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Robert Carlyle

I want to keep audiences off balance, so they don't know who I am or how to take me. If I duck and weave, as Frank Bruno might say, I'll have a longer shelf life.

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Anything You Can Do

ANNIE: Anything you can do I can do better
......I can do anything better than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can be I can be greater
......Sooner or later I'm greater than you
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am, yes I am
FRANK: I can shoot a partridge with a single cartridge
ANNIE: I can get a sparrow with a bow and arrow
FRANK: I can live on bread and cheese
ANNIE: And only on that?
FRANK: Yes
ANNIE: So can a rat
FRANK: Any note you can reach I can go higher
ANNIE: I can sing anything higher than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
ANNIE: Anything you can buy I can buy cheaper
......I can buy anything cheaper than you
FRANK: Fifty cents
ANNIE: Forty cents
FRANK: Thirty cents
ANNIE: Twenty cents
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can say I can say softer
ANNIE: I can say anything softer than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can

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Allegany Camp

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amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

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Bruno Manser

Bruno, Bruno
Where are you?
Are you scaling Batu Lawi?
Are you still up there on Batu Lawi?
Are you still with your
Beloved Borneo tribes?
Where are you Bruno?
Your family are waiting
Your friends are waiting
For you back in Basel
Missing you day and night
Your tribal comrades too
Are longing to see your
Courageous face again
Missing your inspiration
Bruno, Bruno
Are you really on the run?
Away from those
Who are on your heels?
Away from those
Who swear to put
You behind bars?
Away from those
Who wish to send
You back home?
Bruno, Bruno
You are brave
Your are adventurous
You are indomitable
In fighting for your beloved
Borneo brethrens
But Bruno, Bruno
It is a lost cause
Isn't it?
Is there a better
Way to stand up for them?
Is there a better
Way to stand up for them?
Bruno, Bruno
But where are you?
Are you still up there on Batu Lawi?
Are you still up there on Batu Lawi?

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Tamerton Church-Tower, Or, First Love

I.
We left the Church at Tamerton
In gloomy western air;
To greet the day we gallop'd on,
A merry-minded pair.
The hazy East hot noon did bode;
Our horses sniff'd the dawn;
We made ten Cornish miles of road
Before the dew was gone.
We clomb the hill where Lanson's Keep
Fronts Dartmoor's distant ridge;
Thence trotted South; walk'd down the steep
That slants to Gresson Bridge;
And paused awhile, where Tamar waits,
In many a shining coil,
And teeming Devon separates
From Cornwall's sorry soil.


II.
Our English skies contain'd, that Spring,
A Caribbean sun;
The singing birds forgot to sing,
The rivulets to run.
For three noons past, the skies had frown'd,
Obscured with blighting shades
That only mock'd the thirsty ground
And unrejoicing glades.
To-day, before the noon was nigh,
Bright-skirted vapours grew,
And on the sky hung languidly;
The sky was languid too.
Our horses dropp'd their necks, and nosed
The dusty wayside grass,
Whilst we beneath still boughs reposed
And watch'd the water pass.
We spoke of plighted Bertha: Frank
Shot pebbles in the stream;
And I lay by him on the bank,
But dreamt no lover's dream.
She was a blythe and bashful maid,
Much blushing in her glee;
Yet gracing all she did and said
With sweet sufficiency.
‘Is Blanche as fair?’ ask'd I, who yearn'd
To feel my life complete;
To taste unselfish pleasures earn'd
By service strict and sweet.
‘Well, some say fairer: she'll surprise
Your heart with crimson lips;

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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My shoes and my duck

My shoes and I are quite good friends you see
Often they have chats with me
They tell me things doesn’t matter when
Day or night
They ask me please to lace right
Tell me how to wear them right

I have many pair but only one do I love
They are blue and white
Just like the morning and its dove
That flies around with all their might

My shoes fight in my closet in the black of night
Over which one I will ware on my bike

But I can never forget my duck
To which I can always turn to trust
My friend that is always there
Telling me no lies
And awaiting my return home
From my eight hour chore

My duck can’t swim
my duck can’t quake
My duck just sinks
with a rock on his back
My duck can’t cry
my duck can’t sing
my duck just cant do anything
My ducks no duck and I know why
my duck is stuffed
my duck can’t fly...
I love my duck
Can’t you see why

So in the end
I wouldn’t trade my shoes for any red bull
Or my duck for any frog
Even though one might give me wings
Or one might make noise now and again
I love my blue shoes and my stuffed duck

P.S. the Saint helped me write parts of this, so I owe him a thank you, and just so you all know not all mine.

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Balance

What island is this that I'm on?
With no regrets that I'm desolate.
What is it that I gave up and glad is gone?
That left me with headaches from night 'till dawn!

I sought to seek...
And now I keep,
Within me deep...
A,
Balance!
More of it I needed than times before.
It was a...
Balance!
I had to give up the keeping of scores.
My balance!
Whatever it took I knew would challenge,
My wanting to just have balance.

Balance!
More of it I needed than times before.
It was a...
Balance!
I had to give up the keeping of scores.
My balance!
Whatever it took I knew would challenge,
My wanting to just have balance.

What island is this that I'm on?
With no regrets that I'm desolate.
What is it that I gave up and glad is gone?
That left me with headaches from night 'till dawn!

Balance!
More of it I needed than times before.
It was a...
Balance!
I had to give up the keeping of scores.
My balance!
Whatever it took I knew would challenge,
My wanting to just have balance.
And I had to distance from those shores.

Balance!
More of it I needed than times before.
It was a...
Balance!
I had to give up the keeping of scores.
My balance!
And I will keep this with me forevermore.
Balance.

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Walt Whitman

Weave In, Weave In, My Hardy Life

WEAVE in! weave in, my hardy life!
Weave yet a soldier strong and full, for great campaigns to come;
Weave in red blood! weave sinews in, like ropes! the senses, sight
weave in!
Weave lasting sure! weave day and night the weft, the warp, incessant
weave! tire not!
(We know not what the use, O life! nor know the aim, the end--nor
really aught we know;
But know the work, the need goes on, and shall go on--the death-
envelop'd march of peace as well as war goes on;)
For great campaigns of peace the same, the wiry threads to weave;
We know not why or what, yet weave, forever weave.

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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This Is Music

I stand accused just like you
I stand accused just like you
For being born without a silver spoon
For being born without a silver spoon
Stood at the top of a hill
Stood at the top of a hill
Over my town I was found
Over my town I was found
Ive been on the shelf too long
Sitting at home in my bed too long
Ive been on the shelf too long
Got my things and now Im gone
Sitting at home in my bed too long
Hows the world gonna from take me?
Got my things and now Im gone
Hows the world gonna from take me?
Finding myself used to be hard
But now I see the light
If love is a drug
Finding myself used to be hard
Then I dont need it
But now I see the light
If love is a drug
Ive been on the shelf too long
Then I dont need it
Sitting at home in my bed too long
Now its time to hear my song
How are you gonna take it?
Ive been on the shelf too long
Sitting at home in my bed too long
Ive been on the shelf too long
Now its time to hear my song
Think the words without the song
How are you gonna take it?
Never had a way to go
Tell me now Im taking it
Ive been on the shelf too long
Ive been on the shelf too long
Ive been on the shelf too long
Think the words without the song
Ive been on the shelf too long
Never had a way to go
Tell me now Im taking it
Weve got a lot of living to do
Ive been on the shelf too long
Theres a door in my mind thats open wide
Ive been on the shelf too long
Come inside come inside
Ive been on the shelf too long
Jesus never saved me

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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

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Frank & Lola

Frank and lola
By: jimmy buffett, steve goodman
1982
Lucy and ricky, fred and ethel, laurel and hardy, spanky
And buckwheat, rocky and bullwinkle, and frank and lola...
Theyre all good for a laugh.
Lola loves frank, frankie loves lola
On their second honeymoon in pensacola
Tryin to find a little privacy
Oh me there been too much screamin, fussin and fightin
The doggies were yellin, the children were bitin
Frank and lola tryin to get together again
So he took her to this movie called body heat
She said the junior mints were mushy and the sex was neat
Oh my, frankie werent we better than that, before our spat
Frank told lola, honey cant you see
That Ill jump start you if youll kick start me
Frank and lola tryin to get together again
So they strolled along the highway, they walked along the beach
They stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby turn back the pages, turn round the clock
Lola told frankie time we put it to the test
After frankie told lola she was still the best
They fell asleep in the sand underneath the florida moon, in june
Lola counted rainbows, frankie counted sheep
til they almost got run over by the lifeguards jeep
Frank and lola tryin to get together again
Go, frank, go
Lo la, lo
Go, frank, go, wow
(instrumental)
So they strolled along the highway, they walked along the beach
Stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby turn back the pages, turn round the clock
Lola loves frank, frankie loves lola
On their second honeymoon in pensacola
Tryin to find a little priva-
Tryin to find a little priva-
Tryin to find a little privacy
Go, frank, go
Lo la, lo
Go, mango
- notes:
Featuring the harmonica of fingers taylor

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I Want A New Duck

Woh oh
I want a new duck
One that wont try to bite
One that wont chew a hole in my socks
One that wont quack all night
I want a new duck
One with big webbed feet
One that knows how to wash my car
And keep his room real neat
One that wont raid the ice box
One thatll stay in shape
One thats never gonna try to migrate or escape
Or Ill tie him up with duck tape
I want a new duck
A mallard I think
One that wont make a mess of my house
Or build a nest in the bathroom sink
I want a new duck
One that wont steal my beer
One that wont stick his bill in my mail
One that knows the duck stops here
One that wont drive me crazy waddling all around
One wholl teach me how to swim and help me not to drown
And show me how to get down
How to get down baby
Get it?
*****
*****
*** ****
****
*** ***
I want a new duck
Not a swan or a goose
Just a drake I can dress real cute
Think Im gonna name him bruce
I want a new duck
Not a quail or an owl
One that wont molt to much
One that wont smell too fowl
One that wont beg for breadcrumbs
Hangin around all day
Hed better mind his manners
Better do just what I say
Or hes gonna be duck patte, duck patte, yah, yah
*
*****
***** (*** ** **)
****
*******
(lots of quacking sounds)

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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Things To Be Balanced

Balance my heart between fast and slow beating rate,
Balance my wealth between the pauper and the rich state,
Balance my food between malnourished and overeating,
Balance my thought between weird and super serene.

Balance the car tyres to get aligned,
Balance the budget without any deficit,
Balance the love for the work and the family,
Balance the time between the recreations and duties.

Lord, Balance my posture of attitude at the altitude,
Balance my temperamental words when in multitude,
Balance the balance of deeds, on the judgment day,
by adding some good deeds or removing something bad.

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Elizabeth Barrett Browning

Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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Edward Lear

The Duck and the Kangaroo

Said the Duck to the Kangaroo,
'Good gracious! how you hop!
Over the fields and the water too,
As if you never would stop!
My life is a bore in this nasty pond,
And I long to go out in the world beyond!
I wish I could hop like you!'
Said the Duck to the Kangaroo.

'Please give me a ride on your back!'
Said the Duck to the Kangaroo.
'I would sit quite still, and say nothing but 'Quack',
The whole of the long day through!
And we'd go to the Dee, and the Jelly Bo Lee,
Over the land, and over the sea;
Please take me a ride! O do!'
Said the Duck to the Kangaroo.

Said the Kangaroo to the Duck,
'This requires some little reflection;
Perhaps on the whole it might bring me luck,
And there seems but one objection,
Which is, if you'll let me speak so bold,
Your feet are unpleasantly wet and cold,
And would probably give me the roo-
Matiz!' said the Kangaroo.

Said the Duck, 'As I sat on the rocks,
I have thought over that completely,
And I bought four pairs of worsted socks
Which fit my web-feet neatly.
And to keep out the cold I've bought a cloak,
And every day a cigar I'll smoke,
All to follow my own dear true
Love of a Kangaroo!'

Said the Kangaroo, 'I'm ready!
'All in the moonlight pale;
'But to balance me well, dear Duck, sit steady!
'And quite at the end of my tail!'
So away they went with a hop and a bound,
And they hopped the whole world three times round;
And who so happy - O who,
As the Duck and the Kangaroo?

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The Source

the Source of ‘Crab Nebula'

'The greats molder in their graves
Their words collect as dust upon their spines
Their hearts do not beat in time with today
and yet, the Spirit calls & you answer
What more can a ‘writer' do'?

(poetic writers are compelled to write
& seldom know why)


Ninth Street

There is a cold water'd house
On a bleak winter'd street
With stale musty stink
Of unwashed sock and sheet
Dirty dishes left still
Standing there in the sink.
Memories drenched in scent
Of kerosene and coal
Christmases without trees
Colored paper or ribbon bows.
Yet ___ there was laughter, warm
and yes ___ love
Her making toast over-done
and coffee too thin for him.
Poverty of wage and things
Cannot suppress the hope
Of loves gentle kiss
As passions
Became a foggy mist
Of what could have been
Instead of what is.


(Genetic Memory of Life before I was)

Curmudgeon

(I did not ask to be born)

Knowing why, doesn't make the search go away
Knowing how, doesn't mean you can stop
There are alternative ways, different days
No one gets to stay forever

There are traps
There are walls

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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