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Bach almost persuades me to be a Christian.

quote by Roger Fry
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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Not Communicating To Oneself

Listening to Beethoven we sense
the inspiration pouring from the master.
Johann Sebastian Bach sounds as intense,
but far more distant from disaster.
He seems to want to have a conversation
with anyone prepared to pay attention.
Although we lose him when his great elation
exceeds the limits of our comprehension,
we know that he is trying to communicate,
as if he’d just found, lying on a shelf,
the notes he’s trying to communicate
to us, and not, like Ludwig, to himself.
The proofs of Beethoven’s profundity
lay in the notes that for him had no sound,
while Bach, with effortless fecundity,
encouraged all of us to be profound.

J. M. Coetzee contrasts his relationship to the music of Beethoven and J. S. Bach. Whereas he imagines Beethoven as a genius from whom inspiration pours forth while oblivious to the people who may be listening to him he imagines J. S. Bach as a teacher who is attempting to instruct him while he sits next him while he is playing. As a rider, Coetzee added that there are moments when J. S. Bach’s inspiration exceeds the listener’s comprehension. These are the moments of his greatest inspiration. Listening to this report I was reminded of Richard Eder’s comment on Ceotzee when reviewing his book “Diary of a Bad Year” (“A Writer, A Muse, Their Laundry, ” NYT, January 1,2008) :
I think of the childlike simplicity of late Beethoven on a profound return trip from profundity.”

10/7/08

poem by Gershon Hepner
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Prejudice

IN yonder red-brick mansion, tight and square,
Just at the town's commencement, lives the mayor.
Some yards of shining gravel, fenced with box,
Lead to the painted portal--where one knocks :
There, in the left-hand parlour, all in state,
Sit he and she, on either side the grate.
But though their goods and chattels, sound and new,
Bespeak the owners very well to do,
His worship's wig and morning suit betray
Slight indications of an humbler day

That long, low shop, where still the name appears,
Some doors below, they kept for forty years :
And there, with various fortunes, smooth and rough,
They sold tobacco, coffee, tea, and snuff.
There labelled drawers display their spicy row--
Clove, mace, and nutmeg : from the ceiling low
Dangle long twelves and eights , and slender rush,
Mix'd with the varied forms of genus brush ;
Cask, firkin, bag, and barrel, crowd the floor,
And piles of country cheeses guard the door.
The frugal dames came in from far and near,
To buy their ounces and their quarterns here.
Hard was the toil, the profits slow to count,
And yet the mole-hill was at last a mount.
Those petty gains were hoarded day by day,
With little cost, for not a child had they ;
Till, long proceeding on the saving plan,
He found himself a warm, fore-handed man :
And being now arrived at life's decline,
Both he and she, they formed the bold design,
(Although it touched their prudence to the quick)
To turn their savings into stone and brick.
How many an ounce of tea and ounce of snuff,
There must have been consumed to make enough !

At length, with paint and paper, bright and gay,
The box was finished, and they went away.
But when their faces were no longer seen
Amongst the canisters of black and green ,
--Those well-known faces, all the country round--
'Twas said that had they levelled to the ground
The two old walnut trees before the door,
The customers would not have missed them more.
Now, like a pair of parrots in a cage,
They live, and civic honours crown their age :
Thrice, since the Whitsuntide they settled there,
Seven years ago, has he been chosen mayor ;
And now you'd scarcely know they were the same ;
Conscious he struts, of power, and wealth, and fame ;

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poem by Jane Taylor
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Annie Christian

Annie christian wanted to be number 1
But her kingdom never comes, thy will be done
She couldnt stand the glory, she would be 2nd to none
The way annie tells the story, shes his only son
Annie christian wanted to be a big star
So she moved to atlanta and she bought a blue car
She killed black children, and whats fair is fair
If u try and say ure crazy, everybody say electric chair
Electric chair
Annie christian, annie christ
Until ure crucified, Ill live my life in taxicabs
Annie christian, annie christ
Until ure crucified, Ill live my life in taxicabs
Annie christian was a whore always looking for some fun
Being good was such a bore, so she bought a gun
She killed john lennon, shot him down cold
She tried to kill reagan, everybody say gun control
Gun control
Annie christian, annie christ
Until ure crucified Ill live my life in taxicabs
Annie christian, annie christ
Until ure crucified Ill live my life in taxicabs
Liar liar liar! got ya in a jam
Put your head on the block, somebody say abscam
Abscam
Annie christian, annie christ
Until ure crucified Ill live my life in taxicabs
Annie christian, annie christ
Until ure crucified Ill live my life in taxicabs

song performed by Prince
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Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

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poem by Byron from Don Juan (1824)
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Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

poem by Byron
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Truth

Man, on the dubious waves of error toss'd,
His ship half founder'd, and his compass lost,
Sees, far as human optics may command,
A sleeping fog, and fancies it dry land;
Spreads all his canvas, every sinew plies;
Pants for it, aims at it, enters it, and dies!
Then farewell all self-satisfying schemes,
His well-built systems, philosophic dreams;
Deceitful views of future bliss, farewell!
He reads his sentence at the flames of hell.
Hard lot of man—to toil for the reward
Of virtue, and yet lose it! Wherefore hard?—
He that would win the race must guide his horse
Obedient to the customs of the course;
Else, though unequall’d to the goal he flies,
A meaner than himself shall gain the prize.
Grace leads the right way: if you choose the wrong,
Take it and perish; but restrain your tongue;
Charge not, with light sufficient and left free,
Your wilful suicide on God’s decree.
O how unlike the complex works of man,
Heav’n’s easy, artless, unencumber’d plan!
No meretricious graces to beguile,
No clustering ornaments to clog the pile;
From ostentation, as from weakness, free,
It stands like the cerulian arch we see,
Majestic in its own simplicity.
Inscribed above the portal, from afar
Conspicuous as the brightness of a star,
Legible only by the light they give,
Stand the soul-quickening words—believe, and live.
Too many, shock’d at what should charm them most,
Despise the plain direction, and are lost.
Heaven on such terms! (they cry with proud disdain)
Incredible, impossible, and vain!—
Rebel, because ‘tis easy to obey;
And scorn, for its own sake, the gracious way.
These are the sober, in whose cooler brains
Some thought of immortality remains;
The rest too busy or too gay to wait
On the sad theme, their everlasting state,
Sport for a day, and perish in a night;
The foam upon the waters not so light.
Who judged the Pharisee? What odious cause
Exposed him to the vengeance of the laws?
Had he seduced a virgin, wrong’d a friend,
Or stabb’d a man to serve some private end?
Was blasphemy his sin? Or did he stray
From the strict duties of the sacred day?
Sit long and late at the carousing board?

[...] Read more

poem by William Cowper
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The Siege of Corinth

In the year since Jesus died for men,
Eighteen hundred years and ten,
We were a gallant company,
Riding o'er land, and sailing o'er sea
Oh ! but we went merrily !
We forded the river, and clomb the high hill,
Never our steeds for a day stood still;
Whether we lay in the cave or the shed,
Our sleep fell soft on the hardest bed:
Whether we couch'd in our rough capote,
On the rougher plank of our gliding boat.
Or stretch'd on the beach, or our saddles spread
As a pillow beneath the resting head,
Fresh we woke upon the morrow:
All our thoughts and words had scope,
We had health, and we had hope,
Toil and travel, but no sorrow.
We were of all tongues and creeds; ---
Some were those who counted beads,
Some of mosque, and some of church;
Yet through the wide world might ye search,
Nor find a motlier crew nor blither.
But some are dead, and some are gone,
And some are scatter'd and alone,
And some are rebels on the hills
That look along Epirus' valleys,
Where freedom still at moments rallies,
And pays in blood oppression's ills;
And some are in a far countree,
And some all restlessly at home;
But never more, oh ! never, we
Shall meet to revel and to roam.
But those hardy days flew cheerily !
And when they now fall drearily,
My thoughts, like swallows, skim the main,
And bear my spirit back again
Over the earth, and through the air,
A wild bird and a wanderer.
'Tis this that ever wakes my strain,
And oft, too oft, implores again
The few who may endure my lay,
To follow me so far away.
Stranger --- wilt thou follow now,
And sit with me on Acro-Corinth's brow?

I
Many a vanish'd year and age,
And tempest's breath, and battle's rage,
Have swept o'er Corinth; yet she stands,
A fortress form'd to Freedom's hands.

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poem by Byron (1816)
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Amours de Voyage, Canto I

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;
'Tis but to change idle fancies for memories wilfully falser;
'Tis but to go and have been.'--Come, little bark! let us go.

I. Claude to Eustace.

Dear Eustatio, I write that you may write me an answer,
Or at the least to put us again en rapport with each other.
Rome disappoints me much,--St Peter's, perhaps, in especial;
Only the Arch of Titus and view from the Lateran please me:
This, however, perhaps is the weather, which truly is horrid.
Greece must be better, surely; and yet I am feeling so spiteful,
That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,
Though but to see with my eyes that these are vanity also.
Rome disappoints me much; I hardly as yet understand it, but
Rubbishy seems the word that most exactly would suit it.
All the foolish destructions, and all the sillier savings,
All the incongruous things of past incompatible ages,
Seem to be treasured up here to make fools of present and future.
Would to Heaven the old Goths had made a cleaner sweep of it!
Would to Heaven some new ones would come and destroy these churches!
However, one can live in Rome as also in London.*
It is a blessing, no doubt, to be rid, at least for a time, of
All one's friends and relations,--yourself (forgive me!) included,--
All the assujettissement of having been what one has been,
What one thinks one is, or thinks that others suppose one;
Yet, in despite of all, we turn like fools to the English.
Vernon has been my fate; who is here the same that you knew him,--
Making the tour, it seems, with friends of the name of Trevellyn.
* The 1968 Oxford Edition, edited by A.L.P. Norrington,
includes a line immediately following this:
Rome is better than London, because it is other than London.

II. Claude to Eustace.

Rome disappoints me still; but I shrink and adapt myself to it.
Somehow a tyrannous sense of a superincumbent oppression
Still, wherever I go, accompanies ever, and makes me
Feel like a tree (shall I say?) buried under a ruin of brickwork.

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poem by Arthur Hugh Clough
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My Christian Name

MY Christian name, my Christian name,
I never hear it now:
None have the right to utter it,
'T is lost, I scare know how.
My worldly name the world speaks loud;
Thank God for well-earned fame!

But silence sits at my cold hearth,--
I have no household name.

My Christian name, my Christian name,
It has an uncouth sound;
My mother chose it out of those
In Bible pages found:
Mother, whose accents made half sweet
What else I held in shame,
Dost thou remember up in heaven
My poor lost Christian name?

Brothers and sisters, mockers oft
Of the quaint name I bore,
Would I could leap back years, to hear
Ye shout it out once more!
One speaks it still, in written lines,
The last fraternal claim:
But the wide seas between us drown
Its sound--my Christian name.

I had a long dream once. Her voice
Might breathe the homely word,
And make it music--as love makes
Any name, said or heard.
O, dumb, dumb lips!--O, silent heart!
Though it is no ones' blame:
Now while I live I'll never hear
Her speak my Christian name.

God send her bliss, and send me rest!
If her white footsteps calm
Should track my bleeding feet, God make
To them each blood-drop balm!
Peace--peace. O mother, put thou forth
Thine elder, holier claim,
And the first word I hear in heaven
May be my Christian name.

poem by Dinah Maria Mulock Craik
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Easter-Day

HOW very hard it is to be
A Christian! Hard for you and me,
—Not the mere task of making real
That duty up to its ideal,
Effecting thus complete and whole,
A purpose or the human soul—
For that is always hard to do;
But hard, I mean, for me and you
To realise it, more or less,
With even the moderate success
Which commonly repays our strife
To carry out the aims of life.
“This aim is greater,” you may say,
“And so more arduous every way.”
—But the importance of the fruits
Still proves to man, in all pursuits,
Proportional encouragement.
“Then, what if it be God’s intent
“That labour to this one result
“Shall seem unduly difficult?”
—Ah, that’s a question in the dark—
And the sole thing that I remark
Upon the difficulty, this;
We do not see it where it is,
At the beginning of the race:
As we proceed, it shifts its place,
And where we looked for palms to fall,
We find the tug’s to come,—that’s all.

II.
At first you say, “The whole, or chief
“Of difficulties, is Belief.
“Could I believe once thoroughly,
“The rest were simple. What? Am I
“An idiot, do you think? A beast?
“Prove to me only that the least
“Command of God is God’s indeed,
“And what injunction shall I need
“To pay obedience? Death so nigh
“When time must end, eternity
“Begin,—and cannot I compute?
“Weigh loss and gain together? suit
“My actions to the balance drawn,
“And give my body to be sawn
“Asunder, hacked in pieces, tied
“To horses, stoned, burned, crucified,
“Like any martyr of the list?
“How gladly,—if I made acquist,
“Through the brief minutes’ fierce annoy,
“Of God’s eternity of joy.”

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poem by Robert Browning
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poem by Caasder Fronds
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Gertrude of Wyoming

PART I

On Susquehanna's side, fair Wyoming!
Although the wild-flower on thy ruin'd wall,
And roofless homes, a sad remembrance bring,
Of what thy gentle people did befall;
Yet thou wert once the loveliest land of all
That see the Atlantic wave their morn restore.
Sweet land! may I thy lost delights recall,
And paint thy Gertrude in her bowers of yore,
Whose beauty was the love of Pennsylvania's shore!

Delightful Wyoming! beneath thy skies,
The happy shepherd swains had nought to do
But feed their flocks on green declivities,
Or skim perchance thy lake with light canoe,
From morn till evening's sweeter pastimes grew,
With timbrel, when beneath the forests brown,
Thy lovely maidens would the dance renew;
And aye those sunny mountains half-way down
Would echo flageolet from some romantic town.

Then, where of Indian hills the daylight takes
His leave, how might you the flamingo see
Disporting like a meteor on the lakes--
And playful squirrel on his nut-grown tree:
And every sound of life was full of glee,
From merry mock-bird's song, or hum of men;
While hearkening, fearing naught their revelry,
The wild deer arch'd his neck from glades, and then,
Unhunted, sought his woods and wilderness again.

And scarce had Wyoming of war or crime
Heard, but in transatlantic story rung,
For here the exile met from every clime,
And spoke in friendship every distant tongue:
Men from the blood of warring Europe sprung
Were but divided by the running brook;
And happy where no Rhenish trumpet sung,
On plains no sieging mine's volcano shook,
The blue-eyed German changed his sword to pruning-hook.

Nor far some Andalusian saraband
Would sound to many a native roundelay--
But who is he that yet a dearer land
Remembers, over hills and far away?
Green Albin! what though he no more survey
Thy ships at anchor on the quiet shore,
Thy pelloch's rolling from the mountain bay,
Thy lone sepulchral cairn upon the moor,

[...] Read more

poem by Thomas Campbell
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The Troubadour. Canto 3

LAND of the olive and the vine,
The saint and soldier, sword and shrine!
How glorious to young RAYMOND'S eye
Swell'd thy bold heights, spread thy clear sky,
When first he paused upon the height
Where, gather'd, lay the Christian might.
Amid a chesnut wood were raised
Their white tents, and the red cross blazed
Meteor-like, with its crimson shine,
O'er many a standard's scutcheon'd line.

On the hill opposite there stood
The warriors of the Moorish blood,--
With their silver crescents gleaming,
And their horse-tail pennons streaming;
With cymbals and the clanging gong,
The muezzin's unchanging song,
The turbans that like rainbows shone,
The coursers' gay caparison,
As if another world had been
Where that small rivulet ran between.

And there was desperate strife next day:
The little vale below that lay
Was like a slaughter-pit, of green
Could not one single trace be seen;
The Moslem warrior stretch'd beside
The Christian chief by whom he died;
And by the broken falchion blade
The crooked scymeter was laid.

And gallantly had RAYMOND borne
The red cross through the field that morn,
When suddenly he saw a knight
Oppress'd by numbers in the fight:
Instant his ready spear was flung,
Instant amid the band he sprung;--
They fight, fly, fall,--and from the fray
He leads the wounded knight away!
Gently he gain'd his tent, and there
He left him to the leech's care;
Then sought the field of death anew,--
Little was there for knight to do.

That field was strewn with dead and dying;
And mark'd he there DE VALENCE lying
Upon the turbann'd heap, which told
How dearly had his life been sold.
And yet on his curl'd lip was worn
The impress of a soldier's scorn;

[...] Read more

poem by Letitia Elizabeth Landon
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There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.

quote by Edward Weston
Added by Lucian Velea
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Eternal Golden Braid - Escher, Gödel, Bach

Escher, Gödel, Bach, together
make mind's music tempo weather
form to storm blocks, light as feather
turn constraints most, far less clever,
see as strictures which tight tether,
not as pictures hell-for-leather
spirit lead to question whether
constancy's illusion ever.

Patterns into patterns weaving
both deceiving, undeceiving,
here perception sees stairs leaving
there inspection stares, seize cleaving.

Somehow someone reconciling
forwards, back, and time a-whiling,
motion into more compiling,
starts ball rolling inwards smiling
outwards treadmills single-filing
round in circles never riling,
ever onwards as the aisle in
fact or fiction sets key styling.

As impressions artist wording
so the poet, insight girding
paints life's canvas sixth sense herding
into bridge for future wording.

Mind unwinding never minding
dizzy blinding reels from binding
backwards grinding, from behinding,
springs forth for a fourth time binding
far horizons, nearness, finding
that perceptions interwinding
vision skew to keep reminding
constantly of traces grinding.

Keeping tabs on locomotion
through a tableau that commotion
seems, in turmoil, senseless ocean,
stems from structure's subtle potion.

Thus confusion into fusion
tracks intact design solution
ends, means melds without intrusion
'spite apparent convolution,
inks links' thinklings in profusion
to coherency's conclusion
in a trice as revolution
follows former revolution.

[...] Read more

poem by Jonathan Robin
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Every Christian Lion Hearted Man Will Show You

Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique

Take this in hand
Said he who stands
Behind the chair
A broken table there

Every Christian lion hearted man will show you
Every Christian lion hearted man will show you

Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique

Don't walk so tall
Before you crawl
For every child
Is thinking of something wild

Every Christian lion hearted man will show you
Every Christian lion hearted man will show you

Oh solo Dominique
Oh solo Dominique
Oh solo Dominique

Every Christian lion hearted man will show you
Every Christian lion hearted man will show you (will show you)

Oh solo Dominique
Oh solo Dominique
Oh solo Dominique

song performed by Bee Gees from Bee Gees 1st
Added by Lucian Velea
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Island: Canto IV.

I.
White as a white sail on a dusky sea,
When half the horizon 's clouded and half free,
Fluttering between the dun wave and the sky,
Is Hope's last gleam in Man's extremity.
Her anchor parts; but still her snowy sail
Attracts our eye amidst the rudest gale:
Though every wave she climbs divides us more,
The heart still follows from the loneliest shore.

II.
Not distant from the isle of Toobonai,
A black rock rears its bosom o'er the spray,
The haunt of birds, a desert to mankind,
Where the rough seal reposes from the wind,
And sleeps unwieldy in his cavern dun,
Or gambols with huge frolic in the sun:
There shrilly to the passing oar is heard
The startled echo of the Ocean bird,
Who rears on its bare breast her callow brood,
The feathered fishers of the solitude.
A narrow segment of the yellow sand
On one side forms the outline of a strand;
Here the young turtle, crawling from his shell,
Steals to the deep wherein his parents dwell;
Chipped by the beam, a nursling of the day,
But hatched for ocean by the fostering ray;
The rest was one bleak precipice, as e'er
Gave mariners a shelter and despair;
A spot to make the saved regret the deck
Which late went down, and envy the lost wreck.
Such was the stern asylum Neuha chose
To shield her lover from his following foes;
But all its secret was not told; she knew
In this a treasure hidden from the view.

III.
Ere the canoes divided, near the spot,
The men that manned what held her Torquil's lot,
By her command removed, to strengthen more
The skiff which wafted Christian from the shore.
This he would have opposed; but with a smile
She pointed calmly to the craggy isle,
And bade him 'speed and prosper.' She would take
The rest upon herself for Torquil's sake.
They parted with this added aid; afar,
The Proa darted like a shooting star,
And gained on the pursuers, who now steered
Right on the rock which she and Torquil neared.
They pulled; her arm, though delicate, was free

[...] Read more

poem by Byron
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