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Above all, a query letter is a sales pitch and it is the single most important page an unpublished writer will ever write. It's the first impression and will either open the door or close it. It's that important, so don't mess it up. Mine took 17 drafts and two weeks to write.

quote by Nicholas Sparks
Added by Lucian Velea
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Thats My Impression

(tennant/lowe)
------------
I went looking for someone I couldnt find
Staring at faces by the serpentine
Walking slowly, I realised
Youd been and gone - I know you lied
Thats my impression
Thats my impression
Thats my impression
Thats my impression
The wind was chilly and the sky was dull
I went for shelter to the temple
Once inside I couldnt believe my eyes
Youd been and gone - I know you lied
Thats my impression
Thats my impression
Thats my impression
Thats my impression
Go to a club - you think Ill be there
I dont go cause Im not a member
You said you went to apologise
Its plain to me thats one more lie
Thats my impression
Thats my impression
Thats my impression (impression)
Thats my impression
I went looking for someone I couldnt find
Staring at faces by the serpentine
Walking slowly, I realised
Youd been and gone - I know you lied
Thats my impression
Thats my impression
Thats my impression
Thats my impression
Its an expression
And a suggestion
I learned my lesson
Thats my impression
Thats my impression (impression)
Thats my impression
Thats my impression (impression)
I learned my lesson
I went looking for someone I couldnt find
Staring at faces by the serpentine
Walking slowly I - realised
Youd been and gone - I know
You lied - thats my impression
I know you lied
And thats my impression
Thats my impression

[...] Read more

song performed by Pet Shop Boys
Added by Lucian Velea
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Dont Mess Up This Good Thing

Dont mess up this good thing
Dont mess up this good thing
Dont mess up this good thing
Dont mess up this good thing
Well, I think youve had a long time
To get your act together
Its your move and I hope you do the right thing
You know I never wanna lose you
But you must learn to play the game by the rules
Show me how much my love means to you
Dont mess up this good thing
Dont mess up this good thing (what we have together)
Dont mess up, no baby
Well, forever may be
More time than anyone can offer
But all my time is spent in your corner
Heaven knows how much I love you
But if you think I can watch you play on me and understand it
Baby, youre taking far too much for granted
Dont mess up this good thing
Dont mess up this good thing (what we have together)
Dont mess up this good thing
Dont mess up this good thing (if you still believe)
Dont mess up this good thing
Dont mess up, baby (no one can love you better)
Dont mess up this good thing
Dont mess up this good thing
Got to find the right words to make you see
That you and I were meant to be
Dont mess up this good thing
Dont mess it up
Dont mess up this good thing
Well, forever may be
More time than anyone can offer
But all my time is spent in your corner
Heaven knows how much I love you
But if you think I can watch you play on me and understand it
Baby, youre taking far too much for granted
Dont mess up this good thing
Dont mess up this good thing (what we have together)
Dont mess up this good thing
Dont mess up this good thing (if you still believe)
Dont mess up this good thing (ooh dont mess it up baby)
Dont mess up this good thing (no one can love you better)
Dont mess up this good thing (sho dont mess it up)
Dont mess up this good thing (Ive got what you need)
Dont mess up this good thing
Dont mess up this good thing (what weve got together)
Dont mess up this good thing

song performed by Janet Jackson
Added by Lucian Velea
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The Only Way To Control Things

The only way to control things is with an open hand.
Water on rock
a fist can't do anything to stop the rain
that keeps washing its bloody knuckles
by kissing the raw red buds
of the pain-killing poppies clean.
Anger grows ashamed of itself
in the presence of unopposable compassion
just as planets are humbled by their atmospheres.
The soft supple things of life insist
and the hard brittle ones comply.
Bullies are the broken toys of wimps.
Power limps.
But space is an open hand.
Mass may shape it
but it teaches matter how to move
just as the sky converts its openness
into a cloud and a bird
or the silence nurtures
the embryo of a blue word
in the empty womb of the dark mother
like the echo of something that can't be said.

The only way to control things is with an open hand.
Not a posture of giving.
Not a posture of receiving.
Not a posture of greeting or farewell.
Not hanging on or letting go
but the single bridge they both make
when they're both at peace with the flow.
It's not the branch it's not the trunk
it's not the root it's not the fruit
but the open handedness of its leaves
that is a tree's consummate passion.
Isis tattoos her star on their palms
like sailors and sails
to keep them from drowning
and into the valleys of their open hands
that lie at the foot of their crook-backed mountains
the aloof stars risk the intimacy of fireflies
and fate flows down like tributaries into the mindstream
as life roots its wildflowers on both shores
as if there were no sides to the flowing
of our binary lifelines.

The only way to control things is with an open hand.
You cannot bind the knower to the knowing
as if time had to know where eternity was going
before anything could change.
X marks the spot where all maps are born

[...] Read more

poem by Patrick White
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Paperback Writer

(LennonMcCartney)
Paperback writer
Dear Sir or Madam, will you read my book?
It took me years to write, will you take a look?
It's based on a novel by a man named Lear
And I need a job, so I want to be a paperback writer
Paperback writer
It's the dirty story of a dirty man
And his clinging wife doesn't understand
His son is working for the Daily Mail
It's a steady job but he wants to be a paperback writer
Paperback writer
Paperback writer
It's a thousand pages, give or take a few
I'll be writing more in a week or two
I can make it longer if you like the style
I can change it round and I want to be a paperback writer
Paperback writer
If you really like it you can have the rights
It could make a million for you overnight
If you must return it, you can send it here
But I need a break and I want to be a paperback writer
Paperback writer
Paperback writer
Paperback writer, paperback writer
Paperback writer, paperback writer
Paperback writer, paperback writer
Paperback writer, paperback writer (fade out)

song performed by Paul McCartney
Added by Lucian Velea
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8 Weeks

8 weeks to live
8 weeks to die
8 weeks is all they had
8 weeks to do the things they never did
8 weeks of fighting
8 weeks of trying to fit everything in
8 weeks of pain, suffering, and confusion
8 weeks of faking a smile
8 weeks of repetition
8 weeks of knowing they were nearing the end
8 weeks of love from friends and family
8 weeks…the shortest/longest, most hurtful/helpful weeks of their lives
8 weeks later…knowing they’ll never be able to do the things they’ve always wanted to
8 weeks later…now realizing he’ll never see her walk, at graduation nor down the aisle
8 weeks later…close friends and family now in shambles
8 weeks later…close friends and family never closer
8 weeks later…here we are

poem by Anthony Martello
Added by Poetry Lover
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Why Do I Write

I write from my sadness
I write from the madness
I write because I have something to say
I write to pass the day
I write only from the heart
I write for sometimes I am not that smart
Whatever is in head just comes out on paper (in this case a word document) , and I go with the flow
Write to let my mind go

I follow my hand to where ever it takes me
I write all the things that I can see
I write when I am happy, but not as much
I write from my heart that you can touch
I write because I’d go insane
I am driven to write quell my pain

At times I feel alone so I write what I am feeling
I write for it is self-healing
Confident not so I write it all away
I write and write to pass the day
I write to comfort my soul that cries out in the night
I write for love is always out of sight
I write so I don't have to cry any more
I write for I have no one to adore
I write so someone somewhere will hear my plea
I write for someone is out there for me
I am lost and I the clown
I write to turn my frown upside down

I write to embrace the sadness I hide inside
I write with my heart opened wide
I write to silence the ghost
I write for I’ve been let down by the one I loved the most
I write through the stormy weather
I write for I am light as a feather
I am not a writer nor am I a poet
I write for the grief I do know it

I will write until I draw my last breath
I write because I'll die a lonely death
I have to write for strangers delight
I write because I have to write
I write for my own happiness
I write to relieve my stress
I write because I have no other choice
I write as if I was writing a letter
I write because I can’t do any better
I write because I am afraid not to
I write for this is what I do
I write for I give a damn

[...] Read more

poem by Wilfred Mellers
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Adelaida: A Cuban Cinderella

Adelaida: A Cuban Cinderella
Written by Ana Monnar


{PAGE 1}
Once upon a time, on the island of Cuba lived two sisters named Adelaida and Marisol. Although identical twins in appearance, their personalities were as different as night and day. Adelaida was noble and loved to help others. She understood that the situation at home was not easy. Their father worked 14 hours a day and their mother was frail and very ill. So Adelaida would wake up very early every morning to cook breakfast and have it ready for her father before he’d go to work. They would eat together while they talked about many different matters.

{PAGE 2}
Adelaida would then prepare a tray for her mother; with love and tenderness she fed her each meal of the day. She also insisted on helping the nurse care for her much-loved mother. She spent time brushing her mami’s hair and would take pleasure in it.

{PAGE 3}
On the other hand, Marisol believed that the world revolved around her. After sleeping until noon, she expected a breakfast menu. From the moment that she stepped out of her bed, she would holler, “Adelaida, bring me my breakfast! ”
Adelaida would serve her sister bacon, eggs, toast, juice, and milk. She would hurry to take the plate to the table and cater to her sister. But Marisol always complained that the food was not hot enough, or the drinks not cold enough. No matter how much Adelaida would try to please her, it never seemed to be enough. Marisol often wanted favors during the very moment that her sister was caring for their mother, and so Adelaida would ignore her sister’s whining and tend to her mother first.

{PAGE 4}
During the long hours of each day Adelaida would sweep the floor, wash, iron, and do the dishes. In between chores, she would hurry each time Marisol rang a bell demanding her services. Marisol would command, “Curl my hair! ” “Wash and iron my clothes! ” “Make my bed! ” “I’m hungry! ” “I want chicken and yellow rice, salad, and custard for dinner! ”
Adelaida would just give in to her sister’s demands to avoid confrontations that would disturb their mother’s peace. Luckily Adelaida had dogs, cats, and birds that adored her and followed her around. Even the mice would come to keep her company and help out. Little Maria the mouse carried the napkin on top of her head to set the table. Sometimes Adelaida and her critters would have fun together carving a giant pumpkin to make pumpkin soup, pumpkin pie, and pumpkin custard.

{PAGE 5}
One evening when their father came home from work he called both of his daughters. Adelaida and Marisol both kissed him and listened to what he had to say. With a frown, he mumbled, “My boss is having a dinner at his mansion and he wants our family to attend. Mr. Perez wishes to reward me for being the employee of the year. He also is very proud of his son who just finished his internship and graduated as a doctor. He is coming home just in time for the Christmas holidays and he would like for us to meet him.' In his mind he was thinking, ‘How am I going to get my wife to go? She is so weak and frail.’

{Page 6}
Adelaida, who felt and shared her father’s concern and sorrow, read his mind and replied, “Papi, you go ahead and enjoy the party and take Marisol with you. I will stay home with Mami and I promise to call the nurse if I need the extra help.”
Marisol leaped and yelped, “It sounds like a great plan to me! Take me shopping for a new dress, shoes, purse, and jewelry.” Deep in her mind she was scheming to snatch the young doctor. If she married rich she could have servants, a chef, and a chauffeur.
Their father tried to coax Adelaida into going with them. He said, “Adelaida, please come along with us and I will call the nurse to care for your mother during the few hours that we will be gone.” Adelaida gently but firmly begged her dad to let her stay. He finally agreed.

{Page 7}
The dinner was only two weeks away and Marisol continued nagging about a dress, pair of shoes, purse, jewelry, and now even added perfume to her inventory. Finally, even after working 14-hour shifts, Papi took Marisol out on several occasions to buy her luxuries. If Adelaida, their mother, or the nurse tried to reason with her insistent demands, Marisol would weep and whine until she got her way. Their father looked fatigued and could barely keep his feet firmly on the ground. Adelaida hugged her father and whispered, “Papi, I love you.” He cracked a slight grin and kissed her on the top of her head.

{Page 8}
Adelaida felt sorry for her father and hoped her sister would grow up and mature someday. They were both 23 years old and even though they were twins, their actions and values were poles apart. Adelaida often proved to be as wise as an owl perched up high in a tree as the moon glistened and sparkled above.

{Page 9}
Finally the day of the invitation arrived and Marisol was ecstatic. This would be her big break for securing her future husband! She just wanted to get away from their home, which reeked of medicines, antiseptic, and illness. Adelaida helped Marisol into her gown, but instead of showing gratitude, Marisol's whimpering continued. Marisol applied globs of make-up. If someone were to wet a couple of fingers and roll them against her foundation, rouge, and eye shadow, they would have enough watercolors to cover a canvas with frolicking ocean waves. When she put on her big gold hoop earrings and dabbed on cologne, Marisol was thrilled by the look and smell created by these finishing touches.

{Page 10}
Marisol scurried to her mother’s room and waved good-bye from the door. The nurse could have been knocked over by a feather after observing such selfishness from Marisol. She pondered how one sister could be so kind, loving, and gentle, while the other was egotistical and self-centered. The nurse had been coming to the house for weeks, having been hired when the mother began to feel weaker and was confined to bed. She was a dutiful and observant nurse who continuously nourished those who needed her help. When the nurse went home for the evening, Adelaida would sit by her mother and hold her hand as she sang to her. Her soothing voice would help her mother fall asleep.

{Page 11}
Adelaida’s father kissed his wife’s forehead and then thanked Adelaida for being so caring and devoted. Marisol yelled from across the corridor, “Papi, hurry up or we’ll be late! ” Although he loved both his daughters equally and played no favorites, he could clearly see the difference in their behaviors.

{Page 12}
Marisol and her father arrived at the mansion. The butler greeted them and announced their appearance. Mr. Garcia’s gentle boss, wife, and son welcomed them. Mr. and Mrs. Perez inquired about the whereabouts of his wife and his other twin daughter. The humble Mr. Garcia replied softly with sad and shameful eyes, “My wife is ill, weak, frail, and bedridden so my other daughter Adelaida stayed home caring for her. She insisted that we come and have an evening out.” Young Dr. Perez did not even glance at Marisol. He just thought it odd that one sister was out partying, while the other was looking after her mother. Mr. and Mrs. Perez felt sorry for the family’s suffering and offered to take the meal to the Garcias’ home and eat there instead. Marisol was flabbergasted! ‘This can’t be happening! I must be having a nightmare! ’ she thought.



{Page 13}
Both families drove to the Garcia residence. The servants and chauffeur carried the meal inside. The Perez family members were guided to the master bedroom where Adelaida was brushing her mother’s hair as she sang so sweetly. Although Adelaida had no make-up and was wearing simple clothes, she looked cool, calm, collected, and as faithful as a saint. Young Dr. Perez looked at Adelaida’s emerald-green eyes and realized that this was one young lady that he would love to befriend. At the end of the corridor Marisol’s green eyes displayed her jealousy and envy.
They sat down around the ill Mrs. Garcia, spoke softly, and ate holding their plates with one hand and their forks with the other. They ate black beans, rice, pork, and fried plantains. Adelaida did not begin eating until she slowly and gently fed her mother first. By this point Marisol was starving, so she devoured her food.
After this very enlightening visit, the young doctor asked Mr. Garcia if he could come regularly to check up on Mrs. Garcia and visit Adelaida. Mr. Garcia was very grateful for his interest and agreed.

[...] Read more

poem by Ana Monnar
Added by Poetry Lover
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Dont mess with love

Don’t mess with lies; it would hedonistically
massacre you with its fangs of vindictively flagrant
prejudice,

Don’t mess with the scorpion; it would so
ballistically permeate its venomously curled tail into
your nimble flesh; that you’d never be able to raise
your hindside,

Don’t mess with the Sun; it would burn you to
infinitesimal moles of inane ash; which wouldn’t be
accepted even by the land of disastrously disappearing
oblivion,

Don’t mess with the Shark; it would pulverize every
element of your countenance to such a pulverized
chowder; that wouldn’t be visible with even the most
contemporarily high powered telescope,

Don’t mess with the avalanche; it would treacherously
bury you an infinite feet beneath your corpse; a place
so scurrilously asphyxiating beneath the earth; where
even darkness dreaded to dare,

Don’t mess with obsession; it would maniacally frazzle
every sensuously sensitive vein of your persona;
reduce you to such a bundle of delirious
meaninglessness that even the coffins of hell would
blatantly refuse,

Don’t mess with the ghost; it would wretchedly jinx
you beyond the comprehensions of infinite infinity;
torturing you to such an extent; that you vomited raw
blood everytime you witnessed the contours of your
face,

Don’t mess with the storm; it would inexhaustibly
lambaste you against cold-blooded stone; till the time
your bones felt that wholesomely gruesome extinction
was a better alternative instead,

Don’t mess with the knife; it would slice you into so
many unsparing countless bits; that even the most
hideously barbaric vultures would find it bizarrely
gory to digest,

Don’t mess with the lion; it wouldn’t given you even
the most evanescent chance to fulfill your last wish;
before it gobbled you like a robust mosquito for its
afternoon lunch,

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poem by Nikhil Parekh
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Write Me A Letter

Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
I said, the ways of the night are evil
Without that lord of day
But Ill never, never get so far away
I said write me
Write me
Write me
Write me
I said write me
Write me
Write me
Well theres nothin I can see
Thatd ever make me
Want to be without her
Shes good, she good to me
Said theres no way to explain
The kind of feelin that you get out in the
She good, she good to me
She good, she good to me
I love her
Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
Well Ive been so many places
Hidin from the wind and the rain
But you could write me a letter
For to save me from goin insane
Write me
Excite me
Write me
Write me
Write me

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song performed by Aerosmith
Added by Lucian Velea
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The Writer's Dream

A writer wrote of the hearts of men, and he followed their tracks afar;
For his was a spirit that forced his pen to write of the things that are.
His heart grew tired of the truths he told, for his life was hard and grim;
His land seemed barren, its people cold—yet the world was dear to him;—
So he sailed away from the Streets of Strife, he travelled by land and sea,
In search of a people who lived a life as life in the world should be.
And he reached a spot where the scene was fair, with forest and field and wood,
And all things came with the seasons there, and each of its kind was good;
There were mountain-rivers and peaks of snow, there were lights of green and gold,
And echoing caves in the cliffs below, where a world-wide ocean rolled.
The lives of men from the wear of Change and the strife of the world were free—
For Steam was barred by the mountain-range and the rocks of the Open Sea.

And the last that were born of a noble race—when the page of the South was fair—
The last of the conquered dwelt in peace with the last of the victors there.
He saw their hearts with the author’s eyes who had written their ancient lore,
And he saw their lives as he’d dreamed of such—ah! many a year before.
And ‘I’ll write a book of these simple folk ere I to the world return,
‘And the cold who read shall be kind for these—and the wise who read shall learn.

‘Never again in a song of mine shall a jarring note be heard:
‘Never again shall a page or line be marred by a bitter word;
‘But love and laughter and kindly hours will the book I’ll write recall,
‘With chastening tears for the loss of one, and sighs for their sorrows all.
‘Old eyes will light with a kindly smile, and the young eyes dance with glee—
‘And the heart of the cynic will rest awhile for my simple folk and me.’

The lines ran on as he dipped his pen—ran true to his heart and ear—
Like the brighter pages of memory when every line is clear.
The pictures came and the pictures passed, like days of love and light—
He saw his chapters from first to last, and he thought it grand to write.
And the writer kissed his girlish wife, and he kissed her twice for pride:
‘’Tis a book of love, though a book of life! and a book you’ll read!’ he cried.

He was blind at first to each senseless slight (for shabby and poor he came)
From local ‘Fashion’ and mortgaged pride that scarce could sign its name.
What dreamer would dream of such paltry pride in a scene so fresh and fair?
But the local spirit intensified—with its pitiful shams—was there;
There were cliques wherever two houses stood (no rest for a family ghost!)
They hated each other as women could—but they hated the stranger most.

The writer wrote by day and night and he cried in the face of Fate—
‘I’ll cleave to my dream of life in spite of the cynical ghosts that wait.
‘’Tis the shyness born of their simple lives,’ he said to the paltry pride—
(The homely tongues of the simple wives ne’er erred on the generous side)—
‘They’ll prove me true and they’ll prove me kind ere the year of grace be passed,’
But the ignorant whisper of ‘axe to grind!’ went home to his heart at last.

The writer sat by his drift-wood fire three nights of the South-east gale,
His pen lay idle on pages vain, for his book was a fairy tale.

[...] Read more

poem by Henry Lawson
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Open Your Box

Open your box,
Open your box,
Open your trousers,
Open your thighs,
Open your legs,
Open, open, open, open, oooh.
Open, open, open, open,
Open your legs,
Open your flies,
Open your ears,
Open your nose,
Open your mouth,
Open, open, open, open, oooh.
Open.
Open your cold feet,
Open, open,
Open, open, open, let's open, let's open the cities.
Open the cities,
Open, open, open the world,
Open, let's open the world.
Open, open, oooh -
Open, open, ooh!

song performed by Yoko Ono
Added by Lucian Velea
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Open Your Box

Open your box,
Open your box,
Open your trousers,
Open your thighs,
Open your legs,
Open, open, open, open, oooh.
Open, open, open, open,
Open your legs,
Open your flies,
Open your ears,
Open your nose,
Open your mouth,
Open, open, open, open, oooh.
Open.
Open your cold feet,
Open, open,
Open, open, open, let's open, let's open the cities.
Open the cities,
Open, open, open the world,
Open, let's open the world.
Open, open, oooh -
Open, open, ooh!

song performed by Yoko Ono
Added by Lucian Velea
Comment! | Vote! | Copy!