It would have been a very, very good thing if the next election after Margaret went we had lost.
quote by Denis Thatcher
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Related quotes
Z. Comments
CRYSTAL GLOW
Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!
Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.
Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.
FRAGRANT JASMINE
Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!
Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.
I WENT THERE TO BID HER ADIEU
Kente Lucy Comment: wow great writing, what a way to bid farewell
Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.
I’M INCOMPLETE WITHOUT YOU
Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.
Margaret Alice Comment:
'To a resplendent glow of celestial flow
And two split halves unite never to part.'
Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!
IN CELESTIAL WINGS
Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.
Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!
Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.
'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'
Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.
RAGING FIRE
[...] Read more
poem by Praveen Kumar
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Wish List (votes for sale)
It’s election time again
Picture postcards in the mail
Election time again
On every campaign trail
Election time, election time, election time
It’s election time,
A photo opportunity everywhere
Yes election time,
Cleaner streets and cleaner air,
Election time, election time, election time
In every seat across the nation
Never seen so much enthusiasm
So many nice people wanting to shake my hand
Tell me they’ll do all they can
To fill my wish list
It’s election time,
And they’re all promising to do more
Yes election time
Than they did before
Election time, election time, election time
I’d love to have a house by the sea
Handpick my neighbors to suit me
Drive a car on my own road
Free education for young and old
A health system that doesn’t tear at the seems
Throw in world peace by two thirteen (2013)
It’s election time
Picture postcards in the mail
Election time
On every campaign trail
Election time, election time, election time
I’d love to have a house by the sea
Handpick my neighbors to suit me
Drive a car on my own road
Free education for young and old
A health system that doesn’t tear at the seems
Throw in world peace by two thirteen (2013)
The future for our children, may hold a little pain
But who’ll bite the bullet, come election time
Election time, election time, election time
Copyright Colin Coplin 2005 (updated 2010)
poem by Colin Coplin
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The Three Friends
Three young girls in friendship met;
Mary, Martha, Margaret.
Margaret was tall and fair,
Martha shorter by a hair;
If the first excelled in feature,
The other's grace and ease were greater;
Mary, though to rival loth,
In their best gifts equalled both.
They a due proportion kept;
Martha mourned if Margaret wept;
Margaret joyed when any good
She of Martha understood;
And in sympathy for either
Mary was outdone by neither.
Thus far, for a happy space,
All three ran an even race,
A most constant friendship proving,
Equally beloved and loving;
All their wishes, joys, the same;
Sisters only not in name.
Fortune upon each one smiled,
As upon a favourite child;
Well to do and well to see
Were the parents of all three;
Till on Martha's father crosses
Brought a flood of worldly losses,
And his fortunes rich and great
Changed at once to low estate;
Under which o'erwhelming blow
Martha's mother was laid low;
She a hapless orphan left,
Of maternal care bereft,
Trouble following trouble fast,
Lay in a sick bed at last.
In the depth of her affliction
Martha now received conviction,
That a true and faithful friend
Can the surest comfort lend.
Night and day, with friendship tried,
Ever constant by her side
Was her gentle Mary found,
With a love that knew no bound;
And the solace she imparted
Saved her dying broken-hearted.
[...] Read more
poem by Charles Lamb
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Dear Margaret
Dear margaret I beg of you
Dear margaret gonna tell on you
Dont want to be patronized
By those lying eyes
Dear margaret I wanted you
Youre warming me up
So you can leave me cold
Kissin up to the rich
Intending to control
All the money money money
Is that all you live for
Youre a model and example
Of a greed that will destroy
Dear margaret I beg of you
Dont you like rock n roll
Dear margaret gonna tell on you
I like your wiggle when you walk
Dear margaret I trusted you
Dont you let me down
Dear margaret I wanted you
You had me living the illusion
To be a millionaire
Investing in stocks
Look at you now stringin other guys along
Youre into swinging
Now the money is all gone
Dear margaret I beg of you
Dont you like rock n roll
Dear margaret I trusted you
Your economic growth
And your cool suntan
But what have you done to your fellow man
Youve betrated us all with just a
Wave of your hand
What good is prosperity
When it starves the soul in man
Dear margaret I beg of you
Dont you like rock n roll
Dear margaret gonna tell on you
I like your wiggle when you walk
Dont want to be patronized
By those lying eyes
Dear margaret I trusted you
Dont you let me down
Dear margaret I wanted you
song performed by Kinks
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Rudiger - A Ballad
Author Note: Divers Princes and Noblemen being assembled in a beautiful and fair
Palace, which was situate upon the river Rhine, they beheld a boat or
small barge make toward the shore, drawn by a Swan in a silver chain,
the one end fastened about her neck, the other to the vessel; and in it
an unknown soldier, a man of a comely personage and graceful presence,
who stept upon the shore; which done, the boat guided by the Swan left
him, and floated down the river. This man fell afterward in league with
a fair gentlewoman, married her, and by her had many children. After
some years, the same Swan came with the same barge into the same place;
the soldier entering into it, was carried thence the way he came, left
wife, children and family, and was never seen amongst them after.
Now who can judge this to be other than one of those spirits that are
named Incubi? says Thomas Heywood. I have adopted his story, but not his
solution, making the unknown soldier not an evil spirit, but one who had
purchased happiness of a malevolent being, by the promised sacrifice of
his first-born child.
.................
Bright on the mountain's heathy slope
The day's last splendors shine
And rich with many a radiant hue
Gleam gayly on the Rhine.
And many a one from Waldhurst's walls
Along the river stroll'd,
As ruffling o'er the pleasant stream
The evening gales came cold.
So as they stray'd a swan they saw
Sail stately up and strong,
And by a silver chain she drew
A little boat along,
Whose streamer to the gentle breeze
Long floating fluttered light,
Beneath whose crimson canopy
There lay reclin'd a knight.
With arching crest and swelling breast
On sail'd the stately swan
And lightly up the parting tide
The little boat came on.
And onward to the shore they drew
And leapt to land the knight,
And down the stream the swan-drawn boat
Fell soon beyond the sight.
[...] Read more
poem by Robert Southey
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Amen
It is over. What is over?
Nay, now much is over truly!—
Harvest days we toiled to sow for;
Now the sheaves are gathered newly,
Now the wheat is garnered duly.
It is finished. What is finished?
Much is finished known or unknown:
Lives are finished; time diminished;
Was the fallow field left unsown?
Will these buds be always unblown?
It suffices. What suffices?
All suffices reckoned rightly:
Spring shall bloom where now the ice is,
Roses make the bramble sightly,
And the quickening sun shine brightly,
And the latter wind blow lightly,
And my garden teem with spices.
Maiden-Song
Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Meggan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.
When Meggan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.
Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Meggan said one day:
'Fair Margaret can bide at home,
[...] Read more
poem by Christina Georgina Rossetti
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Maiden-Song
Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Megan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.
When Megan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.
Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Megan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go.'
So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.
When she raised her lustrous eyes
A beast peeped at the door;
[...] Read more
poem by Christina Georgina Rossetti
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When Margaret Comes To Town
When you were a kid you recieved no good instruction
And your mother was never nowhere to be found
This lies were yelled and the truth was seldom spoken
Thats what you get when margaret comes to town
She likes to keep things upside down
When margaret comes to town
When your thoughts are twisted and distorted
And your children are forced to choose sides and lie down
And the kepper is screaming drunk running around naked
Its for your pleasure when margaret comes to town
She likes to keep things upside down
When margaret comes to town
Oh, but those who believe in her
They cut off their noses to spite their faces
Leaving you the little one scared and lonely
Who really cares about you now
So if you see her coming man youd bettertake cover
She stays down at the dark end of a frown
And just like the sirens that are so sweet singing
Its better just to leave when margaret comes to town
When margaret comes to town
She likes to keep things upside down
When margaret comes to town
She likes to keep things upside down
When margaret comes to town
song performed by John Mellencamp
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The Lay of the Last Minstrel: Canto V.
I
Call it not vain;-they do not err,
Who say, that when the Poet dies,
Mute Nature mourns her worshipper,
And celebrates his obsequies:
Who say, tall cliff and cavern lone
For the departed Bard make moan;
That mountains weep in crystal rill;
That flowers in tears of balm distill;
Through his lov'd groves that breezes sigh,
And oaks, in deeper groan, reply;
And rivers teach their rushing wave
To murmur dirges round his grave
II
Not that, in sooth, o'er mortal urn
Those things inanimate can mourn;
But that the stream, the wood, the gale
Is vocal with the plaintive wail
Of those, who, else forgotten long,
Liv'd in the poet's faithful song,
And with the poet's parting breath,
Whose memory feels a second death.
The Maid's pale shade, who wails her lot,
That love, true love, should be forgot,
From rose and hawthorn shakes the tear
Upon the gentle Minstrel's bier:
The phantom Knight, his glory fled,
Mourns o'er the field he heap'd with dead;
Mounts the wild blast that sweeps amain,
And shrieks along the battle-plain.
The Chief, whose antique crownlet long
Still sparkled in the feudal song,
Now, from the mountain's misty throne,
Sees, in the thanedom once his own,
His ashes undistinguish'd lie,
His place, his power, his memory die:
His groans the lonely caverns fill,
His tears of rage impel the rill:
All mourn the Minstrel's harp unstrung,
Their name unknown, their praise unsung.
III
Scarcely the hot assault was staid,
The terms of truce were scarcely made,
When they could spy, from Branksome's towers,
The advancing march of martial powers.
Thick clouds of dust afar appear'd,
And trampling steeds were faintly heard;
Bright spears, above the columns dun,
[...] Read more
poem by Sir Walter Scott
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The Blind Girl Of Castel-Cuille. (From The Gascon of Jasmin)
At the foot of the mountain height
Where is perched Castel Cuille,
When the apple, the plum, and the almond tree
In the plain below were growing white,
This is the song one might perceive
On a Wednesday morn of Saint Joseph's Eve:
'The roads should blossom, the roads should bloom,
So fair a bride shall leave her home!
Should blossom and bloom with garlands gay,
So fair a bride shall pass to-day!'
This old Te Deum, rustic rites attending,
Seemed from the clouds descending;
When lo! a merry company
Of rosy village girls, clean as the eye,
Each one with her attendant swain,
Came to the cliff, all singing the same strain;
Resembling there, so near unto the sky,
Rejoicing angels, that kind Heaven has sent
For their delight and our encouragement.
Together blending,
And soon descending
The narrow sweep
Of the hillside steep,
They wind aslant
Towards Saint Amant,
Through leafy alleys
Of verdurous valleys
With merry sallies
Singing their chant:
'The roads should blossom, the roads should bloom,
So fair a bride shall leave her home!
Should blossom and bloom with garlands gay,
So fair a bride shall pass to-day!
It is Baptiste, and his affianced maiden,
With garlands for the bridal laden!
The sky was blue; without one cloud of gloom,
The sun of March was shining brightly,
And to the air the freshening wind gave lightly
Its breathings of perfume.
When one beholds the dusky hedges blossom,
A rustic bridal, oh! how sweet it is!
To sounds of joyous melodies,
That touch with tenderness the trembling bosom,
A band of maidens
[...] Read more
poem by Henry Wadsworth Longfellow
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Margaret
(traditional, arrangement by steve rothery, mark kelly, pete trawavas, michael pointer & fish)
For me and my true-love will never walk again on the bonnie, bonnie banks of loch lomond.
Moira anderson, eat your heart out!
You-ou--
Youll take the high road an Ill take the low road, an Ill be in scotland before you
For me and my true-love well never walk again on the bonnie, bonnie banks of loch lomond
Youll take the acid an Ill take the dope, an Ill be stoned before you
For me an my true-love, the drink waters well on the bonnie, bonnie banks of loch lomond
Step we gaily on we go, heel for heel and toe for toe
Arm in arm
An row an row all for mhairis wedding
Step we gaily on we go, heel for heel and toe for toe
Arm in arm an row an row all for mhairis wedding
I said you, you, you, youll take the high road
I said ill, ill, ill, Ill take the low road
On the lead guitar, from yorkshire mr. stephen rothery!
I said you, you, you, you take the high road
I said ill, ill, ill, Ill take the low road
On the bass guitar, the backing vocal, from aylesbury mr. peter trawavas!
I said you, you, you, you take the high road
I said ill, ill, ill, Ill take the low road
On the keyboards, from dublin mr. mark kelly!
I said you, you--, youll take the high road
I said ill, ill--, Ill take the low road
On drums, per-cus-si-on, mr. michael e.t. pointer!
And a very big round of applause, for yourself, one audience tonight
It takes two!
On vocals, and percussion fish! ...
A dream fulfilled!
Sweet ma- ma- ma- ma- margaret
I said you take the high road
An Ill take the low road
An Ill be in scotland before you
For me and my true-love well never meet again
On the bonnie, bonnie banks of loch lomond
Sweet ma- ma- ma- ma- margaret
The balcony: sweet ma- ma- ma- ma margaret
Say yer scottish: sweet ma- ma- ma- ma- margaret
I said youll take the high road
An Ill take the low road
An Ill be in scotland before you
For me and my true-love well never meet again
On the bonnie, bonnie, bonnie, bonnie, bonnie banks of loch lomond!
Banks of loch lomond!
Sweet margaret
Sweet margaret
Sweet ma- ma- ma- ma- margaret!
Thank you edinburgh, good night, we shall de-fi-nite-ly return
song performed by Marillion
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Metrical Letter, Written From London.
Margaret! my Cousin!--nay, you must not smile;
I love the homely and familiar phrase;
And I will call thee Cousin Margaret,
However quaint amid the measured line
The good old term appears. Oh! it looks ill
When delicate tongues disclaim old terms of kin,
Sirring and Madaming as civilly
As if the road between the heart and lips
Were such a weary and Laplandish way
That the poor travellers came to the red gates
Half frozen. Trust me Cousin Margaret,
For many a day my Memory has played
The creditor with me on your account,
And made me shame to think that I should owe
So long the debt of kindness. But in truth,
Like Christian on his pilgrimage, I bear
So heavy a pack of business, that albeit
I toil on mainly, in our twelve hours race
Time leaves me distanced. Loath indeed were I
That for a moment you should lay to me
Unkind neglect; mine, Margaret, is a heart
That smokes not, yet methinks there should be some
Who know how warm it beats. I am not one
Who can play off my smiles and courtesies
To every Lady of her lap dog tired
Who wants a play-thing; I am no sworn friend
Of half-an-hour, as apt to leave as love;
Mine are no mushroom feelings that spring up
At once without a seed and take no root,
Wiseliest distrusted. In a narrow sphere
The little circle of domestic life
I would be known and loved; the world beyond
Is not for me. But Margaret, sure I think
That you should know me well, for you and I
Grew up together, and when we look back
Upon old times our recollections paint
The same familiar faces. Did I wield
The wand of Merlin's magic I would make
Brave witchcraft. We would have a faery ship,
Aye, a new Ark, as in that other flood
That cleansed the sons of Anak from the earth,
The Sylphs should waft us to some goodly isle
Like that where whilome old Apollidon
Built up his blameless spell; and I would bid
The Sea Nymphs pile around their coral bowers,
That we might stand upon the beach, and mark
The far-off breakers shower their silver spray,
And hear the eternal roar whose pleasant sound
Told us that never mariner should reach
Our quiet coast. In such a blessed isle
[...] Read more
poem by Robert Southey
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John Rouat the Fisherman
Margaret Simpson was the daughter of humble parents in the county of Ayr,
With a comely figure, and face of beauty rare,
And just in the full bloom of her womanhood,
Was united to John Rouat, a fisherman good.
John's fortune consisted of his coble, three oars, and his fishing-gear,
Besides his two stout boys, John and James, he loved most dear.
And no matter how the wind might blow, or the rain pelt,
Or scarcity of fish, John little sorrow felt.
While sitting by the clear blazing hearth of his home,
With beaming faces around it, all his own.
But John, the oldest son, refused his father obedience,
Which John Rouat considered a most grievous offence.
So his father tried to check him, but all wouldn't do,
And John joined a revenue cutter as one of its crew;
And when his father heard it he bitterly did moan,
And angrily forbade him never to return home.
Then shortly after James ran away to sea without his parent's leave,
So John Rouat became morose, and sadly did grieve.
But one day he received a letter, stating his son John was dead,
And when he read the sad news all comfort from him fled.
Then shortly after that his son James was shot,
For allowing a deserter to escape, such was his lot;
And through the death of his two sons he felt dejected,
And the condolence of kind neighbours by him was rejected.
'Twas near the close of autumn, when one day the sky became o'ercast,
And John Rouat, contrary to his wife's will, went to sea at last,
When suddenly the sea began to roar, and angry billows swept along,
And, alas! the stormy tempest for John Rouat proved too strong.
But still he clutched his oars, thinking to keep his coble afloat,
When one 'whelming billow struck heavily against the boat,
And man and boat were engulfed in the briny wave,
While the Storm Fiend did roar and madly did rave.
When Margaret Rouat heard of her husband's loss, her sorrow was very great,
And the villagers of Bute were moved with pity for her sad fate,
And for many days and nights she wandered among the hills,
Lamenting the loss of her husband and other ills.
Until worn out by fatigue, towards a ruinous hut she did creep,
And there she lay down on the earthen Roor, and fell asleep,
And as a herd boy by chance was passing by,
He looked into the hut and the body of Margaret he did espy.
[...] Read more
poem by William Topaz McGonagall
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Margaret's Bridal Eve
I
The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.
My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.
O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.
Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.
Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.
O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.
II
O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.
Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.
O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.
O mother, but when I awake in the morn!
[...] Read more
poem by George Meredith
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But For Being Lost
As black imbued black, so was rendered the pitch of darkness
That befogged this godforsaken yard of graves -
And too the dank, ‘til now forgotten chapel that
Did little to grace these forlorn grounds.
Yet here stood I, seemingly first to tread this weed-ridden soil
Since times of yore when life had erstwhile blessed this land.
But for being lost in solitude - as does a country wanderer -
Would I not have happened across this morbid landscape.
And though detail rendered barely visible to my naked eye –
For desperately had the moon tried to break through this jet fog –
A sense of something suffused the place.
Was it those tormented spirits desperate for absolution,
Or perhaps the gargoyles teasing me on whether they be of stone or living flesh?
I was drawn to the oak door as it enticingly opened in passage for me.
The organ called from down the nave and through the pale orange of unsteady light
- that which could only be mustered from the few discoloured, moribund candles.
Could I also hear a distant choir of stern voices, as if in effort to scold me?
As I approached, those tarnished pipes came into view.
Standing erect with gothic pride, they bore down on me with patronising air -
Exaggerated by the disjointed sneering of minor chords,
As if to state that insignificant I had henceforth no grant of solace.
In answer, I steadied my rocking legs and racing mind to wonder of this scenario.
And in doing so, I found myself waking from a cramped dream –
Whence the message dawned: mine had been such a claustrophobic life.
Copyright © Mark R Slaughter 2009
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poem by Mark R Slaughter
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Clerk Saunders
Clerk Saunders and may Margaret
Walked ower yon garden green;
And sad and heavy was the love
That fell thir twa between.
'A bed, a bed,' Clerk Saunders said,
'A bed for you and me!'
'Fye na, fye na,' said may Margaret,
''Till anes we married be.
'For in may come my seven bauld brothers,
Wi' torches burning bright;
They'll say,--'We hae but ae sister,
And behold she's wi a knight!''
'Then take the sword frae my scabbard,
And slowly lift the pin;
And you may swear, and save your aith.
Ye never let Clerk Saunders in.
'And take a napkin in your hand,
And tie up baith your bonny e'en,
And you may swear, and save your aith,
Ye saw me na since late yestreen.'
It was about the midnight hour,
When they asleep were laid,
When in and came her seven brothers,
Wi' torches burning red.
When in and came her seven brothers,
Wi' torches burning bright:
They said, 'We hae but ae sister,
And behold her lying with a knight!'
Then out and spake the first o' them,
'I bear the sword shall gar him die!'
And out and spake the second o' them,
'His father has nae mair than he!'
And out and spake the third o' them,
'I wot that they are lovers dear!'
And out and spake the fourth o' them,
'They hae been in love this mony a year!'
Then out and spake the fifth o' them,
'It were great sin true love to twain!'
And out and spake the sixth o' them,
'It were shame to slay a sleeping man!'
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poem by Andrew Lang
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Be Good Johnny
Skip de skip, up the road
Off to school we go
Dont you be a bad boy johnny
Dont you slip up
Or play the fool
Oh no ma, oh no da,
Ill be your golden boy
I will obey evry golden rule
Get told by the teacher
Not to day-dream
Told by my mother:
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good (johnny)
Be good be good.
Are you going to play football this year, john?
No!
Oh, well you must be going to play cricket this year then,
Are you johnny?
No! no! no!
Boy, you sure are a funny kid, johnny, but I like you! so tell me,
What kind of a boy are you, john?
I only like dreaming
All the day long
Where no one is screaming
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Johnny!
song performed by Men At Work
Added by Lucian Velea
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Amy Margaret's Five Year Old
Amy Margaret's five years old,
Amy Margaret's hair is gold,
Dearer twenty-thousand-fold
Than gold, is Amy Margaret.
"Amy" is friend, is "Margaret"
The pearl for crown or carkanet?
Or peeping daisy, summer's pet?
Which are you, Amy Margaret?
A friend, a daisy, and a pearl,
A kindly, simple, precious girl, --
Such, howsoe'er the world may twirl,
Be ever, -- Amy Margaret!
poem by William Allingham
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Fourth Book
THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'
So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Third Book
'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.
For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!
Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.
Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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