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The whole concept of the devil is a metaphor on one level.

quote by Taylor Hackford
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Peter Bell The Third

BY MICHING MALLECHO, Esq.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punch-some sipping tea;
But, as you by their faces see,
All silent, and all-damned!

Peter Bell, by W. Wordsworth.

Ophelia.-What means this, my lord?
Hamlet.-Marry, this is Miching Mallecho; it means mischief.
~Shakespeare.

PROLOGUE
Pet er Bells, one, two and three,
O'er the wide world wandering be.-
First, the antenatal Peter,
Wrapped in weeds of the same metre,
The so-long-predestined raiment
Clothed in which to walk his way meant
The second Peter; whose ambition
Is to link the proposition,
As the mean of two extremes-
(This was learned from Aldric's themes)
Shielding from the guilt of schism
The orthodoxal syllogism;
The First Peter-he who was
Like the shadow in the glass
Of the second, yet unripe,
His substantial antitype.-
Then came Peter Bell the Second,
Who henceforward must be reckoned
The body of a double soul,
And that portion of the whole
Without which the rest would seem
Ends of a disjointed dream.-
And the Third is he who has
O'er the grave been forced to pass
To the other side, which is,-
Go and try else,-just like this.
Peter Bell the First was Peter
Smugger, milder, softer, neater,
Like the soul before it is
Born from that world into this.
The next Peter Bell was he,
Predevote, like you and me,
To good or evil as may come;
His was the severer doom,-

[...] Read more

poem by Percy Bysshe Shelley
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Truth and the Devil

The devil unstoppably took pride in salaciously writing; the book of
obnoxious caste-creed and venomously penalizing hatred,

The devil unstoppably took pride in acrimoniously writing; the book of
indiscriminate bloodshed and disastrously traumatizing ruthlessness,

The devil unstoppably took pride in vengefully writing; the book of
tyrannical devastation and lecherously bellicose orphaning,

The devil unstoppably took pride in fretfully writing; the book of
vindictive war and satanically criminal holocausts,

The devil unstoppably took pride in maliciously writing; the book of
coldblooded barbarism and manipulatively bizarre malice,

The devil unstoppably took pride in forlornly writing; the book of
worthless
ghosts and mortuaries brutally anointed with fresh blood,

T The devil unstoppably took pride in indigently writing; the book of
nonchalant spuriousness and fecklessly insipid meaninglessness,

The devil unstoppably took pride in torturously writing; the book of
ominous
animosity and hedonistically pugnacious illwill,

The devil unstoppably took pride in dictatorially writing; the book of
licentious bawdiness and insanely threadbare nothingness,

The devil unstoppably took pride in heinously writing; the book of
lascivious poverty and baselessly crippling uncertainty,

The devil unstoppably took pride in savagely writing; the book of
despicable
defeat and lethally ballistic atrociousness,

The devil unstoppably took pride in raunchily writing; the book of
dolorous
delinquency and insidiously slandering betrayal,

The devil unstoppably took pride in preposterously writing; the book of
scurrilous lunatism and barbarously incarcerating fiendishness,

The devil unstoppably took pride in frigidly writing; the book of
jejune
mockery and impudently castigating brazenness,

The devil unstoppably took pride in heartlessly writing; the book of
ghastly
bloodshed and indefatigably bombarding politics,

[...] Read more

poem by Nikhil Parekh
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Devil With The Black Dress On

Wash off those scabs dear
or fingernail pick them clean
Pray to all your long lost demons
and justify your means

Devil has a new shape
Devil has a new ride
Devil has a problem but he locks it up inside
Shit angel

Kids sure like the devil these days
and I'm the devil with the black dress on
Do you want to own me angel
cause I own you now you're gone

Kids sure like the devil these days
and I'm the devil with the black dress on
Do you want to hate me angel
cause I hate you now you're gone

Did you believe it cause I said so
Did you believe it was true
Did you believe it cause I said so angel
I sure lied to you

Did you believe it cause I said so
Did you believe it was true
I'm eternal and infernal and I sure lied to you
Shit angel

Kids sure like the devil these days
and I'm the devil with the black dress on
Do you want to own me angel
cause I own you now you're gone

Kids sure like the devil these days
and I'm the devil with the black dress on
Do you want to hate me angel
cause I hate you now you're gone

Good girl with the black eyes
Believe in future past
Everything that I want happens
See how long that lasts

Devil has a hot rod
Devil high on speed
Devil has a black dress
So her arms can bleed

[...] Read more

song performed by Jack Off Jill from Sexless Demons And Scars
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Is letting go a metaphor?

what is letting go -
letting go of grief?
the serenity of letting go?
(must be a bad metaphor)
losing represents letting go of control

I need to understand this 'letting go'
is it a metaphor for facing the inevitable?
breathing as a metaphor for living
'the practice of pruning wine vines'
is that a metaphor for letting go?
surrender. reaching towards the future
if you'll excuse another bad metaphor...
'the last of the sand is pouring...'
onion metaphors are stripped down to the core
letting go is a metaphor for acceptance
is acceptance a metaphor for failure?
'The freedom of letting go'
that does sound grand

letting go is not for the faint-hearted
my hands and heart are tired from letting go
so many times over

examine why metaphor is not
a substitute for the literal

letting go is
a metaphor
for goodbye

110709

poem by Terri Turrell
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I've Seen The Devil (And He Looks Like You)

I've watched people in this world,
do evil things to each other,
I've seen them do evil things to the ones,
that they love and cherish,
but I never understood why they did,
the things that they do,

war to me is so useless,
couldn't we just find other ways,
to settle our differences,
except for trying to talk it out,
we put guns in the arms of our young ones,

Chorus: I've Seen The Devil,
and He looks like you,
I've Seen The Devil,
and he looks like you,
I've Seen The Devil,
and He Looks like you,

but do we really know what its all about,
do we really know why we do the things we do,
like going to war with one another,
trying to beat the devil that lives inside all of us,

I see the devil every single day,
I see him on the late night news,
and I see him on the covers of our magazines,
he tells us it’s going to be alright,
and that the wars going to be over,
only if we follow him,
and his un-holy union,

Chorus: I've Seen The Devil,
and He looks like you,
I've Seen The Devil,
and he looks like you,
I've Seen The Devil,
and He Looks like you,

but I don't see why we should,
follow you and your ways,
follow your path of destruction,
follow you and your destruction of the world,
why should we follow you,

you whisper stuff in our ears,
you say it’s going to be alright,
the next war that we fight will be the war of wars,
and we'll all die a Nuclear Holocaust,

[...] Read more

poem by Robert Rumery
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Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

[...] Read more

poem by Samuel Butler
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In the steps of Rumi 88: Metaphor

Simile – what looks like something else –
that’s a fun game for the senses,
for the mind: oh look Dad,
there’s a scarecrow in that field
that looks just like a man, does it
really scare crows?

Oh look Dad, there’s a beggar in the street
who looks just like a scarecrow,
I wonder if the same crows
see him too?

But metaphor – ah, that’s something else:
explanations don’t quite explain it:
you see something; it brings to mind
something very different; maybe
you just forget it, pass on; maybe
you’re a poet, and you think,
that other thing casts a subtle light
on this first thing, I’ll see if others
find the same.. and, sometimes they do,
sometimes they don’t…

Metaphor brings the whole universe,
world upon world, to the mind:
you could write a poem full of metaphor
as long as the circumference of the world,
and when you’d written it out, you’d find yourself
right here again just where you were.. but
what a lot you’d seen on the way…

We’re so used to some metaphors
because by now, they’re shared,
written into language (lucky the people
who inherit languages such as these,
they’re born into poetry…) :

take ‘bread’: you walk past the baker’s shop
in the early morning when the air is clear –
or better, go in to buy your breakfast rolls:
the smell couldn’t be more wonderful,
more promising.. the bread’s so delicious,
and best eaten today..

ah yes, ‘daily bread’ – that becomes a metaphor
for all that each and every day brings –
waking up, new thoughts, new experiences,
all that brings life to life…
that covers so many subtle things…
where does it all come from?

[...] Read more

poem by Michael Shepherd
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Detroit Medley

Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Fe, fe, fi, fi, fo, fo, fum
Look at Molly now, here she come
Wearin' a wig, hat, shades to match
High healed sneakers and an aligator hat
Wearin' her diamons, wearin' a big ring
She got rasors on her fingers and everything
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Wearin' her perfume, Chanel number five
Got to be the finest looking woman alive
She looks so pretty every time she walks by
The boys are too nervous, even to say hi
Not too skinny, not too fat
She's a real humdinger and I like it like that
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Good golly Miss Molly, sure like to ball
Good golly Miss Molly, sure like to ball
When you're rockin' and rollin'
Don't you hear your mama call
From the early, early morning to the early, early night
See Miss Molly rockin' in the house of blue light
Good golly Miss Molly, sure like to ball
When you're rockin' and rollin'
Don't you hear your mama call
Well c., c.c. rider
Come on see just what you've done
Well I said c., c.c. rider
Come on see just what you've done
You made me loving you
And now, now, now your man has come
Well now I'm goin' c.c. rider
Goin' to see my baby c.c. rider
And I won't be back c.c. rider
B

song performed by Bruce Springsteen
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Devil Woman

Ive had nothing but bad luck
Since the day I saw the cat at my door
So I came into you sweet lady
Answering your mystical call
Crystal ball on the table
Showing the future,the past
Same cat with them evil eyes
And I knew itwas a spell she cast
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you from behind
Give me the ring on your finger
Let me see the lines on your hand
I can see me a tall dark stranger
Giving you what you hadnt planned
I drank the potion she offered me
I found myself on the floor
Then I looked into those big green eyes
And I wondered what Id come there for
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you from behind
If youre out on a moonlit night
Be careful of them neighbourhood strays
Of a lady with long black hair
Tryin to win you with her feminine ways
Crystal ball on the table
Showing the future,the past
Same cat with them evil eyes
Youd better get out of there fast
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you...

song performed by Cliff Richard
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The Time Of Day

All the ghosts in the schoolyard
Young rebels with no dreams
Dying of old age
At seventeen
Some blame their mothers
For this unforgiving world
Others point the finger
At the flag the wind unfurls
But I say
You are the lock you are the key
You are the master of your destiny
The devils the dude who sells poison for pay
Dont give the devil the time of day
Dont you give him the room or and inch to play
Dont give the devil the time of day
Dont give the devil the time of day
Theres a face in the mirror
You dont recognize
So you shatter the lights
cause they sting your bloodshot eyes
You walk on with a stranger
Who rolls your soul up in his wad
You place your trust in him
Like you once placed it in god
Well I say
You are the lock you are the key
You are the master of your destiny
The devils the dude who sells poison for pay
Dont give the devil the time of day
Dont you give him the room or and inch to play
Dont give the devil the time of day
Dont give the devil the time of day
Caught between the cyclone fence and a red brick wall
Yeah, you melt like chocolate in the sun
Then you see your angel walking with his high-tops on
And he hands you heaven hotter than a loaded gun
(the time of day)
Dont you give him
(the time of day)
Dont you give him
(the time of day)
You are the lock you are the key
You are the master of your destiny
The devils the dude who sells poison for pay
Dont give the devil the time of day
Dont you give him the room or and inch to play
Dont give the devil the time of day
Dont give the devil the time of day
All the ghosts in the schoolyard
Young rebels with no dreams

[...] Read more

song performed by Gino Vanelli
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The Devil Went Down To Georgia

***************************************
Primus - The Devil Went Down To Georgia
***************************************
The devil went down to Georgia
He was lookin' for a soul to steal
He was in a bind 'cause he was way behind
And he was willing to make a deal
When he came across this young man
Sawing on a fiddle and playing it hot
And the devil jumped up on a hickory stump
And said, "Boy let me tell you what
"I guess you didn't know it
But I'm a fiddle player too
And if you'd care to take a dare
I'll make a bet with you"
"Now you play pretty good fiddle, son
But give the devil his due
I bet a fiddle of gold against your soul
'Cause I think I'm better than you"
The boy said "My name's Johnny
And it might be a sin
But I'll take your bet and you're gonna regret
'Cause I'm the best that's ever been"
Johhny you resin up your bow
And play your fiddle hard
'Cause Hell's broke loose in Georgia
And the devil deals the cards
And if you win
You get this shiny fiddle made of gold
But if you lose
The devil gets your soul
The devil openned up his case
And he said "I'll start this show"
And fire flew from his fingertips
As he resined up his bow
And he pulled the bow across the strings
And it made an evil hiss
Then a band of demons joined in
And it sounded something like this
When the devil finished Johnny said
"Well you're pretty good, old son
But sit down in that chair right there
And let me show you how its done"
{Refrain}
Fire on the mountain, run boys run
The devil's in the house of the rising sun
Chicken in the bread pan pickin' out dough
Granny does your dog bite, no child no
The devil bowed his head
Because he knew that he'd been beat

[...] Read more

song performed by Primus
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Simon Legree

A Negro Sermon.
(To be read in your own variety of negro dialect.)

Legree’s big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits’ feet on long twine strings.
BUT HE WENT DOWN TO THE DEVIL.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, ‘most every meal,
And rolled his eyes till the cat would squeal.
His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
BUT HE WENT DOWN TO THE DEVIL.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
BUT HE WENT DOWN TO THE DEVIL.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
AND WENT DOWN TO THE DEVIL.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, “I killed him, and I don’t care.”
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door—
AND WENT DOWN TO THE DEVIL.

His lamp blew out, but his eyes burned bright.
Simon Legree stepped down all night—

[...] Read more

poem by Vachel Lindsay
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The Booker Washington Trilogy

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)

Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

[...] Read more

poem by Vachel Lindsay
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Over The Hills And Far Away

A LITTLE bird flew my window by,
'Twixt the level street and the level sky,
The level rows of houses tall,
The long low sun on the level wall;
And all that the little bird did say
Was, 'Over the hills and far away.'

A little bird sang behind my chair,
From the level line of corn-fields fair,
The smooth green hedgerow's level bound
Not a furlong off--the horizon's bound,
And the level lawn where the sun all day
Burns:--'Over the hills and far away.'

A little bird sings above my bed,
And I know if I could but lift my head
I would see the sun set, round and grand,
Upon level sea and level sand,
While beyond the misty distance gray
Is 'Over the hills and far away.'

I think that a little bird will sing
Over a grassy mound, next spring,
Where something that once was me, ye'll leave
In the level sunshine, morn and eve:
But I shall be gone, past night, past day,
Over the hills and far away.

poem by Dinah Maria Mulock Craik
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where did I park my car?

1
where did I park my car?
I’m sure I left it here
on this level
just hours before

had a coffee at the center
caught up with some friends
watched a movie
and bought some stuff for home
and now I can’t find my car
though I’ve searched past 10 minutes

where did I park my car?
I’m sure I left it here
on this level
just hours before

no, that’s not mine
that’s a Mercedes;
that one’s too shiny;
and maybe it’s this one
- no, mate,
we won’t go any nearer
this car is too clean
mine will look like
it’s not been washed since Noah

where did I park my car?
I’m sure I left it here
on this level
just hours before

2
well, yes, help me look out...
it’s an old Nissan
blue faded into white;
no, nobody ‘ll steal that
and the only people
who’d give it a second look
will be the traffic police
who’d wave as if to say:
Pull over, Sir;

[...] Read more

poem by Raj Arumugam
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Vision of Judgment, The

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

[...] Read more

poem by George Gordon Byron
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The Language Of Poetry Is Metaphor

The language of poetry is metaphor
And irony and ambiguity
And beauty-

Beauty is the language of poetry
And metaphor and irony and ambiguity
And irony -

Beauty is the language of metaphor
And poetry without beauty
Is like poetry without metaphor
Like poetry without simile-

Poetry is poetry
Like beauty is beauty
And metaphor, metaphor
And language language -

Ironically
Without themselves they are something else
Or perhaps another variant of themselves
Ironically.

poem by Shalom Freedman
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Loverman

(originally recorded by nick cave and the bad seeds)
Theres a devil waiting outside your door (how much longer? )
Theres a devil waiting outside your door (how much longer? )
And hes bucking and braying and pawing at the floor (how much longer? )
And hes howling with pain, crawling up the walls (how much longer? )
Theres a devil waiting outside your door (how much longer? )
And hes weak with evil and broken by the world (how much longer? )
And hes shouting your name and asking for more (how much longer? )
Theres a devil waiting outside your door (how much longer? )
Loverman! since the world began
Forever, amen, till the end of time, yeah
Take off that dress, oh
Im coming down, yeah
Im your loverman, yeah
cause I am what I am what I am what I am what I am
L is for love, baby
O is for only you that I do
V is for loving virtually everything that you are
E is for loving almost everything that you do
R is for rape me
M is for murder me
A is for answering all of my prayers
N is for knowing your lovermans going to be the answer to all of yours
Loverman! till the bitter end
While the empires burn down
Forever and ever and ever, ever, amen
Im your loverman
So help me, baby
So help me, baby
cause I am what I am what I am what I am what I am
Im your loverman
Theres a devil crawling along your floor (how much longer? )
Theres a devil crawling along your floor (how much longer? )
With a trembling heart, hes coming through your door (how much longer? )
With his straining sex in his jumping paw (how much longer? )
Ooh, theres a devil crawling along your floor (how much longer? )
And hes old and hes stupid and hes hungry and hes sore
And hes blind and hes lame and hes dirty and hes poor
Gimme more, gimme more, gimme more, gimme more, gimme more, gimme more (how much longer? )
Theres a devil crawling along your floor
Loverman! haha! and here I stand
Forever, amen
cause I am what I am what I am what I am, hey
Forgive me, baby
My hands are tied
And I got no choice, no, no, no, no
I got no choice, no choice at all
Ill say it again
L is for love, baby
O is for oh yes I do

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song performed by Metallica
Added by Lucian Velea
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Deepness In The Throat

Like a deepness in your throat
I'm here to make you choke.
A miss step to the abiding course
Scream of the divorce of those of fantasy and the real.
No concept is ever a far cry from the from the truth.
Of the abused
Mentally used
Confused
Bitter
Sour
Anger
Ha te
In everything we relate
So do not agitate

Look at yourself making so many miscalculations
In your proclamations
As am I
We speak, we learn
We follow through
Like an oppression upon the chest
Looky their its sitting on that shelf
Just reach for it.

Like a deepness in your throat
I'm here to make you choke.
A miss step to the abiding course
Scream of the divorce of those of fantasy and the real.
No concept is ever a far cry from the from the truth.
Of the abused
Mentally used
Confused
Bitter
Sour
Anger
Ha te
In everything we relate
So do not agitate

Bang bang the drugs take effect
Are you hallucinating yet.
Don't fret
You'll be soon enough
Think you got it rough
Come on now be tough
Stand up for yourself
Emotional distrust

Like a deepness in your throat
I'm here to make you choke.

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poem by Ace Of Black Hearts
Added by Poetry Lover
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The Vision of Judgment

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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poem by Byron
Added by Poetry Lover
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