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I am sure that no traveler seeing things through author spectacles can see them as they are.

quote by Harriet Martineau
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Universal Traveler

Universal Traveler - Air
(Talkie Walkie; Trans. by Tish)
I know so many
Places in the world
I follow the sun
In my silver plane
Universal traveler
Universal traveler
Universal traveler
Universal traveler
If you have a look
Outside on the sea
Everything is white
It's so wonderful
Universal traveler
Universal traveler
Universal traveler
Universal traveler
So far
So far
So far away
I met so many
People in my life
I've got many friends
Who can care for me
Universal traveler
Universal traveler
Universal traveler
Universal traveler
Trust fills everywhere ?
And tomorrow
Is a brand new day
Let's go somewhere else
Universal traveler
Universal traveler
Universal traveler
Universal traveler
So far
So far
So far away
So far
So far
So far away
So far
So far
So far away
So far
So far
So far away

song performed by Air
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Mary had a Little Vamp and Other Parodies after Sarah Josepha HALE

Mary had a little vamp,
whose teeth glowed white as snow,
each night from sightly vent – no cramp -
the crimson droplets flow.

Some followed her from school one day;
though stalking's 'gainst the rules;
it made goose pimples grow and stay
to see them play at ghouls.

But they were caught, their tale remains
from history well hid,
though we discovered their remains
beneath oak coffin lid.

And so blood flowed from inside out,
none dared to lingered near
when shadows shiver, hang about
until Vamps disappear.

'Why does the Vamp love Mary so? '
the eager children cry;
'Why, Mary loves the Vamp, you know, '
the teacher did reply.

Sleep-overs followed, - little Vamp
A, B, AB, O, drew
by light of Mary’s lurid lamp
new haemoglobulu.

Thus vampire Vlad made Mary glad
hark! men well-read may read,
from kid school lad to college grad, -
mark then welt's red fey bead.

He wore a scarlet cape to match
sweet Mary’s ruddy lips,
attached thereto a cup to catch
the rhesus drips he sips.

No fly-by-night awed Mary’s Vamp,
he could fear blend at need,
though sky high flight soared scary champ -
we here end batty screed.

© Jonathan Robin parody written 3 May 2007 revised 3 September 2008 - for previous version see below

Mary had a little vamp,
whose teeth were white as snow,

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poem by Jonathan Robin
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Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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poem by Walt Whitman
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Old Town Types No. 9 - Long John, The Snob

Long John McDougal, the wax-end and leather man,
Solon of the main street, full of curious lore,
Keen-eyed and frugal, politician, weather man,
Pegging there, or stitching by his shop front door;
Keen-eyed and frugal, Long John McDougal
Talked as he toiled there, or harked to others' woes,
With his tousled old grey head and steel-rimmed spectacles,
His old steel spectacles perched on the end of his nose.

Long John the leather man: boots, bridles any a thing
Fashioned out of leather, could his wise hands mend.
'Cease your foolish blether, man! For I have cobbled many a thing
Cobbled it and cured it wi' me strong wax-end.
Cease your foolish blether, man. 'Tis Long John, the leather man
Has shod the feet of half the town, an' no complaints from those.'
And his old head would waggle and his steel-rimmed spectacles
His smeared old spectacles perched on the end of his nose.

Long John, the cobbler, sets aside his sowing owl,
Sets aside his apron and gives his hands a rub,
And trots off for his nobbler, just as he has been going all
These long years for his whisky at the Railway pub.
Long John, the cobbler, calling for his nobbler:
One I'll tak', or two I'll tak', but I'm content wi' those.'
And he gazes e'er so wisely thro' his steel-rimmed spectacles
His bent old spectacles perched on the tip of his nose.

Long John McDougal sat to have a crack there,
Just within his shop door the day I left the town,
Keen-eyed and frugal. And if I ever went back there
I know I'd find him fadeless, his wise law laying down
Kind-eyed and frugal, Long John McDougal,
Spouting weather prophesies, downing fiscal foes,
Peering, with his head back, thro' grime-dimmed spectacles
His old steel spectacles perched on the tip of his nose.

poem by Clarence Michael James Stanislaus Dennis
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The Story Of The Hare Who Lost His Spectacles

This is the story of the hare who lost his spectacles.
Owl loved to rest quietly whilst no one was watching. sitting on a
Fence one day, he was surprised when suddenly a kangaroo ran close
By.
Now this may not seem strange, but when owl overheard kangaroo whisper
To no one in particular, ''the hare has lost his spectacles, well, he
Began to wonder.
Presently, the moon appeared from behind a cloud and there, lying on
The grass was hare. in the stream that flowed by the grass -- a
Newt. and sitting astride a twig of a bush -- a bee.
Ostensibly motionless, the hare was trembling with excitement, for
Without his spectacles he was completely helpless. where were his
Spectacles? could someone have stolen them? had he mislaid them? what
Was he to do?
Bee wanted to help, and thinking he had the answer began: ''you
Probably ate them thinking they were a carrot.
''no! interrupted owl, who was wise. ''i have good eye-sight, insight,
And foresight. how could an intelligent hare make such a silly
Mistake? but all this time, owl had been sitting on the fence,
Scowling!
Kangaroo were hopping mad at this sort of talk. she thought herself
Far superior in intelligence to the others. she was their leader;
Their guru. she had the answer: ''hare, you must go in search of the
Optician.
But then she realized that hare was completely helpless without his
Spectacles. and so, kangaroo loudly proclaimed, ''i cant send hare in
Search of anything!
''you can guru, you can! shouted newt. ''you can send him with owl.
But owl had gone to sleep. newt knew too much to be stopped by so
Small a problem -- ''you can take him in your pouch. but alas, hare
Was much too big to fit into kangaroos pouch.
All this time, it had been quite plain to hare that the others knew
Nothing about spectacles.
As for all their tempting ideas, well hare didnt care.
The lost spectacles were his own affair.
And after all, hare did have a spare a-pair.
A-pair.

song performed by Jethro Tull
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Report Of An Adjudged Case

Between Nose and Eyes a strange contest arose,
The spectacles set them unhappily wrong;
The point in dispute was, as all the world knows,
To which the said spectacles ought to belong.

So the Tongue was the Lawyer and argued the cause
With a great deal of skill, and a wig full of learning,
While chief baron Ear sat to balance the laws,
So famed for his talent in nicely discerning.

In behalf of the Nose, it will quickly appear,
And your lordship, he said, will undoubtedly find,
That the Nose has had spectacles always in wear,
Which amounts to possession time out of mind.

Then holding the spectacles up to the court, -
Your lordship observes they are made with a straddle,
As wide as the ridge of the Nose is, in short,
Designed to sit close to it, just like a saddle.

Again, would your lordship a moment suppose
('Tis a case that has happened and may be again),
That the visage or countenance had not a Nose,
Pray who would or who could wear spectacles then?

On the whole it appears, and my argument shows
With a reasoning the court will never condemn,
That the spectacles plainly were made for the Nose,
And the Nose was as plainly intended for them.

Then shifting his side, as a lawyer knows how,
He pleaded again in behalf of the Eyes,
But what were his arguments few people know,
For the court did not think they were equally wise.

So his lordship decreed, with a grave solemn tone,
Decisive and clear, without on if or but, -
That whenever the Nose put his spectacles on,
By daylight or candlelight - Eyes should be shut.

poem by William Cowper
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A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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poem by James Russell Lowell
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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.

For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.

And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.

For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.

Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.

Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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poem by Anonymous Olde English
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Lonely Traveler...

I see the lonely traveler,
Why is he so quiet?
Maybe he's in passion,
Maybe he's in fear,
Maybe sheer happiness,
Something to control in silence,
Without telling anyone...

To walk through the jungle trees,
Stare, climb and then sing,
A song, one happy, scary, so heartfelt,
I started to cry,
A mixture of feelings,
Something to divine to share,
Only with the invisible shadows,
That travel with him...

But I followed him,
For no real reason at all,
His gentle side as well as fierce side,
All in one,
All in control,
But still he walks alone,
Never to be confronted,
The Highwaymen fear him,
And those people are fearless,
Stealing money, for that you have to be...

But still, people kept away,
From this man, who sang his heart out,
Fear, despair, the quality of happiness,
This lonely traveler meant,
He spoke in a gentle voice,
When taken aback he changed his tone,
Rapidly to say,
He played his guitar on and off,
Sang to it, played to it,
Until he once met a cat,
No ordinary cat though,
A cat like him,
With feelings...

He understood,
Placed his loneliness away,
For he then took the cat,
Stroked it, Matured it, made it Free,
From the bounds of its old master,
He now only had his bag,
His guitar and many other
Instruments he picked up along the way,

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poem by Viraj Bhanshaly
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Emmaline Conner room 101(contest winner writing.com)

Lids slowly closing, aged eyes rimmed with red
Blue veined hands clutching sheets to her chin
Fond memories, old boyfriends, gaily dance in her head
A Time traveler, scanning archives, sequestered within

My knock brings her back to this time, here and now
With a start she awakens, closes softly memory’s door
With a smile I approach, place a hand on her brow
Gently bringing her back to the present once more

Tucking a bib beneath her chin like an infant
Huge Breakfast tray pulled close to her breast
Eyes mockingly wide in jesting amazement
Solemnly promises to give it her best

I sit by her side, uncapping and helping
With the soft pureed breakfast I provided
A few birdlike bites, her resolve quickly melting
She’s really quite full now, she’s decided

Chiding her gently to eat some more food
she jokingly tells me she’s watching her weight
And with age earned authority it’s to be understood
At a fat eighty pounds, it’s already too late

I remove the tray, knowing when I’m beaten
By a wisp of a woman who grows more wispy each day
Each day of each week less food is eaten
Not much more time in this bed will she stay

diaper changing endured with lady-like grace
bed bath accepted with placid aplomb
Grey hair brushed back and tied with white lace
Wizened face a portrait of complacent calm

Dear friend, earnest student, strong right hand for her mother
Many persons this fine lady has played
Big sister for small brother, to strong passionate lover
Roles without end and with deep love portrayed

As I place the call button close to her hands
She dreamily places withered hands over mine
Be sure to come back here for lunch, she demands
And this time be sure to bring wine

Eyes slowly closing, drifting off into slumber
I gently pull sheets to her chin
Once more a time traveler, to memories without number
She travels back to the past once again

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poem by David Whalen
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Gioconda And Si-Ya-U

to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai

A CLAIM

Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.

The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.

I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.

1928

Part One
Excerpts from Gioconda's Diary

15 March 1924: Paris, Louvre Museum

At last I am bored with the Louvre Museum.

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poem by Nazim Hikmet
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Little Jack Janitor

And there, in that ripe Summer-night, once more
A wintry coolness through the open door
And window seemed to touch each glowing face
Refreshingly; and, for a fleeting space,
The quickened fancy, through the fragrant air,
Saw snowflakes whirling where the roseleaves were,
And sounds of veriest jingling bells again
Were heard in tinkling spoons and glasses then.

Thus Uncle Mart's old poem sounded young
And crisp and fresh and clear as when first sung,
Away back in the wakening of Spring
When his rhyme and the robin, chorusing,
Rumored, in duo-fanfare, of the soon
Invading johnny-jump-ups, with platoon
On platoon of sweet-williams, marshaled fine
To bloomed blarings of the trumpet-vine.

The poet turned to whisperingly confer
A moment with 'The Noted Traveler.'
Then left the room, tripped up the stairs, and then
An instant later reappeared again,
Bearing a little, lacquered box, or chest,
Which, as all marked with curious interest,
He gave to the old Traveler, who in
One hand upheld it, pulling back his thin
Black lustre coat-sleeves, saying he had sent
Up for his 'Magic Box,' and that he meant
To test it there--especially to show
_The Children_. 'It is _empty now_, you know.'--
He humped it with his knuckles, so they heard
The hollow sound--'But lest it be inferred
It is not _really_ empty, I will ask
_Little Jack Janitor_, whose pleasant task
It is to keep it ship-shape.'

Then he tried
And rapped the little drawer in the side,
And called out sharply 'Are you in there, Jack?'
And then a little, squeaky voice came back,--
'_Of course I'm in here--ain't you got the key
Turned on me!_'

Then the Traveler leisurely
Felt through his pockets, and at last took out
The smallest key they ever heard about!--
It,wasn't any longer than a pin:
And this at last he managed to fit in
The little keyhole, turned it, and then cried,
'Is everything swept out clean there inside?'

[...] Read more

poem by James Whitcomb Riley
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Armadillo Streets

The dust has just begun to settle
Forming crop circles in the carpet
Oil marks kiss the walls
Where pleasure moments hung before
Spin me around one last time
Disappear with the walking sun

Look down that road lonely traveler
Before you pack your things
Vagabond shoes have lead you nowhere
But further away from home
Look down that road lonely traveler
Before you turn to leave
Just a tumbleweed blowing aimlessly
Along armadillo streets

Count the days as they barely move
Denying you didn't stop you from coming
Consumed under the trance of the moon
Enter Casanova
As ransom notes fall from your lips
Lies espoused, digested through a hungry mouth
Defense falls paper thin, until
I loose all inhibitions

Look down that road lonely traveler
Before you pack your things
Vagabond shoes have lead you nowhere
But further away from home
Look down that road lonely traveler
Before you turn to leave
Just a tumbleweed blowing aimlessly
Along armadillo streets

The residue of another late nate rendevous
Greets me with the morning light
Half smoked cigarettes, a bottle of gin
A post card signed, 'See you next time'
I trace your silohette into the heels of your mirage
But I never did plan to understand
What happened after dark

Look down that road lonely traveler
Before you turn to leave
Just a tumbleweed blowing aimlessly
Along armadillo streets

poem by Kay Gardner
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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Christmas-Eve

I.
OUT of the little chapel I burst
Into the fresh night air again.
I had waited a good five minutes first
In the doorway, to escape the rain
That drove in gusts down the common’s centre,
At the edge of which the chapel stands,
Before I plucked up heart to enter:
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch,
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Four feet long by two feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving:
They eyed me much as some wild beast,
The congregation, still arriving,
Some of them by the mainroad, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self thro’ the paling-gaps,—
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion,” with Love-lane at the back of it,
They front you as little disconcerted,
As, bound for the hills, her fate averted
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II.
Well, from the road, the lanes or the common,

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poem by Robert Browning
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Lets See Action

Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom, lets see who cares,
Lets see freedom, lets see who cares,
Take me with you when you leave me
Take me with you when you leave me
And my shell behind us there.
And my shell behind us there.
I have learned it, known who burned me,
I have learned it, known who burned me,
Avatar has warmed my feet,
Avatar has warmed my feet,
Take me with you, let me see you,
Take me with you, let me see you,
Time and life can meet.
Time and life can meet.
Nothing is everything, everything is, nothing is,
Nothing is everything, everything is, nothing is,
Please the people, audiences,
Please the people, audiences,
Break the fences,
Break the fences,
Nothing is.
Nothing is.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Give me a drink boy, wash my feet,
Give me a drink boy, wash my feet,
Im so tired of running from my own heat,
Im so tired of running from my own heat,
Take this package and heres what you do,
Take this package and heres what you do,
Gonna get this information through.
Gonna get this information through.
I dont know where Im going,
I dont know where Im going,

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song performed by Who
Added by Lucian Velea
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Avon's Harvest

Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.

So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.

So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;

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poem by Edwin Arlington Robinson
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A Dream As A Traveller

I have a beautiful dream,
A dream As a lone traveler,
For being a lonely traveler

To see many beautiful places,
To see many beautiful scenery,
To see lakes, rivers, ocean and mountains.

Travelling is my Passion,
To experience other country's culture,
food and traditions

To meet beautiful and friendly people,
To make friends around,
Just Like you and me

Travelling is my life
Just Love the travel freedom
To see the world alone
As back packer

Dream of a traveler
To write and share my travelling story
As a lone traveler.

To travel around the world
To go to the most remote places on earth
Give me the best excitement and amazement
Good for my soul and life experience.

14 March 2012

poem by Lawrence Hiung
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