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I'm Owen Hart and I have my own identity and my own style.

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Style

(style) style, uh!
(yeah, yeah, yeah, yeah)
Style, dig it
(style) style, come on
Uh, style
Style is not something that comes in a bottle
Style is more like jackie o. when she was doin aristotle
Style is not a logo that sticks 2 the roof of ones ass
Style is like a second cousin 2 class
U got it! - style, come on
U got it! - style, say what?
U got it! - style, come on
U got it! - style, check it
Style aint sittin court side with the owner of the team
Style is owning the court and charging em all a fee
Style is not lusting after someone because theyre cool
Style is loving yourself til everyone else does 2
U got it! - style, come on
U got it! - style, maybe
U got it! - style, well well
U got it! - style
Bridge:
Style dont get drunk on a saturday night
Try 2 dress up every sunday mornin bright
Style dont get married then break the vow in a year
Style is keepin a promise
Raise your hand yall if u hear me
(style) {x2}
Style is not biting style when u cant find the funk
Style is the face u make on a michael jordon dunk
Style aint the jeep u bought when u know your broke ass got bills
Style is lettin your lover drive while u talk on the phone and chill
U got it! - style
U got it! - style, maybe
U got it! - style, come on
U got it! - style
Bridge:
Style is a gold-tooth smile with an attitude
Style is a peaceful wild postin the rude
Style is growing your own food
Style is a non-violent march
Style is an accurate account of whats inside every heart (style)
Style is not a lie
Style is a man that cries
Style is the glow in a pregnant womans eyes
(style) {x4}
U got it! - style, come on
U got it! - style, do that, do that
U got it! - style, got it?
U got it! - style, mad, come on

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Style (Pablo)

Now here comes a musical shack attack
Really on truly design to make you rock
Whether you white or black
In a pants or frock
Round a front or back
Down an bottom or on top
Is Pablo Ranks round the microphone a chat
On the musical shack attack seen (Dreadlocks)
Here them style ya now star
Ca me say if a don't Patton then a style
A me say is a don't Patton them a style (Smile)
A mi say if a don't patton them a style (Wicked on wile)
Say if a don't Patton them a style
Mi young a say strong Jah know mi well virile
True mi eant everything them a say that spwile
Man mi run way left mi yard them a say that mi wile
Say mi lock the education but mi versatile, true mi
Sell the callie weel on them mi collect the kile
Babylon want fi hold mi it is just for a while
Say mi break out a jail a man use a file
Say mi head in a the mountain - under low profile
Mi say if a don't Patton them a style (right)
A me say if a don't Patton them a style (Flashitta)
Ca me say if a don't Patton then a style (Bubble)
A mi say if a don't Patton then a style
But a true say Pablo cool Pablo wasn't hostile
Mi rub down fi mi skin yes in a coconut oil
Me rap ip fi mi weed in a bacofile
Mi chat the rub a dub fi make the girls them smile
The blood in a them body (man) me want it fi boil
With swet a run them back like a engine oil
With the lyrics them a fire like any missile
Pablo Ranks around the mic as your disciplin child
Well mi fire fi mi lyrics for a million mile
All the girls them in the dance say him dea under profile
Ca me say if a don't Patton them a style
A me say if a don't Patton them astyle (wicked and wile)
Say if a don't Patton then a style (Gwan)
Ca me say if a don't them a style
You know say Pablo Ranks him a you cullicked yard child
A tell you that Patton that a Patton
Me say style a style
But a snake on a lizard on a crocodile
But a them dea creature me say call reptile
But anywhere you go, you know those a pure style
But a Pablo Rankin dea ya cause him wicked and wile
Come fi run down the rubadub in a yard style
Make the girls them in the dance hall feel fi smile
Make the blood in a them body (just) starte fi boil
Make the swet a run them back like a engine oil

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The Brus Book 20

King Robert in Northumberland]

Sone eftre that the erle Thomas
Fra Wardaill thus reparyt was
The king assemblyt all his mycht
And left nane that wes worth to fycht,
5 A gret ost than assemblit he
And delt his ost in partis thre.
A part to Norame went but let
And a stark assege has set
And held thaim in rycht at thar dyk,
10 The tother part till Anwyk
Is went and thar a sege set thai,
And quhill that thir assegis lay
At thir castellis I spak off ar,
Apert eschewys oft maid thar war
15 And mony fayr chevalry
Eschevyt war full douchtely.
The king at thai castellis liand
Left his folk, as I bar on hand
And with the thrid ost held hys way
20 Fra park to park hym for to play
Huntand as all hys awn war,
And till thaim that war with him thar
The landis off Northummyrland
That neyst to Scotland war liand
25 In fe and heritage gave he,
And thai payit for the selys fe.

[The peace with England]

On this wys raid he destroyand
Quhill that the king of Ingland
Throu consaill of the Mortymar
30 And his moder that that tym war
Ledaris of him that than young wes
To King Robert to tret off pes
Send messyngeris, and sua sped thai
That thai assentyt on this way
35 Than a perpetuale pes to tak,
And thai a mariage suld mak
Off the King Robertis sone Davy
That than bot fyve yer had scarsly
And off Dame Jhone als off the Tour
40 That syne wes of full gret valour,
Systre scho wes to the ying king
That had Ingland in governyng,
That than of eild had sevyn yer.
And monymentis and lettrys ser
45 That thai of Ingland that tyme had

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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.


The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right


No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.


Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,


That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.


But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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Here Begynneth A Lyttell Treatyse Cleped La Conusaunce Damours

Forth gone the virgyns euerychone
Replet with ioye/and eke felicite
To gether floures. And some vnto one
Haue more fantasy/whan they it se
Than to all that in the medowes be
Another shall incontrary wyse
Gether other after theyr deuyse.


So done clerkes/of great grauite
Chose maters/wheron they lyst to wryte
But I that am of small capacite
Toke on me this treatyse to endyte
Tauoyde ydelnesse/more than for delyte
And most parte therof/tolde was to me
As here after/ye may rede and se.


Thus endeth the prologue.

The thyrde idus/in the moneth of July
Phebus his beames/lustryng euery way
Gladdynge the hartes/of all our Hemyspery
And mouynge many/vnto sporte and playe
So dyd it me/the treuthe for to saye
To walke forth/I had great inclination
Per chaunce some where/to fynde recreation


And as I walked/ever I dyd beholde
Goodly yonge people/that them encouraged
In suche maner wyse/as though they wolde
Ryght gladly have songe or daunsed
Or els some other gorgious thynge deuysed
Whose demeanynge/made me ryght ioyous
For to beholde/theyr dedes amorous.


To wryte all thynges of plesure/that I se
In euery place/where I passed by
In all a day recunted it can nat be
Who coude discryue the fresshe beauty
Of dames and pusels/attyred gorgiously
So swete of loke/so amiable of face
Smilyng doulcely/on suche as stande in grace


Certaynly theyr boute/and curtesy
Ofte moueth me/for to do my payne
Some thynge to wryte/them to magnifye

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The Brus Book III

The lord of Lorn attacks the king's men]


The lord off Lorne wonnyt thar-by
That wes capitale ennymy
To the king for his emys sak
Jhon Comyn, and thocht for to tak
5 Vengeance apon cruell maner.
Quhen he the king wyst wes sa ner
He assemblyt his men in hy,
And had intill his cumpany
The barounys off Argyle alsua.
10 Thai war a thousand weill or ma
And come for to suppris the king
That weill wes war of thar cummyng.
Bot all to few with him he had
The-quhethir he bauldly thaim abaid,
15 And weill ost at thar fryst metyng
War layd at erd but recoveryng.
The kingis folk full weill thaim bar
And slew and fellyt and woundyt sar,
Bot the folk off the tother party
20 Faucht with axys sa fellyly,
For thai on fute war everilkane,
That thai feile off thar hors has slayne,
And till sum gaiff thai woundis wid.
James off Douglas wes hurt that tyd
25 And als Schyr Gilbert de le Hay.
The king his men saw in affray
And his ensenye can he cry
And amang thaim rycht hardyly
He rad that he thaim ruschyt all
30 And fele off thaim thar gert he fall.
Bot quhen he saw thai war sa feill
And saw thaim swa gret dyntis deill
He dred to tyne his folk, forthi
His men till him he gan rely
35 And said, 'Lordyngis, foly it war
Tyll us for till assembill mar,
For thai fele off our hors has slayn,
And giff yhe fecht with thaim agayn
We sall tyne off our small mengye
40 And our selff sall in perill be.
Tharfor me thynk maist avenand
To withdraw us us defendand
Till we cum out off thar daunger,
For our strenth at our hand is ner.'
45 Then thai withdrew thaim halely
Bot that wes nocht full cowartly
For samyn intill a sop held thai

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Style

Style must not be underrated
Style is often overlooked
Style is never in the papers
I read it like an open book
Style
If you cant see the substance
Style shows how its organized
Style is looking for your money
Its in the way you paint your eyes
There is always a way
A way things are done
Ive been learning my abcs
I know what is 10, I know what is 1 in
Style is a naked look
Underneath your style
Style of a different place
Talking through your style
Even the way you hide it
Reveals the thing you hide
Your style may never cause a riot
Its still a style to have no style
There is always a way
To light up a lamp
Its been a crazy year all around
The check never came
I cant let it cramp my
Style is a world for sale
You cant buy this style
Style that you cant resist
You wont cramp my style

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Ya'll

Y'all niggaz tryna steal my style
Some of y'all niggas tryna steal my style
I think y'all niggaz tryna steal my style
What you gone do next try and steal my smile
Some of y'all niggas tryna steal my style
I think y'all niggaz tryna steal my style
What you gone do next try and steal my smile

Y'all niggaz tryna steal my style
Remember in I-5 you couldn't feel my style
Remember when y'all said you ain't nuttin but a kid
Y'all said I wouldn't make it
Hey but I did
Remember when y'all said me and hump ain't workin'
Just check the driveway nigga we ain't hurtin'
I bet y'all niggas never take a bank style
It ain't my fault that yo group ain't high
It ain't my fault that you can't do shows
Either we movin' to fast or y'all movin' to slow
Now why you wanna go out and make me mad
If you drop another album you gone make me laugh

Cause y'all niggas tryna steal my style
Some of y'all niggas tryna steal my style
I think y'all niggaz tryna steal my style
What you gone do next try and steal my smile
Y'all niggaz tryna steal my style
Some of y'all niggas tryna steal my style
I think y'all niggaz tryna steal my style
What you gone do next try and steal my smile

Buy the car
Buy the house
Remember that
That was me
Diamonds all in yo face
Remember that
That was me and C
Southside still holdin'
Me

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Mama Africa's Identity

Mama Africa's identity,
And of the Fulanis and the Fulbes;
But the Savannah and the Sahara are here to stay in Africa.
Mama Africa's identity,
And of the Dogons and the Shilluks;
And of the cowries usedas money in those days,
But the identities of the African are in many faces.
It is like a durbar in Africa and,
At the market plac to meet others;
But a visit to the tomatoes market in Ghana will tell you much.
Mama African's identity,
And like 'the Golden Stool' of the Ashanti Kingsdom!
But wait for the dried-fish on the coasts of Africa.
Visit St. Louis in the delta of Senegal and learn about the ways of the African,
For my home i in El Molo;
And like Mama Africa's identity praising my muse.
Mama African's identity,
And of the pygmies in Central Africa!
But i have my mind on the Rift Valley,
And like the mirror of the rivers, lakes and the seas of Africa! !
The Massai and the Dinka do play their roles,
And like the Nubaians in South Sudan;
But with the temperature above 40 degrees in most parts of Africa.
Mama Africa's identity,
And like a message to my lover in Lalibala;
For early in the morning came the leopards to drink some water,
But a visit to Mount Meru will entice you.
Mama Africa's identity,
And of the Zulus and the Rendilles;
But the Afars are here to blend with the dry land.
Mama Africa's identity,
With the rhythms and rituals of the Africans!
And like the tribes of Ovambo, Herero, Xhosa, Shona and Matabele.
And like the Bemba, the Tonga and the Ovaimbundu!
But the red land of Africa care for you all.
Mama Africa's identity,
And of River Limpopo in the mist of love;
But try to visit the Victoria Falls to satisfy your curiosity.
Mama Africa's identity,
And of the Himbas with their traditional dance;
But the Kikuyu, the Hutu, the Tutsi and the Hambukushu are also there,
For Africa is a very big continent for all of us.

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The Lonely Spider

The lonely spider reaches out
For what, you might ask?
If not to spin his web then for what?
For his identity
The identity of him
His identity...

The lonely spider calls out
For what, you might ask?
If not for his mate then for what?
For his identity
The identity of him
His identity...

The lonely spider waits
For what, you might ask?
If not for his food then for what?
For his identity
The identity of him
His identity...

'A spider doesn't have feelings! '
How should you know?

'A spider isn't that smart! '
That could be true.

'A spider can never have a real identity! '
And neither could you, or any of us
But we try to find one even if we're not looking
And thats our life... after which we die

What have we done with our life up until then?
Either we've thrown it away, gave it up, wrecked it, lived it up to the fullest, took it for granted, or got far in it.
We still had one.
It's up to us what we shall do with it
Just like the lonely spider
Who will probably just end up on the bottom of your shoe anyways

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The Brus Book XI

[Criticism of the compact about Stirling Castle]

And quhen this connand thus wes mad
Schir Philip intill Ingland raid
And tauld the king all haile his tale,
How he a tuelf moneth all hale
5 Had as it writyn wes in thar taile
To reskew Strevillyne with bataill.
And quhen he hard Schyr Philip say
That Scottismen had set a day
To fecht and that sic space he had
10 To purvay him he wes rycht glaid,
And said it wes gret sukudry
That set thaim apon sic foly,
For he thocht to be or that day
Sa purvayit and in sic aray
15 That thar suld nane strenth him withstand,
And quhen the lordis off Ingland
Herd that this day wes set planly
Thai jugyt all to gret foly,
And thoucht to haiff all thar liking
20 Giff men abaid thaim in fechting,
Bot oft faillys the fulis thocht
And yeit wys mennys ay cummys nocht
To sic end as thai wene allwayis.
A litill stane oft, as men sayis,
25 May ger weltyr a mekill wayn,
Na mannys mycht may stand agayn
The grace off God that all thing steris,
He wate quhat till all thing afferis
And disponys at his liking
30 Efter his ordynance all thing.

[King Robert criticises his brother]

Quhen Schyr Edward, as I you say,
Had gevyn sa outrageous a day
To yeld or reskew Strevillyne,
Rycht to the king he went him syne
35 And tauld quhat tretys he had mad
And quhat day he thaim gevyn had.
The king said quhen he hard the day,
'That wes unwisly doyn, perfay.
Ik herd never quhar sa lang warnyng
40 Wes gevyn to sa mychty a king
As is the king off Ingland,
For he has now intill hand
Ingland, Ireland and Walis alsua
And Aquitayngne yeit with all tha,
45 And off Scotland yeit a party

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Of Ancient Mastodon, Sleepy Bee & Young Men Who Leap Too Soon From Bridges - Nightingale Confesses Into Straighter Teeth

'...descend, and of the curveship lend a myth to God.' - Hart Crane

Pueri aeterna, septem cadens
Etiam plures ad

The boys eternal, seven falling
Too many more to come

Jamey Rodemayer
Tyler Clementi
Raymond Chase
Asher Brown
Billy Lucas
Seth Walsh
Justin Aaberg

Sub olivae, pacem
Ut vos omnes adoremus orientatio

Under the olive trees, peace
May you all adore this orientation


******

"I imagine one of the reasons people cling to their
hates so stubbornly is because they sense, once
hate is gone, they will be forced to deal with pain."

- James Baldwin


'Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him
He sought for his beautiful body
and encountered his opened blood

Do not ask me to see it! '

- Federico Garcia Lorca*


1


Even the pigeons on my stoop are silent now.

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Hart-Leap Well

The Knight had ridden down from Wensley Moor
With the slow motion of a summer's cloud,
And now, as he approached a vassal's door,
"Bring forth another horse!" he cried aloud.

"Another horse!"--That shout the vassal heard
And saddled his best Steed, a comely grey;
Sir Walter mounted him; he was the third
Which he had mounted on that glorious day.

Joy sparkled in the prancing courser's eyes;
The horse and horseman are a happy pair;
But, though Sir Walter like a falcon flies,
There is a doleful silence in the air.

A rout this morning left Sir Walter's Hall,
That as they galloped made the echoes roar;
But horse and man are vanished, one and all;
Such race, I think, was never seen before.

Sir Walter, restless as a veering wind,
Calls to the few tired dogs that yet remain:
Blanch, Swift, and Music, noblest of their kind,
Follow, and up the weary mountain strain.

The Knight hallooed, he cheered and chid them on
With suppliant gestures and upbraidings stern;
But breath and eyesight fail; and, one by one,
The dogs are stretched among the mountain fern.

Where is the throng, the tumult of the race?
The bugles that so joyfully were blown?
--This chase it looks not like an earthly chase;
Sir Walter and the Hart are left alone.

The poor Hart toils along the mountainside;
I will not stop to tell how far he fled,
Nor will I mention by what death he died;
But now the Knight beholds him lying dead.

Dismounting, then, he leaned against a thorn;
He had no follower, dog, nor man, nor boy:
He neither cracked his whip, nor blew his horn,
But gazed upon the spoil with silent joy.

Close to the thorn on which Sir Walter leaned,
Stood his dumb partner in this glorious feat;
Weak as a lamb the hour that it is yeaned;
And white with foam as if with cleaving sleet.

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Ambrose Bierce

Another Plan

Editor Owen, of San Jose,
Commonly known as 'our friend J.J.'
Weary of scribbling for daily bread,
Weary of writing what nobody read,
Slept one day at his desk and dreamed
That an angel before him stood and beamed
With compassionate eyes upon him there.

Editor Owen is not so fair
In feature, expression, form or limb
But glances like that are familiar to him;
And so, to arrive by the shortest route
At his visitor's will he said, simply: 'Toot.'
'Editor Owen,' the angel said,
'Scribble no more for your daily bread.
Your intellect staggers and falls and bleeds,
Weary of writing what nobody reads.
Eschew now the quill-in the coming years
Homilize man through his idle ears.
Go lecture!' 'Just what I intended to do,'
Said Owen. The angel looked pained and flew.

Editor Owen, of San Jose,
Commonly known as 'our friend J.J.'
Scribbling no more to supply his needs,
Weary of writing what nobody reads,
Passes of life each golden year
Speaking what nobody comes to hear.

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Geoffrey Chaucer

The Friar's Tale

This worthy limitour, this noble Frere,
He made always a manner louring cheer* *countenance
Upon the Sompnour; but for honesty* *courtesy
No villain word as yet to him spake he:
But at the last he said unto the Wife:
'Dame,' quoth he, 'God give you right good life,
Ye have here touched, all so may I the,* *thrive
In school matter a greate difficulty.
Ye have said muche thing right well, I say;
But, Dame, here as we ride by the way,
Us needeth not but for to speak of game,
And leave authorities, in Godde's name,
To preaching, and to school eke of clergy.
But if it like unto this company,
I will you of a Sompnour tell a game;
Pardie, ye may well knowe by the name,
That of a Sompnour may no good be said;
I pray that none of you be *evil paid;* *dissatisfied*
A Sompnour is a runner up and down
With mandements* for fornicatioun, *mandates, summonses*
And is y-beat at every towne's end.'
Then spake our Host; 'Ah, sir, ye should be hend* *civil, gentle
And courteous, as a man of your estate;
In company we will have no debate:
Tell us your tale, and let the Sompnour be.'
'Nay,' quoth the Sompnour, 'let him say by me
What so him list; when it comes to my lot,
By God, I shall him quiten* every groat! *pay him off
I shall him telle what a great honour
It is to be a flattering limitour
And his office I shall him tell y-wis'.
Our Host answered, 'Peace, no more of this.'
And afterward he said unto the frere,
'Tell forth your tale, mine owen master dear.'


THE TALE.


Whilom* there was dwelling in my country *once on a time
An archdeacon, a man of high degree,
That boldely did execution,
In punishing of fornication,
Of witchecraft, and eke of bawdery,
Of defamation, and adultery,
Of churche-reeves,* and of testaments, *churchwardens
Of contracts, and of lack of sacraments,
And eke of many another manner* crime, *sort of
Which needeth not rehearsen at this time,
Of usury, and simony also;

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Dulce Et Decorum Est Pro Patria Mori

In 'Dulce Decorum Est' grim realities has Owen told?
Images he witness bore cut into nerve retina of eyeballs?
“Men marched asleep. Many had lost their boots.

But limped on, blood-shod. All went lame, all blind
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five Nines that dropped behind.”

Wilfred was a conscientious objector, who never believed
in war. Owen believed he had no right to protest against war,
if he had never fought in it. Wilfred wrote realistic anti-war

poems. “Dulce et Decorum Est” is a protest against war.
The lie “Dulce et Decorum Est pro patria mori” Owen denounces
declaring it is not sweet and honourable to die for your country.

Stark grim dark is contrast between false lie and truth reality
powerfully in an account of friend dying soldier demonstrated
Symptoms of chlorine or phosgene gas are correctly described

The 'misty panes and thick green light, As under a green sea, I saw
him drowning' are accurate descriptions of poison gas covering battlefield Owen haunted by agony memory horrific deaths declares 'In all my dreams

before my helpless sight He plunges at me, guttering, choking, drowning' attests. Words 'gargling from the froth-corrupted lungs describes, gassed lungs filled with fluid, producing similar effects, as when a person drowns

in water. ‘Gas! Gas! Quick, boys! An ecstasy of fumbling’ intones
instant cinematic descriptive reality, suddenly reader you must bear witness, to secret scientific weapons research horrors humankinds worst deeds

“If in some smothering dreams, you too could pace
Behind the wagon that we flung him in
And watch the white eyes writhing in his face,

His hanging face, like a devil’s sick of sin,
If you could hear at every jolt, the blood
Come gargling from the froth-corrupted lungs (Owen declares)

My friend, you would not tell with such zest
The old lie: Dulce et Decorum Est pro patria mori”

because it is not sweet nor honourable to die such deaths


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Is Man A Winner Or A Loser?

Woman has a poof that the child is hers;
Man has no such proof to claim on the child.
She is cool with the child as identity.
He is desperate for his identity.

Identity crisis has disturbed him.
He invented marriage and chained woman.
He imposed chastity to mark his kids
And introduced patriarchal system.

Identity crisis has troubled him.
He assumed control over women.
He retained the progeny in his name
And made concubines to silence woman.

Identity crisis has worried him.
He bottled woman's skill and built up his.
He grew to be a Scholar. Sculptor and Poet
And assigned to woman the entertaining.

Identity crisis has bothered him.
He treated woman as her property.
He acquired family unfailingly
And labourd for its upkeep and status.

Identity crisis has bored him.
Water as she is, man could not cut her.
Tired of heat outside, man needed a shade
And sheltered himself in woman's coolness.

Woman treated man with due sympathy
With no fight with him for identity.
Her child is enough for her identity.
She helped him to anchor himself in her.

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Sinful identity

It wasn’t the slightest in my hands to choose the
parents who had so handsomely procreated me; nor was
it my fault that the house in which I emitted my first
infantile cry; overflowed with unfathomable oceans of
glittering gold,
But it would irrefutably be the greatest sin if I
baselessly rejoiced and took all their hard-earned
wealth for granted; miserably dithered in my
impoverished life to carve a philanthropically
blissful identity of my very own….

It wasn’t the slightest in my hands to choose the
parents who had so majestically procreated me; nor was
it my fault that the house in which I emitted my
first baby cry; had an endless inundation of sparkling
currency coin,
But it would irrefutably be the greatest sin if I
parasitically feasted and took all their hard-earned
wealth for granted; pathetically staggered in my
diminutive life to carve a synergistically blazing
identity of my very own….

It wasn’t the slightest in my hands to choose the
parents who had so wonderfully procreated me; nor was
it my fault that the house in which I emitted my first
incoherent cry; remained perpetually embellished with
resplendently enamoring diamonds,
But it would irrefutably be the greatest sin if I
derogatorily marauded and took all their hard-earned
wealth for granted; dismally stuttered in my truncated
life to carve a celestially vibrant identity of my
very own
It wasn’t the slightest in my hands to choose the
parents who had so marvelously procreated me; nor was
it my fault that the house in which I emitted my first
nimble cry; contained every speck of prosperity on
this timeless planet,
But it would irrefutably be the greatest sin if I
indiscriminately terrorized and took all their
hard-earned wealth for granted; meaninglessly quavered
in my destined life to carve a beautifully magnanimous
identity of my very own…..

It wasn’t the slightest in my hands to choose the
parents who had so amazingly procreated me; nor was it
my fault that the house in which I emitted my first
inaudible cry; had its foundations resting on an
insurmountable mountain of pearls,
But it would irrefutably be the greatest sin if I
savagely massacred and took all their hard-earned

[...] Read more

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I'll Never Stop

Ooh yeah

I'll...
I'll...
I'll never stop

I don't know
Will you believe me

After all that's said and done

All the lies
How I regret them baby now
I'm the loser
And you're shining like the sun
Tell me why can't I still be the one

Alright

Chorus:
I'll never stop untill you'll mind
I can wait forever till the end of time
Cause my hart is in your hands
Don't you understand
I'll never stop

I'll never stop

How could I ever
When my hart is in your hands
And I know
Baby there is no turning back

I'll

Say that I'm crazy
And I kind of understand

How I wish for this nightmare...to end
Oh yeah

Chorus:
I'll never stop untill you'll mind
I can wait forever till the end of time
Cause my hart is in your hands
Don't you understand
I'll never stop

yeaa
I'll never stop

[...] Read more

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The Brus Book I

This book the true story of King Robert and Sir James Douglas


Storys to rede ar delatibill
Suppos that thai be nocht bot fabill,
Than suld storys that suthfast wer
And thai war said on gud maner
5 Have doubill plesance in heryng.
The first plesance is the carpyng,
And the tother the suthfastnes
That schawys the thing rycht as it wes,
And suth thyngis that ar likand
10 Till mannys heryng ar plesand.
Tharfor I wald fayne set my will
Giff my wyt mycht suffice thartill
To put in wryt a suthfast story
That it lest ay furth in memory
15 Swa that na tyme of lenth it let
Na ger it haly be foryet.
For auld storys that men redys
Representis to thaim the dedys
Of stalwart folk that lyvyt ar
20 Rycht as thai than in presence war.
And certis thai suld weill have prys
That in thar tyme war wycht and wys
And led thar lyff in gret travaill,
And oft in hard stour off bataill
25 Wan gret price off chevalry
And war voydyt off cowardy,
As wes King Robert off Scotland
That hardy wes off hart and hand,
And gud Schir James off Douglas
30 That in his tyme sa worthy was
That off hys price and hys bounte
In ser landis renownyt wes he.
Off thaim I thynk this buk to ma,
Now God gyff grace that I may swa
35 Tret it and bryng till endyng
That I say nocht bot suthfast thing.

[Alexander III's death; the dispute over the succession
submitted to Edward I's arbitration]

Quhen Alexander the king wes deid
That Scotland haid to steyr and leid,
The land sex yer and mayr perfay
40 Lay desolat eftyr hys day
Till that the barnage at the last
Assemblyt thaim and fayndyt fast
To cheys a king thar land to ster

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