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Somali is turning into a desert. Rwanda, you can hardly find a place to plant a potato, it's so crowded.

quote by Jim Fowler
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No Secret: The Rwandan Genocide

A remote source of the Nile,
the Kagera River originates in Burundi.
On its way to Lake Victoria it flows
into a steep gorge along the natural border
between Rwanda and Tanzania.
Before entering the ravine,
the river cascades in a small waterfall
that swells in the rainy season.

As the Kagera sweeps down from
the highlands it carries within its currents
vast clusters of uprooted trees embedded
in gigantic dollops of elephant grass.
In the spring and summer of 1994
it was still much the same.
However, this time also thousands
of human corpses floated on the river.

Rwanda and Burundi
are two tiny African countries,
each with a territory somewhat smaller
than Belgium. Most of the population
belong to Hutu tribes,
who are traditionally crop growers.

But beginning in the 1300s
warrior herdsmen
from the highlands of Ethiopia
migrated to the region.
They originally spoke Somali or Oromo,
but in adopting the local Bantu language
and settling among the Hutus,
they became known as Tutsis.

The German colonists favoured
the Ethiopian look of the Tutsi minority.
They employed them as overseers
in the administration of Ruanda-Urundi,
as the colony was called then.

Then during the First World War Belgium
took over governing the territory
but continued to support the Tutsis
as the ruling class.

In 1919 Brussels received a mandate
from the League of Nations to administer
the colony. The Belgian colonists divided
Tutsis and Hutus on the basis
of cattle ownership, church documents,

[...] Read more

poem by Paul Hartal
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Turning Japanese

Ive got your picture
Of me and you
You wrote, I love you.
I love you, too
I sit there staring when theres nothing else to do
Oh, its in color
Your hair is brown
Your eyes are hazel
And soft as clouds
I often kiss you when theres no one else around
Ive got your picture, got your picture
Id like a million of em over myself
I want a doctor to take your picture
So I can look at you from inside as well
Youve got me turning up, Im turning down, Im turning in, and Im turning round
Im turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Ive got your picture, Ive got your picture
Id like a million of them over myself
I want a doctor to take your picture
So I can look at you from inside as well
Youve got me turning up, Im turning down, Im turning in, and Im turning round
Im turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
No sex, no drugs, no wine, no women
No fun, no sin, no you, no wonder its dark
Everyone around me is a total stranger
Everyone avoids me like a cyclone ranger
Everyone
Thats why Im turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
(think so, think so, think so)
Turning japanese, I think Im turning japanese, I really think so
Turning japanese, I think Im turning japanese, I really think so
(think so, think so, think so...)

song performed by Liz Phair
Added by Lucian Velea
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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

[...] Read more

poem by James Thomson
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What do we plant when we plant a tree?

What do we get when we plant the tree?
We plant the ship which will cross the sea;
We plant the pencils to scribble our notes,
We plant the ballots to cast our votes;
We plant the paper in which we read,
The news that o'er wooden poles we speed,
We plant the piles to erect our docks;
We plant the rayon for shirts and socks.

What do we plant when we plant a tree?
We plant the houses for you and me;
We plant the rafters, the shingles, the floors,
We plant the studding, the lath, the doors,
The beams and siding, all the parts that be;
We plant the house when we plant the tree,
We plant the barrel, the box, the crate;
In which to ship all sorts of freight.

What do we plant when we plant a tree?
A thousand things that we daily see,
We plant the spire that out-towers the crag,
We plant the staff for our country's flag;
We plant the shade from the hot sun free,
We plant all these when we plant the tree.

poem by Henry Abbey
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Getting Mighty Crowded

Im packing up my memories
And Im gonna move all out of your heart
Im turning in my keys
And Im gonna move all out of your heart
cause there aint room enough for two
In dreams that were made for me and you
Im telling you, its getting mighty crowded
Too crowded for me
Its getting mighty crowded
Im gonna take these things of mine
And Im gonna move all out of your life
Stop wasting my time
And Im gonna move all out of your life
cause there aint room enough for three
In dreams that were made for you and me
So you see, its getting mighty crowded
Too crowded for me
Its getting mighty crowded
Im saving you the trouble of putting me down
Starting on the double, yeah yeah
Im gonna shop around
Im gonna find another heart
Where I can live all by myself
Gonna find another heart
I dont have to share with anybody else
cause you dont treat me like you should
And hanging around this neighborhood is no good
Its getting mighty crowded
Too crowded for me, getting mighty crowded
Im packing up my memories, getting mighty crowded
Too crowded for me, getting mighty crowded
Too crowded for me, getting mighty crowded

song performed by Elvis Costello
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The 'Potato' Poem

I love potatoes chopped up into chunky chips.
I love spicy potato wedges, served up with dips.
I love potato slices which have been fried in a pan:
Of sautéed potatoes, I am the world's biggest fan.

I love potatoes which have been pummelled and bashed
With butter and milk to make a real light, fluffy mash.
Jacket potatoes, I find a bit dry, but with a nice filling
Such as chilli, to give them a try, I am more willing.

With breakfast, I love hash browns or potato cakes,
And I love potatoes mixed up with leeks in a bake.
Crispy, golden potatoes, served up with Sunday roast
Are among the kinds of potato which I love the most.

Mixed in soups and casseroles, I love potatoes diced.
On top on minced beef hotpot, I love potatoes sliced.
Fluffy potato stuffed inside a crispy potato croquette
Is also rather nice, and, for me, it is another safe bet.

I love potatoes cut into crisps: the slices, wafer thin,
And, as a starter, I simply love loaded potato skins:
I do adore a delicious dish of Bombay potato curry:
For me, it is a taste which I won't forget in a hurry.

I like potatoes diced up with creamy mayonnaise,
Served up with salad on really hot summer days.
But I don't like potatoes which have been boiled:
From potatoes, cooked this way, in horror, I recoil.

poem by Angela Wybrow
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

poem by Robinson Jeffers
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
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Meat And Potato Man

meat and potato man
I like my steak well done, my taters fried
Football games on monday night
Its just who i am
A meat and potato man
I like my coffee black
Oltv shows
My women hot and my beer ice cold
Its just who i am
A meat and potato man
I dont like caviar, sushi bars,
The irs or phony stars
Im a haggard fan
A meat and potato man
I like my fishinholes, lightninbugs
Flatt nscruggs, and my womans love
Its just who i am
A meat and potato man
I like my wrangler jeans, cowboy boots
Cornbread and beans and country roots
Its just who i am
A meat and potato man
I dont like politics, hypocrites
Folks with poodles dressed like kids
Im a hounddog fan
A meat and potato manyeah, thats what i am,
A meat and potato man

song performed by Alan Jackson
Added by Lucian Velea
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Meat & Potato Man

Meat and potato man
I like my steak well done, my taters fried
Football games on monday night
Its just who I am
A meat and potato man
I like my coffee black
Oltv shows
My women hot and my beer ice cold
Its just who I am
A meat and potato man
I dont like caviar, sushi bars,
The irs or phony stars
Im a haggard fan
A meat and potato man
I like my fishinholes, lightninbugs
Flatt nscruggs, and my womans love
Its just who I am
A meat and potato man
I like my wrangler jeans, cowboy boots
Cornbread and beans and country roots
Its just who I am
A meat and potato man
I dont like politics, hypocrites
Folks with poodles dressed like kids
Im a hounddog fan
A meat and potato manyeah, thats what I am,
A meat and potato man

song performed by Alan Jackson
Added by Lucian Velea
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Murrow Turning Over In His Grave

All the sainted sinners
They pay handsomely
And eventually?
They make the weapons
And they run the prisons
And they sell the justice
Cause being guilty is
Just good business
And well be standing on
The borderline
Aint no one there gonna
Stop it now
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Better watch out
Murrow turning over in his grave
Hes gonna turn wild
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Better watch out
Murrow turning over in his grave
Hes gonna run wild
Half-closed eyes
And the countrys deadly
Do you feel the ooze as your brain drains out
From your pneumatic drills and sharpening knives
Blood in the sky
Are you dead or alive?
All the restless people and the bitter green
Well it fakes this gold, makes the spirit mean
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Better watch out
Murrow turning over in his grave
Hes gonna turn wild
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Better watch out
Murrow turning over in his grave
Hes gonna run wild

song performed by Fleetwood Mac
Added by Lucian Velea
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Right

Taking it all the right way
Keeping it in the back
Taking it all the right way
Never no turning back
Never need, no
Never no turning back
Flying just a sweet place
Coming inside and safe
Flying just a sweet place
Never been known to fail
Never been, no
Never been known to fail
Wishing you, wishing that sometimes (sometimes)
Doing it, doing it right, till, ahh time, (one time)
Gets you when youre down
(nobody, nobody, do it again, get off)
Ahhh, sometimes, (doing)
Wishing sometimes (give it back)
Up there, up there (giving it)
Oh, my darling
(no) ah, my darling, (giving it) ah (up there) why?
(gimme, gimme) up there, (yeah) gimme, (doing)
Taking with me (sometimes)
Loving it, doing it (right) till (take it) one time
Gimme (doing it)
Giving it (giving it back)
Taking it all the right way (taking it)
Keeping it in the back (hey hey)
Taking it all the right way
Never no turning back (never never never never)
Never no turning back
Taking it all the right way
Keeping it in the back
Taking it all the right way
Never no turning back
Never need, no
Never no turning back
(taking it)
Taking it all the right way (yeah)
Keeping it in the back (taking it)
Taking it all the right way
Never no turning back (never never never never)
Never no turning back
Flying just a sweet place
Coming inside and safe
Flying just a sweet place
Never been known to fail
Never been, no
Never been known to fail
(taking it all the right way)

[...] Read more

song performed by David Bowie
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The Great Hunger

I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,

[...] Read more

poem by Patrick Kavanagh
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The Witch of Hebron

A Rabbinical Legend

Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.

But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.

Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance

Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.

[...] Read more

poem by Charles Harpur
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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Paradise Regained

THE FIRST BOOK

I, WHO erewhile the happy Garden sung
By one man's disobedience lost, now sing
Recovered Paradise to all mankind,
By one man's firm obedience fully tried
Through all temptation, and the Tempter foiled
In all his wiles, defeated and repulsed,
And Eden raised in the waste Wilderness.
Thou Spirit, who led'st this glorious Eremite
Into the desert, his victorious field
Against the spiritual foe, and brought'st him thence 10
By proof the undoubted Son of God, inspire,
As thou art wont, my prompted song, else mute,
And bear through highth or depth of Nature's bounds,
With prosperous wing full summed, to tell of deeds
Above heroic, though in secret done,
And unrecorded left through many an age:
Worthy to have not remained so long unsung.
Now had the great Proclaimer, with a voice
More awful than the sound of trumpet, cried
Repentance, and Heaven's kingdom nigh at hand 20
To all baptized. To his great baptism flocked
With awe the regions round, and with them came
From Nazareth the son of Joseph deemed
To the flood Jordan--came as then obscure,
Unmarked, unknown. But him the Baptist soon
Descried, divinely warned, and witness bore
As to his worthier, and would have resigned
To him his heavenly office. Nor was long
His witness unconfirmed: on him baptized
Heaven opened, and in likeness of a Dove 30
The Spirit descended, while the Father's voice
From Heaven pronounced him his beloved Son.
That heard the Adversary, who, roving still
About the world, at that assembly famed
Would not be last, and, with the voice divine
Nigh thunder-struck, the exalted man to whom
Such high attest was given a while surveyed
With wonder; then, with envy fraught and rage,
Flies to his place, nor rests, but in mid air
To council summons all his mighty Peers, 40
Within thick clouds and dark tenfold involved,
A gloomy consistory; and them amidst,
With looks aghast and sad, he thus bespake:--
"O ancient Powers of Air and this wide World
(For much more willingly I mention Air,
This our old conquest, than remember Hell,
Our hated habitation), well ye know
How many ages, as the years of men,

[...] Read more

poem by John Milton
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Desert Rose

Bring the lost back to the right path
Desert rose with the silence voice
Whispering in the calm scented air
Mesmerizing, captivating, a guidance
Perfume sight for blinded eyes, in the sandy breeze
Trails the hopes to find way home
Back to the place of attraction
The hidden ambitious land
In the Secret garden of oasis

Trusted voice with hidden beauty
Miles away, spraying your spirit to the air
Taste the mist of fumes, language of mystery
The fragrance essence, invisible guide within the air
Natural elixir to heal mirages curse
Revealing there are the illusion images
Awakening sanity, miraculously sober
We'll see the truth of the truth

Disperse sweetest fumes, a silky touch
Now the land hypnotized under your spirit
Soften your soul with blossom smiles
Preserve your beauty with innocent fair
Thorns be ultimate sword, guard your pride
Protect life from harmful touch of enemy eyes

Desert rose,
Unveil us the secret of life
As the only softness will survive when life is so hard
Soft as water, gentleness not easily broken, a lesson
The smell of you may call thousands souls back
Among of them most will care, a little will scare
You dont cry when the evil hands break you a part
After all you lead them safe from lost
Brokenness they made,
But your fragrance lingering in hands
Haunting them back

Rare persona... in you desert rose
In the sandy ocean, you devote for better life,
Amazing grace based on your strongest will
Days without rain while the sun vapor the strength
Resistant but beauty even the land is burning thee
Root of hopes now stronger to find water deeper
True charisma, exist in you, desert rose

Comrades by twinkling stars and moon smiles
The night seems brighter by your whispering melody
Lullabying desert with sweet enchanting fragrance
Lay in frozen curse, stay strong to stand all night long

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poem by Unwritten Soul
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Sensitive Plant

PART 1.
A Sensitive Plant in a garden grew,
And the young winds fed it with silver dew,
And it opened its fan-like leaves to the light.
And closed them beneath the kisses of Night.

And the Spring arose on the garden fair,
Like the Spirit of Love felt everywhere;
And each flower and herb on Earth’s dark breast
Rose from the dreams of its wintry rest.

But none ever trembled and panted with bliss
In the garden, the field, or the wilderness,
Like a doe in the noontide with love’s sweet want,
As the companionless Sensitive Plant.

The snowdrop, and then the violet,
Arose from the ground with warm rain wet,
And their breath was mixed with fresh odour, sent
From the turf, like the voice and the instrument.

Then the pied wind-flowers and the tulip tall,
And narcissi, the fairest among them all,
Who gaze on their eyes in the stream’s recess,
Till they die of their own dear loveliness;

And the Naiad-like lily of the vale,
Whom youth makes so fair and passion so pale
That the light of its tremulous bells is seen
Through their pavilions of tender green;

And the hyacinth purple, and white, and blue,
Which flung from its bells a sweet peal anew
Of music so delicate, soft, and intense,
It was felt like an odour within the sense;

And the rose like a nymph to the bath addressed,
Which unveiled the depth of her glowing breast,
Till, fold after fold, to the fainting air
The soul of her beauty and love lay bare:

And the wand-like lily, which lifted up,
As a Maenad, its moonlight-coloured cup,
Till the fiery star, which is its eye,
Gazed through clear dew on the tender sky;

And the jessamine faint, and the sweet tuberose,
The sweetest flower for scent that blows;
And all rare blossoms from every clime
Grew in that garden in perfect prime.

[...] Read more

poem by Percy Bysshe Shelley
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Big Wheels

Ive been thinking it over
So many times they say
You got it made
They never understand
The answer lies within your soul
cos no one know which side
The coin will fall.
Big wheels turning
Baby I know
Big wheels turning
Baby I know
Big wheels turning, turning...
Save it for a rainy day
For when the cold wind blows
Just to see how they run
I thought theyd know
I tried my best, all I could do
But somehow it was not enough for you.
Big wheels turning
Baby I know
Big wheels turning
Baby I know
Big wheels turning, turning,
Turning, turning...
Chorus:
I remember the dead of night
A lonely light that shines upon the window
I see it all so clear
The tenderness, the silent tears
Out here in the pouring rain
Through cold dark waiting days
I see you standing there
I see the big wheels turning
Never ending, on and on they go.
I think Im going home
I think Im gonna have to start again
Its rather sad
Because Ive looked around, cant seem to find
Whatevers always rolling through my mind
Big wheels turning
Baby I know
Big wheels turning
Baby I know
Big wheels turning, turning
Turning, turning...
Repeat chorus

song performed by Electric Light Orchestra
Added by Lucian Velea
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