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Christian virtues unite men. Racism separates them.

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Ezra Pound

L'Homme Moyen Sensuel

‘Tis of my country that I would endite,
In hope to set some misconceptions right.
My country? I love it well, and those good fellows
Who, since their wit's unknown, escape the gallows.
But you stuffed coats who're neither tepid nor distinctly boreal,
Pimping, conceited, placid, editorial,
Could I but speak as 'twere in the 'Restoration'
I would articulate your perdamnation.
This year perforce I must with circumspection
For Mencken states somewhere, in this connection:
‘It is a moral nation we infest.'
Despite such reins and checks I'll do my best,
An art! You all respect the arts, from that infant tick
Who's now the editor of The Altantic,
From Comstock's self, down to the meanest resident,
Till up again, right up, we reach the president,
Who shows his taste in his ambassadors:
A novelist, a publisher, to pay old scores,
A novelist, a publisher and a preacher,
That's sent to Holland, a most particular feature,
Henry Van Dyke, who thinks to charm the Muse you pack her in
A sort of stinking deliquescent saccharine.
The constitution of our land, O Socrates,
Was made to incubate such mediocrities,
These and a state in books that's grown perennial
And antedates the Philadelphia centennial.
Still I'd respect you more if you could bury
Mabie, and Lyman Abbot and George Woodberry,
For minds so wholly founded upon quotations
Are not the best of pulse for infant nations.
Dulness herself, that abject spirit, chortles
To see your forty self-baptized immortals,
And holds her sides where swelling laughter cracks 'em
Before the 6Ars Poetica' of Hiram Maxim.
All one can say of this refining medium
Is cZut! Cinque lettres!' a banished gallic idiom,
Their doddering ignorance is waxed so notable
'Tis time that it was capped with something quotable.

Here Radway grew, the fruit of pantosocracy,
The very fairest flower of their gynocracy.
Radway ? My hero, for it will be more inspiring
If I set forth a bawdy plot like Byron
Than if I treat the nation as a whole.
Radway grew up. These forces shaped his soul;
These, and yet God, and Dr. Parkhurst's god, the N.Y. Journal
(Which pays him more per week than The Supernal).
These and another godlet of that day, your day
(You feed a hen on grease, perhaps she'll lay
The sterile egg that is still eatable:
'Prolific Noyes' with output undefeatable).
From these he (Radway) learnt, from provosts and from editors unyielding
And innocent of Stendhal, Flaubert, Maupassant and Fielding.
They set their mind (it's still in that condition)
May we repeat; the Centennial Exposition
At Philadelphia, 1876?
What it knew then, it knows, and there it sticks.
And yet another, a 'charming man', ‘sweet nature,' but was Gilder,
De mortuis verum, truly the master builder?

From these he learnt. Poe, Whitman, Whistler, men, their recognition
Was got abroad, what better luck do you wish 'em,
When writing well has not yet been forgiven
In Boston, to Henry James, the greatest whom we've seen living.
And timorous love of the innocuous
Brought from Gt. Britain and dumped down a'top of us,
Till you may take your choice: to feel the edge of satire or
Read Bennett or some other flaccid flatterer.
Despite it all, despite your Red Bloods, febrile concupiscence
Whose blubbering yowls you take for passion's essence;
Despite it all, your compound predilection
For ignorance, its growth and its protection
(Vide the tariff), I will hang simple facts
Upon a tale, to combat other tracts,
'Message to Garcia,' Mosher's propagandas
That are the nation's botts, collicks and glanders.
Or from the feats of Sumner cull it? Think,
Could Freud or Jung'unfathom such a sink?

My hero, Radway, I have named, in truth,
Some forces among those which 'formed' his youth:
These heavy weights, these dodgers and these preachers,
Crusaders, lecturers and secret lechers,
Who wrought about his 'soul' their stale infection.
These are the high-brows, and to this collection
The social itch, the almost, all but, not quite, fascinating,
Piquante, delicious, luscious, captivating:
Puffed satin, and silk stockings, where the knee
Clings to the skirt in strict (vide: 'Vogue') propriety.
Three thousand chorus girls and all unkissed,
state sans song, sans home-grown wine, sans realist!
'Tell me not in mournful wish-wash
Life's a sort of sugared dish-wash!'
Radway had read the various evening papers
And yearned to imitate the Waldorf capers
As held before him in that unsullied mirror
The daily press, and monthlies nine cents dearer.
They held the very marrow of the ideals
That fed his spirit; were his mental meals.
Also, he'd read of Christian virtues in
That canting rag called Everybody's Magazine,
And heard a clergy that tries on more wheezes
Than e'er were heard of by Our Lord Ch . . . . J
So he 'faced life' with rather mixed intentions,
He had attended country Christian Endeavour Conventions,
Where one gets more chances
Than Spanish ladies had in old romances.
(Let him rebuke who ne'er has known the pure Platonic grapple,
Or hugged two girls at once behind a chapel.)
Such practices diluted rural boredom
Though some approved of them, and some deplored 'em.
Such was he when he got his mother's letter
And would not think a thing that could upset her. . . .
Yet saw an ad.' To-night, THE HUDSON SAIL,
With forty queens, and music to regale
The select company: beauties you all would know
By name, if named.' So it was phrased, or rather somewhat so
I have mislaid the ‘ad.', but note the touch,
Note, reader, note the sentimental touch:
His mother's birthday gift. (How pitiful
That only sentimental stuff will sell!)

Yet Radway went. A circumspectious prig!
And then that woman like a guinea-pig
Accosted, that's the word, accosted him,
Thereon the amorous calor slightly frosted him.
(I burn, I freeze, I sweat, said the fair Greek,
I speak in contradictions, so to speak.)

I've told his training, he was never bashful,
And his pockets by ma's aid, that night with cash full,
The invitation had no need of fine aesthetic,
Nor did disgust prove such a strong emetic
That we, with Masefield's vein, in the next sentence
Record ‘Odd's blood! Ouch! Ouch!' a prayer, his swift repentance.
No, no, they danced. The music grew much louder
As he inhaled the 'still fumes of rice-powder.
Then there came other nights, came slow but certain
And were such nights that we should 'draw the curtain'
In writing fiction on uncertain chances
Of publication; 'Circumstances,'
As the editor of The Century says in print,
'Compel a certain silence and restraint.'
Still we will bring our 'fiction as near to fact' as
The Sunday school brings virtues into practice.

Soon our hero could manage once a week,
Not that his pay had risen, and no leak
Was found in his employer's cash. He learned the lay of cheaper places,
And then Radway began to go the paces:
A rosy path, a sort of vernal ingress,
And Truth should here be careful of her thin dress
Though males of seventy, who fear truths naked harm us,
Must think Truth looks as they do in wool pyjamas.
(My country, I've said your morals and your thoughts are stale ones,
But surely the worst of your old-women are the male ones.)

Why paint these days? An insurance inspector
For fires and odd risks, could in this sector
Furnish more data for a compilation
Than I can from this distant land and station,
Unless perhaps I should have recourse to
One of those firm-faced inspecting women, who
Find pretty Irish girls in Chinese laundries,
Up stairs, the third floor up, and have such quandaries
As to how and why and whereby they got in
And for what earthly reason they remain. . . .
Alas, eheu, one question that sorely vexes
The serious social folk is ‘just what sex is'.
Though it will, of course, pass off with social science
In which their mentors place such wide reliance . .
De Gourmont says that fifty grunts are all that will be prized.
Of langauge, by men wholly socialized,
With signs as many, that shall represent 'em
When thoroughly socialized printers want to print 'em.
‘As free of mobs as kings'? I'd have men free of that invidious,
Lurking, serpentine, amphibious and insidious
Power that compels 'em
To be so much alike that every dog that smells 'em,
Thinks one identity is
Smeared o'er the lot in equal quantities.
Still we look toward the day when man, with unction,
Will long only to be a social function,
And even Zeus' wild lightning fear to strike
Lest it should fail to treat all men alike.
And I can hear an old man saying: ‘Oh, the rub!’
I see them sitting in the Harvard Club,
'And rate 'em up at just so much per head,
'Till I have viewed straw hats and their habitual clothing
'All the same style, same cut, with perfect loathing.'

So Radway walked, quite like the other men,
Out into the crepuscular half-light, now and then;
Saw what the city offered, cast an eye
Upon Manhattan's gorgeous panoply,
The flood of limbs upon Eighth Avenue
To beat Prague, Budapesth, Vienna or Moscow,
Such animal invigorating carriage
As nothing can restrain or much disparage. . . .
Still he was not given up to brute enjoyment,
An anxious sentiment was his employment,
For memory of the first warm night still cast a haze o'er
The mind of Radway, whene'er he found a pair of purple stays or
Some other quaint reminder of the occasion
That first made him believe in immoral suasion.
A temperate man, a thin potationist, each day
A silent hunter off the Great White Way,
He read The Century and thought it nice
To be not too well known in haunts of vice
The prominent haunts, where one might recognize him,
And in his daily walks duly capsize him.
Thus he eschewed the bright red-walled cafes and
Was never one of whom one speaks as ‘brazen'd'.

Some men will live as prudes in their own village
And make the tour abroad for their wild tillage
I knew a tourist agent, one whose art is
To run such tours. He calls 'em. . . . house parties.
But Radway was a patriot whose venality
Was purer in its love of one locality,
A home-industrious worker to perfection,
A sensational jobber for protection,
Especially on books, lest knowledge break in
Upon the national brains and set 'em achin'.
'Tis an anomaly in our large land of freedom,
You can not get cheap books, even if you need 'em.)
Radway was ignorant as an editor,
And, heavenly, holy gods! I can't say more,
Though I know one, a very base detractor,
Who has the phrase ‘As ignorant as an actor,'
But turn to Radway: the first night on the river,
Running so close to ‘hell’ it sends a shiver
Down Rodyheaver's prophylactic spine,
Let me return to this bold theme of mine,
Of Radway. O clap hand ye moralists!
And meditate upon the Lord's conquests.
When last I met him, he was a pillar in
An organization for the suppression of sin. . . .
Not that he'd changed his tastes, nor yet his habits,
(Such changes don't occur in men, or rabbits).
Not that he was a saint, nor was top-loftical
In spiritual aspirations, but he found it profitable,
For as Ben Franklin said, with such urbanity:
'Nothing will pay thee, friend, like Christianity.'
And in our day thus saith the Evangelist:
'Tent preachin' is the kind that pays the best.'

'Twas as a business asset pure an’ simple
That Radway joined the Baptist Broadway Temple.

I find no moral for a peroration,
He is the prototype of half the nation.

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Lenexa Baptist Church Poet Tom Zart, s = BELL RINGERS of THE SOUL!

POETS ARE THE BELL RINGERS of THE HEART & SOUL!


Poets as a rule are high on adventure
Like wondering bards or prophets today.
Embracing hearts and minds with wisdom
Casting through verse their visions at play.

Poets have their dreams and their nightmares
Of love, life, death, faith and war.
They feel the pain and tragedy of others
Even those they’ve never met before.

They fan the flames of human compassion
With their stories of the failings of man.
Professing to follow a higher power
As they recruit whomever they can.

Poets are the bell ringers of the soul
As they depict the past, the present and beyond.
They sound their alarm of what lies ahead
As the missteps of man live on.


POETS AND POEMS


Poetry blossomed long before Shakespeare, Milton or Poe.
It thrived prior to Solomon and the languages of old.
Poetry today offers itself more often in the form of music
Then in sonnets and poems as the legends of life unfold.

Man has his fear of loneliness, death and the hereafter
As authors compose his doom, desperation and glory.
All hear the words of both good and evil
With too many that fall for the wrong story.

The falsehoods of life find it hard to hide
From the word of God’s poets and poems.
Sharing their joy, frustration and sorrow
By voice, Internet, radio, or books, in our homes.

Poets and poems help man become more human
As the storms of life proliferate their toll.
Poets and poems were put here for a reason
To help tame the savage that dwells in our soul.


Tom Zart

GOD’S MOST HUMBLE POET


I’m God’s most humble poet
Whose poems have meter and rhyme.
Stories of love, faith, hate, honor and duty,
Obedience, war, heroes, history and crime.

I’ve performed my gift on T.V. and radio
Before millions I’ve never met.
Preached my praise of God and country
With 410 poems on the net.

Satan’s soldiers, shepherds and bards
Spew forth their foulness and grief.
They attack the joy and goodness of man
Dishonoring life, family, country and belief.

Prospering through work, love and conviction
Enables us to remain whole and how we should be.
Fortifying our soul with fulfillment of faith
Lets our worst tribulations be shouldered by Thee.

Moses, Samson, David, Solomon and Jonah
All failed God in their own human way.
He chose to forgive them and bless their powers
So they might dwell in hearts of man today.

Without God’s grace, wisdom and glorious domain
There’s no doubt all would soon cease to survive.
Through purpose, morals and Christian conviction
We are able to transform and keep hope alive.


EDGAR ALLAN POE


One of America’s most famous writers
Was born in Boston, January of 1809.
Both his parents were failing actors
And his father was drunk most the time.

In 1810 Edgar’s dad disappeared
His mother died soon after.
A childless couple took him in
Raising him with love and laughter.

Edgar had a Negro nurse
Who brought him to her quarters.
There he listened to ghost stories
Far beyond earthly borders.

The strange tales he later wrote
May have come from her inspiration.
The words she used to describe death
Gave Poe his taste for sensation.

The Allans moved to England
Where Poe attended boarding schools.
There’s no doubt his time spent there
Sharpened his skills as tools.

Returning to Richmond and back in school
He began to compose new verse.
Heavy debts forced him to leave college
As his life took a turn for the worse.

Poe caught a ride on a coal barge to Boston
Where he was unable to find employment.
A young printer agreed to publish his poems
Giving him hope and enjoyment.

Penniless, Poe enlisted in the army
And was accepted to West Point in 29.
Poe couldn’t stand not being a writer
Self-imposing his dismissal from The Line.

Afterward he became an editor and critic
And married his cousin who was thirteen.
Six years latter he discovered she was dying
Suffering once more the unforeseen.

He went through periods of insanity
Caused by grieving and functional fall.
He smoked opium and drank too much
Till at his doorstep death would call.

Edgar Allan Poe the master of verse
Still lives in our hearts today
Famous for The Raven and other great works
May his soul rest in peace we pray.


GOD’S POETS


The prize jewels of any nation
Are the philosophers of the heart.
How they think is universal
For it’s God who makes them so smart.

Most poets tell the truth of life
Though they may wrap it in beauty.
It's their passion, not their purpose
To compose is but their duty.

Poets have no reason to lie
When the truth is always so clear.
All that others say and do
Is but food for the poet's ear.

One merit of a poet's work
Which most cannot deny.
They say more and in fewer words
To illuminate you and I.

God sent his poets down to earth
With words of wisdom and of worth.
That they might touch the souls of men
And bring them back to Him again.


A GOOD POEM


A good poem paints a picture
For both your heart and brain.
It doesn't need a second chance
To make its meaning plain.

A good poem is like the flower
The lily or the rose.
God plants it in a poet's brain
And there its beauty grows.

A good poem like a cardinal
Is pregnant with song
You can’t help but hear its message
As it sings what's right or wrong.

A good poem helps us remember
What the joys of life are for
It makes us want to love someone
Till death comes knocking at our door.


POETRY


God has always had his poets
Who He watches with love from space.
But Satan has his poets too
Who try to lead us from our grace.

King Solomon was a poet
Who spoke of love, life, death and war.
That lips were like threads of scarlet
And that breasts were roses and more.

The wild birds sing and flowers bloom
As clouds form figures in the sky.
But only humans will write poems
That shall last long after they die.

The eldest sister of all arts
Which some have called the devils wine.
Poetry is but pure passion
To stimulate the heart and mind.


POET'S WIFE


My reciting seemed to delight her
Though for me it was love at first sight.
When she found out I was a poet
She asked, what kind do you write?

Love poems, mostly, I told her
While we walked alone in the park
Love's fever became even warmer
As two shadows embraced in the dark

I'll always remember when first we met
I whispered a poem in her ear.
Ever since then how happy I've been
And other women I've no need to be near.

They say that poets are divine
Though my wife would argue, that’s not true!
For, whenever I lose my direction
It’s she who tells me what to do.

Where the city ends and the suburbs begin
We've built our home beneath the sky.
We’ll raise our babies with truth and love
Till one or both of us die.

A verse a day, I always say
Helps keep lawyers from my door
For when I'm paid for what I write
My wife loves me a little more.


ALL POETS SERVE A MASTER


Most poets have a bit of Solomon
Shakespeare and Poe within.
Constantly eager to share their visions
Of love, life, joy and sin.

Some guzzle whiskey
Some sip wine
Some prefer cola
And feel just fine.

Some smoke pot
Or suck cigarettes
Some abuse drugs
With lifetime regrets.

Some attend church
And sing of God
While others make fun
And call them odd.

All have a purpose
Which drives them to compose.
All serve a master
Who by free will, they chose.


DIVINE INTERVENTION


I never write a poem
That doesn’t write itself.
I catch a buzz and come alive
Like a puppet off it’s shelf.

Hearing many voices
Whose words are never mine.
My pen becomes a painter’s brush
Forming visions on a line.

I seem to be a better person
When it’s time to sit down and write.
A higher power guides my hand
Sharing wisdom by day and night.

People born to create
Have no choice but to perform.
It’s the rush of sharing their gift
That elevates them from the norm.

What would our world become
Without intervention from above?
Angry beings in a revolving cage
With no sense of passion or love.


THE POWER of POETRY


Poetry is the lighthouse of life
Guiding the lost from a stormy sea.
Without it’s presence darkness prevails
Keeping us from all we can be.

Poems are used to convey passion
By poets of both good and evil mood.
Some are hateful others loving
Sharing thoughts to be consumed as food.

Verse can lead us to glory or doom
As we partake with others within.
Depicting our past, present and future
With words of man’s grace or sin.

People write poetry because they have no choice
Answering to the call of their gift.
Where some tend to pull their readers down
Others compose to give them a lift.

Always remember the power of poetry
Is used by both heaven and hell.
It’s up to us to choose our pleasure
As poetry remains alive and well.


WHISPERS


Poetry consumed is where wisdom begins
As we heed to the whispers of the heart.
It’s easy to blame others for our dismay
When from ignorance we refuse to part.

Verse is a beacon of hope in the darkness
To help us navigate the pitfalls of life.
Far more tend to write it, than read it
That’s why there’s endless conflict and strife.

I write poems to help fuel the light
By sharing what God has given me.
With stories of love, life, war and more
Where heroes pray on bended knee.


MASTERS of VERSE


Poetry is one of man’s oldest arts
Practiced long before words of print.
Every race had its masters of verse
In caves, huts, cabins or tent.

Stories in verse were handed down
From one generation to another.
The first told of love, war and more
And how to survive each other.

As man became more civilized
He could not help but wonder within.
Verse then took on a deeper meaning
With stories of faith, superstition and sin.

The act of reciting became in demand
As verse began to advance
Every tribe, city, town and village
Had someone who gave words romance.

Today’s poets are on the World Wide Web
Though many seem spiritually ill.
Thank Heaven for all who still have God’s gift
To compose, teach, comfort and fulfill.


MY FAVORITE POET


My favorite poet is “God”
Who gives Earth its rhythm and rhyme.
Not pied pipers of misguided souls
Who promote distrust, hatred and crime.

Poetry is nature serenading in song
The peaceful roar of the oceans waves.
The wind through the trees and over the hills
And the flowers in the fields by the graves.

The sound of rain as it waters the thirsty
The songs of children at play in the park.
The far off rumble of trains or thunder
As they pass through the night in the dark.

The joy of our babies first words and steps
The passion of life with its heroes and clowns.
The on going struggle to survive our sins
As we proliferate in hamlets and towns.

My favorite poet is our Father of above
Who was first to know us before birth.
His poetry prolongs every thing we love
As His deliverance gives life its worth.


THE POWER of WORDS


Words are the most powerful tools used by man
As hearts and souls reach for one another.
Sharing feelings of fear, wisdom and joy
Or our love for a significant other.

Where would we be without words
Which inspire, unite and motivate.
Songs, poems, stories, blogs, books
Wars, religion, love, lust and hate.

Jesus preached words to the multitudes
And nourish their hunger within.
The stories we tell portray our spirit
As examples of weakness, triumph or sin.

When we fail to control the rage of our thoughts
What is easy to say becomes hard to forgive.
Words are visions which portray our intent
The better we communicate, the better we live.


AMERICAN SOLDIER


It’s not a priest that gives us our freedom of religion
And it’s not a reporter that gives us our freedom of voice.
It’s not any judge, lawyer, politician, or teacher
But the blood of a soldier that has sacrificed by choice.

Our soldiers line up to be remembered
As the best of the best at their job.
They wish to be needed and depended on
To save all we love from the mob.

They risk their life and limb for liberty
Standing firm against evil unwilling to break.
To be part of something greater than themselves
They are willing to sacrifice whatever it will take.


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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
Or as those puzzling specimens which, in old histories,
We read of his verses-the Oracles, namely,-
(I wonder the Greeks should have swallowed them tamely,
For one might bet safely whatever he has to risk,
They were laid at his door by some ancient Miss Asterisk,
And so dull that the men who retailed them out-doors
Got the ill name of augurs, because they were bores,-)
First, he mused what the animal substance or herb is
Would induce a mustache, for you know he's _imberbis;_
Then he shuddered to think how his youthful position
Was assailed by the age of his son the physician;
At some poems he glanced, had been sent to him lately,
And the metre and sentiment puzzled him greatly;
'Mehercle! I'd make such proceeding felonious,-
Have they all of them slept in the cave of Trophonius?
Look well to your seat, 'tis like taking an airing
On a corduroy road, and that out of repairing;
It leads one, 'tis true, through the primitive forest,
Grand natural features, but then one has no rest;
You just catch a glimpse of some ravishing distance,
When a jolt puts the whole of it out of existence,-
Why not use their ears, if they happen to have any?'
-Here the laurel leaves murmured the name of poor Daphne.

'Oh, weep with me, Daphne,' he sighed, 'for you know it's
A terrible thing to be pestered with poets!
But, alas, she is dumb, and the proverb holds good,
She never will cry till she's out of the wood!
What wouldn't I give if I never had known of her?
'Twere a kind of relief had I something to groan over:
If I had but some letters of hers, now, to toss over,
I might turn for the nonce a Byronic philosopher,
And bewitch all the flats by bemoaning the loss of her.
One needs something tangible, though, to begin on,-
A loom, as it were, for the fancy to spin on;
What boots all your grist? it can never be ground
Till a breeze makes the arms of the windmill go round;
(Or, if 'tis a water-mill, alter the metaphor,
And say it won't stir, save the wheel be well wet afore,
Or lug in some stuff about water 'so dreamily,'-
It is not a metaphor, though, 'tis a simile):
A lily, perhaps, would set _my_ mill a-going,
For just at this season, I think, they are blowing.
Here, somebody, fetch one; not very far hence
They're in bloom by the score, 'tis but climbing a fence;
There's a poet hard by, who does nothing but fill his
Whole garden, from one end to t'other, with lilies;
A very good plan, were it not for satiety,
One longs for a weed here and there, for variety;
Though a weed is no more than a flower in disguise,
Which is seen through at once, if love give a man eyes.'

Now there happened to be among Phoebus's followers,
A gentleman, one of the omnivorous swallowers,
Who bolt every book that comes out of the press,
Without the least question of larger or less,
Whose stomachs are strong at the expense of their head,-
For reading new books is like eating new bread,
One can bear it at first, but by gradual steps he
Is brought to death's door of a mental dyspepsy.
On a previous stage of existence, our Hero
Had ridden outside, with the glass below zero;
He had been, 'tis a fact you may safely rely on,
Of a very old stock a most eminent scion,-
A stock all fresh quacks their fierce boluses ply on,
Who stretch the new boots Earth's unwilling to try on,
Whom humbugs of all shapes and sorts keep their eye on,
Whose hair's in the mortar of every new Zion,
Who, when whistles are dear, go directly and buy one,
Who think slavery a crime that we must not say fie on,
Who hunt, if they e'er hunt at all, with the lion
(Though they hunt lions also, whenever they spy one),
Who contrive to make every good fortune a wry one,
And at last choose the hard bed of honor to die on,
Whose pedigree, traced to earth's earliest years,
Is longer than anything else but their ears,-
In short, he was sent into life with the wrong key,
He unlocked the door, and stept forth a poor donkey.
Though kicked and abused by his bipedal betters
Yet he filled no mean place in the kingdom of letters;
Far happier than many a literary hack,
He bore only paper-mill rags on his back
(For It makes a vast difference which side the mill
One expends on the paper his labor and skill):
So, when his soul waited a new transmigration,
And Destiny balanced 'twixt this and that station,
Not having much time to expend upon bothers,
Remembering he'd had some connection with authors,
And considering his four legs had grown paralytic,-
She set him on two, and he came forth a critic.

Through his babyhood no kind of pleasure he took
In any amusement but tearing a book;
For him there was no intermediate stage
From babyhood up to straight-laced middle age;
There were years when he didn't wear coat-tails behind,
But a boy he could never be rightly defined;
like the Irish Good Folk, though in length scarce a span,
From the womb he came gravely, a little old man;
While other boys' trousers demanded the toil
Of the motherly fingers on all kinds of soil,
Red, yellow, brown, black, clayey, gravelly, loamy,
He sat in the corner and read Viri Romae.
He never was known to unbend or to revel once
In base, marbles, hockey, or kick up the devil once;
He was just one of those who excite the benevolence
Of your old prigs who sound the soul's depths with a ledger,
And are on the lookout for some young men to 'edger-
cate,' as they call it, who won't be too costly,
And who'll afterward take to the ministry mostly;
Who always wear spectacles, always look bilious,
Always keep on good terms with each _mater-familias_
Throughout the whole parish, and manage to rear
Ten boys like themselves, on four hundred a year:
Who, fulfilling in turn the same fearful conditions,
Either preach through their noses, or go upon missions.

In this way our Hero got safely to college,
Where he bolted alike both his commons and knowledge;
A reading-machine, always wound up and going,
He mastered whatever was not worth the knowing,
Appeared in a gown, with black waistcoat of satin,
To spout such a Gothic oration in Latin
That Tully could never have made out a word in it
(Though himself was the model the author preferred in it),
And grasping the parchment which gave him in fee
All the mystic and-so-forths contained in A.B.,
He was launched (life is always compared to a sea)
With just enough learning, and skill for the using it,
To prove he'd a brain, by forever confusing it.
So worthy St. Benedict, piously burning
With the holiest zeal against secular learning,
_Nesciensque scienter_, as writers express it,
_Indoctusque sapienter a Roma recessit_.

'Twould be endless to tell you the things that he knew,
Each a separate fact, undeniably true,
But with him or each other they'd nothing to do;
No power of combining, arranging, discerning,
Digested the masses he learned into learning;
There was one thing in life he had practical knowledge for
(And this, you will think, he need scarce go to college for),-
Not a deed would he do, nor a word would he utter,
Till he'd weighed its relations to plain bread and butter.
When he left Alma Mater, he practised his wits
In compiling the journals' historical bits,-
Of shops broken open, men falling in fits,
Great fortunes in England bequeathed to poor printers,
And cold spells, the coldest for many past winters,-
Then, rising by industry, knack, and address,
Got notices up for an unbiased press,
With a mind so well poised, it seemed equally made for
Applause or abuse, just which chanced to be paid for:
From this point his progress was rapid and sure,
To the post of a regular heavy reviewer.

And here I must say he wrote excellent articles
On Hebraical points, or the force of Greek particles;
They filled up the space nothing else was prepared for,
And nobody read that which nobody cared for;
If any old book reached a fiftieth edition,
He could fill forty pages with safe erudition:
He could gauge the old books by the old set of rules,
And his very old nothings pleased very old fools;
But give him a new book, fresh out of the heart,
And you put him at sea without compass or chart,-
His blunders aspired to the rank of an art;
For his lore was engraft, something foreign that grew in him,
Exhausting the sap of the native and true in him,
So that when a man came with a soul that was new in him,
Carving new forms of truth out of Nature's old granite,
New and old at their birth, like Le Verrier's planet,
Which, to get a true judgment, themselves must create
In the soul of their critic the measure and weight,
Being rather themselves a fresh standard of grace,
To compute their own judge, and assign him his place,
Our reviewer would crawl all about it and round it,
And, reporting each circumstance just as he found it,
Without the least malice,-his record would be
Profoundly aesthetic as that of a flea,
Which, supping on Wordsworth, should print for our sakes,
Recollections of nights with the Bard of the Lakes,
Or, lodged by an Arab guide, ventured to render a
Comprehensive account of the ruins at Denderah.

As I said, he was never precisely unkind.
The defect in his brain was just absence of mind;
If he boasted, 'twas simply that he was self-made,
A position which I, for one, never gainsaid,
My respect for my Maker supposing a skill
In his works which our Hero would answer but ill;
And I trust that the mould which he used may be cracked, or he,
Made bold by success, may enlarge his phylactery,
And set up a kind of a man-manufactory,-
An event which I shudder to think about, seeing
That Man is a moral, accountable being.

He meant well enough, but was still in the way,
As dunces still are, let them be where they may;
Indeed, they appear to come into existence
To impede other folks with their awkward assistance;
If you set up a dunce on the very North pole
All alone with himself, I believe, on my soul,
He'd manage to get betwixt somebody's shins,
And pitch him down bodily, all in his sins,
To the grave polar bears sitting round on the ice,
All shortening their grace, to be in for a slice;
Or, if he found nobody else there to pother,
Why, one of his legs would just trip up the other,
For there's nothing we read of in torture's inventions,
Like a well-meaning dunce, with the best of intentions.

A terrible fellow to meet in society,
Not the toast that he buttered was ever so dry at tea;
There he'd sit at the table and stir in his sugar,
Crouching close for a spring, all the while, like a cougar;
Be sure of your facts, of your measures and weights,
Of your time,-he's as fond as an Arab of dates;
You'll be telling, perhaps, in your comical way,
Of something you've seen in the course of the day;
And, just as you're tapering out the conclusion,
You venture an ill-fated classic allusion,-
The girls have all got their laughs ready, when, whack!
The cougar comes down on your thunderstruck back!
You had left out a comma,-your Greek's put in joint,
And pointed at cost of your story's whole point.
In the course of the evening, you find chance for certain
Soft speeches to Anne, in the shade of the curtain:
You tell her your heart can be likened to _one_ flower,
'And that, O most charming of women, 's the sunflower,
Which turns'-here a clear nasal voice, to your terror,
From outside the curtain, says, 'That's all an error.'
As for him, he's-no matter, he never grew tender,
Sitting after a ball, with his feet on the fender,
Shaping somebody's sweet features out of cigar smoke
(Though he'd willingly grant you that such doings are smoke):
All women he damns with _mutabile semper_,
And if ever he felt something like love's distemper,
'Twas tow'rds a young lady who spoke ancient Mexican,
And assisted her father in making a lexicon;
Though I recollect hearing him get quite ferocious
About Mary Clausum, the mistress of Grotius,
Or something of that sort,-but, no more to bore ye
With character-painting, I'll turn to my story.

Now, Apollo, who finds it convenient sometimes
To get his court clear of the makers of rhymes,
The _genus_, I think it is called, _irritabile_,
Every one of whom thinks himself treated most shabbily,
And nurses a-what is it?-_immedicabile_,
Which keeps him at boiling-point, hot for a quarrel,
As bitter as wormwood, and sourer than sorrel,
If any poor devil but look at a laurel;-
Apollo, I say, being sick of their rioting
(Though he sometimes acknowledged their verse had a quieting
Effect after dinner, and seemed to suggest a
Retreat to the shrine of a tranquil siesta),
Kept our Hero at hand, who, by means of a bray,
Which he gave to the life, drove the rabble away;
And if that wouldn't do, he was sure to succeed,
If he took his review out and offered to read;
Or, failing in plans of this milder description,
He would ask for their aid to get up a subscription,
Considering that authorship wasn't a rich craft,
To print the 'American drama of Witchcraft.'
'Stay, I'll read you a scene,'-but he hardly began,
Ere Apollo shrieked 'Help!' and the authors all ran:
And once, when these purgatives acted with less spirit,
And the desperate case asked a remedy desperate,
He drew from his pocket a foolscap epistle
As calmly as if 'twere a nine-barrelled pistol,
And threatened them all with the judgment to come,
Of 'A wandering Star's first impressions of Rome.'
'Stop! stop!' with their hands o'er their ears, screamed the Muses,
'He may go off and murder himself, if he chooses,
'Twas a means self-defence only sanctioned his trying,
'Tis mere massacre now that the enemy's flying;
If he's forced to 't again, and we happen to be there,
Give us each a large handkerchief soaked in strong ether.'

I called this a 'Fable for Critics;' you think it's
More like a display of my rhythmical trinkets;
My plot, like an icicle's slender and slippery,
Every moment more slender, and likely to slip awry,
And the reader unwilling _in loco desipere_
Is free to jump over as much of my frippery
As he fancies, and, if he's a provident skipper, he
May have like Odysseus control of the gales,
And get safe to port, ere his patience quite fails;
Moreover, although 'tis a slender return
For your toil and expense, yet my paper will burn,
And, if you have manfully struggled thus far with me,
You may e'en twist me up, and just light your cigar with me:
If too angry for that, you can tear me in pieces,
And my _membra disjecta_ consign to the breezes,
A fate like great Ratzau's, whom one of those bores,
Who beflead with bad verses poor Louis Quatorze,
Describes (the first verse somehow ends with _victoire_),
As _dispersant partout et ses membres et sa gloire;_
Or, if I were over-desirous of earning
A repute among noodles for classical learning,
I could pick you a score of allusions, i-wis,
As new as the jests of _Didaskalos tis;_
Better still, I could make out a good solid list
From authors recondite who do not exist,-
But that would be naughty: at least, I could twist
Something out of Absyrtus, or turn your inquiries
After Milton's prose metaphor, drawn from Osiris;
But, as Cicero says he won't say this or that
(A fetch, I must say, most transparent and flat),
After saying whate'er he could possibly think of,-
I simply will state that I pause on the brink of
A mire, ankle-deep, of deliberate confusion,
Made up of old jumbles of classic allusion:
So, when you were thinking yourselves to be pitied,
Just conceive how much harder your teeth you'd have gritted,
An 'twere not for the dulness I've kindly omitted.

I'd apologize here for my many digressions.
Were it not that I'm certain to trip into fresh ones
('Tis so hard to escape if you get in their mesh once):
Just reflect, if you please, how 'tis said by Horatius,
That Maeonides nods now and then, and, my gracious!
It certainly does look a little bit ominous
When he gets under way with _ton d'apameibomenos_.
(Here a something occurs which I'll just clap a rhyme to,
And say it myself, ere a Zoilus have time to,-
Any author a nap like Van Winkle's may take,
If he only contrive to keep readers awake,
But he'll very soon find himself laid on the shelf,
If _they_ fall a-nodding when he nods himself.)

Once for all, to return, and to stay, will I, nill I-
When Phoebus expressed his desire for a lily,
Our Hero, whose homoeopathic sagacity
With an ocean of zeal mixed his dropp of capacity,
Set off for the garden as fast as the wind
(Or, to take a comparison more to my mind,
As a sound politician leaves conscience behind).
And leaped the low fence, as a party hack jumps
O'er his principles, when something else turns up trumps.

He was gone a long time, and Apollo, meanwhile,
Went over some sonnets of his with a file,
For, of all compositions, he thought that the sonnet
Best repaid all the toil you expended upon it;
It should reach with one impulse the end of its course,
And for one final blow collect all of its force;
Not a verse should be salient, but each one should tend
With a wave-like up-gathering to break at the end;
So, condensing the strength here, there smoothing a wry kink,
He was killing the time, when up walked Mr. D--,
At a few steps behind him, a small man in glasses
Went dodging about, muttering, 'Murderers! asses!'
From out of his pocket a paper he'd take,
With a proud look of martyrdom tied to its stake,
And, reading a squib at himself, he'd say, 'Here I see
'Gainst American letters a bloody conspiracy,
They are all by my personal enemies written;
I must post an anonymous letter to Britain,
And show that this gall is the merest suggestion
Of spite at my zeal on the Copyright question,
For, on this side the water, 'tis prudent to pull
O'er the eyes of the public their national wool,
By accusing of slavish respect to John Bull
All American authors who have more or less
Of that anti-American humbug-success,
While in private we're always embracing the knees
Of some twopenny editor over the seas,
And licking his critical shoes, for you know 'tis
The whole aim of our lives to get one English notice;
My American puffs I would willingly burn all
(They're all from one source, monthly, weekly, diurnal)
To get but a kick from a transmarine journal!'

So, culling the gibes of each critical scorner
As if they were plums, and himself were Jack Horner,
He came cautiously on, peeping round every corner,
And into each hole where a weasel might pass in,
Expecting the knife of some critic assassin,
Who stabs to the heart with a caricature.
Not so bad as those daubs of the Sun, to be sure,
Yet done with a dagger-o'-type, whose vile portraits
Disperse all one's good and condense all one's poor traits.

Apollo looked up, hearing footsteps approaching,
And slipped out of sight the new rhymes he was broaching,-
'Good day, Mr. D--, I'm happy to meet
With a scholar so ripe, and a critic so neat,
Who through Grub Street the soul of a gentleman carries;
What news from that suburb of London and Paris
Which latterly makes such shrill claims to monopolize
The credit of being the New World's metropolis?'

'Why, nothing of consequence, save this attack
On my friend there, behind, by some pitiful hack,
Who thinks every national author a poor one,
That isn't a copy of something that's foreign,
And assaults the American Dick-'

Nay, 'tis clear
That your Damon there's fond of a flea in his ear,
And, if no one else furnished them gratis, on tick
He would buy some himself, just to hear the old click;
Why, I honestly think, if some fool in Japan
Should turn up his nose at the 'Poems on Man,'
(Which contain many verses as fine, by the bye,
As any that lately came under my eye,)
Your friend there by some inward instinct would know it,
Would get it translated, reprinted, and show it;
As a man might take off a high stock to exhibit
The autograph round his own neck of the gibbet;
Nor would let it rest so, but fire column after column,
Signed Cato, or Brutus, or something as solemn,
By way of displaying his critical crosses,
And tweaking that poor transatlantic proboscis,
His broadsides resulting (this last there's no doubt of)
In successively sinking the craft they're fired out of.
Now nobody knows when an author is hit,
If he have not a public hysterical fit;
Let him only keep close in his snug garret's dim ether,
And nobody'd think of his foes-or of him either;
If an author have any least fibre of worth in him,
Abuse would but tickle the organ of mirth in him;
All the critics on earth cannot crush with their ban
One word that's in tune with the nature of man.'

'Well, perhaps so; meanwhile I have brought you a book,
Into which if you'll just have the goodness to look,
You may feel so delighted (when once you are through it)
As to deem it not unworth your while to review it,
And I think I can promise your thoughts, if you do,
A place in the next Democratic Review.'

'The most thankless of gods you must surely have thought me,
For this is the forty-fourth copy you've brought me;
I have given them away, or at least I have tried,
But I've forty-two left, standing all side by side
(The man who accepted that one copy died),-
From one end of a shelf to the other they reach,
'With the author's respects' neatly written in each.
The publisher, sure, will proclaim a Te Deum,
When he hears of that order the British Museum
Has sent for one set of what books were first printed
In America, little or big,-for 'tis hinted
That this is the first truly tangible hope he
Has ever had raised for the sale of a copy.
I've thought very often 'twould be a good thing
In all public collections of books, if a wing
Were set off by itself, like the seas from the dry lands,
Marked _Literature suited to desolate islands_,
And filled with such books as could never be read
Save by readers of proofs, forced to do it for bread,-
Such books as one's wrecked on in small country taverns,
Such as hermits might mortify over in caverns,
Such as Satan, if printing had then been invented,
As the climax of woe, would to Job have presented.
Such as Crusoe might dip in, although there are few so
Outrageously cornered by fate as poor Crusoe;
And since the philanthropists just now are banging
And gibbeting all who're in favor of hanging
(Though Cheever has proved that the Bible and Altar
Were let down from Heaven at the end of a halter.
And that vital religion would dull and grow callous,
Unrefreshed, now and then, with a sniff of the gallows),-
And folks are beginning to think it looks odd,
To choke a poor scamp for the glory of God;
And that He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing his African children with slavery,-
Since all who take part in a waltz or cotillon
Are mounted for hell on the Devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes,-
That He, I was saying, whose judgments are stored
For such as take steps in despite of his word,
Should look with delight on the agonized prancing
Of a wretch who has not the least ground for his dancing,
While the State, standing by, sings a verse from the Psalter
About offering to God on his favorite halter,
And, when the legs droop from their twitching divergence,
Sells the clothes to a Jew, and the corpse to the surgeons;-
Now, instead of all this, I think I can direct you all
To a criminal code both humane and effectual;-
I propose to shut up every doer of wrong
With these desperate books, for such term, short or long,
As, by statute in such cases made and provided,
Shall be by your wise legislators decided:
Thus: Let murderers be shut, to grow wiser and cooler,
At hard labor for life on the works of Miss--;
Petty thieves, kept from flagranter crimes by their fears,
Shall peruse Yankee Doodle a blank term of years,-
That American Punch, like the English, no doubt,-
Just the sugar and lemons and spirit left out.

'But stay, here comes Tityrus Griswold, and leads on
The flocks whom he first plucks alive, and then feeds on,-
A loud-cackling swarm, in whose leathers warm drest,
He goes for as perfect a-swan as the rest.

'There comes Emerson first, whose rich words, every one,
Are like gold nails in temples to hang trophies on,
Whose prose is grand verse, while his verse, the Lord knows,
Is some of it pr-- No, 'tis not even prose;
I'm speaking of metres; some poems have welled
From those rare depths of soul that have ne'er been excelled;
They're not epics, but that doesn't matter a pin,
In creating, the only hard thing's to begin;
A grass-blade's no easier to make than an oak;
If you've once found the way, you've achieved the grand stroke;
In the worst of his poems are mines of rich matter,
But thrown in a heap with a crash and a clatter;
Now it is not one thing nor another alone
Makes a poem, but rather the general tone,
The something pervading, uniting the whole,
The before unconceived, unconceivable soul,
So that just in removing this trifle or that, you
Take away, as it were, a chief limb of the statue;
Roots, wood, bark, and leaves singly perfect may be,
But, clapt hodge-podge together, they don't make a tree.

'But, to come back to Emerson (whom, by the way,
I believe we left waiting),-his is, we may say,
A Greek head on right Yankee shoulders, whose range
Has Olympus for one pole, for t'other the Exchange;
He seems, to my thinking (although I'm afraid
The comparison must, long ere this, have been made),
A Plotinus-Montaigne, where the Egyptian's gold mist
And the Gascon's shrewd wit cheek-by-jowl coexist;
All admire, and yet scarcely six converts he's got
To I don't (nor they either) exactly know what;
For though he builds glorious temples, 'tis odd
He leaves never a doorway to get in a god.
'Tis refreshing to old-fashioned people like me
To meet such a primitive Pagan as he,
In whose mind all creation is duly respected
As parts of himself-just a little projected;
And who's willing to worship the stars and the sun,
A convert to-nothing but Emerson.
So perfect a balance there is in his head,
That he talks of things sometimes as if they were dead;
Life, nature, love, God, and affairs of that sort,
He looks at as merely ideas; in short,
As if they were fossils stuck round in a cabinet,
Of such vast extent that our earth's a mere dab in it;
Composed just as he is inclined to conjecture her,
Namely, one part pure earth, ninety-nine parts pure lecturer;
You are filled with delight at his clear demonstration,
Each figure, word, gesture, just fits the occasion,
With the quiet precision of science he'll sort 'em,
But you can't help suspecting the whole a _post mortem_.

'There are persons, mole-blind to the soul's make and style,
Who insist on a likeness 'twixt him and Carlyle;
To compare him with Plato would be vastly fairer,
Carlyle's the more burly, but E. is the rarer;
He sees fewer objects, but clearlier, truelier,
If C.'s as original, E.'s more peculiar;
That he's more of a man you might say of the one,
Of the other he's more of an Emerson;
C.'s the Titan, as shaggy of mind as of limb,-
E. the clear-eyed Olympian, rapid and slim;
The one's two thirds Norseman, the other half Greek,
Where the one's most abounding, the other's to seek;
C.'s generals require to be seen in the mass,-
E.'s specialties gain if enlarged by the glass;
C. gives nature and God his own fits of the blues,
And rims common-sense things with mystical hues,-
E. sits in a mystery calm and intense,
And looks coolly around him with sharp common-sense;
C. shows you how every-day matters unite
With the dim transdiurnal recesses of night,-
While E., in a plain, preternatural way,
Makes mysteries matters of mere every day;
C. draws all his characters quite _a la_ Fuseli,-
Not sketching their bundles of muscles and thews illy,
He paints with a brush so untamed and profuse,
They seem nothing but bundles of muscles and thews;
E. is rather like Flaxman, lines strait and severe,
And a colorless outline, but full, round, and clear;-
To the men he thinks worthy he frankly accords
The design of a white marble statue in words.
C. labors to get at the centre, and then
Take a reckoning from there of his actions and men;
E. calmly assumes the said centre as granted,
And, given himself, has whatever is wanted.

'He has imitators in scores, who omit
No part of the man but his wisdom and wit,-
Who go carefully o'er the sky-blue of his brain,
And when he has skimmed it once, skim it again;
If at all they resemble him, you may be sure it is
Because their shoals mirror his mists and obscurities,
As a mud-puddle seems deep as heaven for a minute,
While a cloud that floats o'er is reflected within it.

'There comes--, for instance; to see him's rare sport,
Tread in Emerson's tracks with legs painfully short;
How he jumps, how he strains, and gets red in the face.
To keep step with the mystagogue's natural pace!
He follows as close as a stick to a rocket,
His fingers exploring the prophet's each pocket.
Fie, for shame, brother bard; with good fruit of your own,
Can't you let Neighbor Emerson's orchards alone?
Besides, 'tis no use, you'll not find e'en a core,-
-- has picked up all the windfalls before.
They might strip every tree, and E. never would catch 'em,
His Hesperides have no rude dragon to watch 'em;
When they send him a dishful, and ask him to try 'em,
He never suspects how the sly rogues came by 'em;
He wonders why 'tis there are none such his trees on,
And thinks 'em the best he has tasted this season.

'Yonder, calm as a cloud, Alcott stalks in a dream,
And fancies himself in thy groves, Academe,
With the Parthenon nigh, and the olive-trees o'er him,
And never a fact to perplex him or bore him,
With a snug room at Plato's when night comes, to walk to,
And people from morning till midnight to talk to,
And from midnight till morning, nor snore in their listening;-
So he muses, his face with the joy of it glistening,
For his highest conceit of a happiest state is
Where they'd live upon acorns, and hear him talk gratis;
And indeed, I believe, no man ever talked better,-
Each sentence hangs perfectly poised to a letter;
He seems piling words, but there's royal dust hid
In the heart of each sky-piercing pyramid.
While he talks he is great, but goes out like a taper,
If you shut him up closely with pen, ink, and paper;
Yet his fingers itch for 'em from morning till night,
And he thinks he does wrong if he don't always write;
In this, as in all things, a lamb among men,
He goes to sure death when he goes to his pen.

'Close behind him is Brownson, his mouth very full
With attempting to gulp a Gregorian bull;
Who contrives, spite of that, to pour out as he goes
A stream of transparent and forcible prose;
He shifts quite about, then proceeds to expound
That 'tis merely the earth, not himself, that turns round,
And wishes it clearly impressed on your mind
That the weathercock rules and not follows the wind;
Proving first, then as deftly confuting each side,
With no doctrine pleased that's not somewhere denied,
He lays the denier away on the shelf,
And then-down beside him lies gravely himself.
He's the Salt River boatman, who always stands willing
To convey friend or foe without charging a shilling,
And so fond of the trip that, when leisure's to spare,
He'll row himself up, if he can't get a fare.
The worst of it is, that his logic's so strong,
That of two sides he commonly chooses the wrong;
If there is only one, why, he'll split it in two,
And first pummel this half, then that, black and blue.
That white's white needs no proof, but it takes a deep fellow
To prove it jet-black, and that jet-black is yellow.
He offers the true faith to drink in a sieve,-
When it reaches your lips there's naught left to believe
But a few silly-(syllo-, I mean,)-gisms that squat 'em
Like tadpoles, o'erjoyed with the mud at the bottom.

'There is Willis, all _natty_ and jaunty and gay,
Who says his best things in so foppish a way,
With conceits and pet phrases so thickly o'erlaying 'em,
That one hardly knows whether to thank him for saying 'em;
Over-ornament ruins both poem and prose,
Just conceive of a Muse with a ring in her nose!
His prose had a natural grace of its own,
And enough of it, too, if he'd let it alone;
But he twitches and jerks so, one fairly gets tired,
And is forced to forgive where one might have admired;
Yet whenever it slips away free and unlaced,
It runs like a stream with a musical waste,
And gurgles along with the liquidest sweep;-
'Tis not deep as a river, but who'd have it deep?
In a country where scarcely a village is found
That has not its author sublime and profound,
For some one to be slightly shallow's a duty,
And Willis's shallowness makes half his beauty.
His prose winds along with a blithe, gurgling error,
And reflects all of Heaven it can see in its mirror:
'Tis a narrowish strip, but it is not an artifice;
'Tis the true out-of-doors with its genuine hearty phiz;
It is Nature herself, and there's something in that,
Since most brains reflect but the crown of a hat.
Few volumes I know to read under a tree,
More truly delightful than his A l'Abri,
With the shadows of leaves flowing over your book,
Like ripple-shades netting the bed of a brook;
With June coming softly your shoulder to look over,
Breezes waiting to turn every leaf of your book over,
And Nature to criticise still as you read,-
The page that bears that is a rare one indeed.

'He's so innate a cockney, that had he been born
Where plain bare-skin's the only full-dress that is worn,
He'd have given his own such an air that you'd say
'T had been made by a tailor to lounge in Broadway.
His nature's a glass of champagne with the foam on 't,
As tender as Fletcher, as witty as Beaumont;
So his best things are done in the flush of the moment;
If he wait, all is spoiled; he may stir it and shake it,
But, the fixed air once gone, he can never re-make it.
He might be a marvel of easy delightfulness,
If he would not sometimes leave the _r_ out of sprightfulness;
And he ought to let Scripture alone-'tis self-slaughter,
For nobody likes inspiration-and-water.
He'd have been just the fellow to sup at the Mermaid,
Cracking jokes at rare Ben, with an eye to the barmaid,
His wit running up as Canary ran down,-
The topmost bright bubble on the wave of The Town.

'Here comes Parker, the Orson of parsons, a man
Whom the Church undertook to put under her ban
(The Church of Socinus, I mean),-his opinions
Being So-(ultra)-cinian, they shocked the Socinians:
They believed-faith, I'm puzzled-I think I may call
Their belief a believing in nothing at all,
Or something of that sort; I know they all went
For a general union of total dissent:
He went a step farther; without cough or hem,
He frankly avowed he believed not in them;
And, before he could be jumbled up or prevented,
From their orthodox kind of dissent he dissented.
There was heresy here, you perceive, for the right
Of privately judging means simply that light
Has been granted to _me_, for deciding on _you;_
And in happier times, before Atheism grew,
The deed contained clauses for cooking you too:
Now at Xerxes and Knut we all laugh, yet our foot
With the same wave is wet that mocked Xerxes and Knut,
And we all entertain a secure private notion,
That our _Thus far!_ will have a great weight with the ocean,
'Twas so with our liberal Christians: they bore
With sincerest conviction their chairs to the shore;
They brandished their worn theological birches,
Bade natural progress keep out of the Churches,
And expected the lines they had drawn to prevail
With the fast-rising tide to keep out of their pale;
They had formerly dammed the Pontifical See,
And the same thing, they thought, would do nicely for P.;
But he turned up his nose at their mumming and shamming,
And cared (shall I say?) not a d-- for their damming;
So they first read him out of their church, and next minute
Turned round and declared he had never been in it.
But the ban was too small or the man was too big,
For he recks not their bells, books, and candles a fig
(He scarce looks like a man who would _stay_ treated shabbily,
Sophroniscus' son's head o'er the features of Rabelais):-
He bangs and bethwacks them,-their backs he salutes
With the whole tree of knowledge torn up by the roots;
His sermons with satire are plenteously verjuiced,
And he talks in one breath of Confutzee, Cass, Zerduscht,
Jack Robinson, Peter the Hermit, Strap, Dathan,
Cush, Pitt (not the bottomless, _that_ he's no faith in),
Pan, Pillicock, Shakespeare, Paul, Toots, Monsieur Tonson,
Aldebaran, Alcander, Ben Khorat, Ben Jonson,
Thoth, Richter, Joe Smith, Father Paul, Judah Monis,
Musaeus, Muretus, _hem_,-[Greek: m] Scorpionis,
Maccabee, Maccaboy, Mac-Mac-ah! Machiavelli,
Condorcet, Count d'Orsay, Conder, Say, Ganganelli,
Orion, O'Connell, the Chevalier D'O,
(See the Memoirs of Sully,) [Greek: to pan], the great toe
Of the statue of Jupiter, now made to pass
For that of Jew Peter by good Romish brass,
(You may add for yourselves, for I find it a bore,
All the names you have ever, or not, heard before,
And when you've done that-why, invent a few more).
His hearers can't tell you on Sunday beforehand,
If in that day's discourse they'll be Bibled or Koraned,
For he's seized the idea (by his martyrdom fired)
That all men (not orthodox) _may be_ inspired;
Yet though wisdom profane with his creed he may weave in,
He makes it quite clear what he _doesn't_ believe in,
While some, who decry him, think all Kingdom Come
Is a sort of a, kind of a, species of Hum,
Of which, as it were, so to speak, not a crumb
Would be left, if we didn't keep carefully mum,
And, to make a clean breast, that 'tis perfectly plain
That _all_ kinds of wisdom are somewhat profane;
Now P.'s creed than this may be lighter or darker,
But in one thing, 'tis clear, he has faith, namely-Parker;
And this is what makes him the crowd-drawing preacher,
There's a background of god to each hard-working feature,
Every word that he speaks has been fierily furnaced
In the blast of a life that has struggled in earnest:
There he stands, looking more like a ploughman than priest,
If not dreadfully awkward, not graceful at least,
His gestures all downright and same, if you will,
As of brown-fisted Hobnail in hoeing a drill;
But his periods fall on you, stroke after stroke,
Like the blows of a lumberer felling an oak,
You forget the man wholly, you're thankful to meet
With a preacher who smacks of the field and the street,
And to hear, you're not over-particular whence,
Almost Taylor's profusion, quite Latimer's sense.

'There is Bryant, as quiet, as cool, and as dignified,
As a smooth, silent iceberg, that never is ignified,
Save when by reflection 'tis kindled o' nights
With a semblance of flame by the chill Northern Lights.
He may rank (Griswold says so) first bard of your nation
(There's no doubt that he stands in supreme iceolation),
Your topmost Parnassus he may set his heel on,
But no warm applauses come, peal following peal on,-
He's too smooth and too polished to hang any zeal on:
Unqualified merits, I'll grant, if you choose, he has 'em,
But he lacks the one merit of kindling enthusiasm;
If he stir you at all, it is just, on my soul,
Like being stirred up with the very North Pole.

'He is very nice reading in summer, but _inter
Nos_, we don't want _extra_ freezing in winter;
Take him up in the depth of July, my advice is,
When you feel an Egyptian devotion to ices.
But, deduct all you can, there's enough that's right good in him,
He has a true soul for field, river, and wood in him;
And his heart, in the midst of brick walls, or where'er it is,
Glows, softens, and thrills with the tenderest charities-
To you mortals that delve in this trade-ridden planet?
No, to old Berkshire's hills, with their limestone and granite.
If you're one who _in loco_ (add _foco_ here) _desipis_,
You will get out of his outermost heart (as I guess) a piece;
But you'd get deeper down if you came as a precipice,
And would break the last seal of its inwardest fountain,
If you only could palm yourself off for a mountain.
Mr. Quivis, or somebody quite as discerning,
Some scholar who's hourly expecting his learning,
Calls B. the American Wordsworth; but Wordsworth
May be rated at more than your whole tuneful herd's worth.
No, don't be absurd, he's an excellent Bryant;
But, my friends, you'll endanger the life of your client,
By attempting to stretch him up into a giant;
If you choose to compare him, I think there are two per-
-sons fit for a parallel-Thomson and Cowper;
I don't mean exactly,-there's something of each,
There's T.'s love of nature, C.'s penchant to preach;
Just mix up their minds so that C.'s spice of craziness
Shall balance and neutralize T.'s turn for laziness,
And it gives you a brain cool, quite frictionless, quiet,
Whose internal police nips the buds of all riot,-
A brain like a permanent strait-jacket put on
The heart that strives vainly to burst off a button,-
A brain which, without being slow or mechanic,
Does more than a larger less drilled, more volcanic;
He's a Cowper condensed, with no craziness bitten,
And the advantage that Wordsworth before him had written.

'But, my dear little bardlings, don't prick up your ears
Nor suppose I would rank you and Bryant as peers;
If I call him an iceberg, I don't mean to say
There is nothing in that which is grand in its way;
He is almost the one of your poets that knows
How much grace, strength, and dignity lie in Repose;
If he sometimes fall short, he is too wise to mar
His thought's modest fulness by going too far;
'T would be well if your authors should all make a trial
Of what virtue there is in severe self-denial,
And measure their writings by Hesiod's staff,
Which teaches that all has less value than half.

'There is Whittier, whose swelling and vehement heart
Strains the strait-breasted drab of the Quaker apart,
And reveals the live Man, still supreme and erect,
Underneath the bemummying wrappers of sect;
There was ne'er a man born who had more of the swing
Of the true lyric bard and all that kind of thing;
And his failures arise (though he seem not to know it)
From the very same cause that has made him a poet,-
A fervor of mind which knows no separation
'Twixt simple excitement and pure inspiration,
As my Pythoness erst sometimes erred from not knowing
If 'twere I or mere wind through her tripod was blowing;
Let his mind once get head in its favorite direction
And the torrent of verse bursts the dams of reflection,
While, borne with the rush of the metre along,
The poet may chance to go right or go wrong,
Content with the whirl and delirium of song;
Then his grammar's not always correct, nor his rhymes,
And he's prone to repeat his own lyrics sometimes,
Not his best, though, for those are struck off at white-heats
When the heart in his breast like a trip-hammer beats,
And can ne'er be repeated again any more
Than they could have been carefully plotted before:
Like old what's-his-name there at the battle of Hastings
(Who, however, gave more than mere rhythmical bastings),
Our Quaker leads off metaphorical fights
For reform and whatever they call human rights,
Both singing and striking in front of the war,
And hitting his foes with the mallet of Thor;
_Anne haec_, one exclaims, on beholding his knocks,
_Vestis filii tui_, O leather-clad Fox?
Can that be thy son, in the battle's mid din,
Preaching brotherly love and then driving it in
To the brain of the tough old Goliath of sin,
With the smoothest of pebbles from Castaly's spring
Impressed on his hard moral sense with a sling?

'All honor and praise to the right-hearted bard
Who was true to The Voice when such service was hard,
Who himself was so free he dared sing for the slave
When to look but a protest in silence was brave;
All honor and praise to the women and men
Who spoke out for the dumb and the down-trodden then!
It needs not to name them, already for each
I see History preparing the statue and niche;
They were harsh, but shall _you_ be so shocked at hard words
Who have beaten your pruning-hooks up into swords,
Whose rewards and hurrahs men are surer to gain
By the reaping of men and of women than grain?
Why should _you_ stand aghast at their fierce wordy war, if
You scalp one another for Bank or for Tariff?
Your calling them cut-throats and knaves all day long
Doesn't prove that the use of hard language is wrong;
While the World's heart beats quicker to think of such men
As signed Tyranny's doom with a bloody steel-pen,
While on Fourth-of-Julys beardless orators fright one
With hints at Harmodius and Aristogeiton,
You need not look shy at your sisters and brothers
Who stab with sharp words for the freedom of others;-
No, a wreath, twine a wreath for the loyal and true
Who, for sake of the many, dared stand with the few,
Not of blood-spattered laurel for enemies braved,
But of broad, peaceful oak-leaves for citizens saved!

'Here comes Dana, abstractedly loitering along,
Involved in a paulo-post-future of song,
Who'll be going to write what'll never be written
Till the Muse, ere he think of it, gives him the mitten,-
Who is so well aware of how things should be done,
That his own works displease him before they're begun,-
Who so well all that makes up good poetry knows,
That the best of his poems is written in prose;
All saddled and bridled stood Pegasus waiting,
He was booted and spurred, but he loitered debating;
In a very grave question his soul was immersed,-
Which foot in the stirrup he ought to put first:
And, while this point and that he judicially dwelt on,
He, somehow or other, had written Paul Felton,
Whose beauties or faults, whichsoever you see there,
You'll allow only genius could hit upon either.
That he once was the Idle Man none will deplore,
But I fear he will never be anything more;
The ocean of song heaves and glitters before him,
The depth and the vastness and longing sweep o'er him.
He knows every breaker and shoal on the chart,
He has the Coast Pilot and so on by heart,
Yet he spends his whole life, like the man in the fable,
In learning to swim on his library table.

'There swaggers John Neal, who has wasted in Maine
The sinews and cords of his pugilist brain,
Who might have been poet, but that, in its stead, he
Preferred to believe that he was so already;
Too hasty to wait till Art's ripe fruit should drop,
He must pelt down an unripe and colicky crop;
Who took to the law, and had this sterling plea for it,
It required him to quarrel, and paid him a fee for it;
A man who's made less than he might have, because
He always has thought himself more than he was,-
Who, with very good natural gifts as a bard,
Broke the strings of his lyre out by striking too hard,
And cracked half the notes of a truly fine voice,
Because song drew less instant attention than noise.
Ah, men do not know how much strength is in poise,
That he goes the farthest who goes far enough,
And that all beyond that is just bother and stuff.
No vain man matures, he makes too much new wood;
His blooms are too thick for the fruit to be good;
'Tis the modest man ripens, 'tis he that achieves,
Just what's needed of sunshine and shade he receives;
Grapes, to mellow, require the cool dark of their leaves;
Neal wants balance; he throws his mind always too far,
Whisking out flocks of comets, but never a star;
He has so much muscle, and loves so to show it,
That he strips himself naked to prove he's a poet,
And, to show he could leap Art's wide ditch, if he tried,
Jumps clean o'er it, and into the hedge t'other side.
He has strength, but there's nothing about him in keeping;
One gets surelier onward by walking than leaping;
He has used his own sinews himself to distress,
And had done vastly more had he done vastly less;
In letters, too soon is as bad as too late;
Could he only have waited he might have been great;
But he plumped into Helicon up to the waist,
And muddied the stream ere he took his first taste.

'There is Hawthorne, with genius so shrinking and rare
That you hardly at first see the strength that is there;
A frame so robust, with a nature so sweet,
So earnest, so graceful, so lithe and so fleet,
Is worth a descent from Olympus to meet;
'Tis as if a rough oak that for ages had stood,
With his gnarled bony branches like ribs of the wood,
Should bloom, after cycles of struggle and scathe,
With a single anemone trembly and rathe;
His strength is so tender, his wildness so meek,
That a suitable parallel sets one to seek,-
He's a John Bunyan Fouque, a Puritan Tieck;
When Nature was shaping him, clay was not granted
For making so full-sized a man as she wanted,
So, to fill out her model, a little she spared
From some finer-grained stuff for a woman prepared,
And she could not have hit a more excellent plan
For making him fully and perfectly man.
The success of her scheme gave her so much delight,
That she tried it again, shortly after, in Dwight;
Only, while she was kneading and shaping the clay,
She sang to her work in her sweet childish way,
And found, when she'd put the last touch to his soul,
That the music had somehow got mixed with the whole.

'Here's Cooper, who's written six volumes to show
He's as good as a lord: well, let's grant that he's so;
If a person prefer that description of praise,
Why, a coronet's certainly cheaper than bays;
But he need take no pains to convince us he's not
(As his enemies say) the American Scott.
Choose any twelve men, and let C. read aloud
That one of his novels of which he's most proud,
And I'd lay any bet that, without ever quitting
Their box, they'd be all, to a man, for acquitting.
He has drawn you one character, though, that is new,
One wildflower he's plucked that is wet with the dew
Of this fresh Western world, and, the thing not to mince,
He has done naught but copy it ill ever since;
His Indians, with proper respect be it said,
Are just Natty Bumppo, daubed over with red,
And his very Long Toms are the same useful Nat,
Rigged up in duck pants and a sou'wester hat
(Though once in a Coffin, a good chance was found
To have slipped the old fellow away underground).
All his other men-figures are clothes upon sticks,
The _derniere chemise_ of a man in a fix
(As a captain besieged, when his garrison's small,
Sets up caps upon poles to be seen o'er the wall):
And the women he draws from one model don't vary.
All sappy as maples and flat as a prairie.
When a character's wanted, he goes to the task
As a cooper would do in composing a cask;
He picks out the staves, of their qualities heedful,
Just hoops them together as tight as is needful,
And, if the best fortune should crown the attempt, he
Has made at the most something wooden and empty.

'Don't suppose I would underrate Cooper's abilities;
If I thought you'd do that, I should feel very ill at ease;
The men who have given to _one_ character life
And objective existence are not very rife;
You may number them all, both prose-writers and singers,
Without overrunning the bounds of your fingers,
And Natty won't go to oblivion quicker
Than Adams the parson or Primrose the vicar.

'There is one thing in Cooper I like, too, and that is
That on manners he lectures his countrymen gratis;
Not precisely so either, because, for a rarity,
He is paid for his tickets in unpopularity.
Now he may overcharge his American pictures,
But you'll grant there's a good deal of truth in his strictures;
And I honor the man who is willing to sink
Half his present repute for the freedom to think,
And, when he has thought, be his cause strong or weak,
Will risk t'other half for the freedom to speak,
Caring naught for what vengeance the mob has in store,
Let that mob be the upper ten thousand or lower.

'There are truths you Americans need to be told,
And it never'll refute them to swagger and scold;
John Bull, looking o'er the Atlantic, in choler
At your aptness for trade, says you worship the dollar;
But to scorn such eye-dollar-try's what very few do,
And John goes to that church as often as you do,
No matter what John says, don't try to outcrow him,
'Tis enough to go quietly on and outgrow him;
Like most fathers, Bull hates to see Number One
Displacing himself in the mind of his son,
And detests the same faults in himself he'd neglected
When he sees them again in his child's glass reflected;
To love one another you're too like by half;
If he is a bull, you're a pretty stout calf,
And tear your own pasture for naught but to show
What a nice pair of horns you're beginning to grow.

'There are one or two things I should just like to hint,
For you don't often get the truth told you in print;
The most of you (this is what strikes all beholders)
Have a mental and physical stoop in the shoulders;
Though you ought to be free as the winds and the waves,
You've the gait and the manners of runaway slaves;
Though you brag of your New World, you don't half believe in it;
And as much of the Old as is possible weave in it;
Your goddess of freedom, a tight, buxom girl,
With lips like a cherry and teeth like a pearl,
With eyes bold as Here's, and hair floating free,
And full of the sun as the spray of the sea,
Who can sing at a husking or romp at a shearing,
Who can trip through the forests alone without fearing,
Who can drive home the cows with a song through the grass,
Keeps glancing aside into Europe's cracked glass.
Hides her red hands in gloves, pinches up her lithe waist,
And makes herself wretched with transmarine taste;
She loses her fresh country charm when she takes
Any mirror except her own rivers and lakes.

'You steal Englishmen's books and think Englishmen's thought,
With their salt on her tail your wild eagle is caught;
Your literature suits its each whisper and motion
To what will be thought of it over the ocean;
The cast clothes of Europe your statesmanship tries
And mumbles again the old blarneys and lies;-
Forget Europe wholly, your veins throb with blood,
To which the dull current in hers is but mud:
Let her sneer, let her say your experiment fails,
In her voice there's a tremble e'en now while she rails,
And your shore will soon be in the nature of things
Covered thick with gilt drift-wood of castaway kings,
Where alone, as it were in a Longfellow's Waif,
Her fugitive pieces will find themselves safe.
O my friends, thank your god, if you have one, that he
'Twixt the Old World and you set the gulf of a sea;
Be strong-backed, brown-handed, upright as your pines,
By the scale of a hemisphere shape your designs,
Be true to yourselves and this new nineteenth age,
As a statue by Powers, or a picture by Page,
Plough, sail, forge, build, carve, paint, make all over new,
To your own New-World instincts contrive to be true,
Keep your ears open wide to the Future's first call,
Be whatever you will, but yourselves first of all,
Stand fronting the dawn on Toil's heaven-scaling peaks,
And become my new race of more practical Greeks.-
Hem! your likeness at present, I shudder to tell o't,
Is that you have your slaves, and the Greek had his helot.'

Here a gentleman present, who had in his attic
More pepper than brains, shrieked, 'The man's a fanatic,
I'm a capital tailor with warm tar and feathers,
And will make him a suit that'll serve in all weathers;
But we'll argue the point first, I'm willing to reason 't,
Palaver before condemnation's but decent:
So, through my humble person, Humanity begs
Of the friends of true freedom a loan of bad eggs.'
But Apollo let one such a look of his show forth
As when [Greek: aeie nukti eoikios], and so forth,
And the gentleman somehow slunk out of the way,
But, as he was going, gained courage to say,-
'At slavery in the abstract my whole soul rebels,
I am as strongly opposed to 't as any one else.'
'Ay, no doubt, but whenever I've happened to meet
With a wrong or a crime, it is always concrete,'
Answered Phoebus severely; then turning to us,
'The mistake of such fellows as just made the fuss
Is only in taking a great busy nation
For a part of their pitiful cotton-plantation.-
But there comes Miranda, Zeus! where shall I flee to?
She has such a penchant for bothering me too!
She always keeps asking if I don't observe a
Particular likeness 'twixt her and Minerva;
She tells me my efforts in verse are quite clever;-
She's been travelling now, and will be worse than ever;
One would think, though, a sharp-sighted noter she'd be
Of all that's worth mentioning over the sea,
For a woman must surely see well, if she try,
The whole of whose

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Interest does not tie nations together; it sometimes separates them. But sympathy and understanding does unite them.

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Let men starve

Having seen a woman in blouse,
I find it more exciting
To see her in sleeveless.
Still more when I see her
In low blouse baring cleavage.
Still more, with navel showing.
The process is on and on
To tempt men and make them starve.
01.01.2011

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Women’s attitude towards men

Women do talk as much about men as
Men do about them and as much in
description as men do, though much is
satire, unlike that of men.
Women value men as much, for their
Sincerity, as men value women for their honesty.
Women are drawn to men as much
For cleanliness as women to men for confidence.
Women want men to revolve around them
More than men want, and desire to be
Seen by men as womanly rather than motherly.
Thus a survey indicates for men to take some clues from.
19.10.2004

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Paul Eluard

As Far As My Eye Can See In My Body’s Senses

All the trees all their branches all of their leaves
The grass at the foot of the rocks and the houses en masse
Far off the sea that your eye bathes
These images of day after day
The vices the virtues so imperfect
The transparency of men passing among them by chance
And passing women breathed by your elegant obstinacies
Your obsessions in a heart of lead on virgin lips
The vices the virtues so imperfect
The likeness of looks of permission with eyes you conquer
The confusion of bodies wearinesses ardours
The imitation of words attitudes ideas
The vices the virtues so imperfect


Love is man incomplete

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Sonnet: God Protects All Righteous Men

No force on earth however big can harm
An upright man if God vouchsafes for him;
The seeds he sows grow well in his small farm;
No evil man can turn his life too grim.

The eyes of God are fixed upon good men;
He watches them with care ev’n before birth;
No lions can attack them in their den;
He longs to give them everlasting mirth.

And yet, the world thinks it can play the fool,
And have vengeance on righteous man on earth;
Their every woe, God watches albeit cool;
No one can put the flame off in their hearth.

When God’s for Truth, Truth only will triumph;
There is no camel without any hump!

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The Rent Is Always Due

Youre still the child
Suspended in space
Crying out to you
Beckons you to yet another fine place
Where the trials of life are few
Who says you are coming on
Dont think youre living long
They wont remember you
The rent is always due.
The cloudy men
Who take their place
And stand in line
They do
Know not of
The satin face
That separates them from you
Just put your blue jeans on
Grab your guitar and write a song
Dont think Im kidding you
The rent is always due.
She rides a broom
With gold-plated straw
And flutters around
And dies
The brylcream fools
Just standing on
Digesting all their lives
But then you walk along
And she starts coming on
Beneath her melting broom
The rent is always due.

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Women Men

When the ship runs out of ocean
And the vessel runs aground
Lands where we know the boat is found
Now theres nothing unexpected
About the water giving out
Lands not a word we have to shout.
But theres something beside the shoreline
Moving across the beachhead
Coming up from the shipwreck
Making as if to say:
Women & men
Women & men
Women & men
Women & men
(women & men) bringing with them messages of love
And every where they go love will grow (love will grow)
(women & men) when you see the faces of the women
And the men, you too will know (you will know)
Women & men have crossed the ocean
They now begin to pour
Out from the boat and up the shore
Two by two they enter the jungle
And soon they number more
Three by three as well as four by four
Soon the stream of people gets wider
Then it becomes a river
River becomes an ocean
Carrying ships that bear
Women & men
Women & men
Women & men
Women & men

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Women & Men

When the ship runs out of ocean
And the vessel runs aground
Land's where we know the boat is found
Now there's nothing unexpected
About the water giving out
"land's" not a word we have to shout.
But there's something beside the shoreline
Moving across the beachhead
Coming up from the shipwreck
Making as if to say:
Women & men
Women & men
Women & men
Women & men
(women & men) bringing with them messages of love
And every where they go love will grow (love will grow)
(women & men) when you see the faces of the women
And the men, you too will know (you will know)
Women & men have crossed the ocean
They now begin to pour
Out from the boat and up the shore
Two by two they enter the jungle
And soon they number more
Three by three as well as four by four
Soon the stream of people gets wider
Then it becomes a river
River becomes an ocean
Carrying ships that bear
Women & men
Women & men
Women & men
Women & men

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A Toast to the Men

Here's to the men! Since Adam's time
They've always been the same;
Whenever anything goes wrong,
The woman is to blame.
From early morn to late at night,
The men fault-finders are;
They blame us if they oversleep,
Or if they miss a car.
They blame us if, beneath the bed,
Their collar buttons roll;
They blame us if the fire is out
Or if there is no coal.
They blame us if they cut themselves
While shaving, and they swear
That we're to blame if they decide
To go upon a tear.

Here's to the men, the perfect men!
Who never are at fault;
They blame us if they chance to get
The pepper for the salt.
They blame us if their business fails,
Or back a losing horse;
And when it rains on holidays
The fault is ours, of course.
They blame us when they fall in love,
And when they married get;
Likewise they blame us when they're sick,
And when they fall in debt.
For everything that crisscross goes
They say we are to blame;
But, after all, here's to the men,
We love them just the same!

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God's Most Publisghed Poet & A Good Poem

GOD'S MOST PUBLISGHED POET

I'm God's most published poet
Whose poems have meter and rhyme.
Stories of love, faith, hate, honor and duty,
Obedience, war, heroes, history and crime.

I've performed my gift on T.V. and radio
Before millions I've never met.
Preached my praise of God and country
With 462 poems on the net.

Satan's soldiers, shepherds and bards
Spew forth their foulness and grief.
They attack the joy and goodness of man
Dishonoring life, family, country and belief.

Prospering through work, love and conviction
Enables us to remain whole and how we should be.
Fortifying our soul with fulfillment of faith
Lets our worst tribulations be shouldered by Thee.

Moses, Samson, David, Solomon and Jonah
All failed God in their own human way.
He chose to forgive them and bless their powers
So they might dwell in hearts of man today.

Without God's grace, wisdom and glorious domain
There's no doubt all would soon cease to survive.
Through purpose, morals and Christian conviction
We are able to transform and keep hope alive.

GOD'S POETS

The prize jewels of any nation
Are the philosophers of the heart.
How they think is universal
For it's God who makes them so smart.

Most poets tell the truth of life
Though they may wrap it in beauty.
It's their passion, not their purpose
To compose is but their duty.

Poets have no reason to lie
When the truth is always so clear.
All that others say and do
Is but food for the poet's ear.

One merit of a poet's work
Which most cannot deny.
They say more and in fewer words
To illuminate you and I.

God sent his poets down to earth
With words of wisdom and of worth.
That they might touch the souls of men
And bring them back to Him again.

A GOOD POEM

A good poem paints a picture
For both your heart and brain.
It doesn't need a second chance
To make its meaning plain.

A good poem is like the flower
The lily or the rose.
God plants it in a poet's brain
And there its beauty grows.

A good poem like a cardinal
Is pregnant with song
You can't help but hear its message
As it sings what's right or wrong.

A good poem helps us remember
What the joys of life are for
It makes us want to love someone
Till death comes knocking at our door.

Tom Zart's 462 Poems Are Free To Share To Teach Or Show Support!
By God's Poet
Tom Zart
Most Published Poet On The Web!
Google = Tom Zart's Radio Shows

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Lenexa Poet Most Published On The Web!

LENEXA POET MOST PUBLISHED ON THE WEB!

I’m God’s most humble poet
Whose poems have meter and rhyme.
Stories of love, faith, hate, honor and duty,
Obedience, war, heroes, history and crime.

I’ve performed my gift on T.V. and radio
Before millions I’ve never met.
Preached my praise of God and country
With 450 poems on the net.

Satan’s soldiers, shepherds and bards
Spew forth their foulness and grief.
They attack the joy and goodness of man
Dishonoring life, family, country and belief.

Prospering through work, love and conviction
Enables us to remain whole and how we should be.
Fortifying our soul with fulfillment of faith
Lets our worst tribulations be shouldered by Thee.

Moses, Samson, David, Solomon and Jonah
All failed God in their own human way.
He chose to forgive them and bless their powers
So they might dwell in hearts of man today.

Without God’s grace, wisdom and glorious domain
There’s no doubt all would soon cease to survive.
Through purpose, morals and Christian conviction
We are able to transform and keep hope alive.


GOD’S POETS


The prize jewels of any nation
Are the philosophers of the heart.
How they think is universal
For it’s God who makes them so smart.

Most poets tell the truth of life
Though they may wrap it in beauty.
It's their passion, not their purpose
To compose is but their duty.

Poets have no reason to lie
When the truth is always so clear.
All that others say and do
Is but food for the poet's ear.

One merit of a poet's work
Which most cannot deny.
They say more and in fewer words
To illuminate you and I.

God sent his poets down to earth
With words of wisdom and of worth.
That they might touch the souls of men
And bring them back to Him again.


A GOOD POEM


A good poem paints a picture
For both your heart and brain.
It doesn't need a second chance
To make its meaning plain.

A good poem is like the flower
The lily or the rose.
God plants it in a poet's brain
And there its beauty grows.

A good poem like a cardinal
Is pregnant with song
You can’t help but hear its message
As it sings what's right or wrong.

A good poem helps us remember
What the joys of life are for
It makes us want to love someone
Till death comes knocking at our door.

Tom Zart Poems Are Free To Share To Teach Or Show Love And Support!

By God’s Poet
Tom Zart
Most Published Poet
On The Web!

To Listen To Tom Zart’s Poems Go To =
http: //new.pivtr.com/en/schedule/tom-zart/
www.bill crain.net/musicpage.htm
http: //www.veteranstodayforum.com/viewforum.php? f=38

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TOM ZART'S = GOD'S POETS & POEMS =BY Most Published Poet On The Web!

GOD'S POETS & POEMS


The prize jewels of any nation
Are the philosophers of the heart.
How they think is universal
For it's God who makes them so smart.

Most poets tell the truth of life
Though they may wrap it in beauty.
It's their passion, not their purpose
To compose is but their duty.

Poets have no reason to lie
When the truth is always so clear.
All that others say and do
Is but food for the poet's ear.

One merit of a poet's work
Which most cannot deny.
They say more and in fewer words
To illuminate you and I.

God sent his poets down to earth
With words of wisdom and of worth.
That they might touch the souls of men
And bring them back to Him again.

POETS AND POEMS


Poetry blossomed long before Shakespeare, Milton or Poe.
It thrived prior to Solomon and the languages of old.
Poetry today offers itself more often in the form of music
Then in sonnets and poems as the legends of life unfold.

Man has his fear of loneliness, death and the hereafter
As authors compose his doom, desperation and glory.
All hear the words of both good and evil
With too many that fall for the wrong story.

The falsehoods of life find it hard to hide
From the word of God's poets and poems.
Sharing their joy, frustration and sorrow
By voice, Internet, radio, or books, in our homes.

Poets and poems help man become more human
As the storms of life proliferate their toll.
Poets and poems were put here for a reason
To help tame the savage that dwells in our soul.


GOD'S MOST HUMBLE POET


I'm God's most humble poet
Whose poems have meter and rhyme.
Stories of love, faith, hate, honor and duty,
Obedience, war, heroes, history and crime.

I've performed my gift on T.V. and radio
Before millions I've never met.
Preached my praise of God and country
With 460 poems on the net.

Satan's soldiers, shepherds and bards
Spew forth their foulness and grief.
They attack the joy and goodness of man
Dishonoring life, family, country and belief.

Prospering through work, love and conviction
Enables us to remain whole and how we should be.
Fortifying our soul with fulfillment of faith
Lets our worst tribulations be shouldered by Thee.

Moses, Samson, David, Solomon and Jonah
All failed God in their own human way.
He chose to forgive them and bless their powers
So they might dwell in hearts of man today.

Without God's grace, wisdom and glorious domain
There's no doubt all would soon cease to survive.
Through purpose, morals and Christian conviction
We are able to transform and keep hope alive.

Tom Zart's 460 Poems Are Free To Share To Teach Or Show Love And Support!

By God's Poet
Tom Zart
Most Published Poet
On The Web!

To Listen To Tom Zart's Poems Go To =
http: //new.pivtr.com/en/schedule/tom-zart/
www.bill crain.net/musicpage.htm
http: //www.veteranstodayforum.com/viewforum.php? f=38

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We Are Hungry Men

When I live my dream, Ill take you with me
Riding on a golden horse
Well live within my castle, with people there to serve you
Happy at the sound of your voice
Baby, Ill slay a dragon for you
Or banish wicked giants from the land
But you will find, that nothing in my dream can hurt you
We will only love each other as forever
When I live my dream
When I live my dream, Ill forgive the things youve told me
And the empty man you left behind
Its a broken heart that dreams, its a broken heart you left me
Only love can live in my dream
Ill wish, and the thunder clouds will vanish
Wish, and the storm will fade away
Wish again, and you will stand before me while the sky will paint an overture
And trees will play the rhythm of my dream
When I live my dream, please be there to meet me
Let me be the one to understand
When I live my dream, Ill forget the hurt you gave me
Then we can live in our new land
Till the day my dream cascades around me
Im content to let you pass me by
Till that day, youll run to many other men
But let them know its just for now
Tell them that Ive got a dream
And tell them youre the starring role
Tell them Im a dreaming kind of guyavoice: here is the news
According to the latest world population survey
The figures have reached danger point, my god
London 15 million 75 thousand
New york 80 million
Paris 15 million and 30
China 1000 million
Braidlington-spa lots
My studies included suffragy
I formed my own society
To crush the bear of fecundity
The world will overpopulate
Unless you claim infertility
So who will buy a drink for me, your messiah
We are not your friends
We dont give a damn for what youre saying
Were here to live our lives
I propose to give the pill
Free of charge to those that feel
That they are not infertible
The kroks of you, the cattle gun
Theres only one way to linger on
So who will buy a drink for me, your messiah
We are not your friends
We dont give a damn for what youre saying
Were here to live our lives
Voice:
Achtung, achtung, these are your orders
Anyone found guilty of consuming more than their allotted amount of air
Will be slaughtered and cremated
Only one cubic foot of air is allowed ...
I have prepared a document, legalising mass abortion
We will turn a blind eye to infanticide
We are not your friends
We dont give a damn for what youre saying
Were here to live our lives
You dont seem to hear me clear
Do I talk above your sphere?
Let me explain my project , dear
Show you how Ill save the world
Or let it die within the year
Why do you look that way at me, your messiah
We are not your friends
We dont give a damn for what youre saying
Were here to live our lives
We are hungry men
We dont give a damn for what youre saying
Were here to eat you
And Im going to make my dream
Tell them I will live my dream
Tell them they can laugh at me
But dont forget your date with me
When I live my dream

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Jerusalem Delivered - Book 01 - part 01

THE ARGUMENT.
God sends his angel to Tortosa down,
Godfrey unites the Christian Peers and Knights;
And all the Lords and Princes of renown
Choose him their Duke, to rule the wares and fights.
He mustereth all his host, whose number known,
He sends them to the fort that Sion hights;
The aged tyrant Juda's land that guides,
In fear and trouble, to resist provides.


I
The sacred armies, and the godly knight,
That the great sepulchre of Christ did free,
I sing; much wrought his valor and foresight,
And in that glorious war much suffered he;
In vain 'gainst him did Hell oppose her might,
In vain the Turks and Morians armed be:
His soldiers wild, to brawls and mutinies prest,
Reduced he to peace, so Heaven him blest.

II
O heavenly Muse, that not with fading bays
Deckest thy brow by the Heliconian spring,
But sittest crowned with stars' immortal rays
In Heaven, where legions of bright angels sing;
Inspire life in my wit, my thoughts upraise,
My verse ennoble, and forgive the thing,
If fictions light I mix with truth divine,
And fill these lines with other praise than thine.

III
Thither thou know'st the world is best inclined
Where luring Parnass most his sweet imparts,
And truth conveyed in verse of gentle kind
To read perhaps will move the dullest hearts:
So we, if children young diseased we find,
Anoint with sweets the vessel's foremost parts
To make them taste the potions sharp we give;
They drink deceived, and so deceived, they live.

IV
Ye noble Princes, that protect and save
The Pilgrim Muses, and their ship defend
From rock of Ignorance and Error's wave,
Your gracious eyes upon this labor bend:
To you these tales of love and conquest brave
I dedicate, to you this work I send:
My Muse hereafter shall perhaps unfold
Your fights, your battles, and your combats bold.

V
For if the Christian Princes ever strive
To win fair Greece out of the tyrants' hands,
And those usurping Ismaelites deprive
Of woful Thrace, which now captived stands,
You must from realms and seas the Turks forth drive,
As Godfrey chased them from Juda's lands,
And in this legend, all that glorious deed,
Read, whilst you arm you; arm you, whilst you read.

VI
Six years were run since first in martial guise
The Christian Lords warraid the eastern land;
Nice by assault, and Antioch by surprise,
Both fair, both rich, both won, both conquered stand,
And this defended they in noblest wise
'Gainst Persian knights and many a valiant band;
Tortosa won, lest winter might them shend,
They drew to holds, and coming spring attend.

VII
The sullen season now was come and gone,
That forced them late cease from their noble war,
When God Almighty form his lofty throne,
Set in those parts of Heaven that purest are
(As far above the clear stars every one,
As it is hence up to the highest star),
Looked down, and all at once this world beheld,
Each land, each city, country, town and field.

VIII
All things he viewed, at last in Syria stayed
Upon the Christian Lords his gracious eye,
That wondrous look wherewith he oft surveyed
Men's secret thoughts that most concealed lie
He cast on puissant Godfrey, that assayed
To drive the Turks from Sion's bulwarks high,
And, full of zeal and faith, esteemed light
All worldly honor, empire, treasure, might:

IX
In Baldwin next he spied another thought,
Whom spirits proud to vain ambition move:
Tancred he saw his life's joy set at naught,
So woe-begone was he with pains of love:
Boemond the conquered folk of Antioch brought,
The gentle yoke of Christian rule to prove:
He taught them laws, statutes and customs new,
Arts, crafts, obedience, and religion true;

X
And with such care his busy work he plied,
That to naught else his acting thoughts he bent:
In young Rinaldo fierce desires he spied,
And noble heart of rest impatient;
To wealth or sovereign power he naught applied
His wits, but all to virtue excellent;
Patterns and rules of skill, and courage bold,
He took from Guelpho, and his fathers old.

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Byron

Ode To Napoleon Buonaparte

'Expends Annibalem:--quot libras in duce summo
Invenies?~JUVENAL., Sat. X.

I.
Tis done--but yesterday a King!
And arm'd with Kings to strive--
And now thou art a nameless thing:
So abject--yet alive!
Is this the man of thousand thrones,
Who strew'd our earth with hostile bones,
And can he thus survive?
Since he, miscall'd the Morning Star,
Nor man nor fiend bath fallen so far.

II.
Ill-minded man! why scourge thy kind
Who bow'd so low the knee?
By gazing on thyself grown blind,
Thou taught'st the rest to see.
With might unquestion'd,--power to save,--
Thine only gift hath been the grave
To those that worshipp'd thee;
Nor till thy fall could mortals guess
Ambition's less than littleness!

III.
Thanks for that lesson--It will teach
To after--warriors more
Than high Philosophy can preach,
And vainly preach 'd before.
That spell upon the minds of men
Breaks never to unite again,
That led them to adore
Those Pagod things of sabre sway
With fronts of brass, and feet of clay.

IV.
The triumph and the vanity,
The rapture of the strife--
The earthquake voice of Victory,
To thee the breath of life;
The sword, the sceptre, and that sway
Which man seem'd made but to obey,
Wherewith renown was rife--
All quell'd!--Dark Spirit! what must be
The madness of thy memory!

V.
The Desolator desolate!
The Victor overthrown!
The Arbiter of others' fate
A Suppliant for his own!
Is it some yet imperial hope
That with such change can calmly cope?
Or dread of death alone?
To die a prince--or live a slave--
Thy choice is most ignobly brave!

VI.
He who of old would rend the oak,
Dream'd not of the rebound:
Chain'd by the trunk he vainly broke--
Alone--how look'd he round?
Thou, in the sternness of thy strength,
An equal deed halt done at length,
And darker fate hast found:
He fell, the forest prowlers' prey;
But thou must eat thy heart away!

VII.
The Roman, when his burning heart
Was slaked with blood of Rome,
Threw down the dagger--dared depart,
In savage grandeur, home--
He dared depart in utter scorn
Of men that such a yoke had borne,
Yet left him such a doom!
His only glory was that hour
Of self-upheld abandon'd power.

VIII.
The Spaniard, when the lust of sway
Had lost its quickening spell,
Cast crowns for rosaries away,
An empire for a cell;
A strict accountant of his beads,
A subtle disputant on creeds,
His dotage trifled well:
Yet better had he neither known
A bigot's shrine, nor despot's throne.

IX.
But thou--from thy reluctant hand
The thunderbolt is wrung--
Too late thou leav'st the high command
To which thy weakness clung;
All Evil Spirit as thou art,
It is enough to grieve the heart
To see thine own unstrung;
To think that God's fair world hath been
The footstool of a thing so mean;

X.
And Earth hath spilt her blood for him,
Who thus can hoard his own!
And Monarchs bow'd the trembling limb,
And thank'd him for a throne!
Fair Freedom! we may hold thee dear,
When thus thy mightiest foes their fear
In humblest guise have shown.
Oh! ne'er may tyrant leave behind
A brighter name to lure mankind!

XI.
Thine evil deeds are writ in gore,
Nor written thus in vain--
Thy triumphs tell of fame no more,
Or deepen every stain:
If thou hadst died as honour dies,
Some new Napoleon might arise,
To shame the world again--
But who would soar the solar height,
To set in such a starless night?

XII.
Weigh'd in the balance, hero dust
Is vile as vulgar clay;
Thy scales, Mortality! are just
To all that pass away:
But yet methought the living great
Some higher sparks should animate,
To dazzle and dismay:
Nor deem'd Contempt could thus make mirth
Of these, the Conquerors of the earth.

XIII.
And she, proud Austria's mournful flower,
Thy still imperial bride;
How bears her breast the torturing hour?
Still clings she to thy side?
Must she too bend, must she too share
Thy late repentance, long despair,
Thou throneless Homicide?
If still she loves thee, hoard that gem,--
'Tisworth thy vanish'd diadem!

XIV.
Then haste thee to thy sullen Isle,
And gaze upon the sea;
That element may meet thy smile--
It ne'er was ruled by thee!
Or trace with thine all idle hand
In loitering mood upon the sand
That Earth is now as free!
That Corinth's pedagogue hath now
Transferr'd his by-word to thy brow.

XV.
Thou Timour! in his captive's cage
What thoughts will there be thine,
While brooding in thy prison'd rage?
But one--'The world was mine!'
Unless, like he of Babylon,
All sense is with thy sceptre gone,
Life will not long confine
That spirit pour'd so widely forth-
So long obey'd--so little worth!

XVI.
Or, like the thief of fire from heaven,
Wilt thou withstand the shock?
And share with him the unforgiven,
His vulture and his rock!
Foredoom'd by God--by man accurst,
And that last act, though not thy worst,
The very Fiend's arch mock
He in his fall preserved his pride,
And, if a mortal, had as proudly died!

XVII.
There was a day--there was an hour,
While earth was Gaul's--Gaul thine--
When that immeasurable power
Unsated to resign
Had been an act of purer fame
Than gathers round Marengo's name,
And gilded thy decline,
Through the long twilight of all time,
Despite some passing clouds of crime.

XVIII.
But thou forsooth must be a king,
And don the purple vest,
As !f that foolish robe could wring
Remembrance from thy breast.
Where is that faded garment? where
The gewgaws thou Overt fond to wear,
The star, the string the crest?
Vain froward child of empire! say,
Are all thy playthings snatched away?

XIX.
Where may the wearied eye repose
When gazing on the Great;
Where neither guilty glory glows,
Nor despicable state?
Yes--one--the first--the last--the best--
The Cincinnatus of the West,
Whom envy dared not hate,
Bequeath'd the name of Washington,
To make man blush there was but one!

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Poetry Book - Spider Web

A Choice

Better to lack food
Than to lack truth.
Rather perish in body
Than in soul.
Better to walk naked
Than to walk empty.
Rather be silent
Than to speak falsely.
Better to accomplish nothing
Than to achieve no virtue.


Walk for Shelter

Each of one!
One of each will,
Will walk!
Some up, some down, some inside…
The hill.

Millions of flags will flutter in the wind.
Swinging pieces of cloth on plastic sticks.

And the division of territories,
Will keep each group in a box.
Tiny boxes.
Big boxes.
Tiny boxes next to big boxes.
Some boxes will have no box next to them.
Some boxes will be in the shape of a boot!

The ones who walk down,
Will be the ones swinging their flags!
Each with an individual flag.
Made of cloth and plastic.

The ones who walk up,
Will have a big flag!
Made of silk!
To place on top of the hill.
So the rest,
Each individual flag included,
Will know its place.

And the ones who walk inside,
Will have no flags.
No division.
They will be free!


Houghton Lake

The large body of water
Surrounded by man-inhabited land,
Lays quietly in its depth.
But once a year,
Uninvited guests cover the surface
And quietude sinks into the sand…
Uncontrollable laughter,
From inebriated mouths,
Contaminate the air.
Boats, simply traveling…
…As cars do,
Drip their fuel.
To let the waters know,
Which animal's been there.


Buy Happiness

Oh the ones who care for dress
And read books on happiness
Extend their arms to touch glass
That separates them from the price tag.
Habit of absolute no harm,
They say,
Where the subconscious lies remain.
No harm in buying happiness,
They think but will not say…
Not even common wisdom
Fits in a programmed brain.

The Toombstone

I saw a toombstone
Lockated in a garrden
Behind a white mantion.
And on it,
The letters T R U T H was marrked.
Exactly in that orrder, honestly.
And the toombstone was not nicely kept.
I say this be cause it was coverred…
In dirrt.
Like dusst,
On a book no one everr wants to read.
So I'm shur the people in that mantion,
Don't spend much time out side.
Be cause if they did,
I'm shur they woold clean that toombstone.
I'm shur they woold.


1% Small Souls

Arrogance,
The epitome of ignorance,
Lives in the eyes of those
Who have small souls.
In which a mansion,
Can't compensate for.

Everything that is created
By the small souls,
Is tinted with arrogance.
They don't know how to create.
They can only project division…
Continents, countries, states.

What a sad world for those
With estranged souls.
They don't know any other way to be.

As a baby doesn't know how to speak yet,
A small soul doesn't know how to create beauty yet.


1% Small Souls II

'Invest in the future! '
They advise you.
Invest in your death bed!
They despise you.
They…
The king, the queen.
Their ego splattered on currency.
Their fine cuisine on a silver platter.
Oh, small souls…
We're not angry anymore…
We're beginning to feel sorry…
Because your story ends here.
And our souls will live on…
You are weak, small souls.
'In God We Trust'
I wouldn't be so sure…
God is with the oppressed.
There is no room for God,
In a mind filled with greed.

1% Small Souls III

Understand that
Without possessions,
They will be naked.
And it would force them,
To have a personality.
It would redirect them,
To good.
So do not attempt to do,
What they would.
Physical force,
Separates you from good.
And you no longer would have it
By your side.


Alien Perspective

For humans,
Life is a strange process.

Many of them find excitement,
On certain days marked on their calendar.
First, they divide themselves into groups.
Each celebrating on different dates,
This thing called 'Holidays'…
All according to a single belief system.
Yes, they all believe in the same thing.
The belief system is based on one emotion.
Yes, that…
But they believe it's not enough,
So they divide themselves.
Each group believes in a variation of this single belief.
No, they don't see how it's all the same.
They even kill each other over it.
It's truly an abomination of the mind.
Why do they continue with the absurdity?
Well, the humans who are the worst out of the bunch,
Control the rest.
So they seem to not care about analyzing their own mind.
The larger bunch of humans even came up with a saying…
'One bad apple spoils the bunch.'
The entire race seems to know this,
But they keep trusting the 'bad apples'
To make decisions for them!
It makes absolutely no sense.

Let's go back home…


Alien Perspective II

The mind of humans today?
Oh, yes…
…sometimes I forget they have one.
They have put a stop to evolution…
Yes, I am serious.
It seems that they decided to regress.
The 'bad apples' trick the rest,
Into believing they can't take care of themselves.
So they all keep a very immature mind.
And when a human does reach maturity of mind,
They see him or her as a saint.
Believing they could never achieve this type of mind.
It is sad…I agree.
The little helpers we sent them are thought to be bad.
The fungi that helps their minds evolve…
The 'bad apples' made it a crime to eat them.
I tell you, it's a situation of complete absurdity.


Alien Perspective III

Books…
They have a bunch of those.
They have creative books…
And instruction books.
The instruction books are predominant,
In this big institution called university.
It is not helpful at all to humans,
Because these books guide bodies…
Not minds.
They are under a master mind,
With the wisdom level of a two year old human.
Why do they continue to obey it?
The reality of this immature mind,
Has become the reality of all.
How an immature mind does it all?
It spreads itself through light.
Yes…
Darkness disguised as light…
A plague for the mind.


Alien Perspective IV

Oh yes,
They have computers.
But you see…
They are using it as a mirror.
Correct, a mirror.
Mostly the younger humans…
This place in their web called
Face Book…
I guess the name is appropriate…
This place in their web is like a mirror.
They stare at their own faces projected on the screen.
But they don't realize,
That they could use the computer for their advantage.
Yes, exactly.
But they just use it as a mirror…
Just staring blankly at a mirror…

Consequence

Where are the ones,
Who have woken up?
I feel so lonely…
I feel so lonely…
My mind is relentless,
But my heart feels the absence.
It is lonely…
It is lonely…



Consequence II

In a male dominated society,
Women go hungry.
They look behind buildings,
Inside of buildings,
On top of buildings…
And all they find,
Are humanoids in a suit.
The gardens are empty…
No more men for women.
No more real human men
So labels have fallen…
And women find peace with each other…

Humanoids…
One more plastic creation of the small souls…
It is not enough for them to pollute mother nature,
To take lives,
To speak falsely…
No.
They had to turn men into humanoids.
Leaving us women alone…
Single travelers,
In this illusionary cemented life.


Will

On top of a flower,
I will examine its lines.
On top of a flower,
I will make it yellow and blue…
Coloring under the moon.
My eyes will be…
My body will be…
My mind will be…
Only love will be unchanged…
Love only.

Written in August 2012

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The Australiad - (A poem for children.)

'Twas brave De Quiros bent the knee before the King of Spain,
And “sire,” he said, “I bring thy ships in safety home again
From seas unsailed of mariner in all the days of yore,
Where reefs and islets, insect-built, arise from ocean's floor.
And, sire, the land we sought is found, its coasts lay full in view
When homeward bound, perforce, I sailed, at the bidding of my crew.
Terra Australis1 called I it; and linked therewith the name
Of Him who guideth, as of old, in cloud and starry flame.
And grant me ships again,” he said, “and southward let me go,
A new Peru may wait thee there, another Mexico.”

A threadbare suitor, year by year, “There is a land,” said he;
While King and Court grew weary of this old man of the sea;
For there were heretics to burn, and Holland to subdue,
And England to be humbled, (which this day remains to do,)
O land he named, but never saw, his memory revere!
The gallant disappointed heart, let him be honoured here!

Meanwhile the hardy Dutchmen came, as ancient charts attest,
Hartog, and Nuyts, and Carpenter, and Tasman, and the rest,
But found not forests rich in spice, nor market for their wares,
Nor servile tribes to toil o'ertasked 'mid pestilential airs,
And deemed it scarce worth while to claim so poor a continent,
But with their slumberous tropic isles thenceforward were content.

And then came Dampier, who, erewhile, upon the Spanish Main
For silver-laden galleons lurked, and great was his disdain,
Good ships, beside, from France were sent, good ships and gallant crews,
With Marion and D'Entrecasteaux and the far-famed La Perouse.
And still, of all who sought or saw, the voyages were vain,
Australia ne'er was farm for boers nor mission-field for Spain,
Nor fleur-de-lys nor tricolor was ever planted here,
And Britain's flag to hoist was not for hands of buccaneer.

But to our lovely Eastern coast, led by auspicious stars,
Came Cook, in the Endeavour, with his little band of tars,
Who straight on shores of Botany old England's ensign reared,
With mighty dim of musketry and noise of them that cheered.
And none of all his noble fleets who sixty years was king
A prize so goodly ever brought as that small ship did bring!

And who was he, the FIRST to find Australia passing fair?
One who aforetime well had served his country otherwhere:
Who to the heights of Abraham up the swift St. Lawrence led,
When on the moonless battle-eve the midnight oarsmen sped.
No worthier captain British deck before or since hath trod,
He “never feared the face of man,” but feared alway his God.
His crew he cherished tenderly, and kept his honour bright,
For with the helpless blacks he dealt as if they had been white.

A boy, erewhile, of lowly birth, self-taught, a poor man's son,
But a hero and a gentleman, if ever there was one!
And when at last, by savage hands, on wild Owyhee slain,
He left a deathless memory, a name without a stain!

'Tis but a hundred years ago, as nearly as may be,
Since good King George's vessel first anchored in Botany.
A hundred years! Yet, oh, how many changes there have been!
Unclasp thy volume, History, and say what thou hast seen.

“Old England and her colonies stand face to face as foes,
And now their orators inveigh, and now their armies close.”
In vain, our mother-land, for once thy sword is drawn in vain,
Allies and enemies alike, thy children are the slain.
Though, save as victor, never 'twas thy wont to quit the field,
Relenting filled thy valiant heart and thou wast fain to yield.
Ah, well for loss of those fair States might King and Commons mourn!
There lay, in south, a goodly bough from England's rose-tree torn!
But now how deep its roots have struck, how stately stands the stem,
How lovely on its branches leaf and flower and dewy gem!
New life from that sore severance to our sister-scion came,
God speed thee, young America, we glory in thy fame!

“The storm that shook the Western World now eastward breaks anew,
And, oh, how black the tempest is which blotteth out the blue!
And over thee, ill-fortuned France, what floods resistless roll,
A tidal wave of blood no pitying planet may control!

“Like Samson toiling blind and bound to furnish food for those
Who light withheld and liberty, and mocked at all his woes,
So have thy people held their peace, so laboured, so have borne
The burden serfdom ever bears, the sorrow and the scorn.
But as with groping giant-hands he seized the pillars twain
And made Philistia's land one house of mourning for the slain,
So rise they, frenzied, at the last, by centuries of wrong,
And wreak a vengeance dreadful as their sufferings have been long,
The vile Bastille is overthrown, the Monarchy lies low,
The fetters of the Feudal Age are broken at a blow!

“Of Poland parted for a prey dire Nemesis shall tell
When o'er the dead in Cracow's vault shall ring Oppression's knell!
Now Erin from her Sister-Isle awhile was fain to part,
For Strongbow's arrow rankled long within her wounded heart;
And long by desecrated fane and fireless hearth she wailed,
Where brutal Ireton's Herod-host their murderous pikes had trailed.
Here shine the names she holdeth dear; and prize them well she may,
Past soldiers of a Frankish prince, or peers of Castlereagh;
The gifted ones who pled for her 'gainst bigotry and pride,
The gallant ones who died for her when young Fitzgerald died!”

Enough, enough, forbear to trace the record of the age,
Where elder nations are inscribed, through each distressful page:

But hearken how, for once, at least, without an army's aid,
A people's lines the lines of her who holds the South, were laid!

Five thousand leagues of ocean 'twixt the old home and the new,
And lodging strait and scanty fare the weary voyage through.
And toil and hardship safely past, and crossed the perilous main,
Never to tread on English ground 'mid English friends again!
Yet men were found to dare it all, men, ay, and women too,
(Not only those exiled perforce, who oftimes rose anew,
Out-cast upon new earth, with hope, and heart, and vigour given,
By fresh surroundings, and His grace who bids the lost to Heaven),
The brave, the fair, the gently-born, and Labour's life-long thrall,
Within those circling seas of ours there was a place for all.

For patient hands the woods to fell, the new-formed fields to till,
The huts to build, the scanty flocks and herds to guard from ill.
For bolder spirits, to forsake the sea-board settlement,
And learn the secret of the land where never white man went,
Through mountain-pass, and forest dark, and wide unsheltered plain,
Through fiery heat of summer, and through frost, and flood, and rain,
Unheeding thirst, or hunger, or the shower of savage spears,
What soldiers e'er were braver than Australian pioneers?
What though it was by axe, and plough, and miner's oft-edged tool,
And tending sheep and kine through weary years, of hardship full,
The only victories we boast were by our fathers won?
The men who won them had prevailed where feats of arms were done!
Three generations born of her our Country now can tell,
And son, and sire, and grandsire, all in turn have served her well;
Not only with the sinewy arm, the hardened hand of toil,
That wrest their wealth from rifted rock and forest-cumbered soil,
By love of order and of law; by proferred boon to all
Of learning, in the township school and in the college hall;
By liberal leisure, well-bestowed, for sports of land and wave;
And by the faith preserved to us God to the Elders gave!

And now Britannia's household send her, greetings from beside
The icy streams of Canada, and islands scattered wide
Betwixt the two Americas, from Africa's sea-marge,
And where the race of Aurungzebe held empire rich and large,
And where amid New Zealand fern the English skylarks build,
And rosy children's sun-burnt hands with English flowers are filled,
And from our own Australia too, and all unite to say,
“Bind us to thee with stronger bonds than those we own today,
Give to our sons a place with thine, for each to each is peer,
And let them share thy councils, and the dangers that endear,
And what the Olden Realm has been the Newer Realm shall be,
With a place in every freeman's heart and a port in every sea!”

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