generating trees is manifold;
For some of their own force spontaneous spring,
No hand of man compelling, and possess
The plains and river-windings far and wide,
As pliant osier and the bending broom,
Poplar, and willows in wan companies
With green leaf glimmering gray; and some there be
From chance-dropped seed that rear them, as the tall
Chestnuts, and, mightiest of the branching wood,
Jove's Aesculus, and oaks, oracular
Deemed by the Greeks of old. With some sprouts forth
A forest of dense suckers from the root,
As elms and cherries; so, too, a pigmy plant,
Beneath its mother's mighty shade upshoots
The bay-tree of Parnassus. Such the modes
Nature imparted first; hence all the race
Of forest-trees and shrubs and sacred groves
Springs into verdure.
Other means there are,
Which use by method for itself acquired.
One, sliving suckers from the tender frame
Of the tree-mother, plants them in the trench;
One buries the bare stumps within his field,
Truncheons cleft four-wise, or sharp-pointed stakes;
Some forest-trees the layer's bent arch await,
And slips yet quick within the parent-soil;
No root need others, nor doth the pruner's hand
Shrink to restore the topmost shoot to earth
That gave it being. Nay, marvellous to tell,
Lopped of its limbs, the olive, a mere stock,
Still thrusts its root out from the sapless wood,
And oft the branches of one kind we see
Change to another's with no loss to rue,
Pear-tree transformed the ingrafted apple yield,
And stony cornels on the plum-tree blush.
Come then, and learn what tilth to each belongs
According to their kinds, ye husbandmen,
And tame with culture the wild fruits, lest earth

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