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I know what kind of things I myself have been irritated by in detective stories. They are often about one or two persons, but they don't describe anything in the society outside.

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Hotel Detective

She's got her ear to the walls and she's tappin' the calls
If you've got a secret boy, forget about it, 'cause she's a
Hotel detective
My little
Hotel detective
Yeah she's a
Hotel detective
Why don't you check her out
Well the bellhop is funky
The dumbwaiter's a monkey
If there's a knock at the door, boy, forget about it, 'cause she's a
Hotel detective
My little
Hotel detective
Yeah
Hotel detective
Cone on and check her out
She says she likes my face
She says she owns the place
Forget about it, 'cause she's a
Hotel detective
My little
Hotel detective
Come on her
Hotel detective
Why don't you check her out
Hotel detective
Come on and swing with me
Hotel detective
From the top of a tree
Hotel detective
And make me feel like a bee
Hotel detective
That's where i want to know you

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(She Was A) Hotel Detective (single Mix)

She's got her ear to the walls and she's tappin' the calls
If you've got a secret boy, forget about it, 'cause she's a
Hotel Detective
my little
Hotel Detective
yeah she's a
Hotel Detective
Why don't you check her out
Well the bellhop is funky
The dumbwaiter's a monkey
If there's a knock at the door, boy, forget about it, 'cause she's a
Hotel Detective
my little
Hotel Detective
yeah
Hotel Detective
Cone on and check her out
She says she likes my face
She says she owns the place
Forget about it, 'cause she's a
Hotel Detective
my little
Hotel Detective
come on her
Hotel Detective
Why don't you check her out
Hotel Detective
Come on and swing with me
Hotel Detective
From the top of a tree
Hotel Detective
And make me feel like a bee
Hotel Detective
That's where I want to know you

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Low Society

A judge a dentist or physician
In this low society
Trade ambition for position
In this low society
Have you heard its in the stars
Next july we collide with mars
Have you heard it in the bars
In this low society
No more pay and lots of leisure
In this low society
Low society
Im just doing what I can
In this low society
But Im an incidental man
In this low society
I give away what others sell
The secrets yours so never tell
cos if you do youll go to hell
Low society
Side by side and always tired
All for one and no-one hired
All thats left is love inspired
Low society
And when the party is complete
And youre still standing on your feet
The taste of victory is sweet
Low society
And darling dont forget
In this low society
To turn off your t.v. set
In this low society
The most important thing at all
In this low society
Is not to stand too tall
In this low society
In this world that never learns
I can see rome as it burns
All the passion and the power
Turns to ash within an hour
No more play and no more pleasure
In this low society

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Everything is connected

Asked to describe life
I said: ' the peaceful moments
with the friends you meet.'

Asked to describe friends
I said: ' the people you love
and care for daily.'

Asked to describe love
I said: ' feelings of goodwill
you have until death.'

Asked to describe death
I said: ' The equaliser
joy becomes nothing.'

Asked to describe joy
I said: ' opposite of sad
the happy feelings.'

Asked to describe sad
I said: ' opposite of joy
feelings of great loss.'

Asked to describe loss
I said: ' it occurs in life
regardless of us.'

Asked to describe life
I said: ' the peaceful moments
with the friends you meet.'

Everything is connected.

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Two Folk Songs

I. THE SOLDIER

(Roumanian)

When winter trees bestrew the path,
Still to the twig a leaf or twain
Will cling and weep, not Winter's wrath,
But that foreknown forlorner pain-
To fall when green leaves come again.

I watch'd him sleep by the furrow-
The first that fell in the fight.
His grave they would dig to-morrow:
The battle called them to-night.

They bore him aside to the trees, there,
By his undigg'd grave content
To lie on his back at ease there,
And hark how the battle went.

The battle went by the village,
And back through the night were borne
Far cries of murder and pillage,
With smoke from the standing corn.

But when they came on the morrow,
They talk'd not over their task,
As he listen'd there by the furrow;
For the dead mouth could not ask-


How went the battle, my brothers?

But that he will never know:
For his mouth the red earth smothers
As they shoulder their spades and go.

Yet he cannot sleep thereunder,
But ever must toss and turn.

How went the battle, I wonder?

-And that he will never learn!


When winter trees bestrew the path,
Still to the twig a leaf or twain
Will cling and weep, not Winter's wrath,
But that foreknown, forlorner pain-
To fall when green leaves come again!

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Orbiting goes On

what kind of society
can't providework for all,
what kind of commuinty,
can't find places for the homeless,

what kind of society has no obligation
for all the sick, crippled and infirm,
what kind of community agrees
to let some have so much more than they can use

while others not enough to live on,
what kind of society does not honor its agreements
with old aged, one parent children and orphans,
because of bad planning

what kind of community lets its neighbors starve
while others have more than enough,
what kind of family is not involved in education
to stamp out ethnic and gender discrimination,

what kind of society thrives on unemployment,
what kind of society is indifferebt to suicide,
what kind of family lets their children use and sell dope,
what kind of society lets pollution destroy the atmospheres

what kind of planet can survive this way,
and goes in search for other life

and still calls it self a democracy and democratic

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The Causes of War

On January 1st, foxes deeply irritated overnight by
Black dogs barking demanding Political Scepter
In the Morning, the foxy Governor stood by hind legs
Looking side to side, which dog to be thrown to
Finally, to wrong the red dog that fluked in the next desert
And the foxes left, the red dog became the new master
Began saying a black dog can’t rule, lead or govern
“No black dog shall hold public office”
National constitution first Article reads
This political injustice, inequality and discrimination
In such prinking sensation principle caused
The black dogs to sharpen their teeth

On January 1st, the foxes deeply irritated overnight by
Black dogs barking demanding the Social rod
In the Morning, the foxy Governor stood by hind legs
Looking side to side, which dog to be thrown to
Finally, to wrong the red dog that fluked in next desert
And the foxes left, the red dog became the new master
Declared Gemono – his religion, as state religion
Virgono – his culture, as state culture
And said all dogs be Virginian – his nationality
He outlawed the black dog religion and culture
As heresy and Immoral
This blasphemy and sacrilegious in such
Manner caused war between the two dogs

On January 1st, the foxes deeply irritated overnight by
The black dogs barking demanding the foxes to leave their land
In the Morning, the foxes left, the red dogs rushed in their houses
Became the new owners of the houses
Began using Gemonoic laws to govern the black dogs
“If a black dog picks a slice of meat from butchery
A tooth of the dog is removed
If black dog tail touches gown of red dog
The dog’s tail is cut off
If black dog steps on the red dog mate
The leg that stepped on the mate is cut off”
This cruel and inhuman punishment caused biting between the red and the black dog

On January 1st, the foxes deeply irritated overnight by
The black dogs barking demanding the foxes to leave
The foxes left, the red dog became the new master
Began stealing taxes, gold and oil causing
A cycle of poverty and disadvantages and uneven development
Calling the black dogs slaves and sub – humans
Even the black dog that dont lick the eye of their puppies underwent this economic injustice and humiliating racism
Caused bloodshed between
The black dogs and the red dogs

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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

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Not That Kind Of Girl

Im not that kind of girl who thinks I can change the world
With just a simple twirl of my hair
Ill never break your heart, tear your soul apart
With just a simple spark from my stare
Wont go playing with your insides
Take your wallet for its big size
Wont be suckered in by those foolish games
1:

Oh, oh, Im not that kind of girl
Oh, oh, Im not that kind of girl
Oh, oh, Im not that kind of girl
Oh, oh, Im not that kind of girl
Im not that of girl who think you can rule my world
With just a simple wave of your hand
So dont you push me down, or start to play around
Cause when you see me frown, just beware
Dont go playing with my insides
Tell me stories, tell me big lies
Wont be taken in by those silly games
Repeat 1


Come on, come on
Yo, tell me vc, what kind of girl are you?
Let me know
Im not the kind of girl to make you lose your mind
I wanna be the kind of girl youll never leave behind
Youre gonna take it, never fake it, you know youll see
That Im just the kind of girl I always wanted to be
Im not that kind of girl, Im not that kind of girl
Im not that kind of girl
I like your kind of girl, I like that kind of girl
I like your kind of girl
Im not that kind of girl
I like your kind of girl, I like all kinds of girls
I like your kind of girl
Im not that kind of girl

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

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The Sanctity Of Dreams

Paint a moustache on the Mona Lisa
Ride a Harley through the heart of danger
Pick up a pen and fight a war for the right to dream
I was seventeen
Give up my house, sleep for nights on concrete
Meditate with all the bums on Vine Street
No more running, no more hiding in the house of the dead
I think I'll grow some dreads
I believe in the sanctity of dreams
No more running from these masqueraders
I believe that society will never dream like me
I dream of loving, of the empty graveyard
I dream of Vegas and the transcendental wildcard
A place where noone waits to die before they go into the light
And just the blind have sight
I follow nothing but the compass of my instinct
No matter where it leads, I know it will take me to the brink
And leave me there by myself and all alone with my dreams
Can you hear my scream?
I believe in the sanctity of dreams
No more running from these masqueraders
I believe that society will never dream like me
Never dream like me
Society will never dream like me
Never dream like me
Ooh ooh ooh
I believe in the sanctity of dreams
No more running from these masqueraders
I believe that society will never dream like me
Oh-oh
I believe in the sanctity of dreams
No more running from these masqueraders
I believe that society will never dream like me
Never dream like me
Society
Society will never dream like me
Society
Society
Society will never dream like me

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Sanctity Of Dreams

Paint a moustache on the Mona Lisa
Ride a Harley through the heart of danger
Pick up a pen and fight a war for the right to dream
I was seventeen
Give up my house, sleep for nights on concrete
Meditate with all the bums on Vine Street
No more running, no more hiding in the house of the dead
I think I'll grow some dreads
I believe in the sanctity of dreams
No more running from these masqueraders
I believe that society will never dream like me
I dream of loving, of the empty graveyard
I dream of Vegas and the transcendental wildcard
A place where noone waits to die before they go into the light
And just the blind have sight
I follow nothing but the compass of my instinct
No matter where it leads, I know it will take me to the brink
And leave me there by myself and all alone with my dreams
Can you hear my scream?
I believe in the sanctity of dreams
No more running from these masqueraders
I believe that society will never dream like me
Never dream like me
Society will never dream like me
Never dream like me
Ooh ooh ooh
I believe in the sanctity of dreams
No more running from these masqueraders
I believe that society will never dream like me
Oh-oh
I believe in the sanctity of dreams
No more running from these masqueraders
I believe that society will never dream like me
Never dream like me
Society
Society will never dream like me
Society
Society
Society will never dream like me

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Byron

Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

poem by from Don Juan (1824)Report problemRelated quotes
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Byron

Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

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