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Inside I never said I wanted to do theatre or be an actor.

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Lines in Defence of the Stage

Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.

No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.

Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play.

The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect.

Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted,

And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play.

Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay.

And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept.

We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!"

A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay.

[...] Read more

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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Make This House A Home

Well theres something in us living
Theres something you should know
There was a time for us to fall
Now its time to grow
But you know its not the way
That I intended it to be
Crossing hearts and killing souls
And trying to get down to whats real
All I ever wanted was to make this house a home
I let go of sinking sand wont you help me find a stone
All I ever wanted
All I ever wanted
All I ever wanted
All I ever wanted
All I ever wanted
Was to make this house a home
All I needed was your hand to hold
I spent so much time alone
I needed your direction
But we re-aligned my broken bones
Well theyre running from a lifeless state
Somehow we lost our hold
All we have with us is change
Left over from what started out as gold
All I ever wanted was to make this house a home
I let go of sinking sand - wont you help me find a stone
All I ever wanted
All I ever wanted
All I ever wanted
All I ever wanted
All I ever wanted
Was to make this house a home
This is what I give to you
Its flesh and blood
Its body and soul
Wont you take whats left of who I am
And try to see it whole
Im holding you responsible for every word I say
If you feel the brokenness
Wont you try and look the other way
I never meant to be so low
I only wanted you to see
That time was healing someone else
But its tearing apart the very heart of me
This is what I give to you
Its flesh and blood
Its body and soul
Wont you take whats left of who I am
And try to see it whole
All I ever wanted was to make this house a home

[...] Read more

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Having Fun

When the clouds in the cosmos wanted to have some fun;
they clashed playfully against each other; fomenting
heavenly droplets of liquid to tumble down in
rhapsodic frenzy,

When the waves in the undulating ocean wanted to have
some fun; they rose and fell merrily with the
exuberant breeze; culminating into a festoon of
magnificently sparkling froth as they dissipated on
the silver sands,

When the battalion of boisterous frogs wanted to have
some fun; they bounced and frisked ebulliently after
midnight; inundating the perpetually still atmosphere
with their brazenly croaking voice,

When the solitary palms wanted to have some fun; they
embedded themselves to unprecedented limits beneath
majestic soil; thunderously clapped thereafter; to
sprinkle the granules in unanimous tandem,

When the fleet of fountain pens wanted to have some
fun; they sketched overwhelmingly funny contours of
their masters; emptying the blotted ink wholesomely on
his tyrannically wretched face,

When the bells in the dilapidated castle wanted to
have some fun; they commenced to nostalgically
reverberate; drowning in sheer ecstasy of the
euphorically tinkling sound,

When the bland glasses of water wanted to have some
fun; they deliberately stumbled when offered to the
unsuspecting visitor; drenching him disdainfully from
head to toe with their clammy caress,
When the sonorously serious eyelids wanted to have
some fun; they winked incessantly at passerby's;
making them the inevitable darling of every
flirtatious heart,

When the army of mischievous red ants wanted to have
some fun; they surreptitiously clambered up the
mammoth elephant's trunk; evoking him to thereby
collapse helplessly towards pathetically cold ground,

When the morbidly aloof spider wanted to have some
fun; it indefatigably ran up and down the periphery of
its web; eventually deciding to perch on the honey
coated biscuit placed by the luxuriously plush
bedside,

[...] Read more

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Theatre Of The Absurd

(ian hunter)
My tea turned seven shades darker
As I sit n write these words
And londons gettin paler
In my theatre of the absurd.
You figured for an evening
And you made it all worthwile.
Its seldom people have a job
And even rarer that I smile.
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
And if your songs be classics,
Throw them to the hurd.
Truth is where they came from
And not this theatre of the absurd.
Some say you wanted to play for me
But its only what youve heard
That made you want to capture me
In your theatre of the absurd.
It was not me, I said myself
And you must do so, too.
I hope you have the strength to stay
When Ill be watchin you.
So baby,
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
Oh when I got here back home tonight
Something within me stirred.
Oh it must have been a different kind of play
That touched my theatre of the absurd.
Now Ill be on my way alone
But an interesting thing occurred
See nobody ever shared too much
In my theatre of the absurd.
And there I was back in london,
Thought about history.
It was just like being in school again
But I felt something movin in me.

[...] Read more

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Thinking of tomorrow

I didn’t eat food today; as I wanted to wholesomely famish myself; to
devour
the appetizing chunks of pudding; Tomorrow,

I didn’t sleep blissfully today; as I was overwhelmingly excited to
run;
Tomorrow,

I didn’t play mischievously today; as I wanted to reserve every iota of
my
energy to passionately leap; Tomorrow,

I didn’t drink water today; as I wanted to gulp gallons of voluptuous
wine;
Tomorrow,

I didn’t bathe today; as I wanted to drown my persona in flamboyant
waves of
the salty ocean; Tomorrow,

I didn’t see any object today; as I wanted to view the mesmerizing
beauty of
dawn; Tomorrow,

I didn’t move my legs today; as I wanted to dance unrelentingly all
night;
Tomorrow,

I didn’t revolve my fingers today; as I wanted to sketch intricate
landscapes
with their towering summits in the clouds; Tomorrow,

I didn’t study one bit today; as I wanted to read through volumes of
mystical
tales; Tomorrow,
I didn’t go out today; as I wanted to uninhibitedly explore through the
wilderness; Tomorrow,

I didn’t see the time today; as I wanted to scrupulously count every
unleashing minute tomorrow,

I didn’t smell the air today; as I wanted to inundate my nostrils with
the
enchanting perfume of lotus; Tomorrow,

I didn’t speak today; as I wanted to scream hysterically for hours on
the
trot; Tomorrow,

I didn’t reside in the house today; as I wanted to live the entire

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Actor Of Love

Hold on
I have found something I longing for
To fill the hollowness of my heart
But why I'm feeling more of sorrow

Before
I am the one who said: 'Oh, I'll control'
But now I realize you are my world
And it's waiting to break apart

I'm an actor of love
I'm trying to perfect
But I'm just fooling around

I'm an actor of love
I want to be your hero
But I've made myself a clown

I'm an actor of love
I need you by my side
But now you leave me alone

I'm an actor of love
I beg your forgiveness
But you refuse me so cold

Sometimes
We wonder why we should be together
Do we really dream of love forever?
Or we afraid to be alone

I'm an actor of love
I want to protect you
But I always hurt you bad

I'm an actor of love
I want to be your shield
But may turn someone you hate

I'm an actor of love
We kiss in the morning
But in night we have a war

I'm an actor of love
We care for each other
But we only circle round

If this love only makes me crazy
Take the story and just let it be
Tragedy or comedy

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All She Wanted

She was a good girl
Been true to herself
Never swayed by the notions of somebody else
Shed had it rough, maybe most of the time
With only one thing on her mind
All she wanted was a lovin man
All she wanted was a lovin man
Who was tryin to do the best that he can
All she wanted was a lovin, lovin man
There could be blue skies in her heart
She was waitin for the good times to start
She never wanted diamonds
She never wanted gold
She was holdin out for someone to hold
All she wanted was a lovin man
All she wanted was a lovin man
Who was tryin to do the best that he can
All she wanted was a lovin, lovin man
A loving man
All she wanted was a lovin man
All she wanted was a lovin man
All she wanted was a lovin man
Who was tryin to do the best that he can
All she wanted was a lovin, lovin man
Loving man
All she wanted was a lovin man
All she wanted was a lovin man
All she wanted was a lovin man
All she wanted was a lovin man

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I Wanted To Tell Her

I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her
I needed to tell her
Just like the wind you blew away your happy lovers touch
You bring the blues into my heart just like a rush
I cannot bear the way my heart has helped to keep you close
Of you my babe I cannot get enough
You touch me baby
I loved you to the lines of lies you told when I asked her name
I knew the perfume in your hair just wasnt mine
Did you ever think to notice me when you wasnt home?
I noticed every time
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
Thought you noticed every time but you didnt notice a thing
Id have to cover up my calls when the telephone would ring
Im tired of you and the things you do and all the things you say
No more babysitting for neurotic girls today
Im thinking that the pain Im going through just to keep you babe
Is something that I should bear
Did you ever stop to notice me when you had nothing?
And I never cared?
Just like the wind you blew away your happy lovers touch
You bring the blues into my life just like a rush
I cannot bear the way my heart has helped to keep you close
Of you my babe I cannot get enough
You touch me baby, dont be mean to me!
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her
I needed to tell her

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If I Wanted To

If I wanted to I could do anything right
I could dance with the devil on a
Saturday night
If I wanted to I could turn matches to gold
I could smoke drink swear and I would never
grow old
I wouldn't have to be in love with you
If I only wanted to
If I only wanted to

If I wanted to I could run fast as a train
Be as sharp as a needle that's twisting your brain
If I wanted to I could turn mountains to sand
Have political leaders in the palm of my hand
I wouldn't have to be in love with you
If I only wanted to
If I only wanted to

I could leave tonight
And I would be all right
Stop holding on
If I wanted to
If I only wanted to

If I wanted to I could be as patient as death
Fix this hole in my heart leaking into my flesh
If I wanted to I could turn sparks into ice
There'd never be another woman who could make you
think twice
I wouldn't have to be in love with you
If I only wanted to
If I only wanted to

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With First Steps Taken

In it from the beginning!
With first steps taken and a curiousness.
Yes,
In the beginning...
I felt was mine was what I touched.

And it seemed so real,
I could take...
What it was I touched.

In it from the beginning!
With first steps taken and a curiousness.
Yes,
It was the beginning,
That made me feel...
I could take whatever I touched.

And it seemed so real,
I could take,
What it was I touched.
And wanted much.

Like a toy I saw another child with it and had,
I wanted.
I wanted.

Like a car I saw drive away from my path,
I wanted.
I wanted.

Like a love between two people shared,
Who acted like they walked on air...
I wanted.
I wanted.

And it seemed so real,
I could take,
What it was I touched.
And wanted much.

If I saw somebody new and they were with someone else,
So what...
I just wanted.
To get up on it.

And it seemed so real to me,
I could take anything I wanted.
To flaunt and get up on it.

Like a love between two people shared,

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Theatre Of The Soul

On a cold night in a hotel in new orleans
Came the final blow
And somehow somewhere we lost sight
In our search for that pot of gold
And all that happened I dont understand
Could somebody here, somebody please explain to me
Cause Im feeling so damn deceived
And I cant run, cant hide, cant get nothing right lately
Theatre of my soul....play on child
Ashes to ashes...light the good lord lays us down
Dust to dust, oh, no
The time has come to lay to rest the years
All the years it took this heart to trust
Maybe too much too soon, I couldnt get my head on straight
All that worry, just wasted time
And now its much too late to save it
Long forgotten midnight dancer
Plays her final role
The curtain falls and Im still standing
Theatre of my soul you left in vain
Could someone please explain, and I said
Solo
I know that nothings the same
Riding blind on the winds of change
But in my head that scene just keeps on playing
Long forgotten midnight dancer
Plays her final role, oh, yes she does
Cant run, cant hide, cant get nothing right lately
The curtain falls and Im still standing
In the theatre of my soul
Cant run, cant hide, cant get nothing right lately
When time it just keeps on passing,
I got to let it go, let it roll, let it roll, let it roll
Cant run, cant hide, cant get nothing right lately
I keep searching for those long lost answers
In the theatre of my soul
Theatre of my soul

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Id Rather Be You

1986. released as b-side of single throwing it all away, 1987.
Ooh yeah
You know I never wanted to be closer
And Ill still be here until its over
No, no I never wanted to be closer
But youll be back, I couldve told you
Well I always knew
Yes I could see it coming
Your ambitious streak
You always want things beyond your reach
Well now youve got what you wanted
And youre free to be the things
You always said youd be
Youre up there looking down
Tell me what do you see - oh
Cos you know
You know I never wanted to be closer
And Ill still be here until its over
No, no I never wanted to be closer
Yeah, but youll be back, I couldve told you
Well it seems to me
That youve got to fight for yourself
In this world we live in
Its dog-eat-dog and never give in
Why worry when youre holding the aces
Dont throw it away cos you know
Id rather be you than me
Up there looking down
Tell me what do you see - oh
Hey hey yeah
Ooh yeah
You know I never wanted to be closer (never wanted)
And Ill still be here til its over
No, no I never wanted to be closer (never wanted)
Ooh but youll be back, I couldve told you
Its been a long time coming
But at last we seem to be moving on, straight ahead
Were finally getting something done
Time flies and fore you know it
Youll be getting closer to where
You always knew youd be
Up there looking down
Tell me what do you see - oh
Cos you know
No, no I never wanted to be closer (never wanted)
Ill still be here until its over
No, you know I never wanted to be closer (never wanted)
Yeah but youll be back, I couldve told you
Hey hey yeah...

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All I Ever Wanted

What are you going to say and what are you going to do ?
What are you going to say and what are you going to do ?
Too good
You could
Be so misunderstood
Snow pure
Demure
Don't feel so insecure
Heaven would be lonely without you
You satisfy the need in me
No-one makes me feel the way you do
What are you going to say and what are you going to do ?
What are you going to say and what are you going to do ?
Maligned
You'll find
A strength to ease your mind
Trust fate
Relate
This trial you'll tolerate
Summer would be bitter without you
You satisfy the need in me
Sunshine couldn't warm me like you do
Devotion's what you read in read
All I ever wanted
Was to be with you just to be with you
All I ever wanted
Just to be with you to be free with you
Review
Brand new
You know you'll see it through
From now
I wow
They'll take what you allow
Paradise so dreary without you
I couldn't last a day without you
Nothing else could take the place of you
You know I wouldn't stay without you
All I ever wanted
Was to be with you just to be with you
All I ever wanted
Just to be with you to be free with you
Yeah be with you
All I ever wanted
Come on be with you
To be free with you
Totally with you
Hey be with you
All I ever wanted
I believe in you
I believe in you

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Bonus Moshpit Part 2

So scream, I heard about your message,
And how it reeks of your indifference,
Simply tie horizontal strings from your wrists.
(So scream louder now)
I'm bound to come around about,
(I'm bound to come around)
Well can't you, can't you feel it,
Rollin' off your lips, tensing up your shoulders,
Come on, say it
Well it's love (It's love)
Make it hurt (I deserve it)
Well it's love (It's love)
Make it hurt (I deserve it)
Well it's love, it's love, it's love.
Make it hurt.
I said I used the inconsistencies to undress the machine,
Your the poster boy,
The selling point,
The focus for the new campaign,
(Something has to be done)
I'm bound to come around about,
(I'm bound to come around)
Can't you, can't you feel it,
Rollin' off your lips, tensing up your shoulders,
Come on...
Well it's love (It's love)
Make it hurt (I deserve it)
Well it's love (It's love)
Make it hurt (I deserve it)
Well it's love, it's love, it's love.
Make it hurt.
The keys to the castle (are right where I left them)
The princess walked in just to take more attention,
'Cause after all, well isn't that all that I've been after,
And after all, well isn't that all that I'm after,
Your so...
(No way out) I give up in you, I give up in you,
(No way out) I give up in you.
(No way out) Well I give up in you, I give up in you,
(No way out) I give up in you.
I wanted you for nothing more,
Than hating you for what you were,
If that's what you wanted to hear,
(Well if that's what you wanted to hear)
I wanted you for nothing more,
Than hating you for what you were,
(Don't leave, leave) If that's what you wanted to hear,
(If that's what you wanted to hear)
I wanted you for nothing more,
Than hating you for what you were,

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Bonus Mosh Pt. 2

So, scream I heard about your message,
And how it reeked of your indifference,
...it bleeds horizontal straight from your wrists.
(So scream louder now)
Because I'm bound to come around
(Bound to come around)
But can't you, can't you feel it rolling off your lips,
Tensing up your shoulders,
C'mon say it...
[Chorus]
Well, If it's love (It's love)
Make it hurt (I deserve it)
Well, If it's love (It's love)
Make it hurt (I deserve it)
Well, it's love, it's love, it's love...
Make it hurt.
I said I use the inconsistencies
That undress the machine,
You're the poster boy, our selling point, the focus for their new campaign.
(Something has to be done...it just has to)
Bound to come around about
(bound to come around...)
Oh, but can't you, can't you feel it rolling off your lips,
Tensing up your shoulders, c'mon...
[Chorus]
The keys to the castle
(Are right where I left them)
princess,princess, princess
more attention stage center please
'Cause after all, well isn't that all that I've been after and,
I mean After all, well isn't that all that I'm after,
You're so...
There's no way out
And tis a long way down
You are nothing but a haircut and a suit coat
I like you man....you're crazy.
(No way out) I give up in you, well, I give up in you,
(No way out) I give up in you.
(No way out) Well, I give up in you, I give up in you,
(No way out) Well, I give up in you.
I wanted you for nothing more,
Than hating you for what you were,
If that's what you wanted to hear,
(Well, if that's what you wanted to hear)
I wanted you for nothing more,
Than hating you for what you were,
(Don't leave, leave) If that's what you wanted to hear,
(If that's what you wanted to hear)
I wanted you for nothing more,
Than hating you for what you were,

[...] Read more

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Great Conductors

Hans Richter Parsifal did not conduct,
and to the National Gallery he never paid
a visit, but he showed Franz Strauss who never sucked
just how the horn in Meistersinger should be played.

Franz Strauss refused to play a second time
for Hans von Bülow Meistersinger’s second act;
Hans begged his pardon when Franz told him: “I’m
retiring, since you for the hornist show no tact.”

There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene How can a conducter to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersingers. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you cant do it again, so you must better ask for retirement! , replied von Buelow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene. How can a conductor to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersinger. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you can’t do it again you had better ask for retiremen! replied von Bülow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.


8/25/08

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Behind the Scenes

The actor struts his little hour,
Between the limelight and the band;
The public feel the actor's power,
Yet nothing do they understand
Of all the touches here and there
That make or mar the actor's part,
They never see, beneath the glare,
The artist striving after art.
To them it seems a labour slight
Where nought of study intervenes;
You see it in another light
When once you've been behind the scenes.

For though the actor at his best
Is, like a poet, born not made,
He still must study with a zest
And practise hard to learn his trade.
So, whether on the actor's form
The stately robes of Hamlet sit,
Or as Macbeth he rave and storm,
Or plays burlesque to please the pit,

'Tis each and all a work of art,
That constant care and practice means --
The actor who creates a part
Has done his work behind the scenes.

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Youve Got A Habit Of Leaving

Youve got a habit of leaving me
And youve got a habit of deserting me
Sometimes I cry
Sometimes Im so sad
Sometimes Im so glad, so glad
You could go on if you wanted to, wanted to, wanted to
Wanted to
Oh
If you wanted to, yeah
Oh huh
Youve got a habit of leaving me
And youve got a habit of deserting me
Sometimes I cry
Sometimes Im so sad
Sometimes Im so glad, so glad
You could go on if you wanted to, wanted, wanted to
Wanted to, ooh yeah, yeah
Oh, if you wanted to
If you wanted to, yeah, yeah
Wanted to

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