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Motown's policy was to build one act at a time or their favorites.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Motown (In Remembrance Of...)

Where are the sounds of Motown now?
That innovative and daring reach to be different!
Nothing today can captivate...
Except Beyoncé who tintillates imaginations!
Taking her creativity to fresh and new dimensions.
Blazing with excitement that awakens,
A dormant void of cookie cutter mass produced
Sameness that lacks snap and crackle!

Where are the sounds of Motown now?
There is no 'beat' today that repeats or come close,
To those Brewster Project folks...
Who toasted all of Detroit back then!
Every released song was a 'gem' it seemed.
Evoked from the mind of Berry Gordy's dream!
And today we listen to celebrated crap!
From 'ghetto stars' who make millions...
Lifting 'originality' tweaked off stolen tracks!

I wish that Motown could come back!
Inspiring with a motivation...
The writers, singers and producers
Holland-Dozier and Holland
Certainly did not lack!
When the sounds of Motown were around,
There seemed to be less crime to be found....
And more hand claps!

I wish that Motown could come back!
Like those things that brought good feelings...
Gone!
Never to be time-released,
But forever time-capsule trapped!

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The Motown Song

(larry john mcnally)
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
Lets dance together just for the night
Lets dont worry about the future or nothin else
cause just like the musics sayin you gotta take chances
Go ahead just do it and trust yourself
Theres a soul in the city
Watching over us tonight
Theres a soul in the city
Saying everythings gonna be all right
So bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
They wish us luck
But they think were just dreaming
Lets prove them wrong baby
cause you know what luck is
Luck is believing youre lucky
Thats all and showing just a little bit of faith
Theres a soul in the city
Watching over us I swear
Theres a soul in the city
Theres a whole world waiting out there
Listen
I got plans for us
Playing like a skip on a record
Through my head all night long
But when we walk that darkened stairway
And step out on the roof
I know what were feeling cant be wrong
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
let the temptations sing it one time
Bring over some of you old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below

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Don't Come Around Here

How do you know when it's over
How do you know where did it all go wrong
Can I embrace the perfect stranger
How do you know and where did it all go wrong
Cause lately could you tell
I lost the only one
Could you tell
Stoke the funeral
So now it's just me, myself and I
Don't come around here (don't come around here)
Just to see me cryin' (see me cryin')
Don't come around here (don't come around here)
Just because you can (because you can, yeah, yeah)
Cause you can
How do you find tinsel Motown
How do you find it if it's the only one
Dear, love is strange the right emotion
How do you find if it's the only one
Cause lately (lately) could you tell (could you tell)
I lost the only one
Could you tell (could you tell, could you tell)
Stoke the funeral
So now it's just me, myself and I
Don't come around here (don't come around here)
Just to see me cryin' (see me cryin')
Don't come around here (don't come around here)
Just because you can (because you can, yeah, yeah)
Give me Motown (tinsel Motown, lady)
Tinsel Motown (one emotion maybe)
One emotion (with a perfect stranger)
Tinsel Motown (me, myself and I)
Don't come around here
Just to see me cryin'
Don't come around here
Just because you can
Don't come around here (don't come around here)
Just to see me cryin' (see me cryin')
Please don't come around here (don't come around here)
Just because you can (because you can, yeah, yeah)
Cause you can
Don't come around here (don't come around here)
Just to see me cryin' (see me cryin')
Please don't watch me cryin'
Please don't watch me cryin', yeah
Cause you can
Don't come around here
Please don't come around here
Just to see me cryin'

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Gonna Build A Mountain

1: Im gonna build a mountain, from a little hill.
Im gonna build a mountain, least I hope I will.
Im gonna build a mountain, Im gonna build it high.
I dont know how Im gonna do it, only know Im gonna try.
2: Im gonna build a daydream, from a little hope.
Im gonna push the daydream, up that mountain slope.
Im gonna build a daydream, woah, Im gonna see it through.
Gonna build a mountain and a daydream,
Gonna make em both come true.
3: Im gonna build a heaven, as a will someday,
And the lord sends ga-bri-el to take me away.
Woah, I wanna fine young son, to take my place.
Ill leave my son in my heaven on earth with the good lords grace.
4: Im gonna build a mountain, from a little hill.
Im gonna build a mountain, least I hope I will.
Im gonna build a mountain, yeah, gonna see it through.
Gonna build a mountain and a daydream,
Gonna make em both come true.
5: Im gonna build a daydream, from a little hope.
Im gonna push the daydream, up that mountain slope.
Im gonna build a daydream, woah, Im gonna see it through,
Gonna build a mountain and a daydream,
Gonna make em both come true.
6: I wanna build a heaven, as a will someday,
And the lord sends ga-bri-el to take me away.
I wanna fine young son, to take my place.
Ill leave my son in my heaven on earth, with the good lords grace.
I wanna fine young son, yeah, to take my place.
Ill leave my son in my heaven on earth, with the good lords grace.
Yea-eah.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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A Time To Feel Forlorn and Reconstruct What's Torn

There's a designated time in the universe for everything:

A time to limit, a time to expand.
A time to rise, time to lower and lend a hand.

A time to maintain, a time to abandon.
A time to develop, a time to rest at random.

A time to communicate, a time for silence.
A time to kiss your enemy, a time to concede wins.

A time to spite, a time to please.
A time for respite, a time to tease.

A time to process, a time to confess.
A time to do more. A time to do less.

A time to dominate. A time to captivate.
A time to plunge. A time to resurface straight.

A time to maximise. A time to minimise.
A time to diminish. A time to optimise.

A time to sacrifice. time to insist on rights.
A time to be selfish. A time to be concerned about plights.

A time to be big. A time to be small.
A time to care for a special one. A time to love all.

A time to add dimension. A time to simplify.
A time to advocate egalitarianism.
A time to exult.
A time to default.
A time to be accepting of imperfect humanism.

A time to enhance. A time to simplify.
A time to criticise. A time to dignify.

A time to produce. A time to use.
A time to relent. A time to refuse.

A time to demand. A time to give.
A time to die. a time to live.

A time to survive. A time to admit defeat.
A time to lie. A time to walk on your feet.

A time to compete. A time to not.
A time to remember. A time to concede you forgot.

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Action Man In A Motown Suit

Lets stay a while and watch him
Hes moving into action man
Hes looking good but maybe
Hes in the wrong direction man
But he wanna get a little, get a little
Every night, get a little, get a little
Something for his appetite
Everybody needs to have a recreation
Everybody needs a little comfort for the soul
Youll never make it in a motown suit
No way to fake it man theyre not your roots
No, youll never make it in a motown suit
You cant be a drummer without rhythm
Cant blow your horn if you aint blue
Some folks they just aint got it in 'em
Tell me boy now does that sound like you
Hes cruising with the singles
Down the margarita bar
Hes boring to distraction
Pushing words and talking stars
(whats your sign)
Hes gotta take a little, take a little
On the side, make a little, make a little
Something for his appetite
Everybody needs a little lubrication
Someone with imagination got to break the ice
Youll never make it in a motown suit
No way to fake it man theyre not your roots
No, youll never make it in a motown suit
You cant be a lover without rhythm
Dont blow your horn if you aint true
No point in playing valentino
Hes a sham and brother so are you
You cant be a drummer without rhythm
Cant blow your horn if you aint blue
Some folks they just aint got it in 'em
Tell me boy now does that sound like you

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Action Man In Motown Suit

Let's stay a while and watch him
He's moving into action man
He's looking good but maybe
He's in the wrong direction man
But he wanna get a little, get a little
Every night, get a little, get a little
Something for his appetite
Everybody needs to have a recreation
Everybody needs a little comfort for the soul
You'll never make it in a motown suit
No way to fake it man they're not your roots
No, you'll never make it in a motown suit
You can't be a drummer without rhythm
Can't blow your horn if you ain't blue
Some folks they just ain't got it in 'em
Tell me boy now does that sound like you
He's cruising with the singles
Down the margarita bar
He's boring to distraction
Pushing words and talking stars
(What's your sign)
He's gotta take a little, take a little
On the side, make a little, make a little
Something for his appetite
Everybody needs a little lubrication
Someone with imagination got to break the ice
You'll never make it in a motown suit
No way to fake it man they're not your roots
No, you'll never make it in a motown suit
You can't be a lover without rhythm
Don't blow your horn if you ain't true
No point in playing Valentino
He's a sham and brother so are you
You can't be a drummer without rhythm
Can't blow your horn if you ain't blue
Some folks they just ain't got it in 'em
Tell me boy now does that sound like you

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Cheek

When PHARAOH chased the chosen Jew, and perished in the sea,
Things seemed to hint at failure in the PHARAOH policy.
For 'tis written that the Opposition leader had his way;
But we've never been enlightened on what PHARAOH had to say.
But probably before the wave came over him he swore:
'This is the naval policy I've always battled for!'
And continued to enlarge upon his policy's success,
Till a mouthful of the salt Red Sea cut short his brief address.


For there's nothing like a cool, calm cheek;
And there's wisdom in a big bold bluff.
If you find you've made a blunder,
And your policy goes under,
You've a chance if you can bellow loud enough.
That's the time you need a brass-bound cheek;
When your theory to smithereens is blown,
Seize the other fellow's notion
In the subsequent commotion
And declare, by all the gods, it is your own.


When BRUTUS punctured CAESAR in his quaint old Pagan way,
A lot of folk were almost sure that BRUTUS won the day.
'Twas the popular opinion, and was backed by solid facts;
But we are not told what CAESAR thought about these ancient acts.
For it was not 'Et tu BRUTE' that he murmured as he fell,
But 'I'm charmed to see my policy is carried out so well.'
And if we are allowed to make a sporting sort of guess,
He's skiting still in Hades of that policy's success.

For there's nothing like a hard-boiled cheek;
And there's virtue in assurance when its strong;
In claiming a11 the credit,
And declaring that you said it
Would occur just as it happened all along.
No, there's nothing like a steel-shod cheek;
And there's something in a tall, tough skite
Should it be the white you back,
And the winner turn out black,
Buck up, and say you meant a blackish white.


0, ye proud and haughty Britons, quondam rulers of the waves,
Have you ever once reflected why it is ye are not slaves?
Nay, the glorious foundation Britain's freedom stands upon
Is the firm and fearless policy of glorious King JOHN!
For when the Barons waited on him, asking him to sign
The grand old Magna Charta, did he hesitate and whine?
No! Spake that grand old monarch, with a rather bitter smile:-

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Benefits of 1995 Fish Trash Policy

policy no policy
policy of indifference
policy of stupidity

now reaps rewards

use “trash fish”
policy as animal feeds
and in fish farming means

bycatch
is increasingly
financially

attractive to fishers
fishers of world oceans
policy bad policy

1995 one study
showed 27 million tonnes
of fish being discarded

every year but
2005 an investigation found
figure had dropped

to recorded
only 7 million tones
good news

no amount
of bycatch
did dropp not

just deleted
from records
off hot books

policy of greed

a Bermuda Triangle mystery?
a mystery of 20 million tonnes
20 million tonnes of missing fish?

20 million tonnes
were being sold
but control without

what hope in fisheries
of achieving sustainability

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Stop Breaking Your Heart

Rick astley
Times are hard, thats for sure
Lovers need to love a little more
Everybodys got to do their best
You cant complain
If you settle for less
And I know its hard for you
To do the things that you want to do
But every day can get a little better
If you rise up, stand up
And stick together
* stop breaking your heart
Dont fall apart
Were gonna build this thing together
Stop breaking your heart
This is the start
Were gonna make it last forever
Were gonna build this thing together
Now
I believe in you for sure
People need to learn
To trust a little more
Everybodys got a chip on their shoulder
Just because they feel a little older
I know its got to be
So much better, wait and see
Hold on for a little longer
Gonna rise up, stand up
And well be stronger
( * repeat 2 times )
Come on
Were gonna build this thing together
Now
Build it up, build it up
Build it up, build it up
Every night people fight
Im askin you do you think thats right
I believe that the feelings there
But the people are unaware, yeah
And I know its hard for you
To do the things that you want to do
But everything can get a little better
If you rise up, stand up
And stick together now
( * repeat 2 times )
Now (stop breaking your heart)
Oh now, yeah
Were gonna build it up
Were gonna build it up
Were gonna build this thing together

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The Third Monarchy, being the Grecian, beginning under Alexander the Great in the 112. Olympiad.

Great Alexander was wise Philips son,
He to Amyntas, Kings of Macedon;
The cruel proud Olympias was his Mother,
She to Epirus warlike King was daughter.
This Prince (his father by Pausanias slain)
The twenty first of's age began to reign.
Great were the Gifts of nature which he had,
His education much to those did adde:
By art and nature both he was made fit,
To 'complish that which long before was writ.
The very day of his Nativity
To ground was burnt Dianaes Temple high:
An Omen to their near approaching woe,
Whose glory to the earth this king did throw.
His Rule to Greece he scorn'd should be confin'd,
The Universe scarce bound his proud vast mind.
This is the He-Goat which from Grecia came,
That ran in Choler on the Persian Ram,
That brake his horns, that threw him on the ground
To save him from his might no man was found:
Philip on this great Conquest had an eye,
But death did terminate those thoughts so high.
The Greeks had chose him Captain General,
Which honour to his Son did now befall.
(For as Worlds Monarch now we speak not on,
But as the King of little Macedon)
Restless both day and night his heart then was,
His high resolves which way to bring to pass;
Yet for a while in Greece is forc'd to stay,
Which makes each moment seem more then a day.
Thebes and stiff Athens both 'gainst him rebel,
Their mutinies by valour doth he quell.
This done against both right and natures Laws,
His kinsmen put to death, who gave no cause;
That no rebellion in in his absence be,
Nor making Title unto Sovereignty.
And all whom he suspects or fears will climbe,
Now taste of death least they deserv'd in time,
Nor wonder is t if he in blood begin,
For Cruelty was his parental sin,
Thus eased now of troubles and of fears,
Next spring his course to Asia he steers;
Leavs Sage Antipater, at home to sway,
And through the Hellispont his Ships made way.
Coming to Land, his dart on shore he throws,
Then with alacrity he after goes;
And with a bount'ous heart and courage brave,
His little wealth among his Souldiers gave.
And being ask'd what for himself was left,
Reply'd, enough, sith only hope he kept.

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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Vermilion Pt. 2

She seemed dressed in all of me,stretched across my shame
All the torment and the pain
leaked through and coverd me
Id do anything to have her to myself
Just to have her for myself
Now I dont know what to do, dont know what to do when she makes me sad
She is everything to me
The unrequited dream
The song that no one sings
The unattainable, shes a myth that I have to believe in
All I need to make it real is one more reason
I dont know what to do, I dont know what to do when she makes me sane
But I wont let this build up inside of me
I wont let this build up inside of me
I wont let this build up inside of me
I wont let this build up inside of me
But I wont let this build up inside of me
A catch in my throat
Choke, torn into pieces, I wont
No, I dont want to be this
I wont let this build up inside of me
(Wont let this build up inside of me)
I wont let this build up inside of me
(Wont let this build up inside of me)
I wont let this build up inside of me
(Wont let this build up inside of me)
I wont let this build up inside of me
(Inside of me)
She isnt real
I can't make her real
She isnt real
I can't make her real

song performed by SlipknotReport problemRelated quotes
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Vermilion

She seems dressed in all the rings
Of past fatalaties
So fragile yet so devious
She continues to see it
Climatic hands that press
Her temples and my chest
Enter the night that she came home
Forever
Oh (She's the only one that makes me sad)
She is everything and more
The solemn hypnotic
My Dahlia, bathed in posession
She is so into me
I get neverous, perversed when I see her it's worse
But the stress is astounding
It's now or never she's coming home
Forever
Oh (She's the only one that makes me sad)
Hard to say what caught my attention
Fixed and crazy, Aphid Attraction
Carve my name in my face, to recognize
Such a pheromone cult to terrorize
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
(Yeah!)
I'm a slave, and I am a master
No restraints and, unchecked collectors
I exist throught my name, to self-oblige
She is something in me, that I despise
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
She Isn't real!
I Can't make her real!
She Isn't real!
I Can't make her real!
(She isn't real, I can't make her real)
(She isn't real, I can't make her real)

song performed by SlipknotReport problemRelated quotes
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Vermillion (Terry Date Mix)

She seems dressed in all the rings
Of past fatalaties
So fradgile yet so devious
She continues to see it
Climatic hands that press
Her temples in my chest
Enter the night that she came home
Forever
Oh (She's the only one that makes me soar)
She is everytihng and more
The solemn hypnotic
My doll you're bathed in posession
She is home to me
I get neverous, perversed when I see her to worse
But the stress is astounding
It's now or never she's coming home
Forever
Oh (She's the only one that makes me soar)
Hard to say waht caught my attention
Vixen crazy, Athen Attraction
Call my name in my face, to recognize
Such a fair amount called, to terrorize
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
(Yeah!)
I'm a slave, and I am a master
No restraints and, unchecked collectors
I exist throught my name, to self ablige
There is something in me, the darkness finds
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
SHE ISN'T REAL!
I CAN'T MAKE HER REAL!
SHE ISN'T REAL!
I CAN'T MAKE HER REAL!
(She isn't real, I can't make her real)
(She isn't real, I can't make her real)

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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.


ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.


Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.


Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

[...] Read more

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Turn! Turn! Turn!

Pete seeger
To everything, turn, turn, turn
There is a season, turn, turn, turn
And a time for every purpose under heaven
A time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weep
A time to build up, a time to break down
A time to dance, a time to mourn
A time to cast away stones
A time to gather stones together
A time of love, a time of hate
A time of war, a time of peace
A time you may embrace
A time to refrain from embracing
A time to gain, a time to lose
A time to rend, a time to sew
A time of love, a time of hate
A time of peace, I swear its not too late
Original source
To every thing there is a season, and a time
To every purpose under the heaven:
A time to be born, and a time to die; a time
To plant, and a time to pluck up that which is
Planted;
A time to kill, and a time to heal; a time to
Break down, and a time to build up;
A time to weep, and a time to laugh; a time
To mourn, and a time to dance;
A time to cast away stones, and a time to
Gather stones together; a time to embrace, and a
Time to refrain from embracing;
A time to get, and a time to lose; a time to
Keep, and a time to cast away;
A time to rend, and a time to sew; a time to
Keep silence, and a time to speak;
A time to love, and a time to hate; a time of
War, and a time of peace.

song performed by Nina SimoneReport problemRelated quotes
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