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Satire is focused bitterness.

quote by Leo C. Rosten
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The Authors: A Satire

Bright Arts, abus'd, like Gems, receive their Flaws;
Physick has Quacks, and Quirks obscure the Laws.
Fables to shade Historic Truths combine,
And the dark Sophist dims the Text Divine.
The Art of Reasoning in Religion's Cause,
By Superstition's Taint a Blindness draws.
The Art of Thinking Free (Man's noblest Aim!)
Turns, in Half-thinking Souls, his equal Shame.
Colours, ill-mingled, coarse, and lifeless grow!
Violins squeak, when Scrapers work the Bow!
Distortion deadens Action's temper'd Fire!
Belab'ring Poetasters thrum the Lyre!
Gesture shuns Strut, and Elocution, Cant!
Passion lies murder'd by unmeaning Rant!
Wit we debase, if Ribaldry we praise,
And Satire fades, when Slander wears the Bays.

YOU, to whose Scrolls a just Neglect is shewn,
Whose Names, tho' printed oft, remain unknown;
I war not with the Weak, if wanting Fame,
The Proud, and Prosp'rous Trifler is my Game.
With usual Wit, unfelt while you assail,
Remark unanswer'd, and unheeded Rail!
Or heeded, know I can your Censure prize,
For a Fool's Praise is Censure from the Wise;
If then my Labour your kind Malice draws,
Censure from you is from the Wise Applause.

YOU, who delineate strong our Lust of Fame,
These mimic Lays your kind Protection claim!
My Frown, like your's, would to Improvement tend,
You but assume the Foe, to act the Friend.
Pleasing, yet wounding, you our Faults rehearse,
Strong are your Thoughts! Inchanting rolls your Verse!
Deep, clear, and sounding! decent, yet sincere;
In Praise impartial, without Spleen severe.

'HOLD, Criticks cry-Erroneous are your Lays,
'Your Field was Satire, your Pursuit is Praise.'
True, you Profound!-I praise, but yet I sneer;
You're dark to Beauties, if to Errors clear!
Know my Lampoon's in Panegyric seen,
For just Applause turns Satire on your Spleen.

SHALL Ignorance and Insult claim my Rage?
Then with the World a gen'ral War I wage!
No-to some Follies Satire scorns to bend,
And Worth (or press'd, or prosp'rous) I commend.

FIRST, let me view what noxious Nonsense reigns,

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poem by Richard Savage
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I Keep Focused

Whether I am on your list...
Or do not make an appearance at all.
Guest what?
Not a footprint on this path I have made,
Belongs to anyone else....
Who can claim a doing with little assistance.

I keep focused!

And guest what...?
You can compare me to anyone you please.
But I have never been impressed,
By your ability to stretch an imagination.

Why?

I keep focused!

And I try...
To stay focused.

And I choose not to guess how or when...
You have managed to do what you've done,
Without sweat or eyes dried,
As if a tear you have never cried.

Why?

I keep focused!

And I try...
To stay focused.

But I do believe the path you have chosen,
Has been repaved over so many times,
As to accomodate those who have found their way to go...
Much easier than the one I pioneered.
And I know it shows,
I am focused.

And I try...
To stay focused.

Yes I try...
To stay focused.

Whether I am on your list...
Or do not make an appearance at all.
Guest what?
Not a footprint on this path I have made,

[...] Read more

poem by Lawrence S. Pertillar
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An Epistle To William Hogarth

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,

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poem by Charles Churchill
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The Farewell

_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Richer, alas! in everything but rhyme,
The Muses steer their course; and, fond of change,
At large, in other worlds, desire to range;
Resolved, at least, since they the fool must play,
To do it in a different place, and way.
_F_. What whim is this, what error of the brain,
What madness worse than in the dog-star's reign?
Why into foreign countries would you roam,
Are there not knaves and fools enough at home?
If satire be thy object--and thy lays
As yet have shown no talents fit for praise--
If satire be thy object, search all round,
Nor to thy purpose can one spot be found
Like England, where, to rampant vigour grown,
Vice chokes up every virtue; where, self-sown,
The seeds of folly shoot forth rank and bold,
And every seed brings forth a hundredfold.
_P_. No more of this--though Truth, (the more our shame,
The more our guilt) though Truth perhaps may claim,
And justify her part in this, yet here,
For the first time, e'en Truth offends my ear;
Declaim from morn to night, from night to morn,
Take up the theme anew, when day's new-born,
I hear, and hate--be England what she will,
With all her faults, she is my country still.
_F_. Thy country! and what then? Is that mere word
Against the voice of Reason to be heard?
Are prejudices, deep imbibed in youth,
To counteract, and make thee hate the truth?
'Tis sure the symptom of a narrow soul
To draw its grand attachment from the whole,
And take up with a part; men, not confined
Within such paltry limits, men design'd
Their nature to exalt, where'er they go,
Wherever waves can roll, and winds can blow,
Where'er the blessed sun, placed in the sky
To watch this subject world, can dart his eye,
Are still the same, and, prejudice outgrown,
Consider every country as their own;
At one grand view they take in Nature's plan,
Not more at home in England than Japan.
_P_. My good, grave Sir of Theory, whose wit,
Grasping at shadows, ne'er caught substance yet,
'Tis mighty easy o'er a glass of wine
On vain refinements vainly to refine,
To laugh at poverty in plenty's reign,
To boast of apathy when out of pain,

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poem by Charles Churchill
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The Author

Accursed the man, whom Fate ordains, in spite,
And cruel parents teach, to read and write!
What need of letters? wherefore should we spell?
Why write our names? A mark will do as well.
Much are the precious hours of youth misspent,
In climbing Learning's rugged, steep ascent;
When to the top the bold adventurer's got,
He reigns, vain monarch, o'er a barren spot;
Whilst in the vale of Ignorance below,
Folly and Vice to rank luxuriance grow;
Honours and wealth pour in on every side,
And proud Preferment rolls her golden tide.
O'er crabbed authors life's gay prime to waste,
To cramp wild genius in the chains of taste,
To bear the slavish drudgery of schools,
And tamely stoop to every pedant's rules;
For seven long years debarr'd of liberal ease,
To plod in college trammels to degrees;
Beneath the weight of solemn toys to groan,
Sleep over books, and leave mankind unknown;
To praise each senior blockhead's threadbare tale,
And laugh till reason blush, and spirits fail;
Manhood with vile submission to disgrace,
And cap the fool, whose merit is his place,
Vice-Chancellors, whose knowledge is but small,
And Chancellors, who nothing know at all:
Ill-brook'd the generous spirit in those days
When learning was the certain road to praise,
When nobles, with a love of science bless'd,
Approved in others what themselves possess'd.
But now, when Dulness rears aloft her throne,
When lordly vassals her wide empire own;
When Wit, seduced by Envy, starts aside,
And basely leagues with Ignorance and Pride;
What, now, should tempt us, by false hopes misled,
Learning's unfashionable paths to tread;
To bear those labours which our fathers bore,
That crown withheld, which they in triumph wore?
When with much pains this boasted learning's got,
'Tis an affront to those who have it not:
In some it causes hate, in others fear,
Instructs our foes to rail, our friends to sneer.
With prudent haste the worldly-minded fool
Forgets the little which he learn'd at school:
The elder brother, to vast fortunes born,
Looks on all science with an eye of scorn;
Dependent brethren the same features wear,
And younger sons are stupid as the heir.
In senates, at the bar, in church and state,
Genius is vile, and learning out of date.

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poem by Charles Churchill
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.

Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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poem by Byron
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The Candidate

This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
University of Cambridge, vacant by the death of the Lord Chancellor
Hardwicke. The spirit of party ran high in the University, and no
means were left untried by either candidate to obtain a majority. The
election was fixed for the th of March, when, after much
altercation, the votes appearing equal, a scrutiny was demanded;
whereupon the Vice-Chancellor adjourned the senate _sine die_. On
appeal to the Lord High-Chancellor, he determined in favour of the
Earl of Hardwicke, and a mandamus issued accordingly.

Enough of Actors--let them play the player,
And, free from censure, fret, sweat, strut, and stare;
Garrick abroad, what motives can engage
To waste one couplet on a barren stage?
Ungrateful Garrick! when these tasty days,
In justice to themselves, allow'd thee praise;
When, at thy bidding, Sense, for twenty years,
Indulged in laughter, or dissolved in tears;
When in return for labour, time, and health,
The town had given some little share of wealth,
Couldst thou repine at being still a slave?
Darest thou presume to enjoy that wealth she gave?
Couldst thou repine at laws ordain'd by those
Whom nothing but thy merit made thy foes?
Whom, too refined for honesty and trade,
By need made tradesmen, Pride had bankrupts made;
Whom Fear made drunkards, and, by modern rules,
Whom Drink made wits, though Nature made them fools;
With such, beyond all pardon is thy crime,
In such a manner, and at such a time,
To quit the stage; but men of real sense,
Who neither lightly give, nor take offence,
Shall own thee clear, or pass an act of grace,
Since thou hast left a Powell in thy place.
Enough of Authors--why, when scribblers fail,
Must other scribblers spread the hateful tale?
Why must they pity, why contempt express,
And why insult a brother in distress?
Let those, who boast the uncommon gift of brains
The laurel pluck, and wear it for their pains;
Fresh on their brows for ages let it bloom,
And, ages past, still flourish round their tomb.
Let those who without genius write, and write,
Versemen or prosemen, all in Nature's spite,
The pen laid down, their course of folly run
In peace, unread, unmention'd, be undone.
Why should I tell, to cross the will of Fate,
That Francis once endeavour'd to translate?
Why, sweet oblivion winding round his head,

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poem by Charles Churchill
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Bitterness imprisons life; love releases it. Bitterness paralyzes life; love empowers it. Bitterness sours life; love sweetens it. Bitterness sickens life; love heals it. Bitterness blinds life; love anoints its eyes.

quote by Harry Emerson Fosdick
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Planh For The Young English King

If all the grief and woe and bitterness,
All dolour, ill and every evil chance
That ever came upon this grieving world
Were set together they would seem but light
Against the death of the young English King.
Worth lieth riven and Youth dolorous,
The world overshadowed, soiled and overcast,
Void of all joy and full of ire and sadness.

Grieving and sad and full of bitterness
Are left in teen the liegemen courteous,
The joglars supple and the troubadours.
O'er much hath ta'en Sir Death that deadly warrior
In taking from them the young English King,
Who made the freest hand seem covetous.
'Las! Never was nor will be in this world
The balance for this loss in ire and sadness!

O skilful Death and full of bitterness,
Well mayst thou boast that thou the best chevalier
That any folk e'er had, hast from us taken;
Sith nothing is that unto worth pertaineth
But had its life in the young English King
And better were it, should God grant his pleasure,
That he should live than many a living dastard
That doth but wound the good with ire and sadness.

From this faint world, how full of bitterness
Love takes his way and holds his joy deceitful
Sith no thing is but turneth unto anguish
And each to-day Vails less than yestere'en,
Let each man visage this young English King
That was most valiant 'mid all worthiest men!
Gone is his body fine and amorous,
Whence have we grief, discord and deepest sadness.

Him, whom it pleased for our great bitterness
To come to earth to draw us from misventure,
Who drank of death for our salvacioun,
Him do we pray as to a Lord most righteous
And humble eke, that the young English King
He please to pardon, as true pardon is,
And bid go in with honoured companions
There where there is no grief, nor shall be sadness.

poem by Ezra Pound
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Epistles to Several Persons: Epistle to Dr. Arbuthnot

Neque sermonibus vulgi dederis te, nec in præmiis spem posueris rerum tuarum; suiste oportet illecebris ipsa virtus trahat ad verum decus. Quid de te alii loquantur, ipsi videant,sed loquentur tamen.
(Cicero, De Re Publica VI.23)["... you will not any longer attend to the vulgar mob's gossip nor put your trust in human rewards for your deeds; virtue, through her own charms, should lead you to true glory. Let what others say about you be their concern; whatever it is, they will say it anyway."
Shut, shut the door, good John! fatigu'd, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.

What walls can guard me, or what shades can hide?
They pierce my thickets, through my grot they glide;
By land, by water, they renew the charge;
They stop the chariot, and they board the barge.
No place is sacred, not the church is free;
Ev'n Sunday shines no Sabbath-day to me:
Then from the Mint walks forth the man of rhyme,
Happy! to catch me just at dinner-time.

Is there a parson, much bemus'd in beer,
A maudlin poetess, a rhyming peer,
A clerk, foredoom'd his father's soul to cross,
Who pens a stanza, when he should engross?
Is there, who, lock'd from ink and paper, scrawls
With desp'rate charcoal round his darken'd walls?
All fly to Twit'nam, and in humble strain
Apply to me, to keep them mad or vain.
Arthur, whose giddy son neglects the laws,
Imputes to me and my damn'd works the cause:
Poor Cornus sees his frantic wife elope,
And curses wit, and poetry, and Pope.

Friend to my life! (which did not you prolong,
The world had wanted many an idle song)
What drop or nostrum can this plague remove?
Or which must end me, a fool's wrath or love?
A dire dilemma! either way I'm sped,
If foes, they write, if friends, they read me dead.
Seiz'd and tied down to judge, how wretched I!
Who can't be silent, and who will not lie;
To laugh, were want of goodness and of grace,
And to be grave, exceeds all pow'r of face.
I sit with sad civility, I read
With honest anguish, and an aching head;
And drop at last, but in unwilling ears,
This saving counsel, "Keep your piece nine years."

"Nine years!" cries he, who high in Drury-lane
Lull'd by soft zephyrs through the broken pane,
Rhymes ere he wakes, and prints before Term ends,
Oblig'd by hunger, and request of friends:

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poem by Alexander Pope
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Introduction To The True-Born Englishman

Speak, satire; for there's none can tell like thee
Whether 'tis folly, pride, or knavery
That makes this discontented land appear
Less happy now in times of peace than war?
Why civil feuds disturb the nation more
Than all our bloody wars have done before?
Fools out of favour grudge at knaves in place,
And men are always honest in disgrace;
The court preferments make men knaves in course,
But they which would be in them would be worse.
'Tis not at foreigners that we repine,
Would foreigners their perquisites resign:
The grand contention's plainly to be seen,
To get some men put out, and some put in.
For this our senators make long harangues,
And florid members whet their polished tongues.
Statesmen are always sick of one disease,
And a good pension gives them present ease:
That's the specific makes them all content
With any king and any government.
Good patriots at court abuses rail,
And all the nation's grievances bewail;
But when the sovereign's balsam's once applied,
The zealot never fails to change his side;
And when he must the golden key resign,
The railing spirit comes about again.
Who shall this bubbled nation disabuse,
While they their own felicities refuse,
Who the wars have made such mighty pother,
And now are falling out with one another:
With needless fears the jealous nation fill,
And always have been saved against their will:
Who fifty millions sterling have disbursed,
To be with peace and too much plenty cursed:
Who their old monarch eagerly undo,
And yet uneasily obey the new?
Search, satire, search; a deep incision make;
The poison's strong, the antidote's too weak.
'Tis pointed truth must manage this dispute,
And downright English, Englishmen confute.
Whet thy just anger at the nation's pride,
And with keen phrase repel the vicious tide;
To Englishmen their own beginnings show,
And ask them why they slight their neighbours so.
Go back to elder times and ages past,
And nations into long oblivion cast;
To old Britannia's youthful days retire,
And there for true-born Englishmen inquire.
Britannia freely will disown the name,
And hardly knows herself from whence they came:

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poem by Daniel Defoe
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New Morality

From mental mists to purge a nation's eyes;
To animate the weak, unite the wise;
To trace the deep infection, that prevades
The crowded town, and taints the rural shades;
To mark how wide extends the mighty waste
O'er the fair realms of Science, Learning, Taste;
To drive and scatter all the brood of lies,
And chase the varying falsehood as it flies;
The long arrears of ridicule to pay,
To drag reluctant Dulness back to day;
Much yet remains.--To you these themes belong,
Ye favor'd sons of virtue and of song!
Say, is the field too narrow? Are the times
Barren of folly, and devoid of crimes?

Yet, venial vices, in a milder age,
Could rouse the warmth of Pope's satiric rage;
The doting miser, and the lavish heir,
The follies, and the foibles of the fair,
Sir Job, Sir Balaam, and old Euclio's thrift,
And Sappho's diamonds, with her dirty shift,
Blunt, Charteris, Hopkins;--meaner subjects fired
The keen-eyed Poet;--while the Muse inspired
Her ardent child--entwining as he sate,
His laurell'd chaplet with the thorns of hate.

But say,--indignant does the Muse retire,
Her shrine deserted, and extinct its fire?
No pious hand to feed the sacred flame,
No raptured soul a Poet's charge to claim.

Bethink thee (Gifford); when some future age
Shall trace the promise of thy playful page;--
"[1]The hand which brush'd a swarm of fools away,
"Should rouse to grasp a more reluctant prey!"--
Think then, will pleaded indolence excuse
The tame secession of thy languid Muse?

Ah! where is now that promise? Why so long
Sleep the keen shafts of satire and of song?
Oh! come with Taste and Virtue at thy side,
With ardent zeal inflamed, and patriot pride;
With keen poetic glance direct the blow,
And empty all thy quiver on the foe:
No pause--no rest--till weltering on the ground
The poisonous hydra lies, and pierced with many a wound.

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poem by George Canning
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Life 101, Lovelines, and Vampire Satire

LIFE 101, LOVELINES, and VAMPIRE SATIRE

LIFE 101

SUBMERGE EMERGE URGE SURGE SPLURGE CONVERGE VERGE MERGE PURGE DIRGE SUBMERGE! …

AFTERLIFE 101

? DIVERGE: SCOURGE … REEMERGE?

Coining a Ph[r]ase

Love Lair’s Layers

Inside
Outside
CoincideConfide
Allied
Guide
Glide
Astride
Abide

but the other side of the coin might be:

Drier Dire Diary

Hide
Slide
Bromide
DerideLied
Snide
Override
Divide

Dire Diary Vampire Satire - cast in order of appearance

Admire shyer
Fire desire
Surefire squire
Sapphire buyer
Higher lyre
Require Choir
Friar, prior,
Aquire attire

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poem by Jonathan Robin
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Telephone Conversation

Wednesday, January 23,2008
Week 10: Telephone Conversation by Wole Soyinka

Week 10 Dividing lines: Differences in Class, race, Gender and Ideology

Telephone Conversation
by Wole Soyinka

The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. 'Madam, ' I warned,
'I hate a wasted journey—I am African.'
Silence. Silenced transmission of
Pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold rolled
Cigarette-holder pipped. Caught I was foully.
'HOW DARK? '... I had not misheard... 'ARE YOU LIGHT
OR VERY DARK? ' Button B, Button A.* Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar box. Red double-tiered
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfounded to beg simplification.
Considerate she was, varying the emphasis-
'ARE YOU DARK? OR VERY LIGHT? ' Revelation came.
'You mean-like plain or milk chocolate? '
Her assent was clinical, crushing in its light
Impersonality. Rapidly, wave-length adjusted,
I chose. 'West African sepia'-and as afterthought,
'Down in my passport.' Silence for spectroscopic
Flight of fancy, till truthfulness clanged her accent
Hard on the mouthpiece. 'WHAT'S THAT? ' conceding
'DON'T KNOW WHAT THAT IS.' 'Like brunette.'
'THAT'S DARK, ISN'T IT? ' 'Not altogether.
Facially, I am brunette, but, madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blond. Friction, caused-

[...] Read more

poem by Tamilarasi Shalu
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Verses Addressed to the Imitator of the First Satire of the Second Book Of Horace

In two large columns on thy motley page
Where Roman wit is strip'd with English rage;
Where ribaldry to satire makes pretence,
And modern scandal rolls with ancient sense:
Whilst on one side we see how Horace thought,
And on the other how he never wrote;
Who can believe, who view the bad, the good,
That the dull copyist better understood
That spirit he pretends to imitate,
Than heretofore that Greek he did translate?
Thine is just such an image of his pen,
As thou thyself art of the sons of men,
Where our own species in burlesque we trace,
A sign-post likeness of the human race,
That is at once resemblance and disgrace.
Horace can laugh, is delicate, is clear,
You only coarsely rail, or darkly sneer;
His style is elegant, his diction pure,
Whilst none thy crabbed numbers can endure;
Hard as thy heart, and as thy birth obscure.
If he has thorns, they all on roses grow;
Thine like thistles, and mean brambles show;
With this exception, that, though rank the soil,
Weeds as they are, they seem produc'd by toil.
Satire should, like a polish'd razor, keen,
Wound with a touch, that's scarcely felt or seen:
Thine is an oyster-knife, that hacks and hews;
The rage, but not the talent to abuse;
And is in hate, what love is in the stews.
'Tis the gross lust of hate, that still annoys,
Without distinction, as gross love enjoys:
Neither to folly, nor to vice confin'd,
The object of thy spleen is humankind:
It preys on all who yield, or who resist:
To thee 'tis provocation to exist.

But if thou seest a great and generous heart,
Thy bow is doubly bent to force a dart.
Nor dignity nor innocence is spar'd,
Nor age, nor sex, nor thrones, nor graves, rever'd.
Nor only justice vainly we demand,
But even benefits can't rein thy hand;
To this or that alike in vain we trust,
Nor find thee less ungrateful than unjust.
Not even youth and beauty can control
The universal rancour of thy soul;
Charms that might soften superstition's rage,
Might humble pride, or thaw the ice of age.
But how should'st thou by beauty's force be mov'd,
No more for loving made than to be lov'd?

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poem by Lady Mary Wortley Montagu
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Clockin Gs

Yeah but they need a beat that they can freak to
Huh yaknahmean?
Uhh, bounce, yeah
Uhh.. bounce, yeah
Uhh.. you heard it from hearsay
Uhh.. you heard it from hearsay
[ll cool j]
You wanna bang em bang em bang em til you cant no more
Day-dreamin, bout slidin in that bentley door
Cuban chain tucked in so the backll show
Whip it out in front of chicks, they react to dough
Fo karats in each ear, lettin dude know
That homes still flow like twenty-twos of snow
Yankee over doo-rags, extra wristbands
Pass the heineken, youre not a crist fan
Ice is the tightest, broads breakin they neck and catchin arthritis
To bag a ghetto midas
Jeans saggin down (uh) with the michael vick jersey
The white on whites from uptown
Wifebeater underneath
If its totally necessary, some gold teeth, its on you
Pull up to the club real slow, leanin back on the cell
What the hell, these clowns is pointin at?
[chorus]
(if you got the time.. then Ive got the time) you clockin gs
Youre monopoly, and you property
(tell homes over there to step off) you clockin gs
(if you got the time.. then Ive got the time) you clockin gs
Youre monopoly, and you property
(tell homes over there to step off) you clockin gs
[ll cool j]
Uhh, slide out slow (slowwwww)
Argue on the phone (uh) glance at the chrome (yea)
Hand on your waist just in case its on
Fully prepared to go to war til the break of dawn
Slid a twenty to the bouncer, hold down the car
Rollin up {? } to rush into the bar
Its a simple recipe, i-c-e
S-h-i-n-e equals free p
Mad birds in the jump-off (uh) lookin thirsty
Hot and broke, daddy have mercy
She want prada, the pearl of drawers
The new fendi mink so she can act stink
The camouflage pumas with the crystal stripes
The mz. gatrak joints to keep her weave tight
One clown tried to throw your vibe off all night
Not knowin that you 20 deep, and you aight
[chorus]
[ll cool j]
Its that, head-boppin, neck-jerkin

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song performed by LL Cool J
Added by Lucian Velea
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Long Distance Caller

I'm a long distance caller,
Focused on your needs.
And you may not know this,
Since near you I don't sit.

I'm a long distance caller,
Here to please not tease.
And it's you I picked,
To receive this benefit.

Close your eyes,
And realize your bright side.
Don't you ever quit,
Being positive.

Just close your eyes,
And want to feel good inside.
Get rid of that hold,
To let your troubles go!
Know it's you I picked,
To receive this benefit.

Close your eyes,
And realize your bright side.
It is you I picked,
To receive this benefit.

I'm a long distance caller,
Focused on your needs.
And you may not know this,
Since near you I don't sit.

Close your eyes,
And realize your bright side.
Don't you ever quit,
Being positive.
'Hello.'
Don't you ever quit,
Being positive.
'Hello.'
Don't you ever quit,
Being positive.

Close your eyes,
To realize your bright side.
And don't you ever quit.
'Hello, hello.'
Don't you ever quit.
'Hello, hello.'
Don't you ever quit.

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poem by Lawrence S. Pertillar
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The Conference

Grace said in form, which sceptics must agree,
When they are told that grace was said by me;
The servants gone to break the scurvy jest
On the proud landlord, and his threadbare guest;
'The King' gone round, my lady too withdrawn;
My lord, in usual taste, began to yawn,
And, lolling backward in his elbow-chair,
With an insipid kind of stupid stare,
Picking his teeth, twirling his seals about--
Churchill, you have a poem coming out:
You've my best wishes; but I really fear
Your Muse, in general, is too severe;
Her spirit seems her interest to oppose,
And where she makes one friend, makes twenty foes.
_C_. Your lordship's fears are just; I feel their force,
But only feel it as a thing of course.
The man whose hardy spirit shall engage
To lash, the vices of a guilty age,
At his first setting forward ought to know
That every rogue he meets must be his foe;
That the rude breath of satire will provoke
Many who feel, and more who fear the stroke.
But shall the partial rage of selfish men
From stubborn Justice wrench the righteous pen?
Or shall I not my settled course pursue,
Because my foes are foes to Virtue too?
_L_. What is this boasted Virtue, taught in schools,
And idly drawn from antiquated rules?
What is her use? Point out one wholesome end.
Will she hurt foes, or can she make a friend?
When from long fasts fierce appetites arise,
Can this same Virtue stifle Nature's cries?
Can she the pittance of a meal afford,
Or bid thee welcome to one great man's board?
When northern winds the rough December arm
With frost and snow, can Virtue keep thee warm?
Canst thou dismiss the hard unfeeling dun
Barely by saying, thou art Virtue's son?
Or by base blundering statesmen sent to jail,
Will Mansfield take this Virtue for thy bail?
Believe it not, the name is in disgrace;
Virtue and Temple now are out of place.
Quit then this meteor, whose delusive ray
Prom wealth and honour leads thee far astray.
True virtue means--let Reason use her eyes--
Nothing with fools, and interest with the wise.
Wouldst thou be great, her patronage disclaim,
Nor madly triumph in so mean a name:
Let nobler wreaths thy happy brows adorn,
And leave to Virtue poverty and scorn.

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poem by Charles Churchill
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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poem by Caroline Elizabeth Sarah Norton
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