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Kevin Costner

I am not a cynic.

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It Is Poetic And Prophetic

It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
And...
This could be interpreted,
As comments from a cynic.

'I see the holes in shoes.'

And...
This could be interpreted,
As comments from a cynic.

'Those shoes have not been used.
Since many are afraid of walking.
But talk about nonsense,
They choose to do.'

It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
And...
It could be interpreted,
As comments from a cynic.

'Lips flap flip flop so much.'

And...
This could be interpreted,
As comments from a cynic.

'Flipping lips lick ears to touch,
With venom spiced and nothing nice to say...
Yet quick to pick from empty pockets.'

It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.

'Woe goes the mogul to spend from thieving.
Wishing to steal more.
To take and not to give.
Or...

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The Golden Age

Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.

Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.

Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,-
Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.

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I Chop Some Parsley While Listening To Art Blakey's Version Of "Three Blind Mice"

And I start wondering how they came to be blind.
If it was congenital, they could be brothers and sister,
and I think of the poor mother
brooding over her sightless young triplets.

Or was it a common accident, all three caught
in a searing explosion, a firework perhaps?
If not,
if each came to his or her blindness separately,

how did they ever manage to find one another?
Would it not be difficult for a blind mouse
to locate even one fellow mouse with vision
let alone two other blind ones?

And how, in their tiny darkness,
could they possibly have run after a farmer's wife
or anyone else's wife for that matter?
Not to mention why.

Just so she could cut off their tails
with a carving knife, is the cynic's answer,
but the thought of them without eyes
and now without tails to trail through the moist grass

or slip around the corner of a baseboard
has the cynic who always lounges within me
up off his couch and at the window
trying to hide the rising softness that he feels.

By now I am on to dicing an onion
which might account for the wet stinging
in my own eyes, though Freddie Hubbard's
mournful trumpet on "Blue Moon,"

which happens to be the next cut,
cannot be said to be making matters any better.

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The Watch At Midnight

Dead stars, beneath the midnight's granite cope
and round your dungeon-gulf that blindly grope
and fall not, since no lower than any place
needs when the wing is dash'd and foil'd the face:
is this your shadow on the watcher's thought
imposed, or rather hath his anguish taught
the dumb and suffering dark to send you out,
reptile, the doubles of his lurking doubt,
in coasts of night that well might be supposed
the exiled hall of chaos late-deposed,
to haunt across this hour's desuetude,
immense, that whelms in monumental mood
the broad waste of his spirit, stonily
strewn with the wreck of his eternity?

The plumes of night, unfurl'd
and eyed with fire, are whirl'd
slowly above this watch, funereal:
the vast is wide, and yet
no way lies open; set
no bar, but the flat deep rises, a placid wall.
Some throne thou think'st to win
or pride of thy far kin;
this incomplete and dusty hour to achieve:
know that the hour is one,
eternally begun,
eternally deferr'd, thy grasp a Danaid sieve.
O weary realm, O height
the which exhausted flight
familiar finds, home of its prompting ill!
here, there, or there, or there,
even the same despair;
rest in thy place, O fool, the heart eludes thee still.
Rest — and a new abyss
suddenly yawns, of this
the moment sole, and yet the counterpart:
and thou must house it, thou,
within thy fleshy Now,
thyself the abyss that shrinks, the unbounded hermit-heart:
the mightier heart untold
whose paining depths enfold
all loneliness, all height, all vision'd shores;
and the abyss uncrown'd,
blank failure thro' each bound
from the consummate point thy broken hope implores.

The trees that thro' the tuneful morn had made
bride-dusk for beams that pierce the melting shade,
or thro' the opulent afternoon had stood
lordly, absorb'd in hieratic mood, —

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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George Meredith

The Sage Enamoured And The Honest Lady

I

One fairest of the ripe unwedded left
Her shadow on the Sage's path; he found,
By common signs, that she had done a theft.
He could have made the sovereign heights resound
With questions of the wherefore of her state:
He on far other but an hour before
Intent. And was it man, or was it mate,
That she disdained? or was there haply more?

About her mouth a placid humour slipped
The dimple, as you see smooth lakes at eve
Spread melting rings where late a swallow dipped.
The surface was attentive to receive,
The secret underneath enfolded fast.
She had the step of the unconquered, brave,
Not arrogant; and if the vessel's mast
Waved liberty, no challenge did it wave.
Her eyes were the sweet world desired of souls,
With something of a wavering line unspelt.
They hold the look whose tenderness condoles
For what the sister in the look has dealt
Of fatal beyond healing; and her tones
A woman's honeyed amorous outvied,
As when in a dropped viol the wood-throb moans
Among the sobbing strings, that plain and chide
Like infants for themselves, less deep to thrill
Than those rich mother-notes for them breathed round.
Those voices are not magic of the will
To strike love's wound, but of love's wound give sound,
Conveying it; the yearnings, pains and dreams.
They waft to the moist tropics after storm,
When out of passion spent thick incense steams,
And jewel-belted clouds the wreck transform.

Was never hand on brush or lyre to paint
Her gracious manners, where the nuptial ring
Of melody clasped motion in restraint:
The reed-blade with the breeze thereof may sing.
With such endowments armed was she and decked
To make her spoken thoughts eclipse her kind;
Surpassing many a giant intellect,
The marvel of that cradled infant mind.
It clenched the tiny fist, it curled the toe;
Cherubic laughed, enticed, dispensed, absorbed;
And promised in fair feminine to grow
A Sage's match and mate, more heavenly orbed.

II

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Ruth

All is well—in a prison—to-night, and the warders are crying ‘All’s Well!’
I must speak, for the sake of my heart—if it’s but to the walls of my cell.
For what does it matter to me if to-morrow I go where I will?
I’m as free as I ever shall be—there is naught in my life to fulfil.
I am free! I am haunted no more by the question that tortured my brain:
‘Are you sane of a people gone mad? or mad in a world that is sane?’
I have had time to rest—and to pray—and my reason no longer is vext
By the spirit that hangs you one day, and would hail you as martyr the next.

Are the fields of my fancy less fair through a window that’s narrowed and barred?
Are the morning stars dimmed by the glare of the gas-light that flares in the yard?
No! And what does it matter to me if to-morrow I sail from the land?
I am free, as I never was free! I exult in my loneliness grand!

Be a saint and a saviour of men—be a Christ, and they’ll slander and rail!
Only Crime’s understood in the world, and a man is respected—in gaol.
But I find in my raving a balm—in the worst that has come to the worst—
Let me think of it all—I grow calm—let me think it all out from the first.

Beyond the horizon of Self do the walls of my prison retreat,
And I stand in a gap of the hills with the scene of my life at my feet;
The range to the west, and the Peak, and the marsh where the dark ridges end,
And the spurs running down to the Creek, and the she-oaks that sigh in the bend.
The hints of the river below; and, away on the azure and green,
The old goldfield of Specimen Flat, and the township—a blotch on the scene;
The store, the hotels, and the bank—and the gaol and the people who come
With the weatherboard box and the tank—the Australian idea of home:

The scribe—spirit-broken; the ‘wreck,’ in his might-have-been or shame;
The townsman ‘respected’ or worthy; the workman respectful and tame;
The boss of the pub with his fine sense of honour, grown moral and stout,
Like the spielers who came with the ‘line,’ on the cheques that were made farther out.

The clever young churchman, despised by the swaggering, popular man;
The doctor with hands clasped behind, and bowed head, as if under a ban;
The one man with the brains—with the power to lead, unsuspected and dumb,
Whom Fate sets apart for the Hour—the man for the hour that might come.

The old local liar whose story was ancient when Egypt was young,
And the gossip who hangs on the fence and poisons God’s world with her tongue;
The haggard bush mother who’d nag, though a husband or child be divine,
And who takes a fierce joy in a rag of the clothes on the newcomer’s line.

And a lad with a cloud on his heart who was lost in a world vague and dim—
No one dreamed as he drifted apart that ’twas genius the matter with him;
Who was doomed, in that ignorant hole, to its spiritless level to sink,
Till the iron had entered his soul, and his brain found a refuge in drink.

Perhaps I was bitter because of the tongues of disgrace in the town—
Of a boy-nature misunderstood and its nobler ambitions sneered

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Griselda: A Society Novel In Verse - Chapter IV

How shall I take up this vain parable
And ravel out its issue? Heaven and Hell,
The principles of good and evil thought,
Embodied in our lives, have blindly fought
Too long for empire in my soul to leave
Much for its utterance, much that it can grieve.
A soldier on the battlefield of life,
I have grown callous to the signs of strife,
And feel the wounds of others and my own
With scarce a tremor and without a groan.
I have seen many perish in their sins,
Known much of frailty and inconsequence,
And if I laughed once, now I dare not be
Other than sad at man's insanity.
Therefore, in all humility of years,
Colder and wiser for hopes drowned in tears,
And seeking no more quarries for my mirth,
Who most need pity of the sons of earth,
I dip in kindlier ink my chastened pen,
And fill of my lost tale what leaves remain.

Years passed. Griselda from my wandering sight
Had waned and vanished, like a meteor bright,
Leaving no pathway in my manhood's heaven
Save only memories vaguely unforgiven
Of something fair and sad, which for a day
Had lit its zenith and had gone its way.
Rome and the Prince, the tale that I had heard,
Griselda's beauty--all that once had stirred
My curious thought to wonder and regret,
In the vexed problem of her woman's fate,
Had yielded place to the world's work--day cares,
The wealth it covets and the toil it dares.
I was no more a boy, when idle chance
And that light favour which attends romance
Brought me once more within the transient spell
Of other days, and dreams of Lady L.

'Twas in September--(I have always found
That month in my life's record dangerous ground,
Whether it be due to some unreasoned stress
Of the mad stars which dog our happiness,
Or whether, since in truth most things are due
To natural causes, if our blindness knew,
To the strong law of Nature's first decay,
Warning betimes of time that cannot stay,
And summer perishing, and hours to come,
Lit by less hope in the year's martyrdom;
And so we needs must seize at any cost
Fleet pleasure's hem lest all our day be lost)--

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The Last Review

Turn the light down, nurse, and leave me, while I hold my last review,
For
the Bush
is slipping from me, and the town is going too:
Draw the blinds, the streets are lighted, and I hear the tramp of feet—
And I’m weary, very weary, of the
Faces in the Street
.

In the dens of Grind and Heartbreak, in the streets of Never-Rest,
I have lost the scent and colour and the music of the West:
And I would recall old faces with the memories they bring—
Where are Bill and Jim and Mary and the
Songs They used to Sing
?

They are coming! They are coming! they are passing through the room
With the smell of gum leaves burning, and the scent of
Wattle bloom!

And behind them in the timber, after dust and heat and toil,
Others sit beside the camp fire yarning while the billies boil.

In the Gap above the ridges there’s a flash and there’s a glow—
Swiftly down the scrub-clad siding come the
Lights of Cobb and Co
.:
Red face from the box-seat beaming—Oh, how plain those faces come!
From his ‘Golden-Hole’ ’tis Peter M’Intosh who’s going home.

Dusty patch in desolation, bare slab walls and earthen floor,
And a blinding drought is blazing from horizons to the door:
Milkless tea and ration sugar, damper junk and pumpkin mash—
And a
Day on our Selection
passes by me in a flash.

Rush of big wild-eyed store bullocks while the sheep crawl hopelessly,
And the loaded wool teams rolling, lurching on like ships at sea:
With his whip across his shoulder (and the wind just now abeam),
There goes
Jimmy Nowlett
ploughing through the dust beside his team!

Sunrise on the diggings! (Oh! what life and hearts and hopes are here)
From a hundred pointing forges comes a tinkle, tinkle clear—
Strings of drays with wash to puddle, clack of countless windlass boles,
Here and there
the red flag flying
, flying over golden holes.

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H.L. Mencken

A cynic is a man who, when he smells flowers, looks around for a coffin.

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Oscar Wilde

What is a cynic? A man who knows the price of everything and the value of nothing.

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A cynic is not merely one who reads bitter lessons from the past, he is one who is prematurely disappointed in the future.

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Never be a cynic, even a gentle one. Never help out a sneer, even at the devil.

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Eric Hoffer

The opposite of the religious fanatic is not the fanatical atheist but the gentle cynic who cares not whether there is a god or not.

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Henry Ward Beecher

The cynic is one who never sees a good quality in a man, and never fails to see a bad one. He is a human owl, vigilant in darkness, and blind to light, mousing for vermin, and never seeing noble game.

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An idealist believes the short run doesn't count. A cynic believes the long run doesn't matter. A realist believes that what is done or left undone in the short run determines the long run.

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The day a person becomes a cynic is the day he loses his youth.

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A cynic is not merely one who reads bitter lessons from the past, he is one who is prematurely disappointed in the future.

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Tracy Chapman

I'm a hopeful cynic.

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Cynic: Someone who found out there wasn’t any Santa Claus when he was ten and is still upset about it.

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