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It's not subtle or restrained. It's not any of the things you like to think apply to your acting.

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Alley

Apply, apply
no reply.

I do not know
how to apply
what to apply
I do not know
whether I am
eligible to apply
I do not know
whether there is
age limit to apply
I do not know
what is the
last date to apply.

Apply, apply
no reply.

And you find a fly
in this alley.

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Maybe I'm crazy

I am not Emo
I’m not a Goth
I’m perfectly normal
But I know what it feels to be lost
Stuck in the crowd
Can’t hear a sound
Feels like I’m pushed back in the distance
Can’t come out
Do people see?
Do they believe?
Or am I just crazy from being lonely?


The words burst from my lips as I scream
But the people around me don’t seem to hear a thing
Am I invisible? Am I going crazy?
The world is acting like they don’t know about me
Am I forgotten? Am I just crazy?
Am I just lost? Am I just lonely?
Somebody hear me
Somebody save me

I check my phone, nobody calls
I can’t help, but feeling so forgot
I put on a show, nobody knows
Where did all the people I used to love, go?
I see a face, forgot its name
But they don’t seem to recognize me, anyway
All of my friends are with somebody else
And now I’m sitting here all by myself
(All by myself)

The words burst from my lips as I scream
(From my lips, as I scream)
But the people around me don’t seem to hear a thing
(But the people, don’t hear a thing)
Am I invisible? Am I going crazy?
(Am I invisible? Am I going crazy?)
The world is acting like they don’t know about me
(Acting like, don’t know about me)
Am I forgotten? Am I going crazy?
(Am I forgotten? Am I going crazy?)
Am I just lost? Am I just lonely?
(Am I just lost, maybe I’m lonely)
Somebody hear me
(Somebody near me)
Somebody save me
(Somebody save me)
Or am I just crazy?
Or am I just crazy?

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I Find It Hard To Believe

I find it hard to believe
I find it hard to believe
That Im embarassed at me
For being upset
Over acting so contemptuously (I find it hard to believe)
Acting so contemptuously (I find it hard to believe)
Acting so contemptuously (that Im embarassed at me)
Acting so contemptuously (that Im embarassed at me)
(for being upset over acting so contemptuously)
Acting so contemptuously (acting so contemptuously)
Acting so contemptuously (on me)
I find it hard to believe

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Acting As Your Slave

My hand asleep for hours
Waiting for the needles to begin
I have no control
They proceed to penetrate my skin
Acting as your slave I drink for amber waves
I never have embraced
Acting as your slave I drink an open grave
An epitaph defaced
Killing with compassion
She hasnt heard a word that I have said
Swallowing your passion
I can see a thousand miles ahead
Acting as your slave I drink for barricades
That I have often raised
Acting as your slave I numb my head and rave
Of epitaphs defaced
Acting as your slave I drink while she forgave
With trials left unfaced
Acting as your slave I stumble to her grave
An epitaph defaced

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Superlative Story

Superlative Story


I Syntaxical Sequence

II Strange Stanza Succession Starts

III Scenario Synopsis

IV Sensuality, sense, sensibility,

V Substitute Spousal Suggestions

VI Seesaw Simplicity: Seraglio Simularities Spurned

VII Solution

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I SYNTAXICAL SEQUENCE

Special scansion ‘S’ syllabic
specious solicisms scraps,
solo solving sounds strabismic,
syllogistic systole scraps.
Syllables spring, shuffle, scuttle,
skittle syntax, scintillate
syntonically sans snuffle, shuttle –
synonyms shake sides, spine straight.

Stanza stanza swift succeeding
senses sweeps, song swifter swims,
succulent succession seeding
substitutions, surface skims.
Scrupulous semantics subtle
switchback spiral, summarize,
seek solutions smart, scrolled, supple,
solve set spectrum's smallish size.

Synonymous synchronising
sympathetic symphony
scores - Socratic symbolizing –
swivelling sonority.
Scansion salvo salvo scansion
strong succeeds, succeeding sends
successors streamlined sampling surging –
sanction seems so slight, scourge spends.

Systematic symbol spreading
'sses something sacred, seeks, -

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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

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Oliver Goldsmith

Vida's Game Of Chess

TRANSLATED

ARMIES of box that sportively engage
And mimic real battles in their rage,
Pleased I recount; how, smit with glory's charms,
Two mighty Monarchs met in adverse arms,
Sable and white; assist me to explore,
Ye Serian Nymphs, what ne'er was sung before.
No path appears: yet resolute I stray
Where youth undaunted bids me force my way.
O'er rocks and cliffs while I the task pursue,
Guide me, ye Nymphs, with your unerring clue.
For you the rise of this diversion know,
You first were pleased in Italy to show
This studious sport; from Scacchis was its name,
The pleasing record of your Sister's fame.

When Jove through Ethiopia's parch'd extent
To grace the nuptials of old Ocean went,
Each god was there; and mirth and joy around
To shores remote diffused their happy sound.
Then when their hunger and their thirst no more
Claim'd their attention, and the feast was o'er;
Ocean with pastime to divert the thought,
Commands a painted table to be brought.
Sixty-four spaces fill the chequer'd square;
Eight in each rank eight equal limits share.
Alike their form, but different are their dyes,
They fade alternate, and alternate rise,
White after black; such various stains as those
The shelving backs of tortoises disclose.
Then to the gods that mute and wondering sate,
You see (says he) the field prepared for fate.
Here will the little armies please your sight,
With adverse colours hurrying to the fight:
On which so oft, with silent sweet surprise,
The Nymphs and Nereids used to feast their eyes,
And all the neighbours of the hoary deep,
When calm the sea, and winds were lull'd asleep
But see, the mimic heroes tread the board;
He said, and straightway from an urn he pour'd
The sculptured box, that neatly seem'd to ape
The graceful figure of a human shape:--
Equal the strength and number of each foe,
Sixteen appear'd like jet, sixteen like snow.
As their shape varies various is the name,
Different their posts, nor is their strength the same.
There might you see two Kings with equal pride
Gird on their arms, their Consorts by their side;
Here the Foot-warriors glowing after fame,

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John Milton

Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

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Rhythm Section Want Ad

In a world we call our home theres lots of room to roam
Plenty of time to turn mistakes into rhyme
Theres a place for those who love their poetry
Its just across from the sign that says, pros only
So if you like a band with a chick singer,
Say your cup of tea is a wall of trombones
If you dig menudo, or mdc we salute you the way we know
For every one with dollar signs in his eyes
There must be hundreds who look at you as if youre some kind of
Rhythm section want ad
No others need apply to the rhythm section want ad
Ill tell you why
Hats off to the new age hairstyle made of bones
Hats off to the use of hats as megaphones
Speak softly, drive a sherman tank
Laugh hard, its a long way to the bank
Do you sing like olive oyl on purpose
You guys must be into the eurythmics
For every one with dollar signs in his eyes
There must be hundreds who look at you as if youre some kind of
Rhythm section want ad
No others need apply to the rhythm section want ad
And heres the reason why
Hats off to the new age hairstyle made of bones
Hats off to the use of hats as megaphones
Speak softly, drive a sherman tank
Laugh hard, its a long way to the bank
Do you sing like olive oyl on purpose
You guys must be into the eurythmics
For every one with dollar signs in his eyes
There must be hundreds who look at you as if youre some kind of
Rhythm section want ad
No others need apply to the rhythm section want ad
And heres the reason why
Rhythm section want ad
No others need apply to the rhythm section want ad
And heres the reason why
Why
Why

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A Hill

A hill is in the sky much too high,
Offering us a new scene too beautiful,
But when is the strength to apply?

We must shift and learn and amplify,
Leaving too much time that is abnormal,
A hill is in the sky much too high.

Kill the souls of the fathers that are by,
Watch for the elements of risks considerable,
But when is the strength to apply?

I shun from single mothers who fight and buy
A lesser man who burns the clothes all horrible,
A hill is in the sky much too high.

You must change your job like water, or die,
For to die is greater than to be immortal,
But when is the strength to apply?

Jostle in the sand for a gun or a plan to dissatisfy,
Finding one job is too plain and immoral,
But when is the strength to apply?
A hill is in the sky much too high.

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Nevada Mental Institute

Is this really a mental hospital?
It didn't look that way to me
a man in his wheel chair
kept saying this to himself
'O I wish I was never born!
O I wish I was never born! '
Some gaunt apparitions
here and there
minding their own businesses
howling at me
'Stay away! '
Seeing the blood stains
on the carpet floor
I shivered with fear and fright
that they might
devour me and my body
drinking my blood
dripping on the floor
which caused me to refuse
to take any medications
Was nice they didn't impose them on me
simply a shot or two
once in a while
Gosh!
Let me get some sleep
can you stop these women
screaming at nights
in room where I was assigned
to stay and sleep?
Madness drove me to all the way
to that place
though I tried to escape
the hands who put me there
after a long ride to San Francisco
to see the one I wanted to see
but failed to find the person's number
on phone book
for his wife's name was
on the registered
Couldn't keep these followers
from my back
in fear of being murdered
I decided to kill myself
but not with enough money to buy
the twenty-five dolor silver knife
from the shop I visited
during the break of the bus stop
I ran for help
to the law enforcement man
who took me to the hospital

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Life a school, learning the living

Life, a school
With no class rooms
With no black boards
With no one standing before you and teaching
With no tests
With no exams
With no marks, ranks and promotions
With no books
Life, a school
And you are in the same standard or class life through

Who is teaching, but
Everyone you come across and
Everything nearby
From just born to the one waiting to depart
The leaf dancing to the tunes of the wind
The car that is speeding by your side
The plane flying up in the sky
The water flowing gently in the stream
The stars twinkling in the dark sky
The colourful horizon at the other end
The mist, cloud, smoke and emission
The small ant busy carrying a much-bigger-to-its-size dry leaf
The butterfly jumping from flower to flower
All have potentials to teach,
If you have the desire to learn

What do they teach
To remain happy ever
To help others improve their status of happiness
To keep yourself balanced in all situations
To go ahead with your work emotion free
To stay healthy and be kicking
To be special of your own
To be social and sociable
To lead and to be an active part in team
Not to lose time in dreams and wasteful thinking
Not to be lazy and lost
Not to feel unwanted
And quite a number of other things for lively living
And to apply what all you learnt
And just not remeber and pour it out for scoring marks

Who assesses performance?
You and you only
As you only know what was taught
And you only know what was learnt
The more you apply what you learnt
The better is your performance
Know your performace from

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Samuel Butler

Hudibras: Part 1 - Canto III

THE ARGUMENT

The scatter'd rout return and rally,
Surround the place; the Knight does sally,
And is made pris'ner: Then they seize
Th' inchanted fort by storm; release
Crowdero, and put the Squire in's place;
I should have first said Hudibras.

Ah me! what perils do environ
The man that meddles with cold iron!
What plaguy mischiefs and mishaps
Do dog him still with after-claps!
For though dame Fortune seem to smile
And leer upon him for a while,
She'll after shew him, in the nick
Of all his glories, a dog-trick.
This any man may sing or say,
I' th' ditty call'd, What if a Day?
For HUDIBRAS, who thought h' had won
The field, as certain as a gun;
And having routed the whole troop,
With victory was cock a-hoop;
Thinking h' had done enough to purchase
Thanksgiving-day among the Churches,
Wherein his mettle, and brave worth,
Might be explain'd by Holder-forth,
And register'd, by fame eternal,
In deathless pages of diurnal;
Found in few minutes, to his cost,
He did but count without his host;
And that a turn-stile is more certain
Than, in events of war, dame Fortune.

For now the late faint-hearted rout,
O'erthrown, and scatter'd round about,
Chas'd by the horror of their fear
From bloody fray of Knight and Bear,
(All but the dogs, who, in pursuit
Of the Knight's victory, stood to't,
And most ignobly fought to get
The honour of his blood and sweat,)
Seeing the coast was free and clear
O' th' conquer'd and the conqueror,
Took heart again, and fac'd about,
As if they meant to stand it out:
For by this time the routed Bear,
Attack'd by th' enemy i' th' rear,
Finding their number grew too great
For him to make a safe retreat,

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Whats In It For Me

(billy burnette, bekka bramlett, annie roboff)
Thought we had a good thing baby
You pulled the wool over my eyes
Shouldve seen it coming baby
Now all I see is a cool love dying
Honey I dont want to hold you down
Why you gotta own the lock and the key
Oh tell me baby
Good things just dont come around
And you cant have them for free
No not me
Youve been a river of give
And an ocean of take
Darlin for heavens sake
Youve got me up and down and in between
Acting nice then being real mean
Hey
Well you hold me tight then you turn your back
Who could deal with that
You say you want to work it out, boy
Tell me whats in it for me
Youre living in your own world
You act like Im just passing through
Oh yeah
Dont you want to be happy
Dont you know how good I could be
Seems everybodys telling you something
That they know you just want to hear
Oh but you aint gonna hear it from me
Youve been a valley of love
And a mountain of need
Baby, its time you see
Youve got me up and down and in between
Acting nice then being real mean
Hey
Well you hold me tight then you turn your back
Who could deal with that
You say you want to work it out, boy
Tell me whats in it for me
Up and down and in between
Acting nice then being real mean
Well you hold me tight then you turn your back
Who could deal with that
You say you want to work it out boy
Tell me whats in it for me
Youve been a river of give and a mountain of take
Darlin for heavens sake
Youve got me up and down and in between
Acting nice then being real mean
Hey

[...] Read more

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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Peace in Glow

Think of birds with flying colors-
find and feel its immense pleasure,
flying not for any earthly bargain
sky pastures peace, hardly any pain.

Eyes catching up thy show,
peace found in subtle glow!

Sun pops out with silent splash,
spilling red of rinsing paintbrush.
The dawn and dusk palette same hue-
peace newborn pays the end its due.

Minds catching up thy show
peace found in subtle glow!

Buds’ hinting promise of colours
blooming into splendorous flowers
call us all to the peace divine
just to be attuned and be aligned.

Hearts catching up thy show
peace found in subtle glow!

Visions of innocent beauties -
non ephemeral joys in plenty,
cognizance has to be treasured –
precious gifts beyond any measure.

Souls catching up thy show
peace found in subtle glow!

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Timely Rubaiyat

If outside in is spelled E.M.I.T.
and inside out spells T.I.M.E. fit
unto the day the evil thereof see
fit to a T however played one's wit.

But what to Time is 'inside' or is 'out'?
for Time's dimension both can do without,
vain signpost vane may spin now east now west,
crow heeds no fixed road stop sign roundabout.

Thus pride precedes greed's fall, Fate far and wide
Indicts Man's might, plight sets gleams' dreams aside.
Most confidence masks weakness, sorry schemes
Ensue, Time tables turns, spurns deals inside.

Vainglorious is immaturity,
gifts mirage mirror of futility
reflecting on societal concern
defining off and on in sanity.

Some comfort find vouchsafing certainty
though blind most minds before dark door they flee,
for insecurities behind bluff masks
still smack of shameless insincerity.

What hides behind Time's trap, no map may see,
few counter fate, discover guilt edged key
of "me and thee" when once behind its veil,
what will prevail, beneath what scrutiny?

Birth - berth, worth - earth, that sweet felicity
which flashed upon the page of Destiny
one little lifetime soon is swallowed up,
archive deleted from man's memory?

Time helter-skelter headlong spins, all's rush,
"I will survive! " slays others in the crush,
Merge, surge then splurge, urge on, and then strike-out,
Ephemeral applause drowned out by hush.

From alpha unto omega Time's hum
reels strange range wheels recycling all that come
first cry, last cry, lies die, then die's recast
as harmony seeks equilibrium.

Thrust's force attraction contradictions seeks
to overcome, Time's great equation's speaks
to recreate and recombine, stem cells
flux mustered, mastered, peaks, weak wanes, then reeks.

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John Milton

Paradise Lost: Book 08

The Angel ended, and in Adam's ear
So charming left his voice, that he a while
Thought him still speaking, still stood fixed to hear;
Then, as new waked, thus gratefully replied.
What thanks sufficient, or what recompence
Equal, have I to render thee, divine
Historian, who thus largely hast allayed
The thirst I had of knowledge, and vouchsafed
This friendly condescension to relate
Things, else by me unsearchable; now heard
With wonder, but delight, and, as is due,
With glory attributed to the high
Creator! Something yet of doubt remains,
Which only thy solution can resolve.
When I behold this goodly frame, this world,
Of Heaven and Earth consisting; and compute
Their magnitudes; this Earth, a spot, a grain,
An atom, with the firmament compared
And all her numbered stars, that seem to roll
Spaces incomprehensible, (for such
Their distance argues, and their swift return
Diurnal,) merely to officiate light
Round this opacous Earth, this punctual spot,
One day and night; in all her vast survey
Useless besides; reasoning I oft admire,
How Nature wise and frugal could commit
Such disproportions, with superfluous hand
So many nobler bodies to create,
Greater so manifold, to this one use,
For aught appears, and on their orbs impose
Such restless revolution day by day
Repeated; while the sedentary Earth,
That better might with far less compass move,
Served by more noble than herself, attains
Her end without least motion, and receives,
As tribute, such a sumless journey brought
Of incorporeal speed, her warmth and light;
Speed, to describe whose swiftness number fails.
So spake our sire, and by his countenance seemed
Entering on studious thoughts abstruse; which Eve
Perceiving, where she sat retired in sight,
With lowliness majestick from her seat,
And grace that won who saw to wish her stay,
Rose, and went forth among her fruits and flowers,
To visit how they prospered, bud and bloom,
Her nursery; they at her coming sprung,
And, touched by her fair tendance, gladlier grew.
Yet went she not, as not with such discourse
Delighted, or not capable her ear
Of what was high: such pleasure she reserved,

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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