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Advertising - a judicious mixture of flattery and threats.

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My Addictive Mixture Gets Ya!

You're gonna look for me one day,
And recite.
Every little nuance that you read...
That I write.
And every night before you go to bed...
When it hits you like a light!
You're gonna ask yourself what it is that I meant,
Stirring up your inner sight!

You are gonna,
Look for me one day...
And recite.
Every little nuance that you read...
That,
I write.

And every night before you go to bed...
When it hits you like a light!
You're gonna ask yourself what it is that I meant,
Stirring up your inner sight!

My addictive mixture gets ya!
Every night before you go to bed...
My addictive mixture gets ya!
Stirring up inside yo' head!
My addictive mixture gets ya!
Every night before you go to bed...
My addictive mixture gets ya!
Stirring up inside yo' head!

You're gonna,
Look for me one day...
And recite.
Every little nuance that you read...
That,
I write.

'Cause...
My addictive mixture gets ya!
Every night before you go to bed...
My addictive mixture gets ya!
Stirring up inside yo' head!
My addictive mixture gets ya!
Every night before you go to bed...
My addictive mixture gets ya!
Stirring up inside yo' head!

You're gonna look for me one day,
And recite.
Every little nuance that you read...

[...] Read more

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Threats To Keep A People In Grief

How can we seek solutions...
When our denials love to bask,
In a pleasing done by deceit.

How can we non-fictionalize our lives,
When fiction is all we seek.

How can we ever expect to accept the truth,
When none of it is believed.

And how is a greatness once perceived,
So willing to feed decadence...
And allow conflict and division succeed.

All of these may be questions!
But the opportunity to answer them,
Become threats to keep a people in grief.

Threats to keep a people in grief.

'Why no one answers them? '

They're threats to keep a people in grief!

'Why? '

They're threats to keep a people in grief!

Threats to keep a people in grief.
'Why no one answers them? '
They're threats to keep a people in grief!
'Why? '
Threats to keep a people in grief.
'Why no one answers them? '
They're threats to keep a people in grief!
'Why? '

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Tissue Tigers

I shout this,
You shout that,
The clouds are coming over looking awful black.
It's all hot air.
You say go,
I say stay,
Clear blue sky goes sheffield grey.
It's all hot air.
I've grown immune to your claws,
Pussycat, i know...
All your threats are tissue tigers,
Crawling across the table to me.
All your threats are tissue tigers,
Ripping 'em up is easy for me now.
I shout this,
You shout that,
An eye for heart and a tit for a tat.
You easy tear.
Think your stripes,
Are yellow and black,
I can only see the yellow one down your back,
You easy tear.
I've grown immune to your claws,
Pussycat, i know...
All your threats are tissue tigers,
Crawling across the table to me.
All your threats are tissue tigers,
Ripping 'em up is easy for me now.
We argue all life long,
You'd swear that black was wrong,
Throw tantrums like queen kong,
I've trapped you in my song.
All your threats are tissue tigers,
Crawling across the table to me.
All your threats are tissue tigers,
Ripping 'em up is easy for me now.

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Tissue Tigers (The Arguers)

I shout this,
You shout that,
The clouds are coming over looking awful black.
Its all hot air.
You say go,
I say stay,
Clear blue sky goes sheffield grey.
Its all hot air.
Ive grown immune to your claws,
Pussycat, I know...
All your threats are tissue tigers,
Crawling across the table to me.
All your threats are tissue tigers,
Ripping em up is easy for me now.
I shout this,
You shout that,
An eye for heart and a tit for a tat.
You easy tear.
Think your stripes,
Are yellow and black,
I can only see the yellow one down your back,
You easy tear.
Ive grown immune to your claws,
Pussycat, I know...
All your threats are tissue tigers,
Crawling across the table to me.
All your threats are tissue tigers,
Ripping em up is easy for me now.
We argue all life long,
Youd swear that black was wrong,
Throw tantrums like queen kong,
Ive trapped you in my song.
All your threats are tissue tigers,
Crawling across the table to me.
All your threats are tissue tigers,
Ripping em up is easy for me now.

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Jubilate Agno: Fragment B, Part 3

For a Man is to be looked upon in that which he excells as on a prospect.

For there be twelve cardinal virtues -- three to the East -- Greatness, Valour, Piety.

For there be three to the West -- Goodness, Purity and Sublimity.

For there be three to the North -- Meditation, Happiness, Strength.

For there be three to the South -- Constancy, Pleasantry and Wisdom.

For the Argument A PRIORI is GOD in every man's CONSCIENCE.

For the Argument A POSTERIORI is God before every man's eyes.

For the Four and Twenty Elders of the Revelation are Four and Twenty Eternities.

For their Four and Twenty Crowns are their respective Consummations.

For a CHARACTER is the votes of the Worldlings, but the seal is of Almighty GOD alone.

For there is no musick in flats and sharps which are not in God's natural key.

For where Accusation takes the place of encouragement a man of Genius is driven to act the vices of a fool.

For the Devil can set a house on fire, when the inhabitants find combustibles.

For the old account of time is the true -- Decr 28th 1759-60 -- -- --

For Faith as a grain of mustard seed is to believe, as I do, that an Eternity is such in respect to the power and magnitude of Almighty God.

For a DREAM is a good thing from GOD.

For there is a dream from the adversary which is terror.

For the phenomenon of dreaming is not of one solution, but many.

For Eternity is like a grain of mustard as a growing body and improving spirit.

For the malignancy of fire is oweing to the Devil's hiding of light, till it became visible darkness.

For the Circle may be SQUARED by swelling and flattening.

For the Life of God is in the body of man and his spirit in the Soul.

For there was no rain in Paradise because of the delicate construction of the spiritual herbs and flowers.

For the Planet Mercury is the WORD DISCERNMENT.

For the Scotchman seeks for truth at the bottom of a well, the Englishman in the Heavn of Heavens.

[...] Read more

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Of the four Humours in Mans Constitution.

The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,

[...] Read more

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Love For Sale

Love for sale
Advertising young love for sale
Love thats fresh and still unspoiled
Love thats only slightly soiled
Love for sale
Love for sale
Lots and lots of young love for sale
Now if I youd like to try my way
Follow me and climb the stairs
Love for sale
Like the poets type of love in their childish way
I know every kind of love better far than they
If you want to trail of love
Ive been through the mill of love
Old love, new love, every love but true love
Love for sale
Advertising young love for sale
Love thats fresh and still unspoiled
Love thats only slightly soiled
Love for sale
Who would buy?
Who would like to sample my surprise?
Love for sale
... (longer instrumental part)
Love for sale
Advertising young love for sale
Love for sale
Advertising crazy love for sale
Now if I youd like to try my way
Follow me and climb the stairs
Love for sale
Love for sale (sweet love)
Love for sale (lots and lots of young love)
Love for sale

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Tale XII

'SQUIRE THOMAS; OR THE PRECIPITATE CHOICE.

'Squire Thomas flatter'd long a wealthy Aunt,
Who left him all that she could give or grant;
Ten years he tried, with all his craft and skill,
To fix the sovereign lady's varying will;
Ten years enduring at her board to sit,
He meekly listen'd to her tales and wit:
He took the meanest office man can take,
And his aunt's vices for her money's sake:
By many a threat'ning hint she waked his fear,
And he was pain'd to see a rival near:
Yet all the taunts of her contemptuous pride
He bore, nor found his grov'ling spirit tried:
Nay, when she wish'd his parents to traduce,
Fawning he smiled, and justice call'd th' abuse:
'They taught you nothing: are you not at best,'
Said the proud Dame, 'a trifler, and a jest?
Confess you are a fool!'--he bow'd and he

confess'd.
This vex'd him much, but could not always last:
The dame is buried, and the trial past.
There was a female, who had courted long
Her cousin's gifts, and deeply felt the wrong;
By a vain boy forbidden to attend
The private councils of her wealthy friend,
She vow'd revenge, nor should that crafty boy
In triumph undisturb'd his spoils enjoy:
He heard, he smiled, and when the Will was read,
Kindly dismiss'd the Kindred of the dead;
'The dear deceased' he call'd her, and the crowd
Moved off with curses deep and threat'nings loud.
The youth retired, and, with a mind at ease,
Found he was rich, and fancied he must please:
He might have pleased, and to his comfort found
The wife he wish'd, if he had sought around,
For there were lasses of his own degree,
With no more hatred to the state than he;
But he had courted spleen and age so long,
His heart refused to woo the fair and young;
So long attended on caprice and whim,
He thought attention now was due to him;
And as his flattery pleased the wealthy Dame,
Heir to the wealth, he might the flattery claim:
But this the fair, with one accord, denied,
Nor waived for man's caprice the sex's pride.
There is a season when to them is due
Worship and awe, and they will claim it too:
'Fathers,' they cry, 'long hold us in their chain,

[...] Read more

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I am a politician

How many arrows of sarcasm are there in your armour?
Waste them upon me,
As I have lost my self-respect
Somewhere in the world of flattery,
Now I have become an object of derision in every eye,
My day begins with flattery and it ends with the same,
I am the most shameless person on the earth,
I can put anything at stake to grind my axe,
I am the one who is an eyesore to the people,
They hate me and call me filthy beast,
But it doesn't matter
As long as my interest is served,
Inspite of their hatred
In the election,
I manage their votes,
For I soften them by my servile flattery,
They will never cease hating me,
And I shall never flattering them,
For politics is my religion,
And flattery is my faith,
I am a politician.

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Byron

Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

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Byron

Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

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The Birth Of Flattery

Muse of my Spenser, who so well could sing
The passions all, their bearings and their ties;
Who could in view those shadowy beings bring,
And with bold hand remove each dark disguise,
Wherein love, hatred, scorn, or anger lies:
Guide him to Fairy-land, who now intends
That way his flight; assist him as he flies,
To mark those passions, Virtue's foes and friends,
By whom when led she droops, when leading she ascends.
Yes! they appear, I see the fairy train!
And who that modest nymph of meek address?
Not vanity, though loved by all the vain;
Not Hope, though promising to all success;
Not Mirth, nor Joy, though foe to all distress;
Thee, sprightly syren, from this train I choose,
Thy birth relate, thy soothing arts confess;
'Tis not in thy mild nature to refuse,
When poets ask thine aid, so oft their meed and muse.

---------------------

In Fairy-land, on wide and cheerless plain,
Dwelt, in the house of Care a sturdy swain;
A hireling he, who, when he till'd the soil,
Look'd to the pittance that repaid his toil,
And to a master left the mingled joy
And anxious care that follow'd his employ.
Sullen and patient he at once appear'd,
As one who murmur'd, yet as one who fear'd;
Th'attire was coarse that clothed his sinewy frame,
Rude his address, and Poverty his name.
In that same plain a nymph, of curious taste,
A cottage (plann'd, with all her skill) had placed;
Strange the materials, and for what design'd
The various parts, no simple man might find;
What seem'd the door, each entering guest withstood,
What seem'd a window was but painted wood;
But by a secret spring the wall would move,
And daylight drop through glassy door above:
'Twas all her pride, new traps for praise to lay,
And all her wisdom was to hide her way;
In small attempts incessant were her pains,
And Cunning was her name among the swains.
Now, whether fate decreed this pair should wed,
And blindly drove them to the marriage bed;
Or whether love in some soft hour inclined
The damsel's heart, and won her to be kind,
Is yet unsung: they were an ill-match'd pair,
But both disposed to wed--and wed they were.
Yet, though united in their fortune, still

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John Milton

Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

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What is the difference between unethical and ethical advertising? Unethical advertising uses falsehoods to deceive the public; ethical advertising uses truth to deceive the public.

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Carl Sagan

There are huge advertising budgets only when there's no difference between the products. If the products really were different, people would buy the one that's better. Advertising teaches people not to trust their judgment. Advertising teaches people to be stupid.

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I have learned that you can't have good advertising without a good client, that you can't keep a good client without good advertising, and no client will ever buy better advertising than he understands or has an appetite for.

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Sheer flattery got me into the theater. Flattery always works with me, particularly the flattery of women.

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Nothing in the world is harder than speaking the truth and nothing easier than flattery. If there's the hundredth part of a false note in speaking the truth, it leads to a discord, and that leads to
trouble. But if all, to the last note, is false in flattery, it is just as agreeable, and is heard not without satisfaction. It may be a coarse satisfaction, but still a satisfaction. And however coarse the flattery, at least half will be sure to seem true. That’s so for all stages of development and classes of society.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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A Spider and A Fly

One day a spider said to a fly
'Though you pass this way daily

My hut has never been honored by you
By making a chance visit inside by you

Though depriving strangers of a visit does not matter
Evading the near and dear ones does not look good

My house will be honored by a visit by you
A ladder is before you if you decide to step in

Hearing this the fly said to the spider,
'Sire, you should entice some simpleton thus

This fly would never be pulled into your net
Whoever climbed your net could never step down'

The spider said, 'How strange, you consider me a cheat
I have never seen a simpleton like you in the world

I only wanted to entertain you
I had no personal gain in view

You have come flying from some unknown distant place
Resting for a while in my house would not harm you

Many things in this house are worth your seeing
Though apparently a humble hut you are seeing

Dainty drapes are hanging from the doors
And I have decorated the walls with mirrors

Beddings are available for guests' comforts
Not to everyone's lot do fall these comforts'.

The fly said, 'All this may very well be
But do not expect me to enter your house

'May God protect me from these soft beds
Once asleep in them getting up again is impossible'


The spider spoke to itself on hearing this talk
'How to trap it? This wretched fellow is clever

Many desires are fulfilled with flattery in the world
All in the world are enslaved with flattery'

Thinking this the spider spoke to the fly thus!

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