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I have always thought of sophistication as rather a feeble substitute for decadence.

quote by Christopher Hampton
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Substitute For Love

Written by Madonna, William Orbit, Rod McKuen, Anita Kerr and David Collins
I traded fame for love
Without a second thought
It all became a silly game
Some things cannot be bought
Got exactly what I asked for
Wanted it so badly
Running, rushing back for
more
I suffered fools
So gladly
And now I find
I've changed my mind
The face of you
My substitute for love
My substitute for love
Should I wait for you
My substitute for love
My substitute for love
I traveled round the world
Looking for a home
I found myself in crowded rooms
Feeling so alone
Had so many lovers
Who settled for the thrill
Of basking in my spotlight
I never felt
So happy
The face of you
My substitute for love
My substitute for love
Should I wait for you
My substitute for love
My substitute for love
mmmmmm
ooooooo
No famous faces, far off places
Trinkets I can buy
No handsome stranger, heady danger
Drug that I can try
No ferris wheel, no heart to steal
No laughter in the dark
No one night stand, no far off land
No fire that I can spark
mmmmm?
The face of you
My substitute for love
My substitute for love
Should I wait for you
My substitute for love

[...] Read more

song performed by Madonna
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Delusions Of Grandeur

You don't care about nothing
So you don't care about love
If you want me to come back
You'd better change
You'd better give up talking about money
Begin thinking of love
If you want me to come back
You'd better change
You'd better change for the better
It cost more than dollars and cents
Take it from me there's - got to be
An end to this decadence
This decadence
You don't care about people
So you don't care about pain
If you want me to come back
You'd better change
You'd better change for the better
Start using some common sense
Take it from me there's - got to be
An end to this decadence
For decadence - is fatal
It's the beginning of the end
In self-defense
I cannot recommend
This decadence
You don't care about real life
You're too distant and strange
If you want me to come back
You'd better change for the better
It may be rather intense
Stop this caprice, you've got to cease
This fin-de-siecle pretence
For decadence - is fatal
It's the beginning of the end
In consequence
I cannot recommend
This decadence
This decadence
This decadence
This decadence

song performed by Pet Shop Boys
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Carrolling II-Parody Lewis CARROLL–The Mad Gardener’s Song

Carolling II

He Thought He Saw

He thought he saw new Internet
exchanging peer to peer,
he looked again and found it was
a mirage for each year
sees more control, “what rôle, ” he said,
“for values once held dear?
Some track to trace attack and get
convictions based on fear.'

He dreamt he saw spam disappear,
all consultations free,
he looked again and found it was
a spybot lottery.
“Is net neutrality”, he said,
“from rash risks viral clear? ”

He dreamt that Microsoft would steer
all trash deleted fast,
then woke to find world insincere
where independence past
was sacrificed throughout the year
to biometrics ghast.

He thought he saw a friend’s hello,
with an attachment piece,
he looked again and found it was
the porno scanning police.
“Politically correct”, he said,
“can’t guarantee release.”

He opened it, discovered though,
a trojan horse to fleece –
he looked again as data flow
declined, - mind not at peace -
and whispered with voice hoarse and low:
'when will our worries cease? ”

He thought he saw a hierophant,
who’d deal successful life,
he looked again and found it was
subpoena from ex-wife
demanding child support, he said,
“cards are cut by Time’s knife.”

He looked once more with rage and rant
and swore like a fishwife

[...] Read more

poem by Jonathan Robin
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Carrolling - Parody Lewis CARROLL – The Mad Gardener’s Song

He thought he saw an Internet
exchanging peer to peer,
he looked again and hedged his bet, -
by middle of next year
new routing tables tuned as yet
unknown may well appear –
on track to trace attack and get
convictions based on fear.

He dreamt that spam would disappear,
all trash deleted fast.
He dreamt that Windows would be clear
of viral bugs’ wormcast.
He woke to find world insincere
where independence past
was sacrificed throughout the year
to biometrics ghast.

He thought he saw a friend’s hello
with an attachment piece,
he opened to discover, though,
a trojan horse release –
He looked again as data flow
declined, - mind not at peace -
and whispered with voice timbre low:
‘I’ll send for the Police! ”

He thought he saw a heirophant
predicting happy life.
He looked again, with rage and rant
discovered from ex-wife
an email angry claiming scant
support, which threatened strife:
“At length I see the immanent
attraction of Time’s knife! ”

He dreamt he saw as he awake
the euro reach a peak,
he saw he dreamt that Bush half bake
would leave the dollar weak: -
he woke to find what grave mistake
was made for the next week
the politicians put a stake
in budget – rocked boats leak!

He thought he saw Commission clerk
jump on bandwagon bus,
he looked again, just for a lark,
and found no tinker’s cuss
the former cared for bite was bark -

[...] Read more

poem by Jonathan Robin
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She Thought She Saw-Parody Lewis CARROLL–The Mad Gardener’s Song

She Thought She Saw

She thought she saw quite equal pay
afforded equal work,
she looked again and found it was
a most unusual quirk.
“That men should keep their cake, ” she said,
“and eat it too, must irk.”

She thought she saw that light of day
would filter through each jerk,
she looked again and found it was
belief most held beserk.
“That men should nappies change, ” she said,
“would wipe off every smirk! ”

She thought she saw fair interplay
where men would never shirk,
she looked again and found it was
a most miasmic murk
where rights were flouted, - “Hey! ” she said,
“men stand, wait, feeble lurk! ”

(15 April 2007 Parody Lewis CARROLL Some Hallucinations
The Mad Gardener's Dream Sylvie and Bruno Ch.5 See below Carolling and Carolling II)

Carolling

He thought he saw an Internet
exchanging peer to peer,
he looked again and hedged his bet, -
by middle of next year
new routing tables tuned as yet
unknown may well appear –
on track to trace attack and get
convictions based on fear.

He dreamt that spam would disappear,
all trash deleted fast.
He dreamt that Windows would be clear
of viral bugs’ wormcast.
He woke to find world insincere
where independence past
was sacrificed throughout the year
to biometrics ghast.

He thought he saw a friend’s hello
with an attachment piece,

[...] Read more

poem by Jonathan Robin
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Morphine & Chocolate

Substitute my gloom with happiness
Substitute my sickness with health
Substitute my enemies with real good friends
Morphine & chocolate are my
Substitute, substitutes
Morphine & chocolate can bring me up
Can warm my heart whenever i want it
And every once in a while when i stop and think
Morphine & chocolate are my
Substitute, substitutes
And you can say " hey, we've really come a long way "
And you say " hey, it can only be this way "
You might be careful, it really hurts when it's real
You might be careful, it really hurts when it's real
You'll go down, down, down, down, ooh !
Set the alarm clock, baby
Don't you miss the sun ?
I'm feeling really warm hearted baby
Don't you know i'm feeling like someone
I'm fearing for my life again and i am
Fearing for my heart
Morphine & chocolate could never
Substitute my art !
And that's real love baby x3

song performed by 4 Non Blondes
Added by Lucian Velea
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Morphine Chocolate

Substitute my gloom with happiness
Substitute my sickness with health
Substitute my enemies with real good friends
Morphine & chocolate are my
Substitute, substitutes
Morphine & chocolate can bring me up
Can warm my heart whenever I want it
And every once in a while when I stop and think
Morphine & chocolate are my
Substitute, substitutes
And you can say hey, weve really come a long way
And you say hey, it can only be this way
You might be careful, it really hurts when its real
You might be careful, it really hurts when its real
Youll go down, down, down, down, ooh !
Set the alarm clock, baby
Dont you miss the sun ?
Im feeling really warm hearted baby
Dont you know Im feeling like someone
Im fearing for my life again and I am
Fearing for my heart
Morphine & chocolate could never
Substitute my art !
And thats real love baby x3

song performed by 4 Non Blondes
Added by Lucian Velea
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Decadence

You don't care about nothing
So you don't care about love
If you want me to come back
You'd better change

You'd better give up talking about money
Begin thinking of love
If you want me to come back
You'd better change

You'd better change for the better
It cost more than dollars and cents
Take it from me there's - got to be
An end to this decadence
This decadence

You don't care about people
So you don't care about pain
If you want me to come back
You'd better change

You'd better change for the better
Start using some common sense
Take it from me there's - got to be
An end to this decadence

For decadence - is fatal
It's the beginning of the end
In self-defense
I cannot recommend
This decadence

You don't care about real life
You're too distant and strange
If you want me to come back

You'd better change for the better
It may be rather intense
Stop this caprice

song performed by Pet Shop Boys from Disco 2
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Substitute

You think we look pretty good together
You think my shoes are made of leather
But Im a substitute for another guy
I look pretty tall but my heels are high
The simple things you see are all complicated
I look pretty young, but Im just back-dated, yeah
Substitute your lies for fact
I can see right through your plastic mac
I look all white, but my dad was black
My fine looking suit is really made out of sack
I was born with a plastic spoon in my mouth
The north side of my town faced east, and the east was facing south
And now you dare to look me in the eye
Those crocodile tears are what you cry
Its a genuine problem, you wont try
To work it out at all you just pass it by, pass it by
Substitute me for him
Substitute my coke for gin
Substitute you for my mum
At least Ill get my washing done

song performed by Who
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Temora - Book IV

ARGUMENT

The second night continues. Fingal relates, at the feast, his own first expedition into Ireland, and his marriage with Ros-cranna, the daughter of Cormac, king of that island. The Irish chiefs convene in the presence of Cathmor. The situation of the king described. The story of Sul-malla, the daughter of Conmor, king of Inis-huna, who, in the disguise of a young warrior, hath followed Cathmor to the war. The sullen behavior of Foldath, who had commanded in the battle of the preceding day, renews the difference between him and Malthos: but Cathmor, interposing, ends it. The chiefs feast, and hear the song of Fonar the bard. Cathmor returns to rest, at a distance from the army. The ghost of his brother Cairbar appears to him in a dream; and obscurely foretells the issue of the war. The soliloquy of the king. He discovers Sul-malla. Morning comes. Her soliloquy closes the book.

"BENEATH an oak," said the king, "I sat on Selma's streamy rock, when Connal rose, from the sea, with the broken spear of Duth-caron. Far distant stood the youth. He turned away his eyes. He remembered the steps of his father, on his own green hill. I darkened in my place. Dusky thoughts flew over my soul. The kings of Erin rose before me. I half unsheathed the sword. Slowly approached the chiefs. They lifted up their silent eyes. Like a ridge of clouds, they wait for the bursting forth of my voice. My voice was, to them, a wind from heaven, to roll the mist away.

"I bade my white sails to rise, before the roar of Cona's wind. Three hundred youths looked, from their waves, on Fingal's bossy shield. High on the mast it hung, and marked the dark-blue sea. But when night came down, I struck, at times, the warning boss: I struck, and looked on high, for fiery-haired Ul-erin. Nor absent was the star of heaven. It travelled red between the clouds. I pursued the lovely beam, on the faint-gleaming deep. With morning, Erin rose in mist. We came into the bay of Moi-lena, where its blue waters tumbled, in the bosom of echoing woods. Here Cormac, in his secret halls, avoids the strength of Colc-ulla. Nor he alone, avoids the foe. The blue eye of Ros-cranna is there: Ros-cranna, white-handed maid, the daughter of the king!

"Gray, on his pointless spear, came forth the aged steps of Cormac. He smiled from his waving locks; but grief was in his soul. He saw us few before him, and his sigh arose. 'I see the arms of Trenmor,' he said; 'and these are the steps of the king! Fingal! thou art a beam of light to Cormac's darkened soul! Early is thy fame, my son: but strong are the foes of Erin. They are like the roar of streams in the land, son of car-borne Comhal!' 'Yet they may be rolled away,' I said, in my rising soul. 'We are not of the race of the feeble, king of blue-shielded hosts! Why should fear come amongst us, like a ghost of night? The soul of the valiant grows when foes increase in the field. Roll no darkness, king of Erin, on the young in war!'

"The bursting tears of the king came down. He seized my hand in silence. 'Race of the daring Trenmor!' at length he said, 'I roll no cloud before thee. Thou burnest in the fire of thy fathers. I behold thy fame. It marks thy course in battle, like a stream of light. But wait the coming of Cairbar; my so must join thy sword. He calls the sons of Erin from all their distant streams.'

"We came to the hall of the king, where it rose in the midst of rocks, on whose dark sides were the marks of streams of old. Broad oaks bend around with their moss. The thick birch is waving near. Half hid, in her shadowy grove, Ros-cranna raises the song. Her white hands move on the harp. I beheld her blues rolling eyes. She was like a spirit of heaven half folded in the skirt of a cloud!

Three days we feasted at Moi-lena. She rises bright in my troubled soul. Cormac beheld me dark. He gave the white-bosomed maid. She comes with bending eye, amid the wandering of her heavy locks. She came! Straight the battle roared. Colc-ulla appeared: I took my spear. My sword rose, with my people against the ridgy foe. Alnecma fled. Colc-ulla fell. Fingal returned with fame.

"Renowned is he, O Fillan, who fights in the strength of his host. The bard pursues his steps through the land of the foe. But he who fights alone, few are his deeds to other times! He shines to-day, a mighty light. To-morrow he is low. One song contains his fame. His name is one dark field. He is forgot; but where his tomb sends forth the tufted grass."

Such are the words of Fingal, on Mora of the roes. Three bards, from the rock of Cormul, pour down the pleasing song. Sleep descends in the sound, on the broad-skirted host. Carril returned with the bards, from the tomb of Dunlora's chief. The voice of morning shall not come to the dusky bed of Duth-caron. No more shalt thou hear the tread of roes around thy narrow house!

As roll the troubled clouds, around a meteor of night, when they brighten their sides with its light along the heaving sea; so gathers Erin around the gleaming form of Cathmor. He, tall in the midst, careless lifts, at times, his spear: as swells, or falls the sound of Fonar's distant harp. Near him leaned, against a rock, Sul-malla of blue eyes, the white-bosomed daughter of Conmor, king of Inis-huna. To his aid came blue-shielded Cathmor, and rolled his foes away. Sul-malla beheld him stately in the hail of feasts. Nor careless rolled the eyes of Cathmor on the long-haired maid!

''The third day arose, when Fithil came, from Erin of the streams. He told of the lifting up of the shield in Selma: he told of the danger of Cairbar. Cathmor raised the sail at Cluba; but the winds were in other lands. Three days he remained on the coast, and turned his eyes on Conmor's halls. He remembered the daughter of strangers, and his sigh arose. Now when the winds awaked the wave: from the hill came a youth in arms; to lift the sword with Cathmor, in his echoing fields. It was the white-armed Sul-malla. Secret she dwelt beneath her helmet. Her steps were in the path of the king: on him her blue eyes rolled with joy, when he lay by his rolling streams: But Cathmor thought that on Lumon she still pursued the roes. He thought, that fair on a rock, she stretched her white hand to the wind; to feel its course from Erin, the green dwelling of her love. He had promised to return, with his white-bosomed sails. The maid is near thee, O Cathmor: leaning on her rock.

The tall forms of the chiefs stand around; all but dark-browed Foldath. He leaned against a distant tree, rolled into his haughty soul. His bushy hair whistles in the wind. At times, bursts the hum of a song. He struck the tree at length, in wrath; and rushed before the king! Calm and stately, to the beam of the oak, arose the form of young Hidalla. His hair falls round his blushing cheek, in the wreaths of waving light. Soft was his voice in Clonra, in the valley of his fathers. Soft was his voice when he touched the harp, in the hall near his roaring stream!

"King of Erin," said Hidalla, "now is the time to feast. Bid the voice of bards arise. Bid them roll the night away. The soul returns, from song, more terrible to war. Darkness settles on Erin. From hill to hill bend the skirted clouds. Far and gray, on the heath, the dreadful strides of ghosts are seen: the ghosts of those who fell bend forward to their song. Bid, O Cathmor! the harps to rise, to brighten the dead, on their wandering blasts."

"Be all the dead forgot," said Foldath's bursting wrath. "Did not I fail in the field? Shall I then hear the song? Yet was not my course harmless in war. Blood was a stream around my steps. But the feeble were behind me. 'The foe has escaped from my sword. In Conra's vale touch thou the harp. Let Dura answer to the voice of Hidalla. Let some maid look, from the wood, on thy long yellow locks. Fly from Lubar's echoing plain. This is the field of heroes!"

"King of Erin," Malthos said, "it is thine to lead in war. Thou art a fire to our eyes, on the dark-brown field. Like a blast thou hast passed over hosts. Thou hast laid them low in blood. But who has heard thy words returning from the field? The wrathful delight in death; their remembrance rests on the wounds of their spear. Strife is folded in their thoughts: their words are ever heard. Thy course, chief of Moma, was like a troubled stream. The dead were rolled on thy path: but others also lift the spear. We were not feeble behind thee: but the foe was strong."

Cathmor beheld the rising rage and bending forward of either chief: for, half unsheathed, they held their swords, and rolled their silent eyes. Now would they have mixed in horrid fray, had not the wrath of Cathmor burned. He drew his sword: it gleamed through night, to the high-flaming oak! "Sons of pride," said the king," allay your swelling souls. Retire in night. Why should my rage arise? Should I contend with both in arms! It is no time for strife! Retire, ye clouds, at my feast. Awake my soul no more."

They sunk from the king on either side; like two columns of morning mist, when the sun rises, between them, on his glittering rocks. Dark is their rolling on either side: each towards its reedy pool!

Silent sat the chiefs at the feast. They look, at times, on Atha's king, where he strode, on his rock, amid his settling soul. The host lie along the field. Sleep descends on Moi-lena. The voice of Fonar ascends alone, beneath his distant tree. It ascends in the praise of Cathmor, son of Larthon of Lumon. But Cathmor did not hear his praise. He lay at the roar of a stream. The rustling breeze of night flew over his whistling locks.

His brother came to his dreams, half seen from his low-hung cloud. Joy rose darkly in his face. He had heard the song of Carril . A blast sustained his dark-skirted cloud: which he seized in the bosom of night, as he rose, with his fame, towards his airy hail. Half mixed with the noise of the stream, he poured his feeble words.

"Joy meet the soul of Cathmor. His voice was heard on Moi-lena. The bard gave his song to Cairbar. He travels on the wind. My form is in my father's hall, like the gliding of a terrible light, which darts across the desert, in a stormy night. No bard shall be wanting at thy tomb when thou art lowly laid. The sons of song love the valiant. Cathmor, thy name is a pleasant gale. The mournful sounds arise! On Lubar's field there is a voice! Louder still, ye shadowy ghosts! The dead were full of fame! Shrilly swells the feeble sound. The rougher blast alone is heard! Aid soon is Cathmor low!" Rolled into himself he flew, wide on the bosom of winds. The old oak felt his departure, and shook its whistling head. Cathmor starts from rest. He takes his deathful spear. He lifts his eyes around. He sees but dark-skirted night.

"It was the voice of the king," he said. "But now his form is gone. Unmarked is your path in the air, ye children of the night. Often, like a reflected beam, are ye seen in the desert wild: but ye retire in your blasts, before our steps approach. Go, then, ye feeble race! Knowledge with you there is none! Your joys are weak, and like the dreams of our rest, or the light winged thought, that flies across the soul. Shall Cathmor soon be low? Darkly laid in his narrow house! Where no morning comes, with her half-opened eyes? Away, thou shade! to fight is mine! All further thought away! I rush forth on eagles' wings, to seize my beam of flame. In the lonely vale of streams, abides the narrow soul. Years roll on, seasons return, but he is still unknown. In a blast comes cloudy death, and lays his gray head low. His ghost is folded in the vapor of the fenny field. Its course is never on hills, nor mossy vales of wind. So shall not Cathmor depart. No boy in the field was he, who only marks the bed of roes, upon the echoing hills. My issuing forth was with kings. My joy in dreadful plains: where broken hosts are rolled away, like seas before the wind."

So spoke the king of Alnecma, brightening in his rising soul. Valor, like a pleasant flame, is gleaming within his breast. Stately is his stride on the heath! The beam of east is poured around. He saw his gray host on the field, wide spreading their ridges in light. He rejoiced, like a spirit of heaven, whose steps came forth on the seas, when he beholds them peaceful round, and all the winds are laid. But soon he awakes the waves, and rolls them large to some echoing shore.

On the rushy bank of a stream slept the daughter of Inis-huna. The helmet had fallen from her head. Her dreams were in the lands of her fathers. There morning is on the field. Gray streams leap down from the rocks. The breezes, in shadowy waves, fly over the rushy fields. There is the sound that prepares for the chase. There the moving of warriors from the hall. But tall above the rest is seen the hero of streamy Atha. He bends his eye of love on Sul-malla, from his stately steps. She turns, with pride, her face away, and careless bends the bow.

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poem by James Macpherson
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The Four Seasons : Spring

Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!

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poem by James Thomson
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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The Four Seasons : Summer

From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,

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poem by James Thomson
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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poem by Thomas Moore
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Lathmon

ARGUMENT.

Lathmon, a British prince, taking advantage of Fingal's absence on an expedition to Ireland, made a descent on Morven, and advanced within sight of Selma, the royal residence. Fingal arrived in the mean time, and Lathmon retreated to a hill, where his army was surprised by night, and himself taken prisoner by Ossian and Gaul the son of Morni. The poem opens with the first appearance of Fingal on the coast of Morven, and ends, it may be supposed, about noon the next day.

SELMA, thy halls are silent. There is no sound in the woods of Morven. The wave tumbles along on the coast. The silent beam of the sun is on the field. The daughters of Morven come forth, like the bow of the shower; they look towards green Erin for the white sails of the king. He had promised to return, but the winds of the north arose!

Who pours from the eastern hill, like a stream of darkness? It is the host of Lathmon. He has heard of the absence of Fingal. He trusts in the winds of the north. His soul brightens with joy. Why dost thou come, O Lathmon? The mighty are not in Selma. Why comest thou with thy forward spear? Will the daughters of Morven fight? But stop, O mighty stream, in thy course! Does not Lathmon behold these sails? Why dost thou vanish, Lathmon, like the mist of the lake? But the squally storm is behind thee; Fingal pursues thy steps!

The king of Morven had started from sleep, as we rolled on the dark-blue wave. He stretched his hand to his spear, his heroes rose around. We knew that he had seen his fathers, for they often descended to his dreams, when the sword of the foe rose over the land and the battle darkened before us. "Whither hast thou fled, O wind?" said the king of Morven. "Dost thou rustle in the chambers of the south? pursuest thou the shower in other lands? Why dost thou not come to my sails? to the blue face of my seas? The foe is in the land of Morven, and the king is absent far. But let each bind on his mail, and each assume his shield. Stretch every spear over the wave; let every sword be unsheathed. Lathmon is before us with his host; he that fled from Fingal on the plains of Lona. But he returns like a collected stream, and his roar is between our hills."

Such were the words of Fingal. We rushed into Carmon's bay. Ossian ascended the hill! he thrice struck his bossy shield. The rock of Morven replied: the bounding roes came forth. The foe was troubled in my presence: he collected his darkened host. I stood like a cloud on the hill, rejoicing in the arms of my youth.

Morni sat beneath a tree on the roaring waters of Strumon: his locks of age are gray: he leans forward on his staff; young Gaul is near the hero, hearing the battles of his father. Often did he rise in the fire of his soul, at the mighty deeds of Morni. The aged heard the sound of Ossian's shield; he knew the sign of war. He started at once from his place. His gray hair parted on his back. lie remembered the deeds of other years.

"My son," he said, to fair-haired Gaul, "I hear the sound of war. The king of Morven is returned; his signals are spread on the wind. Go to the halls of Strumon; bring his arms to Morni. Bring the shield of my father's latter years, for my arm begins to fail. Take thou thy armor, O Gaul! and rush to the first of thy battles. Let thine arm reach to the renown of thy fathers. Be thy course in the field like the eagle's wing. Why shouldst thou fear death, my son? the valiant fall with fame; their shields turn the dark stream of danger away; renown dwells on their aged hairs. Dost thou not see, O Gaul! low the steps of my age are honored? Morni moves forth. and the young men meet him, with silent joy, on his course. But I never fled from danger, my son! my sword lightened through the darkness of war. The stranger melted before me; the mighty were blasted in my presence."

Gaul brought the arms to Morni: the aged warrior is covered with steel. He took the spear in his hand, which was stained with the blood of the valiant. He came towards Fingal; his son attended his steps. The son of Comhal arose before him with joy, when he came in his locks of age.

"Chief of the roaring Strumon!" said the rising soul of Fingal; "do I behold thee in arms, after thy strength has failed? Often has Morni shone in fight, like the beam of the ascending sun; when he disperses the storms of the hill, and brings peace to the glittering fields. But why didst thou not rest in thine age? Thy renown is in the song. The people behold thee, and bless the departure of mighty Morni. Why didst thou not rest in thine age? The foe will vanish before Fingal!"

"Son of Comhal," replied the chief, "the strength of Morni's arm has failed. I attempt to draw the sword of my youth, but it remains in its place. I throw the spear, but it falls short of the mark. I feel the weight of my shield. We decay like the grass of the hill; our strength returns no more. I have a son, O Fingal! his soul has delighted in Morni's deeds; but his sword has not been lifted against a foe, neither has his fame begun. I come with him to the war; to direct his arm in fight. His renown will be a light to my soul in the dark hour of my departure. O that the name of Morni were forgot among the people! that the heroes would only say, 'Behold the father of Gaul!'"

"King of Strumon," Fingal replied, "Gaul shall lift the sword in fight. But he shall lift it before Fingal; my arm shall defend his youth. But rest thou in the halls of Selma, and hear of our renown. Bid the harp to be strung, and the voice of the bard to arise, that those who fall may rejoice in their fame, and the soul of Morni brighten with joy. Ossian, thou hast fought in battles: the blood of strangers is on thy spear: thy course be with Gaul in the strife; but depart not from the side of Fingal, lest the foe should find you alone, and your fame fail in my presence."

[Ossian speaks ] "I saw Gaul in his arms; my soul was mixed with his. The fire of the battle was in his eyes! he looked to the foe with joy. We spoke the words of friendship in secret; the lightning of our swords poured together; for we drew them behind the wood, and tried the strength of our arms on the empty air!"

Night came down on Morven. Fingal sat at the beam of the oak. Morni sat by his side with all his gray-waving locks. Their words were of other times, of the mighty deeds of their fathers. Three bards, at times, touched the harp: Ullin was near with his song. He sung of the mighty Comhal; but darkness gathered on Morni's brow. He rolled his red eye on Ullin: at once ceased the song of the bard. Fingal observed the aged hero, and he mildly spoke: "Chief of Strumon, why that darkness? Let the days of other years be forgot. Our fathers contended in war; but we meet together at the feast. Our swords are turned on the foe of our land: he melts before us on the field. Let the days of our fathers be forgot, hero of mossy Strumon!"

King of Morven," replied the chief, "I remember thy father with joy. He was terrible in battle, the rage of the chief was deadly. My eyes were full of tears when the king of heroes fell. The valiant fall, O Fingal! the feeble remain on the hills! How many heroes have passed away in the days of Morni! Yet I did not shun the battle; neither did I fly from the strife of the valiant. Now let the friends of Fingal rest, for the night is around, that they may rise with strength to battle against car-borne Lathmon. I hear the sound of his host, like thunder moving on the hills. Ossian! and fair-haired Gaul! ye are young and swift in the race. Observe the foes of Fingal from that woody hill. But approach them not: your fathers are near to shield you. Let not your fame fall at once. The valor of youth may fail!"

We heard the words of the chief with joy. We moved in the clang of our arms. Our steps are on the woody hill. Heaven burns with all its stars. The meteors of death fly over the field. The distant noise of the foe reached our ears. It was than Gaul spoke, in his valor: his hand half unsheathed his sword.

"Son of Fingal!" he said, "why burns the soul of Gaul? my heart beats high. My steps are disordered; my hand trembles on my sword. When I look towards the foe, my soul lightens before me. I see their sleeping host. Tremble thus the souls of the valiant in battles of the spear? How would the soul of Morni rise if we should rush on the foe? Our renown should grow in song: our steps would be stately in the eyes of the brave."

"Son of Morni," I replied, "my soul delights in war. I delight to shine in battle alone, to give my name to the bards. But what if the foe should prevail? can I behold the eyes of the king? They are terrible in his displeasure, and like the flames of death. But I will not behold them in his wrath! Ossian shall prevail or fall. But shall the fame of the vanquished rise? They pass like a shade away. But the fame of Ossian shall rise! His deeds shall be like his father's. Let us rush in our arms; son of Morni, let us rush to fight. Gaul, if thou shouldst return, go to Selma's lofty hall. Tell to Everallin that I fell with fame; carry this sword to Branno's daughter. Let her give it to Oscar, when the years of his youth shall arise."

"Son of Fingal," Gaul replied with a sigh, "shall I return after Ossian is low? What would my father say? what Fingal, the king of men? The feeble would turn their eyes and say, 'Behold Gaul, who left his friend in his blood!' Ye shall not behold me, ye feeble, but in the midst of my renown! Ossian, I have heard from my father the mighty deeds of heroes; their mighty deeds when alone! for the soul increases in danger!"

"Son of Morni," I replied, and strode before him on the heath, "our fathers shall praise our valor when they mourn our fall. A beam of gladness shall rise on their souls, when their eyes are full of tears. They will, say, 'Our sons have not fallen unknown: they spread death around them.' But why should we think of the narrow house? The sword defends the brave. But death pursues the flight of the feeble; their renown is never heard."

We rushed forward through night; we came to the roar of a stream, which bent its blue course round the foe, through trees that echoed to its sound. We came to the bank of the stream, and saw the sleeping host. Their fires were decayed on the plain: the lonely steps of their scouts were distant far. I stretched my spear before me, to support my steps over the stream. But Gaul took my hand, and spoke the words of the brave. "Shall the son of Fingal rush on the sleeping foe? Shall he come like a blast by night, when it overturns the young trees in secret? Fingal did no receive his fame, nor dwells renown on the gray hairs of Morni, for actions like these. Strike, Ossian, strike the shield, and let their thousands rise! Let them meet Gaul in his first battle, that he may try the strength of his arm."

My soul rejoiced over the warrior; my bursting tears came down. "And the foe shall meet thee, Gaul," I said: "the fame of Morni's son shall arise. But rush not too far, my hero: let the gleam of thy steel be near to Ossian. Let our hands join in slaughter. Gaul! dost thou not behold that rock? Its gray side dimly gleams to the stars. Should the foe prevail, let our back be towards the rock. Then shall they fear to approach our spears; for death is in our hands!"

I struck thrice my echoing shield. The startling foe arose. We rushed on in the sound of our arms. Their crowded steps fly over the heath. They thought that the mighty Fingal was come. The strength of their arms withered away. The sound of their flight was like that of flame, when it rushes through the blasted groves. It was then the spear of Gaul flew in its strength; it was then his sword arose. Cramo fell; and mighty Leth! Dunthormo struggled in his blood. The steel rushed through Crotho's side, as bent he rose on his spear; the black stream poured from the wound, and hissed on the half-extinguished oak. Cathmin saw the steps of the hero behind him: he ascended a blasted tree; but the spear pierced him from behind. Shrieking, panting, he fell. Moss and withered branches pursue his fall, and strew the blue arms of Gaul.

Such were thy deeds, son of Morni, in the first of thy battles. Nor slept the sword by thy side, thou last of Fingal's race! Ossian rushed forward in his strength; the people fell before him; as the grass by the stall of the boy, when he whistles along the field, and the gray beard of the thistle falls. But careless the youth moves on; his steps are towards the desert. Gray morning rose around us; the winding streams are bright along the heath. The foe gathered on a bill; and the rage of Lathmon rose. He bent the red eye of his wrath: he is silent in his rising grief. He often struck his bossy shield: and his steps are unequal on the heath. I saw the distant darkness of the hero, and I spoke to Morni's son.

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poem by James Macpherson
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Decadence Dance

francis!
Francis! be careful!
Trying so hard to keep up with the joneses
Running a rat racing won by our noses
Always put one foot in front of the other
And dance to the beat of the dacadent drummer
Just buy a brand new pair of fred astaire shoes
Climbing to the top, never gonna stop
Its the same old song and one two three and dec-a-dance
Dance, dance
Dance, dance
Dancing to the dacadence dance, dance
Everybody decadancing
Dancing to the decadence
Dancing to the decadence dance
Its hard to stop once the music gets started
til the soles of your feet harden up like your heart did
Stepping in line with the sign of the timer
Seduced by the tune of the decadent dancer
Just buy a brand new pair of fred astaire shoes
Climbing to the top, never gonna stop
Its the same old song and one two three and dec-a-dance
Dance, dance
Dance, dance
Dancing to the dacadence dance, dance
Everybody decadancing
Dancing to the decadence
Dancing to the decadence dance

song performed by Extreme
Added by Lucian Velea
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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.

The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right

No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.

Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,

That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.

But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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poem by Anonymous Olde English
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The Battle Of Lora

ARGUMENT

Fingal, at his return from Ireland, after he had expelled Swaran from that kingdom, made a feast to all his heroes: he forgot to invite Ma-Ronnan and Aldo, two chiefs, who had not been along with him in his expedition. They resented his neglect; and went over to Erragon, king of Sora, a country of Scandinavia, the declared enemy of Fingal. The valor of Aldo soon gained him a great reputation in Sora; and Lorma, the beautiful wife of Erragon, fell in love with him. He found means to escape with her, and to come to Fingal, who resided then in Selma, on the western coast. Erragon invaded Scotland, and was slain in battle by Gaul the son of Morni, after he had rejected terms of peace offered him by Fingal. In this war Aldo fell, in a single combat, by the hands of his rival Erragon, and the unfortunate Lorma afterward died of grief.

SON of the distant land, who dwellest in the secret cell; do I hear the sound of thy grove? or is it thy voice of songs? The torrent was loud in my ear; but I heard a tuneful voice. Dost thou praise the chiefs of thy land: or the spirits of the wind? But, lonely dweller of rocks! look thou on that heathy plain. Thou seest green tombs, with their rank, whistling grass, with their stones of mossy heads. Thou seest them, son of the rock, but Ossian's eyes have failed!

A mountain-stream comes roaring down, and sends its waters round a green hill. Four mossy stones, in the midst of withered grass, rear their heads on the top. Two trees which the storms have bent, spread their whistling branches around. This is thy dwelling, Erragon; this thy narrow house; the sound of thy shells has been long forgot in Sora. Thy shield is become dark in thy hall. Erragon, king of ships, chief of distant Sora! how hast thou fallen on our mountains? How is the mighty low? Son of the secret cell! dost thou delight in songs? Hear the battle of Lora. The sound of its steel is long since past. So thunder on the darkened hill roars and is no more. The sun returns with his silent beams. The glittering rocks, and the green heads of the mountains, smile.

The bay of Cona received our ships from Erin's rolling waves. Our white sheets hung loose to the masts. The boisterous winds roared behind the groves of Morven. The horn of the king is sounded; the deer start from their rocks. Our arrows flew in the woods. The feast of the hill is spread. Our joy was great on our rocks, for the fall of the terrible Swaran. Two heroes were forgot at our feast. The rage of their bosoms burned. They rolled their red eyes in secret. The sigh bursts from their breasts. They were seen to talk together, and to throw their spears on earth. They were two dark clouds in the midst of our joy; like pillars of mist on the settled sea: they glitter to the sun, but the mariners fear a storm.

"Raise my white sails," said Ma-Ronnan, "raise them to the winds of the west. Let us rush, O Aldo! through the foam of the northern wave. We are forgot at the feast: but our arms have been red in blood. Let us leave the hills of Fingal, and serve the king of Sora. His countenance is fierce. War darkens around his spear. Let us be renowned, O Aldo, in the battles of other lands!"

They took their swords, their shields of thongs. They rushed to Lumar's resounding bay. They came to Sora's haughty king, the chief of bounding steeds. Erragon had returned from the chase. His spear was red in blood. He bent his dark face to the ground; and whistled as he went. He took the strangers to his feast: they fought and conquered in his wars.

Aldo returned with his fame towards Sora's lofty walls. From her tower looked the spouse of Erragon, the humid, rolling eyes of Lorma. Her yellow hair flies on the wind of ocean. Her white breast heaves, like snow on heath; when the gentle winds arise, and slowly move it in the light. She saw young Aldo, like the beam of Sora's setting sun. Her soft heart sighed. Tears filled her eyes. Her white arm supported her head. Three days she sat within the hall, and covered her grief with joy. On the fourth she fled with the hero, along the troubled sea. They came to Cona's mossy towers, to Fingal king of spears.

"Aldo of the heart of pride!" said Fingal, rising in wrath; "shall I defend thee from the rage of Sora's injured king? Who will now receive my people into their halls? Who will give the feast of strangers, since Aldo of the little soul has dishonored my name in Sora? Go to thy hills, thou feeble hand! Go: hide thee in thy caves. Mournful is the battle we must fight with Sora's gloomy king. Spirit of the noble Trenmor! when will Fingal cease to fight? I was born in the midst of battles, and my steps must move in blood to the tomb. But my hand did not injure the weak, my steel did not touch the feeble in arms. I behold thy tempests, O Morven! which will overturn my halls! when my children are dead in battle, and none remains to dwell in Selma. Then will the feeble come, but they will not know my tomb. My renown is only in song. My deeds shall be as a dream to future times!"

His people gathered around Erragon, as the storms round the ghosts of night; when he calls them from the top of Morven, and prepares to pour them on the land of the stranger. He came to the shore of Cona. He sent his bard to the king to demand the combat of thousands: or the land of many hills! Fingal sat in his hall with the friends of his youth around him. The young heroes were at the chase, far distant in the desert. The gray-haired chiefs talked of other times; of the actions of their youth; when the aged Nartmor came, the chief of streamy Lora.

"This is no time," said Nartmor, "to hear the songs of other years: Erragon frowns on the coast, and lifts ten thousand swords. Gloomy is the king among his chiefs! he is like the darkened moon amidst the meteors of night; when they sail along her skirts, and give the light that has failed o'er her orb." "Come," said Fingal, "from thy hall, come, daughter of my love: come from thy hall, Bosmina, maid of streamy Morven! Nartmor, take the steeds of the strangers. Attend the daughter of Fingal! Let her bid the king of Sora to our feast, to Selma's shaded wall. Offer him, O Bosmina! the peace of heroes, and the wealth of generous Aldo. Our youths are far distant. Age is on our trembling hands!"

She came to the host of Erragon, like a beam of light to a cloud. In her right hand was seen, a sparkling shell. In her left an arrow of gold. The first, the joyful mark of peace! The latter, the sign of war. Erragon brightened in her presence, as a rock before the sudden beams of the sun; when they issue from a broken cloud divided by the roaring wind!

"Son of the distant Sora," began the mildly-blushing maid," come to the feast of Morven's king, to Selma's shaded walls. Take the peace of heroes, O warrior! Let the dark sword rest by thy side. Choosest thou the wealth of kings? Then hear the words of generous Aldo. He gives to Erragon a hundred steeds, the children of the rein; a hundred maids from distant lands; a hundred hawks with fluttering wing, that fly across the sky. A hundred girdles shall also be thine, to bind high-bosomed maids. The friends of the births of heroes. The cure of the sons of toil. Ten shells, studded with gems, shall shine in Sora's towers: the bright water trembles on their stars, and seems to be sparkling wine. They gladdened once the kings of the world, in the midst of their echoing halls. These, O hero! shall be thine; or thy white bosomed spouse. Lorma shall roll her bright eyes in thy halls; though Fingal loves the generous Aldo: Fingal, who never injured a hero, though his arm is strong!"

"Soft voice of Cona!" replied the king, "tell him, he spreads his feast in vain. Let Fingal pour his spoils around me. Let him bend beneath my power. Let him give me the swords of his fathers: the shields of other times; that my children may behold them in my halls, and say, 'These are the arms of Fingal!'" "Never shall they behold them in thy halls," said the rising pride of the maid. "They are in the hands of heroes, who never yield in war. King of echoing Sora! the storm is gathering on our hills. Dost thou not foresee the fall of thy people, son of the distant land?"

She came to Selma's silent halls. The king beheld her downcast eyes. He rose from his place, in his strength. He shook his aged locks. He took the sounding mail of Trenmor. The dark-brown shield of his fathers. Darkness filled Selma's hall, when he stretched his hand to the spear: the ghosts of thousands were near, and foresaw the death of the people. Terrible joy rose in the face of the aged heroes. They rushed to meet the foe. Their thoughts are on the deeds of other years: and on the fame that rises from death!

Now at Trathal's ancient tomb the dogs of the chase appeared. Fingal knew that his young heroes followed. He stopped in the midst of his course. Oscar appeared the first; then Morni's son, and Némi's race. Fercuth showed his gloomy form. Dermid spread his dark hair on wind. Ossian came the last. I hummed the song of other times. My spear supported my steps over the little streams. My thoughts were of mighty men. Fingal struck his bossy shield, and gave the dismal sign of war. A thousand swords at once, unsheathed, gleam on the waving heath. Three gray-haired sons of the song raise the tuneful, mournful voice. Deep and dark, with sounding steps, we rush, a gloomy ridge, along; like the shower of the storm when it pours on a narrow vale.

The king of Morven sat on his hill. The sunbeam of battle flew on the wind. The friends of his youth are near, with all their waving locks of age. Joy rose in the hero's eyes when he beheld his sons in war; when he saw us amidst the lightning of swords, mindful of the deeds of our fathers. Erragon came on, in his strength, like the roar of a winter stream. The battle falls around his steps: death dimly stalks along by his side.

"Who comes," said Fingal, "like the bounding roe!; like the hart of echoing Cona? His shield glitters on his side. The clang of his armor is mournful. He meets with Erragon in the strife. Behold the battle of the chiefs! It is like the contending of ghosts in a gloomy storm. But fallest thou, son of the hill, and is thy white bosom stained with blood? Weep, unhappy Lorma! Aldo is no more!" The king took the spear of his strength. He was sad for the fall at Aldo. He bent his deathful eyes on the foe: but Gaul met the king of Sora. Who can relate the light of the chiefs? The mighty stranger fell! "Sons of Cona!' Fingal cried aloud, "stop the hand of death. Mighty was he that is low. Much is he mourned in Sora! The stranger will come towards his hall, and wonder why it is so silent. The king is fallen, O stranger! The joy of his house is ceased. Listen to the sound of his woods! Perhaps his ghost is murmuring there! But he is far distant, on Morven, beneath the sword of a foreign foe." Such were the words of Fingal, when the bard raised the song of peace. We stopped our uplifted swords. We spared the feeble foe. We laid Erragon in a tomb. I raised the voice of grief. The clouds of night came rolling down. The ghost of Erragon appeared to some. His face was cloudy and dark; a half-formed sigh in his breast. "Blest be thy soul, O king of Sora! thine arm was terrible in war!"

Lorma sat in Aldo's hall. She sat at the light of a flaming oak. The night came down, but he did not return. The soul of Lorma is sad! "What detains thee, hunter of Cona? Thou didst promise to return. Has the deer been distant far? Do the dark winds sigh, round! thee, on the heath? I am in the land of strangers; who is my friend, but Aldo? Come from thy sounding hills, O my best beloved!"

Her eyes are turned towards the gate. She listens to the rustling blast. She thinks it is Aldo's tread. Joy rises in her face! But sorrow returns again, like a thin cloud on the moon. "Wilt thou not return, my love? Let me behold the face of the hill. The moon is in the east. Calm and bright is the breast of the lake! When shall I behold his dogs, returning from the chase? When shall I hear his voice, loud and distant on the wind? Come from thy sounding hills, hunter of woody Cona!" His thin ghost appeared, on a rock, like a watery beam of feeble light: when the moon rushes sudden from between two clouds, and the midnight shower is on the field. She followed the empty form over the heath. She knew that her hero fell. I heard her approaching cries on the wind, like the mournful voice of the breeze, when it sighs on the grass of the cave

She came. She found her hero! Her voice was heard no more. Silent she rolled her eyes. She was pale and wildly sad! Few were her days on Cona. She sunk into the tomb. Fingal commanded his bards; they sung over the death of Lorma. The daughters of Morven mourned her, for one day in the year, when the dark winds of autumn returned!

Son of the distant land! Thou dwellest in the field of fame! O let the song arise, at times, in praise of those who fell! Let their thin ghosts rejoice around thee; and the soul of Lorma come on a feeble beam; when thou liest down to rest, and the moon looks into thy cave. Then shalt thou see her lovely; but the tear is still on her cheek!

poem by James Macpherson
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.

The Argument

Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.

Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.

I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.

The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.

A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom

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poem by Matthew Prior
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