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Property is a nuisance.

quote by Paul Erdos
Added by Lucian Velea
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Property O My Property

property o my property
i use to be a man fine and witty
no cares in the world full of terimity
untill the heavens fell off my dad was murdered
and i was stranded with his property

property o my property
three flats into one, office, home and land what fun
rentals 6% home appreciation by 10%
money in black some in white
o my friends try and understand my plight

property o my property
some say it's worth 50 crs some say it's less
i use to be a free bird before
god knows how i landed up in this mess
brokers, dalla's, buyers and sellers
i have two houses still i am a lonely dweller

property o my property
what the hell to do with you
buy or sell take or give
now my life is not a life but a hell in which i live
property my property
o my dad's property

property o property o my dad's property
my well wishers say i cannot be trusted
to handle all this and i sure will be busted
so my friends you see my situation is dire
it's time like this that i feel i am walking on fire

property o property my dad's property

poem by Anuj Tikku
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Property

I'll be your fantasy, but I won't be your property
Love you eternally, but I'll never be your property
Love from me's not guaranteed
Just because you think I'm property
I can love you totally and still not be your property
Every girl and boy wants to grow up to be loved someday
And you can't wait to give your heart away
But it's like worship in their eyes walking down the aisle
When you slip on that ring, they start to treat you like a thing, yeah
I call it slavery when you call someone your property
Don't waste your vanity, I will never be your property
Something wonderful happens when people fall in love
Your happiness is all they're thinking of
But it's like "anything you say" 'til the wedding day
When they get it in ink, they start to tell you what to think, yeah
Darkest day in history when someone invented property
Cause of our misery is the constant lust for property
Since god began it, we've been dividing up the planet
When you see something you want it
You've got to put your name tag on it
And we go on carving, meanwhile half the world is starving
It's a crime .. hands off what is mine!
Take all you can 'til you slam on the parking brake
And you need space to make your own mistakes
But it's like "I won't hold you back" 'til the bags are packed
Then they're struttin' about like they own you inside out
I call it slavery (you can't make me a slave),
when you call someone your property
Don't waste your vanity (don't be so vain),
I will never be your property
Darkest day in history (why did you have to do a thing like that)
when someone invented property
Cause of our misery (misery, misery)
is the constant lust for property

song performed by Todd Rundgren
Added by Lucian Velea
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Whats Mine Is Mine

Key:-
A - anita
R - ray
A: oh, oh, all right; oh, oh, allright
Oh, oh, all right; oh, oh, allright
Oh, oh, all right; oh, oh, allright
My property, my property
A: oh, oh, all right; oh, oh, allright
Oh, oh, all right; oh, oh, allright
R: whats mine is mine hold theres the line
Stop following me from the back all of the time
Theres one of me, one of a kind
Sorry Im first, excuse me do you mind
You wanna be the same and put me out of frame
I got my own style, so you must be insane
Yes theres something else you can find
So dont touch mine, whats mine is mine
A: why do you want to be like me?
Why do you want whats mine?
You know this is my property, babe, youre losing this time
You are wasting time and energy cause you just cant take whats mine
You better save your time and energy gotta get it out of your mind
Whats mine is mine!
R: step back, step back
A: whats mine is mine
Whats mine is mine
Youre wasting your time
R: step back, step back
A: whats mine is mine
Oh, oh, all right
R: dont waste your time and energy
Cause nobody in the world can be like me
Youre looking for something I already found
A smoother move, a better sound
Represent yourself as me, myself, and i
Make your own plan, come on and try!
Ideas nowadays are hard to find
But dont touch mine whats mine is mine!
A: why do you want to be like me?
Why do you want whats mine?
You know this is my property, babe, youre losing this time
You are wasting time and energy cause you just cant take whats mine
You better save your time and energy gotta get it out of your mind
Whats mine is mine!
A: oh....
R: whats mine is mine
Whats mine is mine
A: oh, oh, all right, oh, oh, all right, oh, oh, all right
My property, my property, oh, oh, all right, oh, oh, all right, oh, oh, all right
R: whats mine is mine

[...] Read more

song performed by 2 Unlimited
Added by Lucian Velea
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Year Of The Boomerang

Tha sistas are in so check the front line
Seems I spent the 80s in the haiti state of mind
Cast me into classes for electro shock
Straight incarcerated, the curriculums a cell block
Im swimmin in half truths and it makes me wanna spit
Instructor come separate the healthy from tha sick
Ya weigh me on a scale, smellin burnt skin
Its dark now in dachau and Im screamin from within
cause Im cell locked in tha doctrines of tha right
Enslaved by dogma, talk about my birthrights
Yet at every turn Im runnin into hells gates
So I grip tha cannon like fanon an pass tha shells to my classmates
Aw, power to tha people
cause tha bosses right ta live is mine ta die
So Im goin out heavy sorta like mount tai
Wit tha five centuries of penitentiary so let tha guilty hang
In tha year of tha boomerang
I got no property but yo Im a piece of it
So let tha guilty hang
I got no property but yo Im a piece of it
In the year of tha boomerang
I got no property but yo Im a piece of it
So let tha guilty hang
I got no property but yo Im a piece of it
In the year of tha boomerang
Yeah!
Now its upon you!
Now its upon you!
Tha sistas are in so check the front line
Seems I spent the 80s in the haiti state of mind
Cast me into classes for electro shock
Straight incarcerated, the curriculums a cell block
Swimmin in half truths and it makes me wanna spit
Instructor come separate the healthy from tha sick
Ya weigh me on a scale, Im smellin burnt skin
Its dark now in dachau and Im screamin from within
cause Im cell locked in tha doctrines of tha right
Enslaved by dogma, talk about my birthrights
Yet at every turn Im runnin into hells gates
So I grip tha cannon like fanon an pass tha shells to my classmates
Aw, power to tha people, yeah, yeah
Tha bosses right ta live is mine ta die
Im goin out heavy sorta like mount tai
Wit tha five centuries of penitentiary so let tha guilty hang
In tha year of tha boomerang
I got no property but yo Im a piece of it
So let tha guilty hang
I got no property but yo Im a piece of it
Uh! in the year of tha boomerang
I got no property but yo Im a piece of it

[...] Read more

song performed by Rage Against The Machine
Added by Lucian Velea
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Five ballades with a prologue

(after W.E.G. Louw)

Prologue: The child of God

From the creation,
long before the time of Plato and Aristotle
the word of God was the child’s criterion
while he ruled over everything.

When darkness rose right across the earth
others came in rebellion
wanted to show the God of creation
that they do not regard Him
and did not want to believe him

that destruction will follow upon their deeds,
that rain will fall in a terrible flood
that flooding will come as a result
from the hand of the God of the universe.

The child constructed a ship
went into its shelter with his wife,
children and animals
believing that the hand of the Almighty God
was sheltering
while the others in destruction
begged and cried for mercy.

The child walked through the palace of Pharaoh
could not convert his mother Hatshepsut
to the Almighty God,
saw whips lashing on the backs of his brothers
wanted to stop the lashing
on of one of them.

Right through the sea the child led his people
with crushing water closing on Pharaoh’s army,
right through the desert
his eyes were set on the Promised Land
while he trusted God.

When God Himself came to this earth,
taught people about love,
the child followed Him,
he baptised people and converted them

until on a Friday
on which the curtain ripped right through,
with God innocently hanging on a cross
while evil people mocked, cursed

[...] Read more

poem by Gert Strydom
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Property Of Jesus

Go ahead and talk about him because he makes you doubt,
Because he has denied himself the things that you cant live without.
Laugh at him behind his back just like the others do,
Remind him of what he used to be when he comes walkin through.
Hes the property of jesus
Resent him to the bone
You got something better
Youve got a heart of stone
Stop your conversation when he passes on the street,
Hope he falls upon himself, oh, wont that be sweet
Because he cant be exploited by superstition anymore
Because he cant be bribed or bought by the things that you adore.
Hes the property of jesus
Resent him to the bone
You got something better
Youve got a heart of stone
When the whip thats keeping you in line doesnt make him jump,
Say hes hard-of-hearin, say that hes a chump.
Say hes out of step with reality as you try to test his nerve
Because he doesnt pay no tribute to the king that you serve.
Hes the property of jesus
Resent him to the bone
You got something better
Youve got a heart of stone
Say that hes a loser cause he got no common sense
Because he dont increase his worth at someone elses expense.
Because hes not afraid of trying, cause he dont look at you and smile,
cause he doesnt tell you jokes or fairy tales, say hes got no style.
Hes the property of jesus
Resent him to the bone
You got something better
Youve got a heart of stone
You can laugh at salvation, you can play olympic games,
You think that when you rest at last youll go back from where you came.
But youve picked up quite a story and youve changed since the womb.
What happened to the real you, youve been captured but by whom?
Hes the property of jesus
Resent him to the bone
You got something better
Youve got a heart of stone

song performed by Bob Dylan
Added by Lucian Velea
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Young Blood

(coverdale/marsden)
If you feel the rolling thunder
An your eyes see lightning strike,
Dont be afraid, just call on me
Ill bring you shelter from the night
When the wind is howling
Ill hold you near,
An soothe your troubled mind
With a little bit of this,
An a little bit of that
Ill make you leave all your worries behind
Dont try to hold on to what you got,
cos I got what you need
Dont try to hold on, for anyone,
Come on, give it to me
Youngblood, youre hot property, youngblood
Youngblood, youre hot property, youngblood
Youngblood...
When youre burning hot with fever
An you shake down to your bones,
Dont get yourself into a cold sweat
cos its just your bad blood throwing stones
The devil has got your number
An he wants you hanging on a line,
But, before the night is over, baby
Im gonna make you mine
Dont try to hold on to what you got,
cos I got what you need
Dont try to hold on, for anyone,
Come on, give it to me
Youngblood, youre hot property, youngblood
Youngblood, youre hot property, youngblood
Im coming to get you
Dont try to hold on to what you got,
cos I got what you need
Dont try to hold on, for anyone,
Come on, give it to me
Youngblood, youre hot property, youngblood...
Im gonna make you mine...

song performed by Whitesnake
Added by Lucian Velea
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People recognize intellectual property the same way they recognize real estate. People understand what property is. But it's a new kind of property, and so the understanding uses new control surfaces. It uses a new way of defining the property.

quote by Michael Nesmith
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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As Previously Advantaged, Now Disadvantaged

we are humbly sorry that our ancestors
sailed with ships from Europe
to discover other continents,
putting their intelligence and advanced
technology into good practice,
discovering the Cape of Good Hope
and developing this country
to the best of their ability and knowledge
while your ancestors migrated from the big lakes
in central Africa, under chief Dlamini
from eMbo killing the other local inhabitants
as far as they were going,
even wiping them out after they had settled.

We are humbly sorry that our ancestors
took you from the bush, tried to teach you
Christian values and a Christian religion,
instead of worshiping to ancestral spirits,
dead stones of which you believe the silence
have greater meaning and more depth
than any other teachings,
tried to teach you to earn a living
by planting crops, maintaining and herding cattle
instead of pillaging, robbing and killing others,
instead of trapping, killing animals,
with sticks, stones and iron spears.

We are humbly sorry that our ancestors
took the wild bush as pioneers
planned and developed
farms, towns and cities, mines, factories,
the infrastructure that are in them,
developed water resources,
electrical powering and laid railway lines,
developed the roads,
the harbors and airports that link them
to each other and the rest of the wide world,
which you now view as belonging to you,
to at your discretion take over by force
from the people to whom they did belong,
to rob, kill and pillage property
to rename airports, harbors, streets,
towns and cities at your own discretion.

We are humbly sorry that our ancestors
after fighting victoriously against yours
at Blood River and in other wars and battles
respected you as people living in this country,
did not like the Americans and Australians
go out to wipe you out of the country,

[...] Read more

poem by Gert Strydom
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The Odyssey: Book 17

When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. "Old friend," said he to
the swineherd, "I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean."
Then Ulysses said, "Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off."
On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, "Light of my eyes,"
she cried as she spoke fondly to him, "so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw."
"Do not scold me, mother,' answered Telemachus, "nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself."
She heeded her son's words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father's house, and they made him tell them all that had happened to

[...] Read more

poem by Homer, translated by Samuel Butler
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Hermann And Dorothea - IV. Euterpe

MOTHER AND SON.

THUS the men discoursed together; and meanwhile the mother
Went in search of her son,--at first in front of the dwelling
On the bench of stone, for he was accustom'd to sit there.
When she found him not there, she went to look in the stable,
Thinking perchance he was feeding his splendid horses, the stallions
Which he had bought when foals, and which he entrusted to no one.
But the servant inform'd her that he had gone to the garden.
Then she nimbly strode across the long double courtyard,
Left the stables behind, and the barns all made of good timber,
Enter'd the garden which stretch'd far away to the walls of the borough,
Walk'd across it, rejoicing to see how all things were growing,
Carefully straighten'd the props, on which the apple-tree's branches,
Heavily loaded, reposed, and the weighty boughs of the pear-tree,
Took a few caterpillars from off the strong-sprouting cabbage;
For a bustling woman is never idle one moment.
In this manner she came to the end of the long-reaching garden,
Where was the arbour all cover'd with woodbine: she found not her son there,
Nor was he to be seen in any part of the garden.
But she found on the latch the door which out of the arbour
Through the wall of the town had been made by special permission
During their ancestor's time, the worthy old burgomaster.
So she easily stepp'd across the dry ditch at the spot where
On the highway abutted their well-inclosed excellent vineyard.
Rising steeply upwards, its face tow'rd the sun turn'd directly.
Up the hill she proceeded, rejoicing, as farther she mounted,
At the size of the grapes, which scarcely were hid by the foliage.
Shady and well-cover'd in, the middle walk at the top was,
Which was ascended by steps of rough flat pieces constructed.
And within it were hanging fine chasselas and muscatels also,
And a reddish-blue grape, of quite an exceptional bigness,
All with carefulness planted, to give to their guests after dinner.
But with separate stems the rest of the vineyard was planted,
Smaller grapes producing, from which the finest wine made is.
So she constantly mounted, enjoying in prospect the autumn.
And the festal day, when the neighbourhood met with rejoicing,
Picking and treading the grapes, and putting the must in the wine-vats,
Every corner and nook resounding at night with the fireworks,
Blazing and cracking away, due honour to pay to the harvest.
But she uneasy became, when she in vain had been calling
Twice and three times her son, and when the sole answer that reach'd her
Came from the garrulous echo which out of the town towers issued.
Strange it appear'd to have to seek him; he never went far off,
(As he before had told her) in order to ward off all sorrow
From his dear mother, and her forebodings of coming disaster.
But she still was expecting upon the highway to find him,
For the doors at the bottom, like those at the top, of the vineyard
Stood wide open; and so at length she enter'd the broad field
Which, with its spreading expanse, o'er the whole of the hill's back extended.

[...] Read more

poem by Johann Wolfgang von Goethe
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Investing Our Hearts

Do not mistake this love you see.
It is not yours to abuse like a piece of property.
Keep it respected,
And it will not neglect.
Take it for granted...
And from you it will have left!
Because it is given unconditionally...
Don't begin to attach conditions.
Or an exit it will find to leave.
As warm as it can get...
It can also begin to freeze.
Do not mistake this love you see.
It is not yours to abuse like a piece of property.
Another was allowed to touch it.
And squeezed it to see if it could bleed.
A renovation of that act took place...
To heal a damaging heartbreak it had to face.
And that was done,
To enable it to become ready again...
For someone selected to accept it.
Not dissect it from within.
Do not mistake this love you see.
It is not yours to abuse like a piece of property.
Enjoy it and in time it will be yours to keep!
That I promise.
Since what is felt for you is getting deep!
Do not mistake this love you see.
It is not yours to abuse like a piece of property.
And let's together increase the value,
Investing our hearts in its validity.

poem by Lawrence S. Pertillar
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An Ordinary Truth

A mature morning but with cultural diversity! ! ! ! ! Truth is sealed with maturity and cultural property! ! that's a life of a flower in the wintry morning! !
Whatever truth is understood by the unsaid realizations.
A mature morning but with cultural diversity! ! ! ! ! Truth is sealed with maturity and cultural property! ! that's a life of a flower in the wintry morning! !
Whatever truth is understood by the unsaid realizations.

A mature morning but with cultural diversity! ! ! ! ! Truth is sealed with maturity and cultural property! ! that's a life of a flower in the wintry morning! !
Whatever truth is understood by the unsaid realizations.
A mature morning but with cultural diversity! ! ! ! ! Truth is sealed with maturity and cultural property! ! that's a life of a flower in the wintry morning! !
Whatever truth is understood by the unsaid realizations.
An ordinary truth

poem by Nyein Way
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Right To Own A House?

Affordable home is our dream,
but the price gone, up stream.
Buying a property in New York,
London, Frankfurt and Paris
is an up hill task, but,
buying a property in Chennai and Mumbai,
is an up mountain task,
to the less privileged.
What are we going to do,
to equalize this disparity?

Are these cities belonged,
to the rich and middle class?
Are these cities mortgaged,
to the Bank of Cunning,
that need to suck,
the human fluid,
in the form of rental?
A third of salary goes for rental
in the first world and more than
half the salary in the third world.

Every capital and other cities,
of the world has had the sudden boom,
in the property values and doom,
the dream of the lower income,
group, and force us to stay,
in the privately owned property,
the rest of our life and,
pay the rental as long as,
we are alive. What option do we have,
to make even this mismatch?

Reason for writing this poem.

In the developing countries, less than twenty percent of the population own the properties, While the other eighty percent either renting or illegally squatting on people's properties..

poem by Veeraiyah Subbulakshmi
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M'Fingal - Canto III

Now warm with ministerial ire,
Fierce sallied forth our loyal 'Squire,
And on his striding steps attends
His desperate clan of Tory friends.
When sudden met his wrathful eye
A pole ascending through the sky,
Which numerous throngs of whiggish race
Were raising in the market-place.
Not higher school-boy's kites aspire,
Or royal mast, or country spire;
Like spears at Brobdignagian tilting,
Or Satan's walking-staff in Milton.
And on its top, the flag unfurl'd
Waved triumph o'er the gazing world,
Inscribed with inconsistent types
Of Liberty and thirteen stripes.
Beneath, the crowd without delay
The dedication-rites essay,
And gladly pay, in antient fashion,
The ceremonies of libation;
While briskly to each patriot lip
Walks eager round the inspiring flip:
Delicious draught! whose powers inherit
The quintessence of public spirit;
Which whoso tastes, perceives his mind
To nobler politics refined;
Or roused to martial controversy,
As from transforming cups of Circe;
Or warm'd with Homer's nectar'd liquor,
That fill'd the veins of gods with ichor.
At hand for new supplies in store,
The tavern opes its friendly door,
Whence to and fro the waiters run,
Like bucket-men at fires in town.
Then with three shouts that tore the sky,
'Tis consecrate to Liberty.
To guard it from th' attacks of Tories,
A grand Committee cull'd of four is;
Who foremost on the patriot spot,
Had brought the flip, and paid the shot.

By this, M'Fingal with his train
Advanced upon th' adjacent plain,
And full with loyalty possest,
Pour'd forth the zeal, that fired his breast.

"What mad-brain'd rebel gave commission,
To raise this May-pole of sedition?

[...] Read more

poem by John Trumbull
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What we call "Progress" is the exchange of one nuisance for another nuisance.

quote by Havelock Ellis
Added by Lucian Velea
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What we call progress is the exchange of one nuisance for another nuisance.

quote by Havelock Ellis
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Men are overbearing

Insurance agents are a nuisance.
Sales representatives are a nuisance.
We hate them for their overbearing.
Women also bars men on this count
09.05.2010

poem by Rm. Shanmugam Chettiar
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Alankar(Decor) -71

The Passionate Nuisance(Pantoum) -

a Malay verse form consisting of an indefinite
number of quatrains with the second and fourth lines
of each quatrain repeated as the first and third lines
of the following one.Permissible, but less common, to use the L1 and L3
of the 1st quatrain in the same order as
originally written to end the poem with L3 of the 1st quatrain.
Rhyme Scheme: abab bcbc cdcd dede eaea

'I feel fatigued, I want to stop writing'
No sooner than I felt so, just born next
A spark tempting me not to stop writing
Between my mind and my heart a conflict

No sooner than I felt so, just born next
A pantoum to twist me tangled of lines
Between my mind and my heart a conflict
Many times twisting me tangled of lines

A pantoum to twist me tangled of lines
Never I thought I would be caught in one
Many times twisting me tangled of lines
Just help me come out well o'my dear one

Never I thought I would be caught in one
What a passionate nuisance you are dear
Just help me come out well o'my dear one
Do not break my heart to cry o' my dear

What a passionate nuissance you are dear
A spark tempting me not to stop writing
Do not break my heart to cry o' my dear
'I feel fatigued, I want to stop writing'

poem by Indira Renganathan
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