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So as a prelude whites must be made to realise that they are only human, not superior. Same with Blacks. They must be made to realise that they are also human, not inferior.

quote by Steven Biko
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

[...] Read more

poem by Gert Strydom
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Prejudiced? Who? Me? ? .....[Personal; Human Nature; Racial Prejudice]

I'm a white guy, aged 64, raised in a small town way up north.
Do some thoughts I have about blacks signal prejudice coming forth?
First I'd say NO, but then again I'd say YES.
But such thoughts, by both whites and blacks, are normal I would guess.

What thoughts am I now referring to you will probably ask.
To answer that sensible question will put my mind to task.
My interactions with blacks, I think, no prejudice does reveal.
And the rare times I have 'prejudice' thoughts, I think they're no big deal.

Do you wish to know of what my 'pre-judged' thoughts consist?
I'd almost rather not tell you. But, if you insist.
I sometimes think 'nigger'; when and where I grew up that was a 'bad' name.
I also think of them as different though people are the 'same'.

And here is where I say 'I don't like generalization'.
By 'same' I mean neither all blacks nor all whites are 'the same' in this nation.
So whites and blacks can both be smart or stupid, mean or kind;
within each 'race' criminals and 'saints' you'll find.

I wasn't raised to either love or hate blacks. My parents seemed not to judge.
And I've changed my mind again; I'm NOT prejudiced. From that opinion I shall not budge!

Then why you ask do I sometimes think 'nigger' when I think of a black?
I think it's due to both a primeval urge to break society's rules, and to thought-control I lack.
Luckily I don't act out my 'bad' thoughts. I might be in jail now if I had.
When in grade school, a boy said I called him 'nigger'. The accusation made me sad.

poem by Bri Edwards
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Primer For Blacks

Blackness
is a title,
is a preoccupation,
is a commitment Blacks
are to comprehend—
and in which you are
to perceive your Glory.

The conscious shout
of all that is white is
“It’s Great to be white.”
The conscious shout
of the slack in Black is
'It's Great to be white.'
Thus all that is white
has white strength and yours.

The word Black
has geographic power,
pulls everybody in:
Blacks here—
Blacks there—
Blacks wherever they may be.
And remember, you Blacks, what they told you—
remember your Education:
“one Drop—one Drop
maketh a brand new Black.”
Oh mighty Drop.
______And because they have given us kindly
so many more of our people

Blackness
stretches over the land.
Blackness—
the Black of it,
the rust-red of it,
the milk and cream of it,
the tan and yellow-tan of it,
the deep-brown middle-brown high-brown of it,
the “olive” and ochre of it—
Blackness
marches on.

The huge, the pungent object of our prime out-ride
is to Comprehend,
to salute and to Love the fact that we are Black,
which is our “ultimate Reality,”
which is the lone ground
from which our meaningful metamorphosis,
from which our prosperous staccato,

[...] Read more

poem by Gwendolyn Brooks
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02-04-2012 Brother I give you my answer for Black People African Sahara it mesmerizes the wise largest desert it is asked of we What is Africa is to me 3.3 million miles of grea

Brother I give you my answer
for Black People

African Sahara
it mesmerizes the wise
largest desert
it is asked of we
What is Africa is to me
3.3 million miles
of great desert
once a forest
once a great sea
once an empty hole
in space just waiting
to be that it can
birth the blackness
of who my mothers be
3.3 millions
you can not see it all
Trans Saharan trade
is but a child
weather selling slaves
or selling salt
and always
brought and sold
the black man's art, gold
the paintings
was still for the walls
to surround us
a representation of the thing
that be, the God that
rose Africa from the sea
man got his
walking feet
on Africa's soil
Africa Moors
salt caravans
Africa the salt
of the land
what more did Africa
give to man
gold first mimed
found its glow
in the hands of
a black child
oldest gold jewelry
in Queen Zer's tomb
being as old as this
there is nothing
that we can not do

[...] Read more

poem by David E. Patton
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Prelude To A Kiss

If you hear
A song in blue
Like a flower crying
For the dew
That was my heart serenading you
My prelude to a kiss
If you hear a song that grows
From my tender sentimental woes
That was my heart trying to compose
A prelude to a kiss
Though its just a simple melody
With nothing fancy
Nothing much
You could turn it to a symphony
A shubert tune with a gershwin touch
Oh how my love song gently cries
For the tenderness within your eyes
My love is a prelude that never dies
A prelude to a kiss
(bridge)
Though its just a simple melody
With nothing fancy
Nothing much
You could turn it to a symphony
A shubert tune with a gershwin touch
Oh how my love song so gently cries
For the tenderness within your eyes
My love is a prelude that never dies
A prelude to a kiss

song performed by Ella Fitzgerald
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Across The Lines

Across the lines
Who would dare to go
Under the bridge
Over the tracks
That seperates whites from blacks
Choose sides
Or run for your life
Tonight the riots begin
On the back streets of America
They kill the dream of America

Little black girl gets assaulted
Ain't no reason why
Newspaper prints the story
And racist tempers fly
Next day it starts a riot
Knives and guns are drawn
Two black boys get killed
One white boy goes blind

Across the lines
Who would dare to go
Under the bridge
Over the tracks
That seperates whites from blacks
Choose sides
Or run for your life
Tonight the riots begin
On the back streets of America
They kill the dream of America

Little black girl gets assaulted
Don't no one know her name
Lots of people hurt and angry
She's the one to blame

Across the lines
Who would dare to go
Under the bridge
Over the tracks
That seperates whites from blacks
Choose sides
Or run for your life
Tonight the riots begin
On the back streets of America
They kill the dream of America

song performed by Tracy Chapman from Tracy Chapman
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Unincorporated Insights

What context contributes toward meaning?
What illusive patterns outline our thoughts?
What process prevents mindless careening
Into tangles of intangible knots—
Into the depths of deeply-rooted seeds
Of imponderable definition?
And what flower does theodicy breed
By the threat of holistic omission?
What cryptic mysteries do we express,
Though in traces of vagrant memories—
Perhaps causing us to hide and repress
Them beneath our transient reveries?
What codex—so voiceless—do we create?
What emergent grammar elucidates?

What emergent grammar elucidates
The syntax of our juxtaposition?
Why must we meander and gravitate
Toward the pull of blank exposition?
We speak in indefinite articles,
Communicating as a formality?
Our dreams are overlapping particles,
Transposed over strips of reality.
Our intellects are woven by conflict,
Disproportionate threads that braid our lives.
Ideas coalesce to contradict
Where what we call logic attempts to thrive.
We design ignorance, always preening
The language that has been intervening.

The language that has been intervening
Interrupts the words we would like to say,
Mercilessly and stringently cleaning
Our voice, removing what viewpoints convey.
Therefore, we conjure the chiffon lexis:
A vagary of coded expressions
That dilute our colloquial axis—
Our terminology of discretion.
We relinquish comprehension and
Dilapidate whatever we might learn
In the grip of the Invisible Hand
Which guides us to our tenuous concerns.
All the while, idiocy saturates
With our illocutionary mandates.

With our illocutionary mandates,
Why does anyone make sense anymore?
Verbally, our tongue only translates
All the talk that has been spoken before.
We erase our culture with social platforms.

[...] Read more

poem by Tim Stensloff
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The virtue is supreme

.Elegance is nice,
But inferior to kindness.
Composure is sweet,
But inferior to compassion.
Charity is great,
But inferior to justice.
Honesty is fine,
But inferior to fidelity.
Intelligence is strength
But inferior to wisdom
Every good trait
Is inferior to virtue,
Which must be the axis,
Around which one runs.
18.05.2008

poem by Rm. Shanmugam Chettiar
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The virtue is supreme.

Elegance is nice,
But inferior to kindness.
Composure is sweet,
But inferior to compassion.
Charity is great,
But inferior to justice.
Honesty is fine,
But inferior to fidelity.
Intelligence is strength
But inferior to wisdom
Every good trait
Is inferior to virtue,
Which must be the axis,
Around which one runs.
18.05.2008

poem by Rm. Shanmugam Chettiar
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Vision Of Columbus - Book 8

And now the Angel, from the trembling sight,
Veil'd the wide world–when sudden shades of night
Move o'er the ethereal vault; the starry train
Paint their dim forms beneath the placid main;
While earth and heaven, around the hero's eye,
Seem arch'd immense, like one surrounding sky.
Still, from the Power superior splendors shone,
The height emblazing like a radiant throne;
To converse sweet the soothing shades invite,
And on the guide the hero fix'd his sight.
Kind messenger of Heaven, he thus began,
Why this progressive labouring search of man?
If man by wisdom form'd hath power to reach
These opening truths that following ages teach,
Step after step, thro' devious mazes, wind,
And fill at last the measure of the mind,
Why did not Heaven, with one unclouded ray,
All human arts and reason's powers display?
That mad opinions, sects and party strife
Might find no place t'imbitter human life.
To whom the Angelic Power; to thee 'tis given,
To hold high converse, and enquire of heaven,
To mark uncircled ages and to trace
The unfolding truths that wait thy kindred race.
Know then, the counsels of th'unchanging Mind,
Thro' nature's range, progressive paths design'd,
Unfinish'd works th'harmonious system grace,
Thro' all duration and around all space;
Thus beauty, wisdom, power, their parts unroll,
Till full perfection joins the accordant whole.
So the first week, beheld the progress rise,
Which form'd the earth and arch'd th'incumbant skies.
Dark and imperfect first, the unbeauteous frame,
From vacant night, to crude existence came;
Light starr'd the heavens and suns were taught their bound,
Winds woke their force, and floods their centre found;
Earth's kindred elements, in joyous strife,
Warm'd the glad glebe to vegetable life,
Till sense and power and action claim'd their place,
And godlike reason crown'd the imperial race.
Progressive thus, from that great source above,
Flows the fair fountain of redeeming love.
Dark harbingers of hope, at first bestow'd,
Taught early faith to feel her path to God:
Down the prophetic, brightening train of years,
Consenting voices rose of different seers,
In shadowy types display'd the accomplish'd plan,
When filial Godhead should assume the man,
When the pure Church should stretch her arms abroad,
Fair as a bride and liberal as her God;

[...] Read more

poem by Joel Barlow
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Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

poem by Byron from Don Juan (1824)
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Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

poem by Byron
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Apartheid

once upon a time
there was a bad time
for the people of africa
as there was apartheid
they were treated very badly
as they were inferior to the whites
they were treated as slaves
they were not given money
not even a single penny
not even some food!
but after some years
they felt pity, and had tears!
they realised their mistake
And banned apartheid
from that moment onwards
there was no more apartheid
for the people of africa
and had equal human rights!

Key Word: -
Apartheid- the policy of treating blacks as inferior to the whites in africa (olden days)

poem by sai Susritha
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Soulja'z Story

[Tupac Talking]
They cuttin off welfare
Think they crime is risin' now
You got whites killin blacks
Cops killin blacks
And blacks killin blacks
Shit just gonna get worse
They just gonna become souljas
Straight souljas

Chorus
All you wanted ta be

song performed by Tupac
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Vision of Columbus – Book 2

High o'er the changing scene, as thus he gazed,
The indulgent Power his arm sublimely raised;
When round the realms superior lustre flew,
And call'd new wonders to the hero's view.
He saw, at once, as far as eye could rove,
Like scattering herds, the swarthy people move,
In tribes innumerable; all the waste,
Beneath their steps, a varying shadow cast.
As airy shapes, beneath the moon's pale eye,
When broken clouds sail o'er the curtain'd sky,
Spread thro' the grove and flit along the glade,
And cast their grisly phantoms thro' the shade;
So move the hordes, in thickers half conceal'd,
Or vagrant stalking o'er the open field.
Here ever-restless tribes, despising home,
O'er shadowy streams and trackless deserts roam;
While others there, thro' downs and hamlets stray,
And rising domes a happier state display.
The painted chiefs, in death's grim terrors drest,
Rise fierce to war, and beat the savage breast;
Dark round their steps collecting warriors pour,
And dire revenge begins the hideous roar;
While to the realms around the signal flies,
And tribes on tribes, in dread disorder, rise,
Track the mute foe and scour the distant wood,
Wide as a storm, and dreadful as a flood;
Now deep in groves the silent ambush lay,
Or wing the flight or sweep the prize away,
Unconscious babes and reverend sires devour,
Drink the warm blood and paint their cheeks with gore.
While all their mazy movements fill the view.
Where'er they turn his eager eyes pursue;
He saw the same dire visage thro' the whole,
And mark'd the same fierce savageness of soul:
In doubt he stood, with anxious thoughts oppress'd,
And thus his wavering mind the Power address'd.
Say, from what source, O Voice of wisdom, sprung
The countless tribes of this amazing throng?
Where human frames and brutal souls combine,
No force can tame them and no arts refine.
Can these be fashion'd on the social plan?
Or boast a lineage with the race of man?
In yon fair isle, when first my wandering view
Ranged the glad coast and met the savage crew;
A timorous herd, like harmless roes, they ran,
Hail'd us as Gods from whom their race began,
Supply'd our various wants, relieved our toil,
And oped the unbounded treasures of their isle.
But when, their fears allay'd, in us they trace
The well-known image of a mortal race;

[...] Read more

poem by Joel Barlow
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Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

[...] Read more

poem by William Cowper
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Henry And Emma. A Poem.

Upon the Model of The Nut-Brown Maid. To Cloe.

Thou, to whose eyes I bend, at whose command
(Though low my voice, though artless be my hand.
I take the sprightly reed, and sing and play,
Careless of what the censuring world may say;
Bright Cloe! object of my constant vow,
Wilt thou a while unbend thy serious brow?
Wilt thou with pleasure hear thy lover's strains,
And with one heavenly smile o'erpay his pains?
No longer shall the Nut-brown Maid be old,
Though since her youth three hundred years have roll'd:
At thy desire she shall again be raised,
And her reviving charms in lasting verse be praised.

No longer man of woman shall complain,
That he may love and not be loved again;
That we in vain the fickle sex pursue,
Who change the constant lover for the new.
Whatever has been writ, whatever said
Henceforth shall in my verse refuted stand,
Be said to winds, or writ upon the sand:
And while my notes to future times proclaim
Unconquer'd love and ever-during flame,
O, fairest of the sex, be thou my muse;
Deign on my work thy influence to diffuse:
Let me partake the blessings I rehearse,
And grant me love, the just reward of verse.

As beauty's potent queen with every grace
That once was Emma's has adorn'd thy face,
And as her son has to my bosom dealt
That constant flame which faithful Henry felt,
O let the story with thy life agree,
Let men once more the bright example see;
What Emma was to him be thou to me:
Nor send me by thy frown from her I love,
Distant and sad, a banish'd man to rove:
But, oh! with pity long entreated crown
My pains and hopes: and when thou say'st that one
Of all mankind thou lovest, oh! think on me alone.

Where beauteous Isis and her husband Thame
With mingled waves for ever flow the same,
In times of yore an ancient baron lived,
Great gifts bestowed, and great respect received.

When dreadful Edward, with successful care
Led his free Britons to the Gallic war,

[...] Read more

poem by Matthew Prior
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Conversation with Lord Krishna - VIII (Fiction)

I: Some are engaged in the refurbishing of culture, religion etc., and feel but for them nothing happens and feel they are superior to ordinary folks like me and they many times completely forget You and take credit for all their achievements and also are hijacking Indian culture for selfish purposes. Why are You allowing this and are not ridding them of their illusion and uncultured acts?

Lord Krishna: All actions are inspired by rajo guna. Such persons will have such tendencies. I will enter when they are completely masked by illusion, and I shall do the needful for the society.

I: You said that you know all subjects, skills, fine arts and languages? How is it possible?

Lord Krishna: Know that I am saastra yoni, the womb of all knowledge. Know that I am silence, the essence of all the languages. Languages in the form of meanings, sentences, words and expressions originate and dissolve in silence thus enabling you to know, cognize, perceive, intuit, experience, understand and become knowledgeable, scholars and intellectuals.

I: Numerous sects are available in Hindu religion believing in many Gods and Goddesses. How You reconcile them and maintain harmonious relationship among them? Is there a superior sect in Hinduism?

Lord Krishna: As God it is my duty to keep harmony in society, creation and universe. Not only We, the Gods and Goddesses, manage Hindu sects, but also all religions together.

I: Do You all Gods of all religions meet regularly?

Lord Krishna: Yes We meet and try to reconcile through humane human beings. We will be continuously striving and trying for peaceful coexistence of all human beings of all denominations, nature, other living beings and the whole Universe as a whole.

I: Why You have created caste system? You so clearly claimed about it in Bhagawadgita saying “mayaa srustam..” and took the credit for that.

Lord Krishna: A seer like you put those words in my mouth.

I: Did You not create caste system?

Lord Krishna: When human being is clouded with ego and illusive identity with body and social status, creates and sees these differences; when becomes spiritual, does not see these differences.

I: You again turned vedantic.

Lord Krishna: No, not at all. You have studied and are teaching physics. Can same substance be solid and liquid simultaneously? At a particular time and space it is solid. At the same space or another space at a different time it is liquid. When solid is there liquid ceases to exist and is absent. When liquid is present solid ceases to exist and is absent. Same substance transforms both ways under the influence of energy available and environment. Energy changes and transforms. Delusion as superior or otherwise is influence of maya, the virtual form of mental energy.

Similarly in a particular phase of mind and perception, one is discriminative. The same person in a different phase of mind with insight is above discrimination.

I termed such persons as samadarsinaha in the stanza:

Vidyaa vinaya sampanne
Braahmane gavi hastini
Sunichaiva swapake cha
Panditaaha samadarnihana

Meaning: Learned spiritual people treat great scholars, the realized seers, the cow, the elephant, the dog and the dog eater with same respect.

As long as egos exist so long exist these discriminations.

Even now you are all not treating all human beings equally. White skinned people discriminate against black and brown skinned people. Political parties, regional group leaders and caste champions, all have their own unchallenged reverse discriminations.

Trade union leaders are behaving as caste leaders and created new caste system and are exploiting you.

Even now University teachers, bank employees, daily wage laborers, are all not living equally. And all of them have their own egos and identities. They do not agree all of them are equal. They feel superior or inferior.

And observe nature, you will realize that equality is a myth and nature possesses all kinds of stuff which are not equal but are different and diverse.

Only NGOs and politicians talk about and profess equality even though they breach their own lecturing in action.

[...] Read more

poem by Varanasi Ramabrahmam
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
Added by Poetry Lover
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Prelude To A Kiss

Duke ellington / irving gordon / irving mills
If you hear a song in blue like a flower crying for the dew
That was my heart serenading you
My prelude to a kiss
If you hear a song that grows from my tender sentimental woes
That was my heart trying to compose
A prelude to a kiss
Though its just a simple melody with nothing fancy, nothing much
You could turn it to a simphony a schubert tune with a gershwin touch
Oh! how my love song gently cries for the tenderness within your eyes
My love is a prelude that never dies
A prelude to a kiss.

song performed by Billie Holiday
Added by Lucian Velea
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