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Through tattered clothes, small vices do appear. Robes and furred gowns hide all.

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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Tattered & Torn

Tattered and torn
Tattered and torn
Thats where my soul is worn
Tattered and torn
Thats when I was born
Tattered and torn
I broke away from me
Tattered and torn
I knocked me to my knees
Tattered and torn
I drink my own cells
Tattered and torn
A decomposing well
Tattered and torn
Roaches in my head
Tattered and torn
I become the living dead
Tattered and torn
Tearing myself apart from the
Things that make me hurt

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One Train May Hide Another

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line--
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may hide another--one colonial may hide another,
One blaring red uniform another, and another, a whole column. One bath
may hide another bath
As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple
Hide Life is incredibly complex, as in the prose of Gertrude Stein
One sentence hides another and is another as well. And in the laboratory
One invention may hide another invention,
One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple--this is a painting
By someone after Matisse. One waits at the tracks until they pass,
These hidden doubles or, sometimes, likenesses. One identical twin
May hide the other. And there may be even more in there! The obstetrician
Gazes at the Valley of the Var. We used to live there, my wife and I, but
One life hid another life. And now she is gone and I am here.
A vivacious mother hides a gawky daughter. The daughter hides
Her own vivacious daughter in turn. They are in
A railway station and the daughter is holding a bag
Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by
the mother's
And has to carry that one, too. So one hitchhiker
May deliberately hide another and one cup of coffee
Another, too, until one is over-excited. One love may hide another love
or the same love
As when "I love you" suddenly rings false and one discovers
The better love lingering behind, as when "I'm full of doubts"
Hides "I'm certain about something and it is that"
And one dream may hide another as is well known, always, too. In the

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Tattered and Torn

Tattered and Torn
That's where my soul is worn
Tattered and Torn
That's when I was born
Tattered and Torn
I broke away from me
Tattered and Torn
I knocked me to my knees
Tattered and Torn
I drink my own cells
Tattered and Torn
A decomposing well
Tattered and Torn
Roaches in my head
Tattered and Torn
I become the living dead
Tattered and Torn
Tearing myself apart from the
things that make me hurt

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Eye 4 An Eye (Silencer Mix)

Even now in heaven
There were angels carrying savage weapons
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
Is that room been fit to earth?
Doesn't help the ??? to grow sunshine?
Is this darkness all you'll take?
Have you'd passed through this life?
Run, run, run, but you sure can't hide...(hide, hide...)
Where you're going you're not coming back from
Run, run, run, but you sure can't hide...(hide, hide...)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
This grain evil
Where is it come from?
Had still the end of the world?
Who's doing this?
Who's killed us?
Marking us with the sign of the holy mighty man
Run, run, run...(run, run...)
Run, run, run...(run, run...)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run, but you sure can't hide...(hide...hide)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
(An eye for an eye...)
Are you righteous?
(A tooth for a tooth...)
Kind?
(Run, run, run but you sure can't hide...)
Does your confidence lie in this?
(An eye for an

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Homer

The Odyssey: Book 6

So here Ulysses slept, overcome by sleep and toil; but Minerva
went off to the country and city of the Phaecians- a people who used
to live in the fair town of Hypereia, near the lawless Cyclopes. Now
the Cyclopes were stronger than they and plundered them, so their king
Nausithous moved them thence and settled them in Scheria, far from all
other people. He surrounded the city with a wall, built houses and
temples, and divided the lands among his people; but he was dead and
gone to the house of Hades, and King Alcinous, whose counsels were
inspired of heaven, was now reigning. To his house, then, did
Minerva hie in furtherance of the return of Ulysses.
She went straight to the beautifully decorated bedroom in which
there slept a girl who was as lovely as a goddess, Nausicaa,
daughter to King Alcinous. Two maid servants were sleeping near her,
both very pretty, one on either side of the doorway, which was
closed with well-made folding doors. Minerva took the form of the
famous sea captain Dymas's daughter, who was a bosom friend of
Nausicaa and just her own age; then, coming up to the girl's bedside
like a breath of wind, she hovered over her head and said:
"Nausicaa, what can your mother have been about, to have such a lazy
daughter? Here are your clothes all lying in disorder, yet you are
going to be married almost immediately, and should not only be well
dressed yourself, but should find good clothes for those who attend
you. This is the way to get yourself a good name, and to make your
father and mother proud of you. Suppose, then, that we make tomorrow a
washing day, and start at daybreak. I will come and help you so that
you may have everything ready as soon as possible, for all the best
young men among your own people are courting you, and you are not
going to remain a maid much longer. Ask your father, therefore, to
have a waggon and mules ready for us at daybreak, to take the rugs,
robes, and girdles; and you can ride, too, which will be much
pleasanter for you than walking, for the washing-cisterns are some way
from the town."
When she had said this Minerva went away to Olympus, which they
say is the everlasting home of the gods. Here no wind beats roughly,
and neither rain nor snow can fall; but it abides in everlasting
sunshine and in a great peacefulness of light, wherein the blessed
gods are illumined for ever and ever. This was the place to which
the goddess went when she had given instructions to the girl.
By and by morning came and woke Nausicaa, who began wondering
about her dream; she therefore went to the other end of the house to
tell her father and mother all about it, and found them in their own
room. Her mother was sitting by the fireside spinning her purple
yarn with her maids around her, and she happened to catch her father
just as he was going out to attend a meeting of the town council,
which the Phaeacian aldermen had convened. She stopped him and said:
"Papa dear, could you manage to let me have a good big waggon? I
want to take all our dirty clothes to the river and wash them. You are
the chief man here, so it is only right that you should have a clean
shirt when you attend meetings of the council. Moreover, you have five
sons at home, two of them married, while the other three are

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The Aeneid of Virgil: Book 2

ALL were attentive to the godlike man,
When from his lofty couch he thus began:
“Great queen, what you command me to relate
Renews the sad remembrance of our fate:
An empire from its old foundations rent, 5
And ev’ry woe the Trojans underwent;
A peopled city made a desart place;
All that I saw, and part of which I was:
Not ev’n the hardest of our foes could hear,
Nor stern Ulysses tell without a tear. 10
And now the latter watch of wasting night,
And setting stars, to kindly rest invite;
But, since you take such int’rest in our woe,
And Troy’s disastrous end desire to know,
I will restrain my tears, and briefly tell 15
What in our last and fatal night befell.
“By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And by Minerva’s aid a fabric rear’d,
Which like a steed of monstrous height appear’d: 20
The sides were plank’d with pine; they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side
Selected numbers of their soldiers hide:
With inward arms the dire machine they load, 25
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay. 30
There was their fleet conceal’d. We thought, for Greece
Their sails were hoisted, and our fears release.
The Trojans, coop’d within their walls so long,
Unbar their gates, and issue in a throng,
Like swarming bees, and with delight survey 35
The camp deserted, where the Grecians lay:
The quarters of the sev’ral chiefs they show’d;
Here Phœnix, here Achilles, made abode;
Here join’d the battles; there the navy rode.
Part on the pile their wond’ring eyes employ: 40
The pile by Pallas rais’d to ruin Troy.
Thymoetes first (’t is doubtful whether hir’d,
Or so the Trojan destiny requir’d)
Mov’d that the ramparts might be broken down,
To lodge the monster fabric in the town. 45
But Capys, and the rest of sounder mind,
The fatal present to the flames designed,
Or to the wat’ry deep; at least to bore
The hollow sides, and hidden frauds explore.
The giddy vulgar, as their fancies guide, 50

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Save Me

(with dave mason)
Save me...
Save me...
Shes not a star
But shell go far
So shes telling all her friends
Shes only young and just begun
To see clearly
In her eyes
Nothing turned out like she thought it would
(thought it would)
And I was waiting right there where she stood
She said: save me
From this wicked world Im livin in
She said: save me
I dont wanna lose, I wanna win
I cant run and I cant hide
(cant run, cant hide away)
I cant run and I cant hide
(cant run, cant hide away)
She said: save me
(save me, girl)
She said save me...
Ooh!
All on her own
Shes on the phone
So sincerely...
Ooh... makin a joke
Theres no reply
She wonders why
And pays the rent one more time
Everybodys out there on the take
(on the take)
And I was there when she began to brake
(she began to brake)
She said: save me
From this wicked world Im livin in
(save me, baby)
She said: save me
I dont wanna lose, I wanna win
I cant run and I cant hide
(cant run, cant hide away)
I cant run and I cant hide
(cant run, cant hide away)
She said: save me
(save me, girl)
She said save me...
Ooh!
Everybodys out there on the take
(on the take)

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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Hide & Seek

When i'm looking here and there,
And i'm searchin' everywhere to find your love
But you play so hard to get
And i haven't found out yet where you are.
You'll never find
Just what you got.
Here i come.
Ready or not.
Hide and seek.
It's just a game we play.
Hide and seek.
Swear i gotta find you.
Sneakin' up behind you.
Hide and seek.
When i tried so hard to see
How you keep this mystery around our love
Every simple breath you take
Always makes the love we make seem so new
You're up to your
Old tricks again.
I close my eyes
And count to ten.
Hide and seek.
It's just a game we play.
Hide and seek.
Swear i gotta find you.
Sneakin' up behind you.
Hide and seek.
Hi hi hi hide.
You'll never find just what you got.
Here i come.
Ready or not.
Hide and seek.
It's just a game we play.
Hide and seek.
Swear i gotta find you.
Sneakin' up behind you.
Hide and seek.
Hide and seek.
It's just a game we play.
Hide and seek.
Swear i gotta find you.
Sneakin' up behind you.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Swear i gotta find you.

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Hide And Seek

When I'm looking here and there,
And I'm searchin' everywhere to find your LOVE
But you play so hard to get
And I haven't found out yet where you are.
You'll never find
Just what you got.
Here I come.
Ready or not.
Hide and seek.
It's just a game we play.
Hide and seek.
Swear I gotta find you.
Sneakin' up behind you.
Hide and seek.
When I tried so hard to see
How you keep this mystery around our LOVE
Every simple breath you take
Always makes the love we make seem so new
You're up to your
Old tricks again.
I close my eyes
And count to ten.
Hide and seek.
It's just a game we play.
Hide and seek.
Swear I gotta find you.
Sneakin' up behind you.
Hide and seek.
Hi hi hi hide.
You'll never find just what you got.
Here I come.
Ready or not.
Hide and seek.
It's just a game we play.
Hide and seek.
Swear I gotta find you.
Sneakin' up behind you.
Hide and seek.
Hide and seek.
It's just a game we play.
Hide and seek.
Swear I gotta find you.
Sneakin' up behind you.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Swear I gotta find you.

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Hide & Seek

When Im looking here and there,
And Im searchin everywhere to find your love
But you play so hard to get
And I havent found out yet where you are.
Youll never find
Just what you got.
Here I come.
Ready or not.
Hide and seek.
Its just a game we play.
Hide and seek.
Swear I gotta find you.
Sneakin up behind you.
Hide and seek.
When I tried so hard to see
How you keep this mystery around our love
Every simple breath you take
Always makes the love we make seem so new
Youre up to your
Old tricks again.
I close my eyes
And count to ten.
Hide and seek.
Its just a game we play.
Hide and seek.
Swear I gotta find you.
Sneakin up behind you.
Hide and seek.
Hi hi hi hide.
Youll never find just what you got.
Here I come.
Ready or not.
Hide and seek.
Its just a game we play.
Hide and seek.
Swear I gotta find you.
Sneakin up behind you.
Hide and seek.
Hide and seek.
Its just a game we play.
Hide and seek.
Swear I gotta find you.
Sneakin up behind you.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Hide and seek.
Swear I gotta find you.

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Hide Away Folk Family

Hide away folk family
Or else someones gonna get ya (someones gonna get ya)
Someones gonna get ya
Hide away folk family
Better hide away
Better hide away
Tippy-toe to the front door, mother,
cause theres a guy with a long, long fuse
And the one thing you cant hide is all the fear you feel inside
As the fuse is spelling out these words
Hide away folk family
Or else someones gonna get ya (someones gonna get ya)
Someones gonna get ya
Hide away folk family
Better hide away
Better hide away
Tippy-toe to the flat-bed, father,
Because theyre pouring out our gasoline
And sadly the cross-eyed bears been put to sleep behind the stairs
And his shoes are laced with irony
Hide away folk family
Or else someones gonna get ya (someones gonna get ya)
Someones gonna get ya
Hide away folk family
Better hide away
Better hide away
Hello. this is leslie down with the daily home astrology report.
Taurus: contemplate domestic turmoil.
Aquarius: abandon hope for future plans.
Hide away folk family
Or else someones gonna get ya (someones gonna get ya)
Someones gonna get ya
Hide away folk family
Better hide away
Better hide away (hide away)
Hide away (folk family) folk family (or else someones gonna get ya)
Someones gonna get ya
Hide away
Hide away

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Yesterday, To-day, and For Ever: Book IV. - The Creation of Angels and of Men

O tears, ye rivulets that flow profuse
Forth from the fountains of perennial love,
Love, sympathy, and sorrow, those pure springs
Welling in secret up from lower depths
Than couch beneath the everlasting hills:
Ye showers that from the cloud of mercy fall
In drops of tender grief, - you I invoke,
For in your gentleness there lies a spell
Mightier than arms or bolted chains of iron.
When floating by the reedy banks of Nile
A babe of more than human beauty wept,
Were not the innocent dews upon its cheeks
A link in God's great counsels? Who knows not
The loves of David and young Jonathan,
When in unwitting rivalry of hearts
The son of Jesse won a nobler wreath
Than garlands pluck'd in war and dipp'd in blood?
And haply she, who wash'd her Saviour's feet
With the soft silent rain of penitence,
And wiped them with her tangled tresses, gave
A costlier sacrifice than Solomon,
What time he slew myriads of sheep and kine,
And pour'd upon the brazen altar forth
Rivers of fragrant oil. In Peter's woe,
Bitterly weeping in the darken'd street,
Love veils his fall. The traitor shed no tear.
But Magdalene's gushing grief is fresh
In memory of us all, as when it drench'd
The cold stone of the sepulchre. Paul wept,
And by the droppings of his heart subdued
Strong men by all his massive arguments
Unvanquish'd. And the loved Evangelist
Wept, though in heaven, that none in heaven were found
Worthy to loose the Apocalyptic seals.
No holy tear is lost. None idly sinks
As water in the barren sand: for God,
Let David witness, puts his children's tears
Into His cruse and writes them in His book; -
David, that sweetest lyrist, not the less
Sweet that his plaintive pleading tones ofttimes
Are tremulous with grief. For he and all
God's nightingales have ever learn'd to sing,
Pressing their bosom on some secret thorn.
In the world's morning it was thus: and, since
The evening shadows fell athwart mankind,
Thus hath it always been. Blind and bereft,
The minstrel of an Eden lost explored
Things all invisible to mortal eyes.
And he, who touch'd with a true poet's hand
The harp of prophecy, himself had learn'd

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Alexander Pope

The Temple of Fame

In that soft season, when descending show'rs
Call forth the greens, and wake the rising flow'rs;
When op'ning buds salute the welcome day,
And earth relenting feels the genial day,
As balmy sleep had charm'd my cares to rest,
And love itself was banish'd from my breast,
(What time the morn mysterious visions brings,
While purer slumbers spread their golden wings)
A train of phantoms in wild order rose,
And, join'd, this intellectual sense compose.
I stood, methought, betwixt earth, seas, and skies;
The whole creation open to my eyes:
In air self-balanc'd hung the globe below,
Where mountains rise and circling oceans flow;
Here naked rocks, and empty wastes were seen,
There tow'ry cities, and the forests green:
Here sailing ships delight the wand'ring eyes:
There trees, and intermingled temples rise;
Now a clear sun the shining scene displays,
The transient landscape now in clouds decays.
O'er the wide Prospect as I gaz'd around,
Sudden I heard a wild promiscuous sound,
Like broken thunders that at distance roar,
Then gazing up, a glorious pile beheld,
Whose tow'ring summit ambient clouds conceal'd.
High on a rock of Ice the structure lay,
Steep its ascent, and slipp'ry was the way;
The wond'rous rock like Parian marble shone,
And seem'd, to distant sight, of solid stone.
Inscriptions here of various Names I view'd,
The greater part by hostile time subdu'd;
Yet wide was spread their fame in ages past,
And Poets once had promis'd they should last.
Some fresh engrav'd appear'd of Wits renown'd;
I look'd again, nor could their trace be found.
Critics I saw, that other names deface,
And fix their own, with labour, in their place:
Their own, like others, soon their place resign'd,
Or disappear'd, and left the first behind.
Nor was the work impair'd by storms alone,
But felt th' approaches of too warm a sun;
For Fame, impatient of extremes, decays
Not more by Envy than excess of Praise.
Yet part no injuries of heav'n could feel,
Like crystal faithful to th' graving steel:
The rock's high summit, in the temple's shade,
Nor heat could melt, nor beating storm invade.
Their names inscrib'd, unnumber'd ages past
From time's first birth, with time itself shall last;
These ever new, nor subject to decays,

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Confessio Amantis. Explicit Prologus

Incipit Liber Primus

Naturatus amor nature legibus orbem
Subdit, et vnanimes concitat esse feras:
Huius enim mundi Princeps amor esse videtur,
Cuius eget diues, pauper et omnis ope.
Sunt in agone pares amor et fortuna, que cecas
Plebis ad insidias vertit vterque rotas.
Est amor egra salus, vexata quies, pius error,
Bellica pax, vulnus dulce, suaue malum.

I may noght strecche up to the hevene
Min hand, ne setten al in evene
This world, which evere is in balance:
It stant noght in my sufficance
So grete thinges to compasse,
Bot I mot lete it overpasse
And treten upon othre thinges.
Forthi the Stile of my writinges
Fro this day forth I thenke change
And speke of thing is noght so strange,
Which every kinde hath upon honde,
And wherupon the world mot stonde,
And hath don sithen it began,
And schal whil ther is any man;
And that is love, of which I mene
To trete, as after schal be sene.
In which ther can noman him reule,
For loves lawe is out of reule,
That of tomoche or of tolite
Welnyh is every man to wyte,
And natheles ther is noman
In al this world so wys, that can
Of love tempre the mesure,
Bot as it falth in aventure:
For wit ne strengthe may noght helpe,
And he which elles wolde him yelpe
Is rathest throwen under fote,
Ther can no wiht therof do bote.
For yet was nevere such covine,
That couthe ordeine a medicine
To thing which god in lawe of kinde
Hath set, for ther may noman finde
The rihte salve of such a Sor.
It hath and schal ben everemor
That love is maister wher he wile,
Ther can no lif make other skile;
For wher as evere him lest to sette,
Ther is no myht which him may lette.
Bot what schal fallen ate laste,

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Solomon on the Vanity of the World, A Poem. In Three Books. - Knowledge. Book I.

The bewailing of man's miseries hath been elegantly and copiously set forth by many, in the writings as well of philosophers as divines; and it is both a pleasant and a profitable contemplation.
~
Lord Bacon's Advancement of Learning.


The Argument

Solomon, seeking happiness from knowledge, convenes the learned men of his kingdom; requires them to explain to him the various operations and effects of Nature; discourses of vegetables, animals and man; proposes some questions concerning the origin and situation of the habitable earth: proceeds to examine the system of the visible heaven: doubts if there may not be a plurality of worlds; inquires into the nature of spirits and angels, and wishes to be more fully informed as to the attributes of the Supreme Being. He is imperfectly answered by the Rabbins and Doctors; blames his own curiosity: and concludes that, as to human science, All Is Vanity.


Ye sons of men with just regard attend,
Observe the preacher, and believe the friend,
Whose serious muse inspires him to explain
That all we act and all we think is vain:
That in this pilgrimage of seventy years,
O'er rocks of perils and through vales of tears
Destined to march, our doubtful steps we tend,
Tired with the toil, yet fearful of its end:
That from the womb we take our fatal shares
Of follies, passions, labours, tumults, cares;
And at approach of death shall only know
The truths which from these pensive numbers flow,
That we pursue false joy and suffer real wo.

Happiness! object of that waking dream
Which we call life, mistaking; fugitive theme
Of my pursuing verse: ideal shade,
Notional good; by fancy only made,
And by tradition nursed; fallacious fire,
Whose dancing beams mislead our fond desire;
Cause of our care, and error of our mind:
Oh! hadst thou ever been by Heaven design'd
To Adam, and his mortal race, the boon
Entire had been reserved for Solomon;
On me the partial lot had been bestow'd,
And in my cup the golden draught had flow'd.

But, O! ere yet original man was made,
Ere the foundations of this earth were laid,
It was opponent to our search ordain'd,
That joy still sought should never be attain'd:
This sad experience cites me to reveal,
And what I dictate is from what I feel.

Born, as I as, great David's favourite son,
Dear to my people on the Hebrew throne,
Sublime my court, with Ophir's treasures bless'd.
My name extended to the farthest east,
My body clothed with every outward grace,
Strength in my limbs, and beauty in my face,

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The Parish Register - Part I: Baptisms

The year revolves, and I again explore
The simple Annals of my Parish poor;
What Infant-members in my flock appear,
What Pairs I bless'd in the departed year;
And who, of Old or Young, or Nymphs or Swains,
Are lost to Life, its pleasures and its pains.
No Muse I ask, before my view to bring
The humble actions of the swains I sing. -
How pass'd the youthful, how the old their days;
Who sank in sloth, and who aspired to praise;
Their tempers, manners, morals, customs, arts,
What parts they had, and how they 'mploy'd their

parts;
By what elated, soothed, seduced, depress'd,
Full well I know-these Records give the rest.
Is there a place, save one the poet sees,
A land of love, of liberty, and ease;
Where labour wearies not, nor cares suppress
Th' eternal flow of rustic happiness;
Where no proud mansion frowns in awful state,
Or keeps the sunshine from the cottage-gate;
Where young and old, intent on pleasure, throng,
And half man's life is holiday and song?
Vain search for scenes like these! no view appears,
By sighs unruffled or unstain'd by tears;
Since vice the world subdued and waters drown'd,
Auburn and Eden can no more be found.
Hence good and evil mixed, but man has skill
And power to part them, when he feels the will!
Toil, care, and patience bless th' abstemious few,
Fear, shame, and want the thoughtless herd pursue.
Behold the Cot! where thrives th' industrious

swain,
Source of his pride, his pleasure, and his gain;
Screen'd from the winter's wind, the sun's last ray
Smiles on the window and prolongs the day;
Projecting thatch the woodbine's branches stop,
And turn their blossoms to the casement's top:
All need requires is in that cot contain'd,
And much that taste untaught and unrestrain'd
Surveys delighted; there she loves to trace,
In one gay picture, all the royal race;
Around the walls are heroes, lovers, kings;
The print that shows them and the verse that sings.
Here the last Louis on his throne is seen,
And there he stands imprison'd, and his Queen;
To these the mother takes her child, and shows
What grateful duty to his God he owes;

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