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Gosh, I'd like to direct Our Town on stage.

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The Swanks of Gosh

Come mourn with me for the land of Gosh,
Oh, weep with me for the luckless Glugs
Of the land of Gosh, where the sad seas wash
The patient shores, and the great King Splosh
His sodden sorrow hugs;
Where the fair Queen Tush weeps all the day,
And the Swank, the Swank, the naughty Swank,
The haughty Swank holds sway
The most mendacious, ostentatious,
Spacious Swank holds sway.

'Tis sorrow-swathed, as I know full well,
And garbed in gloom and the weeds of woe,
And vague, so far, is the tale I tell;
But bear with me for the briefest spell,
And surely shall ye know
Of the land of Gosh, and Tush, and Splosh,
And Stodge, the Swank, the foolish Swank,
The mulish Swank of Gosh-
The meretricious, avaricious,
Vicious Swank of Gosh.

Oh, the tall trees bend, and green trees send
A chuckle round the earth,
And the soft winds croon a jeering tune,
And the harsh winds shriek with mirth,
And the wee small birds chirp ribald words
When the Swank walks down the street;
But every Glug takes off his hat,
And whispers humbly, 'Look at that!
Hats off! Hats off to the Glug of rank!
Sir Stodge, the Swank, the Lord High Swank!'
Then the East wind roars a loud guffaw,
And the haughty Swank says, 'Haw!'

His brain is dull, and his mind is dense,
And his lack of saving wit complete;
But most amazingly immense
Is his inane self-confidence
And his innate conceit.
But every Glug, and great King Splosh
Bowed to Sir Stodge, the fuddled Swank,
The muddled Swank of Gosh
The engineering, peeping, peering,
Sneering Swank of Gosh.

In Gosh, sad Gosh, where the Lord Swank lives,
He holds high rank, and he has much pelf;
And all the well-paid posts he gives
Unto his fawning relatives,

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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The Seer

Somewhere or other, 'tis doubtful where,
In the archives of Gosh is a volume rare,
A precious old classic that nobody reads,
And nobody asks for, and nobody heeds;
Which makes it a classic, and famed thro' the land,
As well-informed persons will quite understand.

'Tis a ponderous work, and 'tis written in prose,
For some mystical reason that nobody knows;
And it tells in a style that is terse and correct
Of the rule of the Swanks and its baneful effect
On the commerce of Gosh, on its morals and trade;
And it quotes a grave prophecy somebody made.

And this is the prophecy, written right bold
On a parchment all tattered and yellow and old;
So old and so tattered that nobody knows
How far into foretime its origin goes.
But this is the writing that set Glugs agog
When 'twas called to their minds by the Mayor of Quog:


When Gosh groaneth bastlie thro Greed and bys plannes
Ye rimer shall mende ye who mendes pottes and pans.


Now, the Mayor of Quog, a small suburb of Gosh,
Was intensely annoyed at the act of King Splosh
In asking the Mayor of Piphel to tea
With himself and the Queen on a Thursday at three;
When the King must have known that the sorriest dog,
If a native of Piphel, was hated in Quog.

An act without precedent! Quog was ignored!
The Mayor and Council and Charity Board,
They met and considered this insult to Quog;
And they said, ' 'Tis the work of the treacherous Og!
'Tis plain the Og influence threatens the Throne;
And the Swanks are all crazed with this trading in stone.'

Said the Mayor of Quog: 'This has long been foretold
In a prophecy penned by the Seer of old.
We must search, if we'd banish the curse of our time,
For a mender of pots who's a maker of rhyme.
'Tis to him we must look when our luck goes amiss.
But, Oh, where in all Gosh is a Glug such as this?'

Then the Mayor and Council and Charity Board
O'er the archival prophecy zealously pored,
With a pursing of lips and a shaking of heads,

[...] Read more

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Stinkomalee triumphans

WHENE'ER with pitying eye I view
Each operative sot in town.
I smile to think how wondrous few
Get drunk who study at the U-
--niversity we've Got in town,
--niversity we've Got in town.

What precious fools 'The People' grew,
Their alma mater not in town;
The 'useful classes' hardly knew
Four was composed of two and two,
Until they learned it at the U-
--niversity we've Got in town.

But now they're taught by JOSEPH HU-
ME, by far the cleverest Scot in town,
Their items and their tottles too
Each may dissect his sister Sue,
From his instructions at the U-
--niversity we've Got in town.

Then L--E comes, like him how few
Can caper and can trot in town,
In pirouette or pas de deux --
He beats the famed Monsieur Giroux,
And teaches dancing at the U-
--niversity we've Got in town.

And GILCHRIST, see, that great Gentoo
Professor, has a lot in town
of Cockney boys, who fag Hindoo,
And larn Jem-nasties at the U
--niversity we've Got in town.

SAM R-- corpse of vampire hue,
Comes from its grave, to rot in town;
For Bays the dead bard's crowned with Yew,
And chaunts the Pleasures of the U-
--niversity we've Got in town.

FRANK JEFFREY, of the Scotch Review,--
Whom MOORE had nearly shot in town,--
Now, with his pamphlet stitched in blue
And yellow, d--ns the other two,
But lauds the ever-glorious U-
--niversity we've Got in town.

Great BIRKBECK, king of chips and glue,
Who paper oft does blot in town,
From the Mechanics' Institu-

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The Rhymes of Sym

Nobody knew why it should be so;
Nobody knew or wanted to know.
It might have been checked had but someone dared
To trace its beginnings; but nobody cared.
But 'twas clear to the wise that the Glugs of those days
Were crazed beyond reason concerning a craze.


They would pass a thing by for a week or a year,
With an air apathetic, or maybe a sneer:
Some ev'ryday thing, like a crime or a creed,
A mode or a movement, and pay it small heed,
Till Somebody started to laud it aloud;
Then all but the Nobodies followed the crowd.


Thus, Sym was a craze; tho', to give him his due,
He would rather have strayed from the popular view.
But once the Glugs had him they held him so tight
That he could not be nobody, try as he might.
He had to be Somebody, so they decreed.
For Craze is an appetite, governed by Greed.


So on Saturday week to the Great Market Square
Came every Glug who could rake up his fare.
They came from the suburbs, they came from the town,
There came from the country Glugs bearded and brown,
Rich Glugs, with cigars, all well-tailored and stout,
Jostled commonplace Glugs who dropped aitches about.


There were gushing Glug maids, well aware of their charms,
And stern, massive matrons with babes in their arms.
There were querulous dames who complained of the 'squash,'
The pushing and squeezing; for, briefly, all Gosh,
With its aunt and its wife, stood agape in the ranks
Excepting Sir Stodge and his satellite Swanks.


The Mayor of Quog took the chair for the day;
And he made them a speech, and he ventured to say
That a Glug was a Glug, and the Cause they held dear
Was a very dear Cause. And the Glugs said, 'Hear, hear.'
Then Sym took the stage to a round of applause
From thousands who suddenly found they'd a Cause.

We strive together in life's crowded mart,
Keen-eyed, with clutching hands to over-reach.
We scheme, we lie, we play the selfish part,

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The Debate

He was a Glug of simple charm;
He wished no living creature harm.
His kindly smile like sunlight fell
On all about, and wished them well.
Yet, 'spite the cheerful soul of Sym,
The great Sir Stodge detested him.

The stern Sir Stodge and all his Swanks -
Proud Glugs of divers grades and ranks,
With learning and attainments great
Had never learned to conquer hate.
And, failing in their A. B. C.,
Were whipt by Master Destiny.

'Twas thus that Gosh's famous schools
Turned out great hordes of learned fools:
Turned out the ship without a sail,
Turned out the kite with leaden tail,
Turned out the mind that could not soar
Because of foolish weights it bore.

Because there'd been no father Joi
To guide the quick mind of a boy
Away from thoughts of hate and blame,
Wisdom in these was but a name.
But 'mid the Glugs they count him wise
Who walks with cunning in his eyes.

His task well done, his three rhymes writ,
Sym rose at morn, and packed his kit.
'At last!' he cried. 'Off and away
To meet again the spendthrift Day,
As he comes climbing in the East,
To bless with largesse man and beast.

'Again the fields where wild things run!
And trees, all spreading to the sun,
Run not, because, of all things blest,
Their chosen place contents them best.
0 come, my little prick-eared dog!' . . .
But, 'Halt!' exclaimed his Nibs of Quog.

'Nay,' said the Mayor. 'Not so fast!
The day climbs high, but sinks at last.
And trees, all spreading to the sun,
Are slain because they cannot run.
The great Sir Stodge, filled full of hate,
Has challenged you to hold debate.

'On Monday, in the Market Square,

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Hot Town

Written by dewey bunnell, 1998
Found on human nature.
Down in this hot town
At some old cafe tonight
You hear the dogs bay
At the green neon light
Its one hundred degrees
But the heat is free
In this hot town
This hot town tonight
And that there candle
Only adds to the heat
As you sit in your t-shirt
Trying to eat
You watch the waitress, you watch the clock on the wall
And the flies in the window climb up just to fall
In this hot town (hot town, hot town)
This hot town tonight (hot town, hot, hot)
Down in this hot town
Dont know no person to call
And this here cafe
Dont serve no beer at all
Out on the sidewalk
Its cooling down for your feet (cooling down, cooling down for your feet)
But the women are still sweaty and sweet (still sweaty, sweaty and sweet)
So you watch the waitress, you watch the clock on the wall
And the flies in the window climb up just to fall
In this hot town (hot town, hot town)
This hot town tonight (hot town, hot, hot)
Its one hundred degrees
But the heat is free
In this hot town (hot town, hot town)
This hot town tonight (hot town, hot, hot)
Its one hundred degrees (oh yeah)
In this hot town (hot town, hot town)
This hot town tonight (hot town, hot, hot)
(hot town, hot town)
(hot town, hot, hot)... (fade)

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Boys Are Back In Town

Guess who just got back today
Them wildout boys, that'd been away
Haven't changed, had much to say
But man I still think them cats are great
They were asking if you were around
How you was, where you could be found
Told them you were living downtown
Driving all the old men crazy
The Boys are back in town (The boys are back in town)
(I Said) The boys are back in town
The boys are back in town
The boys are back in town (The boys are back in town)
The boys are back in town (The boys are back in town)
You know that chic who used to dance a lot?
Every night she'd be on the floor, shaken what she got
Man when I tell you she was cool she was red hot
I mean she was steamin'
And that time over at Johnny's place
When this chic got up and slapped Johnny's face
Man we just fell about the place
What that chic don't wanna know forget 'er
The boys are back in town (The boys are back in town)
(I said) The boys are back in town
The boys are back in town
The boys are back in town (The boys are back in town)
The boys are back in town (The boys are back in town)
Spread the word around
Guess who's back in town
You spread the word around
Friday night they'll be dressed to kill
Down at Dino's bar and grill
The drinks will flow and blood would spill
If the boys wanna fight you better let 'em
That kid rocks down at the corner blasting out my favourite song
The nights are getting warmer and won't be long
Wont be long till the summer comes
Now that the boys are here again
The boys are back in town (the boys are back in town)
The boys are back in town (the boys are back in town)
The boys are back in town (the boys are back in town)
(Spread the word around)
The boys are back in town (The boys are back in town)
(The boys are back, the boys are back)
The boys are back in town again
They're hanging out at Dino's
The boys are back in town again

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Oh My Gosh

Written by: vanilla ice, zero, rod johnson
Produced by: vanilla ice & zero
Published by: ice baby music, inc., dj zero music,
Inc., bmi.
Keyboards: darryl delite allamby
Mix by: vanilla ice
Synchclavier engineer: rober wechsler
Recorded & mixed at luminous sound studios, inc.
Oh my gosh, oh my gosh
Oh my gosh, oh my gosh
Oh my gosh, oh my gosh
Hey you check it I think its time
To wreck it.
So here I go again witht he stuff
So lets test it.
Cool like tha ice vanilla heres the flava
Freezin up tha mic to hit ya with
So you can savor.
No slippin nor stonin gettin straight
To tha poinst.
Hit tha mad izm and light another joint
Tha easy like style is what I kick when
Im kickin no trippin Im spliffin
So get a good wiff and get with tha style,
That Im using no guessin
So heres a quick lesson I got my smith & wesson
Listen up close and there will be no confusion
Now youre addicted to mentally abuse it.
Word to tha mutha, Im here to tear it up,
And if ya cant get with it, I dont give a
So run and tell ya crew and tell em ice is
Near this here is for tha people the ice is
Rated lethal.
Here I come with tha nine in my hand,
Its time to wreck shop now tell me whos
The man.
Just like ali Im tha thriller in manilla,
Tearin stuff up like my man godzilla.
Makin tha suckers drop when ya steppin
To my zone comin straight up like my man
Al capone.
You try to cross me up Ill jump you like
You was a checker,
And like jerry rice Im into breakin all records.
Rollin with my crew firm up a blunt,
My hands on tha pump bust u on beachfront.
In case you forgot Im here to remind you,
Im chiller, chiller than the ice on vanilla.
Word, word to tha herb as you heard,
Im hittin 3 pointers just like larry bird.

[...] Read more

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The Stones of Gosh

Now, here is a tale of the Glugs of Gosh,
In the end of the year umteen;
Of the Glugs of Gosh and their great King Splosh,
And Tush, his virtuous Queen.
And here is a tale of the Oglike Ogs,
In their neighbouring land of Podge;
Of their sayings and doings and plottings and brewings,
And something about Sir Stodge.
Wise to profundity,
Stout to rotundity,
That was the Knight Sir Stodge.

Oh, the King was rich, and the Queen was fair,
And they made a very respectable pair.
And whenever a Glug in that peaceful land,
Did anything no one could understand
The Knight, Sir Stodge, he looked in a book,
And charged that Glug with a crime called Crook.
And the great Judge Fudge, who wore for a hat
The skin of a female tortoise-shell cat,
He fined that Glug for his actions rash,
And frequently asked to be paid in cash.
Then every Glug went home to rest
With his head in a bag and his toes to the west;
For they knew it was best,
Since their grandpas slept with their toes to the west.

But all of the tale that is so far told
Has nothing whatever to do
With the Ogs of Podge, and their crafty dodge,
And the trade in pickles and glue.
To trade with the Glugs came the Ogs to Gosh,
And they said in the mildest of tones,
'We'll sell you pianers and pickels and spanners
For seventeen shiploads of stones
Smooth 'uns or nobbly 'uns,
Firm 'uns or wobbly 'uns,
All that we ask is stones.'

And the King said, 'What?' and the Queen said, 'Why,
That is awfully cheap to the things I buy!
That grocer of ours in the light brown hat
Asks two-and-eleven for pickles like that!'
But a Glug stood up with a wart on his nose,
And he cried, 'Your Majesties! Ogs is foes!'
But the Glugs cried, 'Peace! Will you hold your jaw!
How did our grandpas fashion the law?'
Said the Knight, Sir Stodge, as he opened a book,
'If the goods were cheap then the goods they took.'
So they fined the Glug with the wart on his nose

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Oh My Gosh

Written by: vanilla ice, zero, rod johnson
Produced by: vanilla ice & zero
Published by: ice baby music, inc., dj zero music,
Inc., bmi.
Keyboards: darryl delite allamby
Mix by: vanilla ice
Synchclavier engineer: rober wechsler
Recorded & mixed at luminous sound studios, inc.
Oh my gosh, oh my gosh
Oh my gosh, oh my gosh
Oh my gosh, oh my gosh
Hey you check it I think its time
To wreck it.
So here I go again witht he stuff
So lets test it.
Cool like tha ice vanilla heres the flava
Freezin up tha mic to hit ya with
So you can savor.
No slippin nor stonin gettin straight
To tha poinst.
Hit tha mad izm and light another joint
Tha easy like style is what I kick when
Im kickin no trippin Im spliffin
So get a good wiff and get with tha style,
That Im using no guessin
So heres a quick lesson I got my smith & wesson
Listen up close and there will be no confusion
Now youre addicted to mentally abuse it.
Word to tha mutha, Im here to tear it up,
And if ya cant get with it, I dont give a
So run and tell ya crew and tell em ice is
Near this here is for tha people the ice is
Rated lethal.
Here I come with tha nine in my hand,
Its time to wreck shop now tell me whos
The man.
Just like ali Im tha thriller in manilla,
Tearin stuff up like my man godzilla.
Makin tha suckers drop when ya steppin
To my zone comin straight up like my man
Al capone.
You try to cross me up Ill jump you like
You was a checker,
And like jerry rice Im into breakin all records.
Rollin with my crew firm up a blunt,
My hands on tha pump bust u on beachfront.
In case you forgot Im here to remind you,
Im chiller, chiller than the ice on vanilla.
Word, word to tha herb as you heard,
Im hittin 3 pointers just like larry bird.

[...] Read more

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Emily Ann

Government muddles, departments dazed,
Fear and confusion wherever he gazed;
Order insulted, authority spurned,
Dread and distraction wherever he turned
Oh, the great King Splosh was a sad, sore king,
With never a statesman to straighten the thing.


Glus all importunate urging their claims,
With selfish intent and ulterior aims,
Glugs with petitions for this and for that,
Standing ten-deep on the royal door-mat,
Raging when nobody answered their ring -
Oh, the great King Splosh was a careworn king.


And he looked to the right, and he glanced to the left,
And he glared at the roof like a monarch bereft
Of his wisdom and wits and his wealth all in one;
And, at least once a minute, asked, 'What's to be done?'
But the Swanks stood around him and answered, with groans,
'Your majesty, Gosh is half buried in stones!'


'How now?' cried the King. 'Is there not in my land
One Glug who can cope with this dreadful demand:
A rich man, a poor man, a beggar man, thief
I reck not his rank so he lessen my grief
A soldier, a sailor, a - ' Raising his head,
With relief in his eye, 'Now, I mind me!' he said.


'I mind me a Tinker, and what once befel,
When I think, on the whole, he was treated not well.
But he shall be honoured, and he shall be famed
If he read me this riddle. But how is he named?
Some commonplace title, like-Simon?-No-Sym!
Go, send out my riders, and scour Gosh for him.'


They rode for a day to the sea in the South,
Calling the name of him, hand to the mouth.
They rode for a day to the hills in the East,
But signs of a tinker saw never the least.
Then they rode to the North thro' a whole day long,
And paused in the even to hark to a song.

'Kettles and pans! Kettles and pans!
Oh, who can show tresses like Emily Ann's?
Brown in the shadow and gold at the tips,

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Get Off The Stage

Oh, you silly old man
You silly old man
Youre making a fool of yourself
So get off the stage
You silly old man
In your misguided trousers
With your mascara and your fender guitar
And you think you can arouse us ?
But the song that you just sang
It sounds exactly like the last one
And the next one
I bet you it will sound
Like this one
Downstage, and offstage
Dont you feel all run in ?
And do you wonder when they will take it away ?
This is your final fling
But then applause ran high
But for the patience of the ones behind you
As a verse drags on like a month drags on
Its very short, but it seems very long
And the song that you just sang
It sounds exactly like the last one
And the next one
I bet you it will sound
Like this one
So, get off the stage
Oh, get off the stage
And when we get down off of the stage
Please stay off the stage - all day !
Get off the stage
Oh, get off the stage
And when weve had our money back
Then Id like your back in plaster
Oh, I know that you say
How age has no meaning
Oh, but here is your audience now
And theyre screaming :
Get off the stage
Oh, get off the stage
Because Ive given you enough of my time
And the money that wasnt even mine
Have you seen yourself recently ?
Oh, get off the stage
Oh, get off the stage
For whom, oh ...
For whom, oh ...
For whom, oh ...
For whom, oh ...
Get off the stage

[...] Read more

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Small Town

Well I was born in a small town
And I live in a small town
Probly die in a small town
Oh, those small communities
All my friends are so small town
My parents live in the same small town
My job is so small town
Provides little opportunity
Educated in a small town
Taught the fear of jesus in a small town
Used to daydream in that small town
Another boring romantic thats me
But Ive seen it all in a small town
Had myself a ball in a small town
Married an l.a. doll and brought her to this small town
Now shes small town just like me
No I cannot forget where it is that I come from
I cannot forget the people who love me
Yeah, I can be myself here in this small town
And people let me be just what I want to be
Got nothing against a big town
Still hayseed enough to say
Look whos in the big town
But my bed is in a small town
Oh, and thats good enough for me
Well I was born in a small town
And I can breathe in a small town
Gonna die in this small town
And thats probly where theyll bury me

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The End of Joi

They climbed the trees . . . As was told before,
The Glugs climbed trees in the days of yore,
When the oldes tree in the land to-day
Was a tender little seedling - Nay,
This climbing habit was old, so old
That even the cheeses could not have told
When the past Glug people first began
To give their lives to the climbing plan.
And the legend ran
That the art was old as the mind of man.

And even the mountains old and hoar,
And the billows that broke on Gosh's shore
Since the far-off neolithic night,
All knew the Glugs quite well by sight.
And they tell of a perfectly easy way:
For yesterday's Glug is the Glug of to-day.
And they climb the trees when the thunder rolls,
To solemnly salve their shop-worn souls.
For they fear the coals
That threaten to frizzle their shop-worn souls.

They climbed the trees. 'Tis a bootless task
To say so over again, or ask
The cause of it all, or the reason why
They never felt happier up on high.
For Joi asked why; and Joi was a fool,
And never a Glug of the fine old school
With fixed opinions and Sunday clothes,
And the habit of looking beyond its nose,
And treating foes
With the calm contempt of the One Who Knows.

And every spider who heaves a line
And trusts to his luck when the day is fine,
Or reckless swings from an awful height,
He knows the Glugs quite well by sight.
'You can never mistake them,' he will say;
'For they always act in a Gluglike way.
And they climb the trees when the glass points fair,
With circumspection and proper care,
For they fear to tear
The very expensive clothes they wear.'

But Joi was a Glug with a twisted mind
Of the nasty, meditative kind.
He'd meditate on the modes of Gosh,
And dared to muse on the acts of Splosh;
He dared to speak, and, worse than that,
He spoke out loud, and he said it flat.

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Rocket Town

Let me take you down down down to rocket town
Yeah we're going down down down to rocket town
Let me take you down down down to rocket town
Yeah we're going down down down to rocket town
Every time I see you baby(hey yeah, hey yeah)
There's always a tear to be found(hey yeah, hey yeah)
This request just won't stop coming(hey yeah, hey yeah)
So come with me now(go Fred go, go Fred go)
Let me take you down down down to rocket town
Yeah we're going down down down to rocket town
Let me take you down down down to rocket town
Yeah we're going down down down to rocket town
Every time you keep me guessing(hey yeah, hey yeah)
It's always the same run around(hey yeah, hey yeah)
Ammunition won't stop gunning(hey yeah, hey yeah)
So come with me now(go Fred go, go Fred go)
Let me take you down down down to rocket town
Yeah we're going down down down to rocket town
Let me take you down down down to rocket town
Yeah we're going down down down to rocket town
Rocket town is a state of mind
Close your eyes, it ain't hard to find
Everytime I taste your honey
There's always a sting to be found
This suggestion won't stop buzzin'(hey yeah, hey yeah)
So come with me now(go Fred go, go Fred go)
Let me take you down down down to rocket town
Yeah we're going down down down to rocket town
Let me take you down down down to rocket town
Yeah we're going down down down to rocket town
Hey yeah, hey yeah, let me take you down
Ooh hey yeah
Rocket town is a state of mind(go Fred go, go Fred go)
Close your eyes, it ain't hard to find
Rocket town is an attitude
Good for the head
Mental food(repeat)

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Sym, Son of Joy

Now Joi, the rebel, he had a son
In far, far Gosh where the tall trees wave.
Said Joi: 'In Gosh there shall yet be one
To scorn this life of a self-made slave;
To spurn the law of the Knight, Sir Stodge,
And end the rule of the great King Splosh;
Who shall warn the Glugs of their crafty dodge,
And at last bring peace, sweet peace, to Gosh.'

Said he: 'Whenever the kind sun showers
His golden treasure on grateful flowers,
With upturned faces and hearts bowed low,
The Glugs shall know what the wild things know.'
Said he: 'Wherever the broad fields smile,
They shall walk with clean minds, free of guile;
They shall scoff aloud at the call of Greed,
And turn to their labours and never heed.'

So Joi had a son, and his name was Sym;
And his eyes were wide as the eyes of Truth;
And there came to the wondering mind of him
Long thoughts of the riddle that vexes youth.
And, 'Father,' he said, 'in the mart's loud din
Is there aught of pleasure? Do some find joy?'
But his father tilted the beardless chin,
And looked in the eyes of the questing boy.

Said he: 'Whenever the fields are green,
Lie still, where the wild rose fashions a screen,
While the brown thrush calls to his love-wise mate,
And know what they profit who trade with Hate.'
Said he: 'Whenever the great skies spread,
In the beckoning vastness overhead,
A tent for the blue wren building a nest,
Then, down in the heart of you, learn what's best.'

And there came to Sym as he walked afield
Deep thoughts of the world and the folk of Gosh.
He saw the idols to which they kneeled;
He marked them cringe to the name of Splosli.
Is it meet,' he asked, 'that a soul should crawl
To a purple robe or a gilded chair?'
But his father walked to the garden's wall
And stooped to a rose-bush flowering there.

Said he: 'Whenever a bursting bloom
Looks up to the sun, may a soul find room
For a measure of awe at the wondrous birth
Of one more treasure to this glad earth.'
Said he: 'Whenever a dewdropp clings

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The Little Red Dog

The Glugs still live in the land of Gosh,
Under the rule of the great King Splosh.
And they climb the trees in the Summer and Spring,
Because it is reckoned the regular thing.
Down in the valley they live their lives,
Taking the air with their aunts and wives.
And they climb the trees in the Winter and Fall,
And count it improper to climb not at all.

And they name their trees with a thousand names,
Calling them after their Arts and Aims;
And some, they climb for the fun of the thing,
But most go up at the call of the King.
Some scale a tree that they fear to name,
For it bears great blossoms of scarlet shame.
But they eat of the fruit of the nameless tree,
Because they are Glugs, and their choice is free.

But every eve, when the sun goes West,
Over the mountain they call The Blest,
Whose summit looks down on the city of Gosh,
Far from the reach of the great King Splosh,
The Glugs gaze up at the heights above,
And feel vague promptings to wondrous love.
And they whisper a tale of a tinker man,
Who lives in the mount with his Emily Ann.

A great mother mountain, and kindly is she,
Who nurses young rivers and sends them to sea.
And, nestled high up on her sheltering lap,
Is a little red house with a little straw cap
That bears a blue feather of smoke, curling high,
And a bunch of red roses cocked over one eye.
And the eyes of it glisten and shine in the sun,
As they look down on Gosh with a twinkle of fun.

There's a gay little garden, a tidy white gate,
And a narrow brown pathway that will not run straight;
For it turns and it twists and it wanders about
To the left and the right, as in humorous doubt.
'Tis a humorous path, and a joke from its birth
Till it ends at the door with a wriggle of mirth.
And here in the mount lives the queer tinker man
With his little red dog and his Emily Arm.

And, once in a while, when the weather is clear,
When the work is all over, and even is near,
They walk in the garden and gaze down below
On the Valley of Gosh, where the young rivers go;
Where the houses of Gosh seem so paltry and vain,

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Jubilate Agno: Fragment B, Part 2

LET PETER rejoice with the MOON FISH who keeps up the life in the waters by night.

Let Andrew rejoice with the Whale, who is array'd in beauteous blue and is a combination of bulk and activity.

Let James rejoice with the Skuttle-Fish, who foils his foe by the effusion of his ink.

Let John rejoice with Nautilus who spreads his sail and plies his oar, and the Lord is his pilot.

Let Philip rejoice with Boca, which is a fish that can speak.

Let Bartholomew rejoice with the Eel, who is pure in proportion to where he is found and how he is used.

Let Thomas rejoice with the Sword-Fish, whose aim is perpetual and strength insuperable.

Let Matthew rejoice with Uranoscopus, whose eyes are lifted up to God.

Let James the less, rejoice with the Haddock, who brought the piece of money for the Lord and Peter.

Let Jude bless with the Bream, who is of melancholy from his depth and serenity.

Let Simon rejoice with the Sprat, who is pure and innumerable.

Let Matthias rejoice with the Flying-Fish, who has a part with the birds, and is sublimity in his conceit.

Let Stephen rejoice with Remora -- The Lord remove all obstacles to his glory.

Let Paul rejoice with the Scale, who is pleasant and faithful!, like God's good ENGLISHMAN.

Let Agrippa, which is Agricola, rejoice with Elops, who is a choice fish.

Let Joseph rejoice with the Turbut, whose capture makes the poor fisher-man sing.

Let Mary rejoice with the Maid -- blessed be the name of the immaculate CONCEPTION.

Let John, the Baptist, rejoice with the Salmon -- blessed be the name of the Lord Jesus for infant Baptism.

Let Mark rejoice with the Mullet, who is John Dore, God be gracious to him and his family.

Let Barnabus rejoice with the Herring -- God be gracious to the Lord's fishery.

Let Cleopas rejoice with the Mackerel, who cometh in a shoal after a leader.

Let Abiud of the Lord's line rejoice with Murex, who is good and of a precious tincture.

Let Eliakim rejoice with the Shad, who is contemned in his abundance.

Let Azor rejoice with the Flounder, who is both of the sea and of the river,

Let Sadoc rejoice with the Bleak, who playeth upon the surface in the Sun.

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Child Molester

Note- I wanted to write something something darker and deeper then what I currently have been.

This is what came out.

Dark Rewrite of Britney Spear's Womanizer

Storyline-One woman takes the stand that no one else will to save her street from the unthinkable

Perverted neighbor
I know where you're from
I think it's best you get your twisted... going
Got more then just a clue what you're up to
You can play squeaky clean tp all the others gathered here
But I know what you really are, what you really are sickie

Look at you
Tryin' to act so on the up and up
Sickie, you
Got everyone else here fooled
But not me, oh no, not me
Fakin' like deep down you're a good one
Let's just lay our cards out on the table
Get it all out now
Call 'em like we both know 'em

Child molester, child-child molester
You're a child molester
Oh, child molester, oh you're a child molester, sickie
You-you know-you know you are
You-you know-you know you are
Child molester, child molester, child molester

Sicko, don't try stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
Sicko, don't try to stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
(Spoken) You got some kind of twisted game goin'
You got them all believin' you're so charmin'
But I won't let you keep on doin' it
You child molester

Sicko, don't try stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
Sicko, don't try to stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
(Spoken) You say I'm crazy

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