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I've always thought those guys are really funny. And I love Dumb and Dumber, Kingpin and Mary.

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Mary had a Little Vamp and Other Parodies after Sarah Josepha HALE

Mary had a little vamp,
whose teeth glowed white as snow,
each night from sightly vent – no cramp -
the crimson droplets flow.

Some followed her from school one day;
though stalking's 'gainst the rules;
it made goose pimples grow and stay
to see them play at ghouls.

But they were caught, their tale remains
from history well hid,
though we discovered their remains
beneath oak coffin lid.

And so blood flowed from inside out,
none dared to lingered near
when shadows shiver, hang about
until Vamps disappear.

'Why does the Vamp love Mary so? '
the eager children cry;
'Why, Mary loves the Vamp, you know, '
the teacher did reply.

Sleep-overs followed, - little Vamp
A, B, AB, O, drew
by light of Mary’s lurid lamp
new haemoglobulu.

Thus vampire Vlad made Mary glad
hark! men well-read may read,
from kid school lad to college grad, -
mark then welt's red fey bead.

He wore a scarlet cape to match
sweet Mary’s ruddy lips,
attached thereto a cup to catch
the rhesus drips he sips.

No fly-by-night awed Mary’s Vamp,
he could fear blend at need,
though sky high flight soared scary champ -
we here end batty screed.

© Jonathan Robin parody written 3 May 2007 revised 3 September 2008 - for previous version see below


Mary had a little vamp,
whose teeth were white as snow,

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So So Dumb

Uh
Oh yeah
Alright (alright)
Alright alright
Dumb dumb dumb
So so dumb so dumb
Dumb dumb dumb
So so dumb so dumb
Everytime I see ya
Simple bitch pleads
Come here and talk to me
Wanna tell ya (huh)
Tell ya whats been on my mind
The wifes a friend of mine
Why do you need some
Georgia pine in your life
Do you love everything
About the woman you with
Why you tryin to get with t
I thought that you had
Responsibility
See your wife is beautiful (huh)
The kid is two years old (hey)
She folds all your clothes
Whatcha runnin around for
I cant think that youre so
Dumb dumb dumb
She thinks youre so faithful
So so dumb so dumb
And shes such a pretty girl
Dumb dumb dumb
How could you be so damn
So so dumb so dumb
I cant believe
Youre knockin
Youre knockin at my door
I should get my gun
And gun you to the floor
But instead
I think Ill invite you in
Ima call your wife boy
And let her know where youve been
Cuz she thinks that
Youre so faithful
Boy youre so dumb (dumb)
Aint goin down like that no more
Guess whos knockin at the front door
Aint nobody you wanna see come in
You should appreciate your girl
Stop tryin to push it on me

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To Mary in Heaven

I.
I met thee first in May, Mary!
The flower-crowned month of May;
But now thou art away, Mary!
Away from me—away!
Thou wert that all to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

II.
Ah! then thine eyes were mild, Mary!
Thy deep blue eyes were mild;
For thou wert then a child, Mary!
And I another child.
Thou wert that all to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

III.
Thy face was then so meek, Mary!
So saintly mild, so meek,
Thy lily-form seemed weak, Mary!
And mine for thine grew weak
For thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

IV.
You led me through the meads, Mary!
The flower-enameled meads,
By brooks of rustling reeds, Mary!
By brooks of rustling reeds—
Where thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.


V.
Wherever you then went, Mary!
No matter where you went—
I followed with content, Mary!
Because you were content.
For thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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Lies About Tall Guys

Just seems like it’s that way to me

Taller guys seem to get executive jobs
Shorter guys work mostly as clerks
Taller guys never seem to be slobs
Shorter guys always seem to be jerks

Taller guys seem to get all of the action
Shorter guys seem to be quite invisible
Taller guys always seem to deserve satisfaction
Shorter guys are lonely and miserable

Just seems like it’s that way to me

Taller guys just seem born to play sports
Shorter guys kinda seem to like tennis
Taller guys certainly look better in shorts
Shorter guys look like Dennis the Menace


Taller guys are usually at the top of their class
Shorter guys seem to fail quite a lot
Taller guys always seem to kick ass
Shorter guys want to, but simply cannot

sure seems like it’s that way to me

Taller guys get better grades and such
Shorter guys seem to barely scrape by
Taller guys seem to do better, pretty much
Shorter guys always wonder why

Taller guys seem to have eyes like a hawk
Shorter guys seem to wear glasses a lot
Taller guys cover more ground when they walk
Shorter guys, to keep up, have to trot

Sure seems like it’s that way to me

Taller guys and their friends look like N.B.A players
Shorter guys look more like cheerleaders
Taller guys seem to look like dragon slayers
Shorter guys look a lot more like bleeders


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Mary Mary Magdalene

Mary Mary Magdalene,
what do all those stories mean?
Mary, Mary, is it true,
Jesus had a thing for you?

Mary, Mary – He lay with you?
Mary, Mary, tell me true
Mary, Mary, red hair wild,
did He leave you great with child?

Mary, was your love so steady,
that you had had His kids already?
Mary, Mary, at the Cross,
did it feel a gain or loss?

Mary, Mary – on that third day,
what was it like with the stone rolled away?
Mary, Mary, running there with love,
what did you think when He rose above?

Mary, Mary – what was it like, after?
Were there tears or joyful laughter?
Mary, Mary – the kids you had –
did they turn out like their Dad?

Mary, Mary, whore redeemed,
did it work out like you dreamed?
Mary, Mary – your afterlife –
was it mostly love, or mostly strife?

Mary, Mary, were you worshipped or despised
As Mary’s daughter-in-law, Mrs. Christ?
Mary, Mary, did you stay,
or feel you had to take the kids away?

Mary, Mary, with so much love,
did you, too, rise to heaven above?
Mary, Mary, in the sky,
all we ask are the reasons why…

Mary, Mary Magdalene,
What is really true? What does it really mean?

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Lazarus

“No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?
I thought he would be glad—and Lazarus—
To see us all again as he had left us—
All as it was, all as it was before.”

Mary, who felt her sister’s frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again—or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he—
Alone; and somewhere out of Bethany,
The Master—who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey—
For the world’s sake was hidden. “Better the tomb
For Lazarus than life, if this be life,”
She thought; and then to Martha, “No, my dear,”
She said aloud; “not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.

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Synergy of Love

'Were you honed from poetry? '
I asked your saddened smile.
For it seems to tell a longing tale -
One of words in oratory
That speaks in languid metaphors
From lips of mind in deep despair
And solitude from inner wars
That over time has rendered life so frail.

'Were you carved from doleful prose? '
I sought to ask your gaze,
For a pain lies deep within your eyes -
One of barren territory
Where no fair heart could ever drift
And hope to venture back content
With grateful memories in a gift -
A land of your affectional demise.

'Do I hear a mournful hum? '
I wondered of your cry,
For it sings a song of deep lament -
One of quiet soliloquy
Recited on deserted strands
To waves that have no sense of song
And only wish to fight the sands -
A chant that cites emotional descent.

Do you know your face portrays
The colours of your soul?
It tells me at a single glance
Of how you burned your furnace whole
To stay the fire in our romance.

And see the prismic hues they bore!
I cherished all I ever saw:
Mauve of mystic; browns of rustic;
Reddened tones to match your blush;
Marine of passion, spending out your being,
Leaving you for ashen embers, fleeing
The dying light in hush of night.
And how you lay there empty.

So let me help re-grow the flowers
Once erect in fiery showers!
For now I've seen what love can do
When torn asunder - oh my catastrophic blunder!

But we must realise -
Our flaming want is meant to be!
We are the ocean and the sea;

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Forsaking My Love

I hate you
I wish to tear you away from me
This tumor that clings to my chest
The thing that makes me ache
That haunts my dreams
And tears at my desires
You have brought me only pain
My untamed heart
That beast that gnaws at my soul
That pitifully whines
Bringing my mind into unwanted pain
Yet how can I blame you
How can I chastise you when I listen intently to your pleas
Why should I punish you for what my eyes feed upon
How can I blame my eyes for falling upon her
She who brings light to the eternal darkness of my soul
She whose eyes bring me to subjection
Whose smile leaves me in awe
How can I blame you when my ears are met with her laughter
How they submerge into her song
How they quiver at her voice
Why should I punish you for inclining my soul
Tempting it with the one sense that has been forsaken by her
How could I look over the thought of the brushing of lips
The touching of hands
The binding of the soul, mind, and body
O you wretched heart
What am I to do with this constant companion
How could I tear you away
When she is the cause of my agony
Or rather
It is the lack of her which brings me sorrow
It is the need for her that leaves my heart in pain
Yet she is not mine
She was never mine
She will never be mine
O my poor heart
How can I make you see reason
When all you do is show me the truth

love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love

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Ahh, Let's Get Ill

I'm the Ladies Love, legend in leather
Long and lean, and I don't wear pleather
Last of the red hot lovin MC's
Lookin for a little, that's my theory
It goes quick like lightning, too exciting
Lover of ladies, don't allow biting
Level-headed leader, toy boy feeder
Good love life and a rhyme biter beater
Looking, learning, the one you're liking
Listen and you will love what I'm writing
Ladies love, long, hard and lean
And now you know what L.L. means
[ girls ] Aaaahhhhhhhh!
[ guys ] Let's get ill!
Come on now
[ girls ] Aaaahhhhhhhh!
[ guys ] Let's get ill!
Everybody
[ girls ] Aaaahhhhhhhh!
[ guys ] Let's get ill!
Everybody
[ girls ] Aaaahhhhhhhh!
[ guys ] Let's get ill!
Lightning in the sky, L.L. don't lie
I can hold a larger load than those other little guys
My literature is the land's highest law
The man of the brand, one you look out for
I'm loose like the lace in your brand new sneaker
Release the bass in your face like a large Vega speaker
Li-li-lis-listen to my rhyme
Here to satisfy the listeners who stood on line
Bought tickets to see me kick it and wasn't late
The love every little bit of the cuts he creates
First not last, leader of the class, see
From London, Long Beach, and down to Tallahassee
Ladies are pleased, I'm not wearin Lee's
The Kangol is mine, the godfather is E
I bust your lip, my level won't slip
Clockin crazy dollars on the L.L. tip
Come on!
[ girls ] Aaaahhhhhhhh!
[ guys ] Let's get ill!
Come on
[ girls ] Aaaahhhhhhhh!
[ guys ] Let's get ill!
Everybody
[ girls ] Aaaahhhhhhhh!
[ guys ] Let's get ill!
Everybody
[ girls ] Aaaahhhhhhhh!

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Adria, Adria, Adria Why Are You So Funny?

adria moya, hmm you do not like your name to be written in the poem
the problem with me is that
i am hardheaded and i am the kind of boy who does what mother
does not like me to do
i am naughty and so here i am
in all my mischief

adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny?


hahahaha hahahaha hahahaha hahahaha hahahaha hahahaha hahahaha ha

do you see the train of hahahaha
come let us ride on it and forget the sad things of our lives

i will make another one the train of

tralalatralalatralalatralalatralalatralal atralalatralalatralalatralalatralalatralalatralal atralalatralalatralala

it is the train of dance and laughter
come, come, come,

let us be there, what is the use of being what they want you to be?

the place is here and it must be a place of fun and laughter
and something so divine later.

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Mary, Mary

Words and music by michael nesmith
Mary, mary, where you goin to?
Mary, mary, can I go too.
This one thing I will vow ya,
Id rather die than to live without ya.
Mary, mary, where you goin to?
Mary, mary, tell me truly
What did I do to make you leave me.
Whatever it was I didnt mean to,
You know I never would try and hurt ya.
Mary, mary, where you goin to?
What more, mary, can I do
To prove my love is truly yours?
Ive done more now than a clear-thinkin man would do.
Mary, mary, its not over.
Where you go, I will follow.
til I win your love again
And walk beside you,
But until then.
Mary, mary, where you goin to?
Mary, mary, where you goin to?
Mary, where you goin to?
Mary, mary, mary, mary, mary, where you goin to?
[repeat adlib]

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It's Not Funny!

IT'S NOT FUNNY!

Times are changing and the world is flaming,
from disappointment, it's so sad that we can't even see it.
Blinded by the outsiders that bring fear to us, but it
Is we that fear us. It's not funny when you have to sit back and
destroy yourself just to fit into this typical place.
It's not funny when you sit back and let people judge you because
you're not what they expect you to be.
It's not funny when teachers with the same skin as you
break you down like you're a piece of trash that can be thrown away.
It's not funny when we fight our own because we don't rep something that means nothing.
It's not funny when we're facing a war at home that
Has No Point!
It's not funny when you can't tell the difference from what yes
and no feels like.
It's not funny when you look in the mirror and don't notice you.
It's not funny when you don't break the stereotype that marks where your future goes.
It's not funny when you can't be yourself with another race of friends.
It's not funny when the word N***er can't be said by a race that has been driven through hell, but is okay for the next person.
It's not funny that hip- hop is just about sex and not the struggle that is in our neighborhoods.
It's not funny when your community is plagued by death, drugs, and lies.
It's not funny when people fall into the gap that has been left as a trap.
It's not funny when we thrive for money, cars, and clothes.
It's not funny when success isn't success anymore.
It's not funny when we live to die and die to live.
It's not funny when we deal our own cards and then it's not what it's cracked up to be.
It's not funny when females settle for less.
It's not funny when females settle for a job as a video vixen or an exotic dancer.
It's not funny when guys settle for a future at the morgue.
It's not funny when Hollywood is set as paradise and anywhere else is imitation.
It's not funny when you have a future of guns, gangs, and death.
It's not funny when we plan our own funeral.
It's not funny when we change our hair, breast, teeth, butts, and clothes just because it looks better.
It's not funny when we don't look to God anymore for answers.
It's not funny when the world isn't a world anymore it's just a mark of death.
It's just not funny!

(inspiration for this poem is the death of Derrion Albert and all those lost in a battle they weren't meant to fight wrong plagues this earth and we have to realize how to live free and not in fear.)

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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

[...] Read more

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Dead Guy Stickers

In the USA,
They want to put dead guy pictures on cigarette packs.
With that brilliant logic in mind, I say put dead guy stickers on:
car windshields(dead guys in wrecks)
pistol and rifle handles (dead guys shot)
marriage licenses (dead spouses)
hamburger and hot dog wrappers (dead fat guys)
pies, cakes (more dead fat guys)
bathroom doors (thousands of dead guys in bathrooms every year)
bicycles (road kill dead guys)
fire places (burnt dead guys)
swimming pools (drown dead guys)
every electrical outlet (fried dead guys)
air plane tickets (dead passenger guys)
the beach (shark bit dead guys)
cities (shot dead guys)
air (blue dead guys)
fish (poisoned dead guys)
motorcycles (more road kill dead guys)
scarfs (strangled dead guys)
football helmets (brain dead guys)
hot tubs (more drowned dead guys)
and so on.
Just about everything can kill you, such as:
Mothers (dead baby guys plus dead fathers)
Fathers (dead baby guys plus dead mothers)
Police(multiple dead guys and chicks)
Drugs (multiple dead guys and chicks)
and so on.
Once everything has a dead guy sticker on it,
You've been warned and the world will be safer, right?
It shows we care, right?

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Movement Vii - Crises

(mary dee and shantys home)
Mary dee (alone in bedroom)
The world youre coming into,
Is no easy place to enter.
Every day is haunted
By the echoes of the past.
Funny thoughts and wild; wild dreams
Will find their way into your mind.
The clouds that hang above us,
May be full of rain and thunder.
But in time they slide away
To find the sun still there.
Lazy days and wild. wild flowers
Will bring some joy into your heart.
And I will always love you,
Ill welcome you into this world.
Mary dee and boy solo
You-re mine and I will love you.
Shanty
]where-s my dinner?
Ive been working hard all day
And a man can work up quite an appetite that way.
Whats for dinner?
Something nourishing and hot?
I could tackle quite a lot of you know what
And all Ive got to say to you is why no dinner?
Ive got nothing on my plate.
Its expected of a mate.
Whyd ya have to make me wait?
Wheres my...
Mary dee
This is the way we put out the candle.
Farewell to childhood.
Deep in the wild wood a fire goes out,
And what are we left with
Now we are grown up?
Shanty
This is the way we pull up the anchor.
Goodbye to romance.
Out on the ocean a good ship is lost,
And what are we left with
Now we are grown up?
Mary dee
Time to be thinking of real life feelings.
I must get on.
Shanty
Time to be buying those little trinkets
I cant afford.
Lord knows
I want to give her the best.

[...] Read more

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Mary Ambree

When captaines couragious, whom death cold not daunte,
Did march to the siege of the citty of Gaunt,
They mustred their souldiers by two and by three,
And the formost in battle was Mary Ambree.

When [the] brave sergeant-major was slaine in her sight,
Who was her true lover, her joy, and delight,
Because he was slaine most treacherouslie
Then vowd to revenge him Mary Ambree.

She clothed herselfe from the top to the toe
In buffe of the bravest, most seemelye to showe;
A faire shirt of male then slipped on shee:
Was not this a brave bonny lasse, Mary Ambree?

A helmett of proofe shee strait did provide,
A stronge arminge-sword shee girt by her side,
On her hand a goodly faire gauntlett put shee:
Was not this a brave bonny lasse, Mary Ambree?

Then tooke shee her sworde and her targett in hand,
Bidding all such, as wold, [to] bee of her band;
To wayte on her person came thousand and three:
Was not this a brave bonny lasse, Mary Ambree?

'My soldiers,' she saith, 'soe valliant and bold,
Nowe followe your captaine, whom you doe beholde;
Still formost in battell myselfe will I bee:'
Was not this a brave bonny lasse, Mary Ambree?

Then cryed out her souldiers, and loude they did say,
'Soe well thou becomest this gallant array,
Thy harte and thy weapons so well do agree,
No mayden was ever like Mary Ambree.'

She cheared her souldiers, that foughten for life,
With ancyent and standard, with drum and with fife,
With brave clanging trumpetts, that sounded so free;
Was not this a brave bonny lasse, Mary Ambree?

'Before I will see the worst of you all
To come into danger of death or of thrall,
This hand and this life I will venture so free:'
Was not this a brave bonny lasse, Mary Ambree?

Shee ledd upp her souldiers in battaile array,
Gainst three times theyr number by breake of the daye;
Seven howers in skirmish continued shee:
Was not this a brave bonny lasse, Mary Ambree?

[...] Read more

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