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Bedside manners are no substitute for the right diagnosis.

quote by Alfred P. Sloan
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Substitute For Love

Written by Madonna, William Orbit, Rod McKuen, Anita Kerr and David Collins
I traded fame for love
Without a second thought
It all became a silly game
Some things cannot be bought
Got exactly what I asked for
Wanted it so badly
Running, rushing back for
more
I suffered fools
So gladly
And now I find
I've changed my mind
The face of you
My substitute for love
My substitute for love
Should I wait for you
My substitute for love
My substitute for love
I traveled round the world
Looking for a home
I found myself in crowded rooms
Feeling so alone
Had so many lovers
Who settled for the thrill
Of basking in my spotlight
I never felt
So happy
The face of you
My substitute for love
My substitute for love
Should I wait for you
My substitute for love
My substitute for love
mmmmmm
ooooooo
No famous faces, far off places
Trinkets I can buy
No handsome stranger, heady danger
Drug that I can try
No ferris wheel, no heart to steal
No laughter in the dark
No one night stand, no far off land
No fire that I can spark
mmmmm?
The face of you
My substitute for love
My substitute for love
Should I wait for you
My substitute for love

[...] Read more

song performed by Madonna
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Morphine & Chocolate

Substitute my gloom with happiness
Substitute my sickness with health
Substitute my enemies with real good friends
Morphine & chocolate are my
Substitute, substitutes
Morphine & chocolate can bring me up
Can warm my heart whenever i want it
And every once in a while when i stop and think
Morphine & chocolate are my
Substitute, substitutes
And you can say " hey, we've really come a long way "
And you say " hey, it can only be this way "
You might be careful, it really hurts when it's real
You might be careful, it really hurts when it's real
You'll go down, down, down, down, ooh !
Set the alarm clock, baby
Don't you miss the sun ?
I'm feeling really warm hearted baby
Don't you know i'm feeling like someone
I'm fearing for my life again and i am
Fearing for my heart
Morphine & chocolate could never
Substitute my art !
And that's real love baby x3

song performed by 4 Non Blondes
Added by Lucian Velea
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Morphine Chocolate

Substitute my gloom with happiness
Substitute my sickness with health
Substitute my enemies with real good friends
Morphine & chocolate are my
Substitute, substitutes
Morphine & chocolate can bring me up
Can warm my heart whenever I want it
And every once in a while when I stop and think
Morphine & chocolate are my
Substitute, substitutes
And you can say hey, weve really come a long way
And you say hey, it can only be this way
You might be careful, it really hurts when its real
You might be careful, it really hurts when its real
Youll go down, down, down, down, ooh !
Set the alarm clock, baby
Dont you miss the sun ?
Im feeling really warm hearted baby
Dont you know Im feeling like someone
Im fearing for my life again and I am
Fearing for my heart
Morphine & chocolate could never
Substitute my art !
And thats real love baby x3

song performed by 4 Non Blondes
Added by Lucian Velea
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Substitute

You think we look pretty good together
You think my shoes are made of leather
But Im a substitute for another guy
I look pretty tall but my heels are high
The simple things you see are all complicated
I look pretty young, but Im just back-dated, yeah
Substitute your lies for fact
I can see right through your plastic mac
I look all white, but my dad was black
My fine looking suit is really made out of sack
I was born with a plastic spoon in my mouth
The north side of my town faced east, and the east was facing south
And now you dare to look me in the eye
Those crocodile tears are what you cry
Its a genuine problem, you wont try
To work it out at all you just pass it by, pass it by
Substitute me for him
Substitute my coke for gin
Substitute you for my mum
At least Ill get my washing done

song performed by Who
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Tale VI

THE FRANK COURTSHIP.

Grave Jonas Kindred, Sybil Kindred's sire,
Was six feet high, and look'd six inches higher;
Erect, morose, determined, solemn, slow,
Who knew the man could never cease to know:
His faithful spouse, when Jonas was not by,
Had a firm presence and a steady eye;
But with her husband dropp'd her look and tone,
And Jonas ruled unquestion'd and alone.
He read, and oft would quote the sacred words,
How pious husbands of their wives were lords;
Sarah called Abraham Lord! and who could be,
So Jonas thought, a greater man than he?
Himself he view'd with undisguised respect,
And never pardon'd freedom or neglect.
They had one daughter, and this favourite child
Had oft the father of his spleen beguiled;
Soothed by attention from her early years,
She gained all wishes by her smiles or tears;
But Sybil then was in that playful time,
When contradiction is not held a crime;
When parents yield their children idle praise
For faults corrected in their after days.
Peace in the sober house of Jonas dwelt,
Where each his duty and his station felt:
Yet not that peace some favour'd mortals find,
In equal views and harmony of mind;
Not the soft peace that blesses those who love,
Where all with one consent in union move;
But it was that which one superior will
Commands, by making all inferiors still;
Who bids all murmurs, all objections, cease,
And with imperious voice announces--Peace!
They were, to wit, a remnant of that crew,
Who, as their foes maintain, their Sovereign slew;
An independent race, precise, correct,
Who ever married in the kindred sect:
No son or daughter of their order wed
A friend to England's king who lost his head;
Cromwell was still their Saint, and when they met,
They mourn'd that Saints were not our rulers yet.
Fix'd were their habits; they arose betimes,
Then pray'd their hour, and sang their party-

rhymes:
Their meals were plenteous, regular and plain;
The trade of Jonas brought him constant gain;
Vender of hops and malt, of coals and corn -
And, like his father, he was merchant born:

[...] Read more

poem by George Crabbe
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The Task: Book IV. -- The Winter Evening

Hark! ‘tis the twanging horn o’er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright;—
He comes, the herald of a noisy world,
With spatter’d boots, strapp’d waist, and frozen locks;
News from all nations lumbering at his back.
True to his charge, the close-pack’d load behind,
Yet, careless what he brings, his one concern
Is to conduct it to the destined inn,
And, having dropp’d the expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indifferent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears, that trickled down the writer’s cheeks
Fast as the periods from his fluent quill,
Or charged with amorous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But O the important budget! usher’d in
With such heart-shaking music, who can say
What are its tidings? have our troops awaked?
Or do they still, as if with opium drugg’d,
Snore to the murmurs of the Atlantic wave?
Is India free? and does she wear her plumed
And jewell’d turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the tart reply,
The logic, and the wisdom, and the wit,
And the loud laugh—I long to know them all;
I burn to set the imprison’d wranglers free,
And give them voice and utterance once again.

Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful evening in.
Not such his evening, who with shining face
Sweats in the crowded theatre, and, squeezed
And bored with elbow points through both his sides,
Outscolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquillity and smiles.

[...] Read more

poem by William Cowper
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Dipped In Superstitions

My mind has been dipped in superstitions.
From the day that I was born to breathe.
Black cats and cracks on dirty sidewalks...
And splitting poles when walking with people!

My mind has been quick to mend a quarrel.
With those who may not agree to speak!
But grandma always spoke to neighbors...
Even if they stoled her peaches off the trees!

'Good manners and respect will save.
You don't want to take evil meanness...
To your grave! '

Sometimes I sit and pick my memory!
Of things my grandma said to me.
She told me don't talk bad of people...
'Bite your lip and watch them slip,
Off the steeple to their knees! '

Huh?

'Good manners and respect will save.
You don't want to take evil meanness...
To your grave! '

My mind has been dipped in superstitions.
From the day that I was born to breathe!
And when my grandma grabbed the spatula...
I knew when it was time for me to leave! !

'Good manners and respect will save.
You don't want to take evil meanness...
To your grave! '

OKAY...I'm outta here!

'Good manners and respect will save.
And don't pretend your heart is golden...
Before the cookies are baked! '

Huh?
And what is that suppose to mean?

'You'll figure it all out!
Long after your 'teens'...
Good manners and respect will save!
Not pretending that your heart is golden...
Before a cookie is baked! '

[...] Read more

poem by Lawrence S. Pertillar
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As I Sat Alone By Blue Ontario's Shores

AS I sat alone, by blue Ontario's shore,
As I mused of these mighty days, and of peace return'd, and the dead
that return no more,
A Phantom, gigantic, superb, with stern visage, accosted me;
Chant me the poem, it said, that comes from the soul of America--
chant me the carol of victory;
And strike up the marches of Libertad--marches more powerful yet;
And sing me before you go, the song of the throes of Democracy.

(Democracy--the destin'd conqueror--yet treacherous lip-smiles
everywhere,
And Death and infidelity at every step.)

A Nation announcing itself,
I myself make the only growth by which I can be appreciated, 10
I reject none, accept all, then reproduce all in my own forms.

A breed whose proof is in time and deeds;
What we are, we are--nativity is answer enough to objections;
We wield ourselves as a weapon is wielded,
We are powerful and tremendous in ourselves,
We are executive in ourselves--We are sufficient in the variety of
ourselves,
We are the most beautiful to ourselves, and in ourselves;
We stand self-pois'd in the middle, branching thence over the world;
From Missouri, Nebraska, or Kansas, laughing attacks to scorn.

Nothing is sinful to us outside of ourselves, 20
Whatever appears, whatever does not appear, we are beautiful or
sinful in ourselves only.

(O mother! O sisters dear!
If we are lost, no victor else has destroy'd us;
It is by ourselves we go down to eternal night.)

Have you thought there could be but a single Supreme?
There can be any number of Supremes--One does not countervail
another, any more than one eyesight countervails another, or
one life countervails another.

All is eligible to all,
All is for individuals--All is for you,
No condition is prohibited--not God's, or any.

All comes by the body--only health puts you rapport with the
universe. 30

Produce great persons, the rest follows.

[...] Read more

poem by Walt Whitman
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My Beautiful Love

My love
The world is beautiful
But you are more beautiful

You are the shining sun in my darkness
Your beauty attracks me
Your love retains me

Your character is an encouragement
The world is beautiful
But you are more beautiful

Without you my love
The world would be missing a beauty without substitute
cox you are a beauty without substitute
Beauty you are my love
My beautiful love.

My love
The world is beautiful
But you are more beautiful

You are the shining sun in my darkness
Your beauty attracks me
Your love retains me

Your character is an encouragement
The world is beautiful
But you are more beautiful

Without you my love
The world would be missing a beauty without substitute
cox you are a beauty without substitute
Beauty you are my love
My beautiful love.

poem by Ezekiel Igbodo
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Standin' By The Bedside

I was standin' by the bedside of a sister
Who was just about to cross that swellin' tide
And I asked her if she would do me a favor
And kindly take this message to the other side
Well, if you see my savior tell him that you saw me
And when you saw me I was on my way
You may meet some boyfriends who may ask about me
You tell 'em I am a comin' home someday
I was standin' by the bedside of a sister
Who was just about to cross that swellin' tide
And I asked her if she would do me a favor
And kindly take this message to the other side
Well you may have to make this journey on without me
Sooner or later, sooner or later it's a debt that must be paid
When you reach that goal that's when you'll think about me
But don't forget to tell my savior what I said
I was standin' by the bedside of a sister
Who was just about to cross that swellin' tide
And I asked her if she would do me a favor
And kindly take this message to the other side

song performed by Dixie Chicks
Added by Lucian Velea
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1000 Times

Nightfall follows the day
You fight with me
Fill me with patience
I was so brave once
You rescued me
Got in my way
A thousand times
Dumbfounded lies
In tidy lines
Let blood flood the town
Thoughts that dwell
On how we fell
That time will tell
A bedside story of
We've heard it before
Unsettled sleep
When will it all stop?
I hear a pin drop
You've answered me
Loud and clear
So know your fate
The time and date
We escalate
We fall on holy ground
Thoughts that dwell
On how we fell
That time will tell
A bedside story of
I'm here
Leave me to wait near
You recognise me
Get in my way, dear
The price to pay, dear
You'll recognise me
I'll be laying
Where your golden light
Where your golden light
A thousand times
In tidy lines
Let blood flood the town
Thoughts that dwell
On how we fell
That time will tell
A bedside story of

song performed by Gomez
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Flight of the Duchess

I

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore
—And the whole is our Duke's country.

III

I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,

[...] Read more

poem by Robert Browning from Dramatic Romances and Lyrics (1845)
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Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers.

quote by Flannery O'Connor
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

[...] Read more

poem by Alexander Pope
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Amours de Voyage, Canto I

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;
'Tis but to change idle fancies for memories wilfully falser;
'Tis but to go and have been.'--Come, little bark! let us go.

I. Claude to Eustace.

Dear Eustatio, I write that you may write me an answer,
Or at the least to put us again en rapport with each other.
Rome disappoints me much,--St Peter's, perhaps, in especial;
Only the Arch of Titus and view from the Lateran please me:
This, however, perhaps is the weather, which truly is horrid.
Greece must be better, surely; and yet I am feeling so spiteful,
That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,
Though but to see with my eyes that these are vanity also.
Rome disappoints me much; I hardly as yet understand it, but
Rubbishy seems the word that most exactly would suit it.
All the foolish destructions, and all the sillier savings,
All the incongruous things of past incompatible ages,
Seem to be treasured up here to make fools of present and future.
Would to Heaven the old Goths had made a cleaner sweep of it!
Would to Heaven some new ones would come and destroy these churches!
However, one can live in Rome as also in London.*
It is a blessing, no doubt, to be rid, at least for a time, of
All one's friends and relations,--yourself (forgive me!) included,--
All the assujettissement of having been what one has been,
What one thinks one is, or thinks that others suppose one;
Yet, in despite of all, we turn like fools to the English.
Vernon has been my fate; who is here the same that you knew him,--
Making the tour, it seems, with friends of the name of Trevellyn.
* The 1968 Oxford Edition, edited by A.L.P. Norrington,
includes a line immediately following this:
Rome is better than London, because it is other than London.

II. Claude to Eustace.

Rome disappoints me still; but I shrink and adapt myself to it.
Somehow a tyrannous sense of a superincumbent oppression
Still, wherever I go, accompanies ever, and makes me
Feel like a tree (shall I say?) buried under a ruin of brickwork.

[...] Read more

poem by Arthur Hugh Clough
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The Village (book 2)

Argument

There are found amid the Evils of a Laborious Life, some Views of Tranquillity and Happiness. - The Repose and Pleasure of a Summer Sabbath: interrupted by Intoxication and Dispute. - Village Detraction. - Complaints of the Squire. - The Evening Riots. - Justice. - Reasons for this unpleasant View of Rustic Life: the Effect it should have upon the Lower Classes; and the Higher. - These last have their peculiar Distresses: Exemplified in the Life and heroic Death of Lord Robert Manners. - Concluding Address to his Grace the Duke of Rutland.

NO longer truth, though shown in verse, disdain,
But own the village life a life of pain;
I too must yield, that oft amid these woes
Are gleams of transient mirth and hours of sweet repose.

Such as you find on yonder sportive Green,
The 'Squire's tall gate and churchway-walk between;
Where loitering stray a little tribe of friends,
On a fair Sunday when the sermon ends:
Then rural beaux their best attire put on,

To win their nymphs, as other nymphs are won;
While those long wed go plain, and by degrees,
Like other husbands, quit their care to please.
Some of the sermon talk, a sober crowd,
And loudly praise, if it were preach'd aloud;

Some on the labours of the week look round,
Feel their own worth, and think their toil renown'd;
While some, whose hopes to no renown extend,
Are only pleas'd to find their labours end.

Thus, as their hours glide on with pleasure fraught,

Their careful masters brood the painful thought;
Much in their mind they murmur and lament,
That one fair day should be so idly spent;
And think that Heaven deals hard, to tythe their store
And tax their time for preachers and the poor.

Yet still, ye humbler friends, enjoy your hour,
This is your portion, yet unclaim'd of power;
This is Heaven's gift to weary men opprest,
And seems the type of their expected rest:
But yours, alas! are joys that soon decay;

Frail joys, begun and ended with the day;
Or yet, while day permits those joys to reign,

[...] Read more

poem by George Crabbe
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Flight Of The Duchess, The

I.

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II.

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,---
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
---And the whole is our Duke's country.

III.

I was born the day this present Duke was---
(And O, says the song, ere I was old!)
In the castle where the other Duke was---
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive

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poem by Robert Browning
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The Task: Book II. -- The Time-Piece

Oh for a lodge in some vast wilderness,
Some boundless contiguity of shade,
Where rumour of oppression and deceit,
Of unsuccessful or successful war
Might never reach me more! My ear is pained,
My soul is sick with every day's report
Of wrong and outrage with which earth is filled.
There is no flesh in man's obdurate heart,
It does not feel for man. The natural bond
Of brotherhood is severed as the flax
That falls asunder at the touch of fire.
He finds his fellow guilty of a skin
Not coloured like his own, and having power
To enforce the wrong, for such a worthy cause
Dooms and devotes him as his lawful prey.
Lands intersected by a narrow frith
Abhor each other. Mountains interposed,
Make enemies of nations who had else
Like kindred drops been mingled into one.
Thus man devotes his brother, and destroys;
And worse than all, and most to be deplored
As human nature's broadest, foulest blot,
Chains him, and tasks him, and exacts his sweat
With stripes, that mercy with a bleeding heart
Weeps when she sees inflicted on a beast.
Then what is man? And what man seeing this,
And having human feelings, does not blush
And hang his head, to think himself a man?
I would not have a slave to till my ground,
To carry me, to fan me while I sleep,
And tremble when I wake, for all the wealth
That sinews bought and sold have ever earned.
No: dear as freedom is, and in my heart's
Just estimation prized above all price,
I had much rather be myself the slave
And wear the bonds, than fasten them on him.
We have no slaves at home. - Then why abroad?
And they themselves, once ferried o'er the wave
That parts us, are emancipate and loosed.
Slaves cannot breathe in England; if their lungs
Receive our air, that moment they are free,
They touch our country and their shackles fall.
That's noble, and bespeaks a nation proud
And jealous of the blessing. Spread it then,
And let it circulate through every vein
Of all your empire! that where Britain's power
Is felt, mankind may feel her mercy too.

Sure there is need of social intercourse,
Benevolence and peace and mutual aid

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poem by William Cowper
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Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man

WHAT sounds are those, Helvellyn, that are heard
Up to thy summit, through the depth of air
Ascending, as if distance had the power
To make the sounds more audible? What crowd
Covers, or sprinkles o'er, yon village green?
Crowd seems it, solitary hill! to thee,
Though but a little family of men,
Shepherds and tillers of the ground--betimes
Assembled with their children and their wives,
And here and there a stranger interspersed.
They hold a rustic fair--a festival,
Such as, on this side now, and now on that,
Repeated through his tributary vales,
Helvellyn, in the silence of his rest,
Sees annually, if clouds towards either ocean
Blown from their favourite resting-place, or mists
Dissolved, have left him an unshrouded head.
Delightful day it is for all who dwell
In this secluded glen, and eagerly
They give it welcome. Long ere heat of noon,
From byre or field the kine were brought; the sheep
Are penned in cotes; the chaffering is begun.
The heifer lows, uneasy at the voice
Of a new master; bleat the flocks aloud.
Booths are there none; a stall or two is here;
A lame man or a blind, the one to beg,
The other to make music; hither, too,
From far, with basket, slung upon her arm,
Of hawker's wares--books, pictures, combs, and pins--
Some aged woman finds her way again,
Year after year, a punctual visitant!
There also stands a speech-maker by rote,
Pulling the strings of his boxed raree-show;
And in the lapse of many years may come
Prouder itinerant, mountebank, or he
Whose wonders in a covered wain lie hid.
But one there is, the loveliest of them all,
Some sweet lass of the valley, looking out
For gains, and who that sees her would not buy?
Fruits of her father's orchard are her wares,
And with the ruddy produce she walks round
Among the crowd, half pleased with, half ashamed
Of, her new office, blushing restlessly.
The children now are rich, for the old to-day
Are generous as the young; and, if content
With looking on, some ancient wedded pair
Sit in the shade together; while they gaze,
'A cheerful smile unbends the wrinkled brow,
The days departed start again to life,
And all the scenes of childhood reappear,

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poem by William Wordsworth
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