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James Caan

It's a very charming movie about the mob - a real stretch for me.

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Carl Sandburg

Always The Mob

Jesus emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob.

The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all.

Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob.

Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob.

The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan.

Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now.

Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pig iron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow.

The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons.

The mob? A jag of lightning, a geyser, a gravel mass loosening…

The mob … kills or builds … the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln.

I am born in the mob—I die in the mobthe same goes for you—I don’t care who you are.

I cross the sheets of fire in No Man’s land for you, my brother—I slip a steel tooth into your throat, you my brother—I die for you and I kill you—It is a twisted and gnarled thing, a crimson wool:
One more arch of stars,
In the night of our mist,
In the night of our tears.

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Forgot To Follow

All I can hear is another year pass me by.
They pass me by.
They pass underneath you know theres nothing to see here, except ten bridges.
They pass underneath you know theres nothing to see here, except ten bridges.
Coz when you're winning you're charming,
you're winning you're charming,
when you're winning you're charming, it wont...
You might have noticed that i've fallen down on the road,
It could happen to anyone, I know.
They pass underneath you know theres nothing to see here, except ten bridges.
They pass underneath you know theres nothing to see here, except ten bridges.
Coz when you're winning you're charming,
you're winning you're charming,
when you're winning you're charming, it wont...
You're winning you're charming,
coz when you're winning you're charming,
when you're winning you're charming,
coz when you're winning you're charming,
when you're winning you're charming,
when you're winning you're charming,
when you're winning you're charming,
when you're winning you're charming.
ohhh!

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Them Belly Full

Na-na na na-na na na na;
Na-na na na-na na na na;
Na-na na na-na na na na;
Na-na na na-na na na na.
Them belly full, but we hungry;
A hungry mob is a angry mob.
A rain a-fall, but the dirt it tough;
A yot a-yook, but d' yood no 'nough.
You're gonna dance to jah music, dance;
We're gonna dance to jah music, dance, oh-ooh!
Forget your troubles and dance!
Forget your sorrows and dance!
Forget your sickness and dance!
Forget your weakness and dance!
Cost of livin' gets so high,
Rich and poor they start to cry:
Now the weak must get strong;
They say, "oh, what a tribulation!"
Them belly full, but we hungry;
A hungry mob is a angry mob.
A rain a-fall, but the dirt it tough;
A pot a-yook, but d' yood* no 'nough.
We're gonna chuck to jah music - chuckin';
We're chuckin' to jah music - we're chuckin'.
---
/guitar solo/
---
A belly full, but them hungry;
A hungry mob is a angry mob.
A rain a-fall, but the dirt it tough;
A pot a-cook, but d' food* no 'nough.
A hungry man is a angry man;
A rain a-fall, but the dirt it tough;
A pot a-yook, but you no 'nough'
A rain a-fall, but the dirt it tough.
A pot a-cook, but you no 'nough;
A hungry mob is a angry mob;
A hungry mob is a angry mob. /fadeout/
[* sheet music gives this line as: "a pot a cook but you no' nough".]

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Wat Tyler - Act II

ACT II.

SCENE— BLACKHEATH.


TYLER, HOB, &c.

SONG.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

Wretched is the infant's lot,
Born within the straw-roof'd cot!
Be he generous, wise, or brave,
He must only be a slave.
Long, long labour, little rest,
Still to toil to be oppress'd;
Drain'd by taxes of his store,
Punish'd next for being poor;
This is the poor wretch's lot,
Born within the straw-roof'd cot.

While the peasant works— to sleep;
What the peasant sows— to reap;
On the couch of ease to lie,
Rioting in revelry;
Be he villain, be he fool,
Still to hold despotic rule,
Trampling on his slaves with scorn;
This is to be nobly born.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'


JACK STRAW.

The mob are up in London— the proud courtiers
Begin to tremble.


TOM MILLER.

Aye, aye, 'tis time to tremble;
Who'll plow their fields, who'll do their drudgery now?
And work like horses, to give them the harvest?


JACK STRAW.

[...] Read more

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A Womans Worth

You could buy me diamonds , you could buy me pearls
Take me on a cruise around the world
Baby you know Im worth it
Dinner lit by candles, run my bubble bath
Make love tenderly to last and last
Baby you know Im worth it
Wanna please wanna keep wanna treat your woman right
Not just told but to show she is worth your time
You will lose if you choose to refuse to put her first
She will if she cant find a man who knows her worth, mhmn
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint afraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
If you treat me fairly Ill give you all my goods
Treat you like a real woman should
Baby I know your worth it
If you never play me , promise not to bluff
Ill hold it down when it gets ruff
Baby I know your worth it
She rolls the mile makes you smile all the while being true
Dont take for granted the passion that she has for you
You will lose if you choose to refuse to put her first
She will if she cant find a man who knows her worth. oh
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint afraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
No need to read between the lines, spell it out for you
Just hear this song cuz you cant go wrong when you value
A woman,woman,woman, a womans worth
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint fraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint fraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
Mhmn mhmn mhmn mhmn mhmn mhmn

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La Fontaine

The Princess Betrothed To The King Of Garba

WHAT various ways in which a thing is told
Some truth abuse, while others fiction hold;
In stories we invention may admit;
But diff'rent 'tis with what historick writ;
Posterity demands that truth should then
Inspire relation, and direct the pen.

ALACIEL'S story's of another kind,
And I've a little altered it, you'll find;
Faults some may see, and others disbelieve;
'Tis all the same:--'twill never make me grieve;
Alaciel's mem'ry, it is very clear,
Can scarcely by it lose; there's naught to fear.
Two facts important I have kept in view,
In which the author fully I pursue;
The one--no less than eight the belle possessed,
Before a husband's sight her eyes had blessed;
The other is, the prince she was to wed
Ne'er seemed to heed this trespass on his bed,
But thought, perhaps, the beauty she had got
Would prove to any one a happy lot.

HOWE'ER this fair, amid adventures dire,
More sufferings shared than malice could desire;
Though eight times, doubtless, she exchanged her knight
No proof, that she her spouse was led to slight;
'Twas gratitude, compassion, or good will;
The dread of worse;--she'd truly had her fill;
Excuses just, to vindicate her fame,
Who, spite of troubles, fanned the monarch's flame:
Of eight the relict, still a maid received ;--
Apparently, the prince her pure believed;
For, though at times we may be duped in this,
Yet, after such a number--strange to miss!
And I submit to those who've passed the scene,
If they, to my opinion, do not lean.

THE king of Alexandria, Zarus named,
A daughter had, who all his fondness claimed,
A star divine Alaciel shone around,
The charms of beauty's queen were in her found;
With soul celestial, gracious, good, and kind,
And all-accomplished, all-complying mind.

THE, rumour of her worth spread far and wide,
The king of Garba asked her for his bride,
And Mamolin (the sov'reign of the spot,)
To other princes had a pref'rence got.

THE fair, howe'er, already felt the smart

[...] Read more

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Stretch Your Wings

Stretch your wings.
You can,
If you want to make it.

Stretch your wings.
You can,
If you want to make it.

Stretch your wings.
You can,
If you want to make it.

Look up to the sky,
And find a place to fly!

Stretch your wings.
You can,
If you want to make it.

Stretch your wings.
You can,
If you want to make it.

Stretch your wings.
You can,
If you want to make it.

Look me in my eyes!
And invite me,
With you to fly!

Stretch your wings.
You can,
If you want to make it.

Look me in my eyes!
And invite me,
With you to fly!

Stretch your wings.
You can,
If you want to make it.

Stretch your wings.
You can,
If you want to make it.

Look up to the sky,
And find a place for you to fly!
Look me in my eyes!

[...] Read more

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Santas Beard

I wanna meet santa claus, the real real santa
I wanna meet santa claus, the real real santa
I wanna see santa claus, the real real santa
He wants to meet ol santa claus
I took my brother to the department store
He wanted to show santa his christmas list
He stood in line and he shook like a leaf
Hes only five and a half goin on six
He said, is that (that santa) really santa claus,
Really really (the real santa) santa claus?
Is that (that santa) really santa claus, really really santa?
(I hope he doesnt pull santas beard)
Is that (that santa) really santa claus,
Really really (the real santa) santa?
Hope he thinks thats santa claus
I picked him up and put him on santas lap
And then he pulled the pillow out of his shirt
He yanked the beard right on off of his chin
And in his eyes I could see he was hurt
He said, youre not (not santa) really santa claus,
Youre really not (the real santa) santa claus
Youre not (not santa) really santa claus,
Youre really not santa (he shouldnta pulled santas beard)
Youre not (not santa) santa claus,
Youre really not (the real santa) santa
Hes just helpin santa claus
Hes just helpin (helpin santa) santa claus,
The real (the real santa) real santa
Hes helpin (helpin santa) santa claus,
The real (the real santa) real santa
Hes just helpin (helpin santa) santa claus,
The real (the real santa) real santa
Hes just helpin santa claus
Hes just helpin (helpin santa) santa claus,
The real (the real santa) real santa
Hes just helpin (helpin santa) santa claus,
The real (he shouldnta pulled santas beard) real santa
Hes just helpin (helpin santa) santa claus,
The real (the real santa) real santa
Hes just helpin santa claus

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Real Life

Certain, genuine, almost positive
Right definite, sincere
Broke vitality, truth humanity
That's not what's happening here
oooh, oooh, this is real life
oooh, oooh, this is real life
I'm sitting here waiting, wondering where you been
Don't you know you're late again?
Sitting here thinking, figuring you would call
The phone don't ring at all
I'm not a girl whose living in a fantasy world
So tell me are we fictional, fact
Cause right now I gotta know (gotta know)
I wanna know where we're at
Get a grip baby we're no rehearsal
It's not a game, we are not playing virtual
When are you going to wake up and realize
This is real life, this is real life
?Have honey? would never be true love
I can almost never be in love
I tell you straight up, not telling you twice (you twice)
This is real life, uh, this is real life (real life)
You're blowing hot and cold
And I don't know where you're coming from
What planet are you living on?
And I'm not the girl of a type who will forgive and forget
(Have I, Have I got you attention yet?)
I'm not a girl whose living in a big dream world
This time there's no compromise
So if you want me for good, you better open your eyes
Certain, genuine, almost positive
Right definite, sincere
Broke vitality, truth humanity
That's not what's happening here
oooh, oooh, this is real life
oooh, oooh, this is real life
Get a grip baby we're no rehearsal
It's not a game, we are not playing virtual
When are you going to wake up and realize
This is real life, this is real life
?Have honey? would never be true love
I can almost never be in love
I tell you straight up, not telling you twice (you twice)
This is real life, uh, this is real life (real life)
Get a grip baby we're no rehearsal
It's not a game, we are not playing virtual
When are you going to wake up and realize
This is real life, this is real life
?Have honey? would never be true love
I can almost never be in love

[...] Read more

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

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Silent Movie

(corky laing/ian hunter)
Well the school bell rings
I carried your things
Getting on the yellow bus
With the whole world watching us
And our love was like a silent movie
Aint got nothing to say
Our love was like a silent movie
I wish we could have kept it that way
Now the door bell rings
Im gonna get my things
Take another bright (? )
At the lions side
Cause our love was like a silent movie
Aint got nothing to say
Our love was like a silent movie
Thats the all-american way
Silent movie
And our love was like a silent movie
Theres nothing to say
Our love was like a silent movie
And thats the all-american way
And our love was like a silent movie
Theres nothing to say
Our love was like a silent movie
I wish we could have kept it that way
Our love was like a silent movie
Silent movie
Our love was like a silent movie
I wish we could have kept it that way

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Real Love

All my little plans and schemes
Lost like some forgotten dream
Seems that all I really was doing
Was waiting for you
Just like little girls and boys
Playing with their little toys
Seems like all we really were doing
Was waiting for love
Only to be alone
Only to be alone
Its real love, its real, yes its real love, its real
From this moment on I know
Exactly where my life will go
Seems that all I really was doing
Was waiting for love
Only to be afraid
Only to be afraid
Its real love, its real, yes its real love, its real
Though Ive been in love before
But in my heart I wanted more
Seems like all I really was doing
Was waiting for you
Only to be alone
Only to be alone
Its real love, its real, its real love, its real
Yes its real love, its real, its real love, its real,
Yes its real love, its real, its real love, its real,
Yes its real love, its real, its real love, its real,
Yes its real love, its real

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Stretch Out And Wait

On the high-rise estate
What's at the back of your mind ?
Oh, a three-day debate
On a high-rise estate
What's at the back of your mind ?
Two icy-cold hands conducting the way
It's the eskimo blood in my veins
Amid concrete and clay
And general decay
Nature must still find a way
So ignore all the codes of the day
Let your juvenile influences sway
This way and that way (this way)
This way and that way (this way)
God, how sex implores you
To let yourself lose yourself
Stretch out and wait
Stretch out and wait
Oh ... let your puny body, lie down, lie down
As we lie, you say
As we lie, you say
Stretch out and ...
Stretch out and wait
Stretch out and wait
Oh ... let your puny body lie down, lie down
As we lie, you say :
Will the world end in the night time ?
(i really don't know)
Or will the world end in the day time ?
(i really don't know)
And is there any point ever having children ?
Oh, i don't know
What i do know is we're here and it's now
So ... stretch out and wait
Stretch out and wait
There is no debate, no debate, no debate
How can you conciously contemplate
When there's no debate, no debate ?
Stretch out and wait
Stretch out and wait
Stretch out and wait
Wait
Wait
Wait
Wait

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Stretch Out & Wait

On the high-rise estate
Whats at the back of your mind ?
Oh, a three-day debate
On a high-rise estate
Whats at the back of your mind ?
Two icy-cold hands conducting the way
Its the eskimo blood in my veins
Amid concrete and clay
And general decay
Nature must still find a way
So ignore all the codes of the day
Let your juvenile influences sway
This way and that way (this way)
This way and that way (this way)
God, how sex implores you
To let yourself lose yourself
Stretch out and wait
Stretch out and wait
Oh ... let your puny body, lie down, lie down
As we lie, you say
As we lie, you say
Stretch out and ...
Stretch out and wait
Stretch out and wait
Oh ... let your puny body lie down, lie down
As we lie, you say :
Will the world end in the night time ?
(I really dont know)
Or will the world end in the day time ?
(I really dont know)
And is there any point ever having children ?
Oh, I dont know
What I do know is were here and its now
So ... stretch out and wait
Stretch out and wait
There is no debate, no debate, no debate
How can you conciously contemplate
When theres no debate, no debate ?
Stretch out and wait
Stretch out and wait
Stretch out and wait
Wait
Wait
Wait
Wait

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

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But Hold Up

I'm with someone who had loved me.
But it's taking time for them to see...
The real me.
'Cause they counted on their so called friends,
Of showing them a remedy.
To lessen liabilities.
And having the ability,
To remove the hurt and agony...
And be free.

I'm with someone who had loved me.
But it's taking time for them to see...
The real me.
It's taking time for them to see...
The real me.
It's taking time for them to see...
The real me.

'Cause they're counting on their friends,
With the giving them identity.
Accepting it and to believe...
Who they were and whom to please.
What to think and what to eat.
And how to rest to feed-those-needs!

I'm with someone who had loved me.
But it's taking time for them to see...
The real me.

I don't know what it would take them to see,
The real me.

Hold up!
What would it take for them to see,
The real me.
Hold up!
What would it take for them to see,
The real me.
Hold up!
What would it take for them to see,
The real me.

And that 'ever'...
Maybe never,
Together...
Forever!

I'm with someone who had loved me.
But it's taking time for them to see...
The real me.

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Only A Fool, Would Say 'No', To Real Love...

Unselfish Love … Is Real Love
Real Love, Is Self-Sacrifice and Sacred Love … (1 Cor.13: 4-13)
And Supportive Love and Worthy-Symbolic Love
Inspired and Sure and Simple and … Sizeless Love

… and Only A Fool, Would Not Wear, Real Love


Real Love … Is Really True Love
And Those Who Do Love
Will Love’ YOU’, Love
Even, If Many Or Just A Few, To Love

… but Only A Fool, Would Say No, To Real Love


Devoted Love … Is Also Real Love
And Real Love, Is Dedicated To It – Love
And More Than Just A Duty, Love
Its A Higher-Ideal and Diplomatic Love

… and Only A Fool, Would Not Desire, Real Love


Only Real Love, Is Between: Two-As-One Love
For Real Love, Seals The Bond, ‘Til Its Done, Love
Real Love, Is As Strong As Death Is, Love … (Canticles 8: 6)
Only Real Lovers, Know and Understand This Power of Love

… but A Fool, Will Never Fathom, This Kind Of Love


Real Love … In Case Of Emergency, Breaks The Glass
Real Love … Can Erase, Or Soothe Pain In Past
Real Love … Conquers ‘All’, In Its Path!
Real Love … Will Forever and Everlast …

… really, Only A Fool, Would Say No, To Real Love


Real Love … Is Inimitable and Intense Love
It Is Forgiving … and No Pretense-Love
It Rises, Like Sparkling, Perfumed Incense or Mist-Love
To Love Like This, Makes Good Sense, Love

for, Only A Fool, Would Say No, To Real Love


Real Love’s Beauty … Is As Big, As The Sky Above
Real Love’s Chorus, Is As Glorious, As Poets Speak Of

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The Mylora Elopement

By the winding Wollondilly where the weeping willows weep,
And the shepherd, with his billy, half awake and half asleep,
Folds his fleecy flocks that linger homewards in the setting sun
Lived my hero, Jim the Ringer, "cocky" on Mylora Run.
Jimmy loved the super's daughter, Miss Amelia Jane McGrath.
Long and earnestly he sought her, but he feared her stern papa;
And Amelia loved him truly -- but the course of love, if true,
Never yet ran smooth or duly, as I think it ought to do.

Pondering o'er his predilection, Jimmy watched McGrath, the boss,
Riding past his lone selection, looking for a station 'oss
That was running in the ranges with a mob of outlaws wild.
Mac the time of day exchanges -- off goes Jim to see his child;

Says, "The old man's after Stager, which he'll find is no light job,
And tomorrow I will wager he will try and yard the mob.
Will you come with me tomorrow? I will let the parson know,
And for ever, joy or sorrow, he will join us here below.

"I will bring the nags so speedy, Crazy Jane and Tambourine,
One more kiss -- don't think I'm greedy -- good-bye, lass, before I'm seen --
Just one more -- God bless you, dearie! Don't forget to meet me here,
Life without you is but weary; now, once more, good-bye, my dear."


* * * * *
The daylight shines on figures twain
That ride across Mylora Plain,
Laughing and talking -- Jim and Jane.
"Steady, darling. There's lots of time,
Didn't we slip the old man prime!
I knew he'd tackle that Bowneck mob,
I reckon he'll find it too big a job.
They've beaten us all. I had a try,
But the warrigal devils seem to fly.
That Sambo's a real good but of stuff
No doubt, but not quite good enough.
He'll have to gallop the livelong day,
To cut and come, to race and stay.
I hope he yards 'em, 'twill do him good;
To see us going I don't think would."
A turn in the road and, fair and square,
They meet the old man standing there.
"What's up?" "Why, running away, of course,"
Says Jim, emboldened. The old man turned,
His eye with wild excitement burned.
"I've raced all day through the scorching heat
After old Bowneck: and now I'm beat.
But over that range I think you'll find
The Bowneck mob all run stone-blind.

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Real Life

I wish that life was like it is in the movies
┬┤cause the hero always gets his way
No matter how hard it gets on that dark lonely road
At the end he┬┤s got a smile on his face

But when they threw me out to lions
Noone saved me as I fell from your grace
And noone wrote me new lines
For what I said wrong
What I did wrong I could not erase

This is real life
This is real love
This is real pain
That much I┬┤m sure of
These are real tears
These are real fears inside
That I can┬┤t hide

I wish that I could be a white knight in armour
With an army just to bring you back home
But I┬┤ll admit I┬┤m scared of dialing your number
Someone else is gonna answer the phone
Why can┬┤t it be like it is in TV
When the orchestra plays and you come back to me

This is real life
This is real love
This is real pain
That much I┬┤m sure of
These are real tears
These are real fears inside
I can┬┤t hide

This is real life
This is real love
These are real wounds I┬┤m bleeding from
And I realize this is real

I always thought that our love
Was a story book tale
God knows that I┬┤d never dream
In the end it could fail

┬┤cause this is real life
This is real love
This is real pain
That much I┬┤m sure of
These are real tears
These are real fears inside

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