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I met my wife, Doreen, who was a dancer in the show.

quote by Ernie Wise
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Show Me Love

(spoken) Hello
This was an accident
Not the kind where sorrow sounds
Never even noticed
We're suddenly crumbling
Tell me how you've never felt
Delicate or innocent
Do you still have doubts that
Us having faith makes any sense
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Staring at your photograph
Everything now in the past
Never felt so lonely
I wish that you could show me love
Shov me love
Show me love
Show me love
Show me love
Show me love
'Til you open that door
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm up off the floor
Show me love
Show me love
Show me love
Show me love
Show me love
'Til it's inside my pores
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm screaming for more
Random acts of mindlessness
Commonplace occurences
Chances and surprises
Another state of consciousness
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Tell me how you've never felt

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song performed by Tatu
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Sexy Dancer

Sexy dancer
Sexy dancer
Sexy dancer, you got my body screamin
Sexy dancer, you got me just-a-creamin
Sexy dancer, when you rub my body
Sexy dancer, it gets me so hot...hot!
Sexy dancer, sexy dancer
Sexy dancer, sexy dancer
Sexy dancer, I want your body, want your body
Sexy dancer, dance
Sexy dancer, I want your body, want your body
Sexy dancer, dance
Sexy dancer, I want your body, want your body
Sexy dancer, dance
Sexy dancer, I want your body, want your body
Sexy dancer, dance
Sexy dancer, do that sexy dance
Sexy dancer
Sexy dancer, sexy dancer
Sexy dancer, sexy dancer
Hot!

song performed by Prince
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
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Mar

''Er pore dear Par.' she sez, ''e kept a store';
An' then she weeps an' stares 'ard at the floor.
''Twas thro' 'is death,' she sez, 'we wus rejuiced
To this,' she sez . . . An' then she weeps some more.

''Er par,' she sez, 'me poor late 'usband, kept
An 'ay an' corn store. 'E'd no faults ixcept
'Im fallin' 'eavy orf a load o' charf
W'ich - killed 'im - on the - ' 'Struth! But 'ow she wept.

She blows 'er nose an' sniffs. ''E would 'a' made'
She sez, 'a lot of money in the trade.
But, 'im took orf so sudden-like, we found
'E 'adn't kept 'is life insurince paid.

'To think,' she sez, 'a child o' mine should be
Rejuiced to workin' in a factory!
If 'er pore Par 'e 'adn't died,' she sobs…
I sez, 'It wus a bit o' luck for me.'

Then I gits 'as red as 'ell, 'That is - I mean,'
I sez, 'I mighter never met Doreen
If 'e 'ad not' - an' 'ere I lose me block
'I 'ope,' I sez, ''e snuffed it quick and clean.'

An' that wus 'ow I made me first deboo.
I'd dodged it cunnin' fer a month or two.
Doreen she sez, 'You'll have to meet my Mar,
Some day,' she sez. An' so I seen it thro'.

I'd pictered some stern female in a cap
Wot puts the fear o' Gawd into a chap
And 'ere she wus, aweepin' in 'er tea
An' drippin' moistcher like a leaky tap.

Two dilly sorter dawgs made outer delf
Stares 'ard at me frum orf the mantelshelf.
I seemed to symperthise wiv them there pups;
I felt so stiff an' brittle-like meself.

Clobber? Me trosso, 'ead to foot, wus noo
Got up regardless, fer this interview.
Stiff shirt, a Yankee soot split up the back,
A tie wiv yeller spots an' stripes o' blue.

Me cuffs kep' playing wiv me nervis fears
Me patent leathers nearly brought the tears
An' there I sits wiv, 'Yes, mum. Thanks. Indeed?'
Me stand-up collar sorin' orf me ears.

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poem by Clarence Michael James Stanislaus Dennis
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Dummy Bridge

'If I'd 'a' played me Jack on that there Ten'
Sez Peter Begg, 'I might 'a' made the lot.'
''Ow could yeh?' barks ole Poole. ''Ow could yeh, when
I 'ad me Queen be'ind?' Sez Begg, 'Wot rot!
I slung away me King to take that trick.
Which one! Say, ain't yer 'ead a trifle thick?'

'Now, don't yeh see that when I plays me King
I give yer Queen a chance, an' lost the slam.'
But Poole, 'e sez 'e don't see no such thing,
So Begg gits 'ot, an' starts to loose a 'Damn.'
'E twigs the missus jist in time to check,
An' makes it 'Dash,' an' gits red down 'is neck.

There's me an' Peter Begg, an' ole man Poole
Neighbours uv mine, that farm a bit close by
Jist once a week or so we makes a school,
An' gives this game uv Dummy Bridge a fly.
Doreen, she 'as her sewing be the fire,
The kid's in bed; an' 'ere's me 'eart's desire.

'Ome-comfort, peace, the picter uv me wife
'Appy at work, me neighbours gathered round
All friendly-like - wot more is there in life?
I've searched a bit, but better I ain't found.
Doreen, she seems content, but in 'er eye
I've seen reel pity when the talk gits 'igh.

This ev'nin' we 'ad started off reel 'ot:
Two little slams, an' Poole, without a score,
Still lookin' sore about the cards 'e'd got
When, sudden-like, a knock comes to the door.
'A visitor,' growls Begg, 'to crool our game.'
An' looks at me, as though I was to blame.

Jist as Doreen goes out, I seen 'er grin.
'Deal 'em up quick!' I whispers. 'Grab yer 'and,
An' look reel occupied when they comes in.
Per'aps they'll 'ave the sense to understand.
If it's a man, maybe 'e'll make a four;
But if' - Then Missus Flood comes in the door.

'Twas ole Mar Flood, 'er face wrapped in a smile.
'Now, boys,' she sez, 'don't let me spoil yer game.
I'll jist chat with Doreen a little while;
But if yeh stop I'll be ashamed I came.'
An' then she waves a letter in 'er 'and.
Sez she, 'Our Jim's a soldier! Ain't it grand?'

'Good boy,' sez Poole. 'Let's see. I make it 'earts.'

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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How a Little Girl Danced

DEDICATED TO LUCY BATES

(Being a reminiscence of certain private theatricals.)

Oh, cabaret dancer, I know a dancer,
Whose eyes have not looked on the feasts that are vain.
I know a dancer, I know a dancer,
Whose soul has no bond with the beasts of the plain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.

Oh, thrice-painted dancer, vaudeville dancer,
Sad in your spangles, with soul all astrain,
I know a dancer, I know a dancer,
Whose laughter and weeping are spiritual gain,
A pure-hearted, high-hearted maiden evangel,
With strength the dark cynical earth to disdain.

Flowers of bright Broadway, you of the chorus,
Who sing in the hope of forgetting your pain:
I turn to a sister of Sainted Cecilia,
A white bird escaping the earth's tangled skein:—
The music of God is her innermost brooding,
The whispering angels her footsteps sustain.

Oh, proud Russian dancer: praise for your dancing.
No clean human passion my rhyme would arraign.
You dance for Apollo with noble devotion,
A high cleansing revel to make the heart sane.
But Judith the dancer prays to a spirit
More white than Apollo and all of his train.

I know a dancer who finds the true Godhead,
Who bends o'er a brazier in Heaven's clear plain.
I know a dancer, I know a dancer,
Who lifts us toward peace, from this earth that is vain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.

poem by Vachel Lindsay
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Uncle Jim

'I got no time fer wasters, lad,' sez 'e,
'Give me a man wiv grit,' sez Uncle Jim.
'E bores 'is cute ole eyes right into me,
While I stares 'ard an' gives it back to 'im.
Then orl at once 'e grips me 'and in 'is:
'Some'ow,' 'e sez, 'I likes yer ugly phiz.'

'You got a look,' 'e sez, 'like you could stay;
Altho' yeh mauls King's English when yeh yaps,
An' 'angs flash frills on ev'rythink yeh say.
I ain't no grammarist meself, per'aps,
But langwidge is a 'elp, I owns,' sez Unk,
'When things is goin' crook.' An' 'ere 'e wunk.

'Yeh'll find it tough,' 'e sez, 'to knuckle down.
Good farmin' is a gift—like spoutin' slang.
Yeh'll 'ave to cut the luxuries o' town,
An' chuck the manners of this back-street gang;
Fer country life ain't cigarettes and beer.'
'I'm game,' I sez. Sez Uncle, 'Put it 'ere!'

Like that I took the plunge, an' slung the game.
I've parted wiv them joys I 'eld most dear;
I've sent the leery bloke that bore me name
Clean to the pack wivout one pearly tear;
An' frum the ashes of a ne'er-do-well
A bloomin' farmer's blossomin' like 'ell.

Farmer! That's me! Wiv this 'ere strong right 'and
I've gripped the plough; and blistered jist a treat.
Doreen an' me 'as gone upon the land.
Yours truly fer the burden an' the 'eat!
Yours truly fer upendin' chunks o' soil!
The 'ealthy, 'ardy, 'appy son o' toil!

I owns I've 'ankered fer me former joys;
I've 'ad me hours o' broodin' on me woes;
I've missed the comp'ny, an' I've missed the noise,
The football matches an' the picter shows.
I've missed—but, say, it makes me feel fair mean
To whip the cat; an' then see my Doreen.

To see the colour comin' in 'er cheeks,
To see 'er eyes grow brighter day be day,
The new, glad way she looks an' laughs an' speaks
Is worf ten times the things I've chucked away.
An' there's a secret, whispered in the dark,
'As made me 'eart sing like a flamin' lark.

Jist let me tell yeh 'ow it come about.

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poem by Clarence Michael James Stanislaus Dennis
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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poem by Robert Browning from The Ring and the Book
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The Intro

'Er name's Doreen…Well spare me bloomin' days!
You could er knocked me down wiv 'arf a brick!
Yes, me, that kids meself I know their ways,
An' 'as a name for smoogin' in our click!
I just lines up an' tips the saucy wink.
But strike! The way she piled on dawg! Yer'd think
A bloke was givin' back-chat to the Queen….
'Er name's Doreen.

I seen 'er in the markit first uv all,
Inspectin' brums at Steeny Isaacs' stall.
I backs me barrer in—the same ole way
An' sez, 'Wot O! It's been a bonzer day.
'Ow is it fer a walk?'…Oh, 'oly wars!
The sorter look she gimme! Jest becors
I tried to chat 'er, like you'd make a start
Wiv ANY tart.

An' I kin take me oaf I wus perlite.
An' never said no word that wasn't right,
An' never tried to maul 'er, or to do
A thing yeh might call crook. Ter tell yeh true,
I didn't seem to 'ave the nerve—wiv 'er.
I felt as if I couldn't go that fur,
An' start to sling off chiack like I used…
Not INTRAJUICED!

Nex' time I sighted 'er in Little Bourke,
Where she was in a job. I found'er lurk
Wus pastin' labels in a pickle joint,
A game that—any'ow, that ain't the point.
Once more I tried ter chat 'er in the street,
But, bli'me! Did she turn me down a treat!
The way she tossed 'er 'cad an' swished 'er skirt!
Oh, it wus dirt!

A squarer tom, I swear, I never seen,
In all me natchril, than this 'ere Doreen.
It wer'n't no guyver neither; fer I knoo
That any other bloke 'ad Buckley's 'oo
Tried fer to pick 'er up. Yes, she was square.
She jist sailed by an' lef' me standin' there
Like any mug. Thinks I, 'I'm out er luck,'
An' done a duck

Well, I dunno. It's that way wiv a bloke.
If she'd ha' breasted up ter me an' spoke,
I'd thort 'er jist a commin bit er fluff,
An' then fergot about 'er, like enough.
It's jest like this. The tarts that's 'ard ter get

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poem by Clarence Michael James Stanislaus Dennis
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The Intro

'Er name's Doreen ...Well, spare me bloomin' days!
You could er knocked me down wiv 'arf a brick!
Yes, me, that kids meself I know their ways,
An' 'as a name for smoogin' in our click!
I just lines up 'an tips the saucy wink.
But strike! The way she piled on dawg! Yer'd think
A bloke was givin' back-chat to the Queen....
'Er name's Doreen.

I seen 'er in the markit first uv all,
Inspectin' brums at Steeny Isaacs' stall.
I backs me barrer in - the same ole way --
An' sez, 'Wot O! It's been a bonzer day.
'Ow is it fer a walk?' ... Oh, 'oly wars!
The sorta look she gimme! Jest becors
I tried to chat 'er, like you'd make a start
Wiv any tart.

An' I kin take me oaf I wus perlite.
An' never said no word that wasn't right,
An' never tried to maul 'er, or to do
A thing yeh might call croook. Ter tell yeh true,
I didn't seem to 'ave the nerve -- wiv 'er.
I felt as if I couldn't go that fur,
An' start to sling of chiack like I used...
Not intrajuiced!

Nex' time I sighted 'er in Little Bourke,
Where she was in a job. I found 'er lurk
Wus pastin' labels in a pickle joint,
A game that -- any'ow, that ain't the point.
Once more I tried to chat 'er in the street,
But, bli'me! Did she turn me down a treat!
The way she tossed 'er head an' swished 'er skirt!
Oh, it wus dirt!

A squarer tom, I swear, I never seen,
In all me natchril, than this 'ere Doreen.
It wer'n't no guyver neither; fer I knoo
That any other bloke 'ad Buckley's 'oo
Tried fer to pick 'er up. Yes, she was square.
She jest sailed by an' lef me standin' there
Like any mug. Thinks I, 'I'm out er luck,'
And done a duck.

Well, I dunno. It's that way wiv a bloke.
If she'd ha' breasted up ter me an' spoke.
I'd thort 'er jist a common bit er fluff,
An' then fergot about 'er, like enough.
It's jest like this. The tarts that's 'ard ter get

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poem by Clarence Michael James Stanislaus Dennis
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

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poem by Coventry Patmore
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Hitched

An'—wilt—yeh—take—this—woman—fer—to—be
Yer—wed ded—wife?— . . . O, strike me! Will I wot?
Take 'er? Doreen? 'E stan's there arstin' me!
As if 'e thort per'aps I'd rather not!
Take 'er? 'E seemed to think 'er kind was got
Like cigarette-cards, fer the arstin'. Still,
I does me stunt in this 'ere hitchin' rot,
An' speaks me piece: 'Righto!' I sez, 'I will.'

'I will,' I sez. An' tho' a joyful shout
Come from me bustin' 'eart—I know it did
Me voice got sorter mangled comin' out,
An' makes me whisper like a frightened kid.
'I will,' I squeaks. An' I'd 'a' give a quid
To 'ad it on the quite, wivout this fuss,
An' orl the starin' crowd that Mar 'ad bid
To see this solim hitchin' up of us.

'Fer—rich-er—er—fer—poorer.' So 'e bleats.
'In—sick-ness—an'—in—'ealth,' . . . An' there I stands,
An' dunno 'arf the chatter I repeats,
Nor wot the 'ell to do wiv my two 'ands.
But 'e don't 'urry puttin' on our brands
This white-'aired pilot-bloke—but gives it lip,
Dressed in 'is little shirt, wiv frills an' bands.
'In sick-ness—an'—in—' Ar! I got the pip!

An' once I missed me turn; an' Ginger Mick,
'Oo's my best-man, 'e ups an' beefs it out.
'I will!' 'e 'owls; an' fetches me a kick.
'Your turn to chin!' 'e tips wiv a shout.
An' there I'm standin' like a gawky lout.
(Aw, spare me! But I seemed to be all 'ands!)
An' wonders wot 'e's goin' crook about,
Wiv 'arf a mind to crack 'im where 'e stands.

O, lumme! But ole Ginger was a trick!
Got up regardless fer the solim rite.
('E 'awks the bunnies when 'e toils, does Mick)
An' twice I saw 'im feelin' fer a light
To start a fag; an' trembles lest 'e might,
Thro' force o' habit like. 'E's nervis too;
That's plain, fer orl 'is air o' bluff an' skite;
An' jist as keen as me to see it thro'.

But, 'struth, the wimmnin! 'Ow they love this frill!
Fer Auntie Liz, an' Mar, o' course, wus there;
An' Mar's two uncles' wives, an' Cousin Lil,
An' 'arf a dozen more to grin and stare.
I couldn't make me 'ands fit anywhere!

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poem by Clarence Michael James Stanislaus Dennis
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The Sentimental Bloke

An'-wilt-yeh-take-this-woman-fer-to-be
Yer-wedded-wife? -... O, strike me! Will I wot?
Take 'er? Doreen? 'E stan's there arstin' me!
As if 'e thort per'aps I'd rather not!
Take 'er? 'E seemed to think 'er kind was got
Like cigarette-cards, fer the arstin'. Still,
I does me stunt in this 'ere hitchin' rot,
An' speaks me piece: 'Righto! ' I sez, 'I will.'

'I will,' I sez. An' tho' a joyful shout
Come from me bustin' 'eart-I know it did-
Me voice got sorter mangled comin' out,
An' makes me whisper like a frightened kid.
'I will,' I squeaks. An' I'd 'a' give a quid
To 'ad it on the quite, wivout this fuss,
An' orl the starin' crowd that Mar 'ad bid
To see this solim hitchin' up of us.

'Fer-rich-er-er-fer-poorer.' So 'e bleats.
'In-sick-ness-an'-in-'ealth,'... An' there I stands,
An' dunno 'arf the chatter I repeats,
Nor wot the 'ell to do wiv my two 'ands.
But 'e don't 'urry puttin' on our brands -
This white-'aired pilot-bloke - but gives it lip,
Dressed in 'is little shirt, wiv frills an' bands.
'In sick-ness-an'-in-' Ar! I got the pip!

An' once I missed me turn; an' Ginger Mick,
'Oo's my best-man, 'e ups an' beefs it out.
'I will! ' 'e 'owls; an' fetches me a kick.
'Your turn to chin! ' 'e tips wiv a shout.
An' there I'm standin' like a gawky lout.
(Aw, spare me! But I seemed to be all 'ands!)
An' wonders wot 'e's goin' crook about,
Wiv 'arf a mind to crack 'im where 'e stands.

O, lumme! But ole Ginger was a trick!
Got up regardless fer the solim rite.
('E 'awks the bunnies when 'e toils, does Mick)
An' twice I saw 'im feelin' fer a light
To start a fag; an' trembles lest 'e might,
Thro' force o' habit like. 'E's nervis too;
That's plain, fer orl 'is air o' bluff an' skite;
An' jist as keen as me to see it thro'.

But, 'struth, the wimmnin! 'Ow they love this frill!
Fer Auntie Liz, an' Mar, o' course, wus there;
An' Mar's two uncles' wives, an' Cousin Lil,
An' 'arf a dozen more to grin and stare.
I couldn't make me 'ands fit anywhere!

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poem by Clarence Michael James Stanislaus Dennis
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A Woman's Way

Women is strange. You take my tip; I'm wise.
I know enough to know I'll never know
The 'uman female mind, or wot su'prise
They 'as in store to bring yer boastin' low.
They keep yeh guessin' wot they're up to nex',
An' then, odds on, it's wot yeh least expecks.

Take me. I know me wife can twist me round
'Er little finger. I don't mind that none.
Wot worries me is that I've never found
Which way I'm gittin' twisted, till it's done.
Women is strange. An' yet, I've got to own
I'd make a orful 'ash uv it, alone.

There's this affair uv Rose. I tells yeh straight,
Suspicious don't describe me state uv mind.
The calm way that Doreen 'as fixed the date
An' all, looks like there's somethin' else be'ind.
Somethin' - not spite or meanness; don't think that.
Me wife purrs sometimes, but she ain't a cat.

But somethin'. I've got far too wise a nob
To be took in by 'er airs uv repose.
I know I said I'd chuck the 'ole darn job
An' leave 'er an' the parson deal with Rose.
But now me mind's uneasy, that's a fack.
I've got to manage things with speshul tack.

That's 'ow I feel - uneasy - when I drive
Down to the train. I'm thinkin' as I goes,
There ain't two women, that I know, alive
More difrint than them two - Doreen an' Rose.
'Ow they will mix together I dunno.
It all depends on 'ow I run the show.

Rose looks dead pale. She ain't got much to say
('Er few poor bits uv luggage make no load)
She smiles when we shake 'ands, an' sez Goodday
Shy like an' strange; an' as we take the road
Back to the farm, I see 'er look around
Big-eyed, like it's some queer new land she's found.

I springs a joke or two. I'm none too bright
Meself; but it's a slap-up sort uv day.
Spring's workin' overtime; to left an' right
Blackwood an' wattle trees is bloomin' gay,
Botchin' the bonzer green with golden dust;
An' magpies in 'em singin' fit to bust.

I sneak a glance at Rose. I can't look long.

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poem by Clarence Michael James Stanislaus Dennis
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The Play

Wot's in a name? -- she sez . . . An' then she sighs,
An' clasps 'er little 'ands, an' rolls 'er eyes.
'A rose,' she sez, 'be any other name
Would smell the same.
Oh, w'erefore art you Romeo, young sir?
Chuck yer ole pot, an' change yer moniker!'

Doreen an' me, we bin to see a show --
The swell two-dollar touch. Bong tong, yeh know.
A chair apiece wiv velvit on the seat;
A slap-up treat.
The drarmer's writ be Shakespeare, years ago,
About a barmy goat called Romeo.

'Lady, be yonder moon I swear!' sez 'e.
An' then 'e climbs up on the balkiney;
An' there they smooge a treat, wiv pretty words
Like two love-birds.
I nudge Doreen. She whispers, 'Ain't it grand!'
'Er eyes is shining an' I squeeze 'er 'and.

'Wot's in a name?' she sez. 'Struth, I dunno.
Billo is just as good as Romeo.
She may be Juli-er or Juli-et --
'E loves 'er yet.
If she's the tart 'e wants, then she's 'is queen,
Names never count ... But ar, I like 'Doreen!'

A sweeter, dearer sound I never 'eard;
Ther's music 'angs around that little word,
Doreen! ... But wot was this I starts to say
About the play?
I'm off me beat. But when a bloke's in love
'Is thorts turns 'er way, like a 'omin' dove.

This Romeo 'e's lurkin' wiv a crew --
A dead tough crowd o' crooks -- called Montague.
'Is cliner's push -- wot's nicknamed Capulet --
They 'as 'em set.
Fair narks they are, jist like them back-street clicks,
Ixcep' they fights wiv skewers 'stid o' bricks.

Wot's in a name? Wot's in a string o' words?
They scraps in ole Verona wiv the'r swords,
An' never give a bloke a stray dog's chance,
An' that's Romance.
But when they deals it out wiv bricks an' boots
In Little Lon., they're low, degraded broots.

Wot's jist plain stoush wiv us, right 'ere to-day,

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poem by Clarence Michael James Stanislaus Dennis
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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