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I was a window dresser for Burton's once. What really put me off was the area manager coming round and saying, Charles, I think you're a natch at this.

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Bristowe Tragedie: Or The Dethe Of Syr Charles Badwin

THE featherd songster chaunticleer
Han wounde hys bugle horne,
And tolde the earlie villager
The commynge of the morne.
Kynge EDWARDE sawe the ruddie streakes
Of lyghte eclypse the greie;
And herde the raven's crokynge throte
Proclayme the fated daie.
'Thou'rt ryght,' quod hee, 'for, by the Godde
That syttes enthron'd on hyghe!
CHARLES BAWDIN, and hys fellowes twain,
To-daie shall surelie die.
Thenne wythe a jugge of nappy ale
Hys Knyghtes dydd onne hymm waite;
'Goe tell the traytour, thatt to-daie
'Hee leaves thys mortall state.'
Syr CANTERLONE thenne bendedd low;
Wythe harte brymm-fulle of woe;
Hee journey'd to the castle-gate,
And to Syr CHARLES dydd goe.
Butt whenne hee came, hys children twaine,
And eke hys lovynge wyfe,
Wythe brinie tears dydd wett the floore,
For goode Syr CHARLESES lyfe.
'O goode Syr CHARLES!' sayd CANTERLONE,
'Badde tydyngs I doe brynge.'
'Speke boldlie, manne,' sayd brave Syr CHARLES,
'Whatte says thie traytor kynge?'
'I greeve to telle, before yonne sonne
Does fromme the welkinn flye,
Hee hath uponne hys honour sworne,
Thatt thou thalt surelie die.'
'Wee all must die, quod brave Syr CHARLES;
'Of thatte I'm not affearde;
'Whatte bootes to lyve a little space?
'Thanke JESU, I'm prepar'd.
'Butt telle thye kynge, for myne hee's not,
'I'de sooner die to-daie
'Thanne lyve hys slave, as manie are,
'Tho' I shoulde lyve for aie.'
Thenne CANTERLONE hee dydd goe out,
To telle the maior straite
To gett all thynges ynne reddyness
For goode Syr CHARLESES fate.
Thenne Maisterr CANYNGE saughte the kynge,
And felle down onne hys knee;
'I'm come,' quod hee, 'unto your grace
'To move your clemencye.'
Thenne quod the kynge, 'Youre tale speke out,
'You have been much oure friende;

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An Invitation To Tea (A Dark Comedy) Part 3

(It is advisable you read parts 1 and 2 first)


Grace watched him for a few minutes, and then moved to the back of the shop. “He is going to come around at six tonight. I do hop Mr Potter like him.”

I’m sure he will. Grace.”

I can’t help feeling bit concerned after Mr Armad.”

“It was the curry Mr Armad insisted on making. Revolting stuff. I felt queasy as Mr Potter afterwards. Anyway Mr Potter always prefers Englishmen, even when Aunty had him staying with her.”

Charles checked his watch, and then knocked the door. The lights appeared in the shop and the silhouette of one of the sisters grew large in the glass panel of the door. Charlotte smiled.

“Do come in Mr Latimer.”

Charles entered and followed Charlotte through to the back of the shop. As they entered the room, Grace turned from the oven with a tray of freshly baked scones. She smiled.

“Please have a seat, Mr Latimer. Tea is ready.”

“Call me Charles, Mr Latimer seems so formal.” he replied as he sat where Charlotte directed. “I hope you don’t mind me asking but where is Mr Potter going to sit? ”

“Unfortunately, Mr Potter prefers to eat alone. You will meet him later. I have told him you are coming and h I looking forward to meeting you.” Grace replied and brought forward the tray if scones. “Please help yourself Charles.”

Charles waited until the sisters were seated before starting.

I think these are your best scones, Grace.”

“Thank you Charlotte.”

I will second that. These are best scones I’ve ever tasted. I hope that Mr Potter will appreciate them.”

I’m sure he will.” Grace replied and watched with satisfaction as the scones disappeared from the plate.

“Another cup of tea Charles? ” Charlotte asked holding the teapot poised.
“Thank you.”
As Charlotte poured out the tea, Grace collected the dishes from the table. “While Charlotte and I do the washing up you sit and enjoy your tea.”
What about Mr Potter? ”
“We’ll collect his dishes later.”
Charles drank his tea slowly. He wondered how he could thank the two women. He would have to think of a way later.
Grace and Charlotte smiled and nodded to one another. Mr Potter would enjoy Charles. They dried their hands and placed the dishes into the cupboard.
I see you have almost drunk your tea. I presume you would like to see Mr Potter now? ”
“Yes please.”
“If you will follow us.”
Charles followed the sisters out of the room and into the garden.
“Unfortunately we have only one pair of stairs leading to the basement.”
“Basement? ”
“Yes, Mr Potter is not one for coming into the house. He is a bit eccentric.”
“Oh.”
2Grace dear, would you put the light on? You will have to watch the bottom step Charles. It can be a bit slippery at times.”
“Aren’t you ladies coming down? ”

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Thespis: Act I

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT I - Ruined Temple on the Summit of Mount Olympus


[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]

CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.

SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.

[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the

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Blissful Queen

Blissful queen
Magazine
Making art
Stuck between
Limosines
Break my heart
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming
Can't see you coming
Can't see you coming
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming
Can't see you coming
Can't see you coming
Blissful queen
Sweet sixteen
Brand new car
Hit machine
Keep her clean
Razor sharp
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming
Can't see you coming
Can't see you coming
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming
Can't see you coming
Can't see you coming
Blissful queen
Velveteen
Shining star
Glistening
Wedding ring
Gone too far
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming
Can't see you coming
Can't see you coming
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming
Can't see you coming
Can't see you coming
You've got me running but I cant see you coming baby
You've got me running but I cant see you coming baby

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Cavalier Tunes

. MARCHING ALONG.

I.

Kentish Sir Byng stood for his King,
Bidding the crop-headed Parliament swing:
And, pressing a troop unable to stoop
And see the rogues flourish and honest folk droop,
Marched them along, fifty-score strong,
Great-hearted gentlemen, singing this song.

II.

God for King Charles! Pym and such carles
To the Devil that prompts 'em their treasonous parles!
Cavaliers, up! Lips from the cup,
Hands from the pasty, nor bite take nor sup
Till you're---

CHORUS.---Marching along, fifty-score strong,
Great-hearted gentlemen, singing this song.

III.

Hampden to hell, and his obsequies' knell
Serve Hazelrig, Fiennes, and young Harry as well!
England, good cheer! Rupert is near!
Kentish and loyalists, keep we not here

CHORUS.---Marching along, fifty-score strong,
Great-hearted gentlemen, singing this song?

IV.

Then, God for King Charles! Pym and his snarls
To the Devil that pricks on such pestilent carles!
Hold by the right, you double your might;
So, onward to Nottingham, fresh for the fight,

CHORUS.---March we along, fifty-score strong,
Great-hearted gentlemen, singing this song!

II. GIVE A ROUSE.

I.

King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?

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Clint Eastwood. Ed Case Refix

Bu-whoa!
Dis da man you call Sweet alongside a man called Ed Case
Wit da Gorillaz
The refix
Can I See It
Na na na alright
Na na na oh
It's a bigger o'ting - cha!
I ain't happy, I'm feeling glad
I got sunshine, in a bag
I'm useless,but not for long
The future is coming on
I ain't happy, I'm feeling glad
I got sunshine, in a bag
I'm useless, but not for long
The future is coming on
It's coming on
It's coming on
It's coming on
It's coming on
It's coming on
It's coming on...
Ah ah ah ah
Give 'em some ah ah
Ah ah ah ah
Bigger oh ah ah
Oh!
(?)
Oh!
Off with ya clothes with the cure
Oh!
(?)
(?)
Tell me cos I'm oh!
(?)
Oh!
(?)
(?) On the dance floor
Oh!
Come on... we're makin' money
Oh!
(?) Talks to me funny
Oh!
(?)
(?)
Feel my emotion
Feel my emotion
Music is from the street
Designed to make you move your feet and
Feel my emotion

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Allegany Camp

amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
amazing grace jeremy camp
amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
amc movie camps
amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
amc summer movie camp
amc summer movie camp 2007
amc summer movie camp 2008
amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

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Crash Mat

I wish that I could fly with you
Just wanna be with you
You've torn a little piece of skin
You make me feel alive and new
You are my oxygen
I'm sucking love through a tube
You feed me like a drug again
You're my addiction
My cigarettes and Absolut
I've gotta pull myself away
Because I'm coming down
Crashing back down to you
I'm coming down
Yes I'm coming down
Put the crashmat out
Cause I'm coming down
Yes I'm coming down
Cause I'm coming down
Put the crashmat out
You cut me and I bleed again
You it's funny but...
The pleasure in pain is true
You hit me like an accident
I'm in an aeroplane
Coming back down to earth
I'm searching for an easy way
You know that yesterday
Seems they never sent you away
I'm pulling on the cord again
Because I'm coming down
Crashing back down to you
I'm coming down
Yes I'm coming down
Put the crashmat out
Cause I'm coming down
Yes I'm coming down
I'm coming around
Put the crashmat out
Put the crashmat out
You make me feel alive and new
You are my oxygen
I'm sucking love through a tube
You feed me like a drug again
But now I'm coming down
Crashing back down to you
I'm coming down
Yes I'm coming down
Put the crashmat out
Cause I'm coming around
Cause I'm coming around

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Spaceface

she don't need no rocket ship (rocket ship rocket ship)
just close her eyes and takes a trip
baby's big on aviation (aviation aviation)
baby loves a levitation (levitation)
yes shes a spaceface going round
shes never coming down (coming down coming down)
my little spaceface floating round
shes never coming down (coming down)
never coming down
never coming down (coming down coming down)
baby's talking to the stars
aint got time for idle wars (space space space)
and i don't worry anyway
as long as i know shes ok (shes ok)
yes shes a spaceface floating round
shes never coming down (coming down)
my little spaceface floating round
shes never coming down (coming down coming down)
shes a spaceface floating round
shes never coming down (coming down)
my little spaceface floating round
shes never coming down (coming down coming down)
never coming down (coming down)
dont know what you see
i'll be there if you wait for me
i will soon be home
i'll be there if you're not alone
ah spaceface
my little spaceface
ah spaceface
never falling down
never falling down
yeah, shes a spaceface floating round
shes never coming down (never coming down)
my little spaceface floating round
shes never coming down (never coming down)
never coming down
never coming down
never coming down
she never coming down
never coming down

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The Rain

(rock the joint)
Me i'm supa fly (uh-huh)
Supa dupa fly (uh-huh)
Supa dupa fly
{singing} i can't stand the rain!
(uh) me i'm supa fly (uh-huh)
{singing} 'gainst my window
Supa dupa fly (uh-huh)
Supa dupa fly
{singing} i can't stand the rain!
(uh) me i'm supa fly (uh-huh)
{singing} 'gainst my window
Supa dupa fly (uh-huh)
Supa dupa fly
{singing} i can't stand the rain!
(uh-huh) me i'm supa fly (uh-huh)
{singing} 'gainst my window
When the rain hits my window
I take and {inhale, cough} me some indo
Me and timbaland, ooh, we sang a jangle
We so tight, that you get our styles tango
Sway on dosie-do like you loco
{singing} can we get kinky tonight?
Like coco, so-so
You don't wanna play with my yo-yo
I smoke my hydro on the dee-low
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (against my window)
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (against my window)
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (against my window)
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (say what?)
Yeah..
Beep beep, who got the keys to the jeep? v-r-rrrrrrrooooom!
(uh-huh) i'm drivin to the beach
Top down, loud sounds, see my peeps (uhh)
Give them pounds, now look who it be (who it be)
It be me me me and timothy (me me!)
Look like it's bout to rain, what a shame (uh-huh)
I got the armor-all to shine up the stain
Oh missy, try to maintain
Icky-icky-icky-icky-icky-icky-icky..
{singing} i can't stand the rain! (uh-huh, uh-huh)
(uh-huh)
{singing} i can't stand the rain! (say what? uh-huh, uh-huh)
{singing} 'gainst my window (uh-huh)
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (yeah)

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Orlando Furioso Canto 18

ARGUMENT
Gryphon is venged. Sir Mandricardo goes
In search of Argier's king. Charles wins the fight.
Marphisa Norandino's men o'erthrows.
Due pains Martano's cowardice requite.
A favouring wind Marphisa's gallery blows,
For France with Gryphon bound and many a knight.
The field Medoro and Cloridano tread,
And find their monarch Dardinello dead.

I
High minded lord! your actions evermore
I have with reason lauded, and still laud;
Though I with style inapt, and rustic lore,
You of large portion of your praise defraud:
But, of your many virtues, one before
All others I with heart and tongue applaud,
- That, if each man a gracious audience finds,
No easy faith your equal judgment blinds.

II
Often, to shield the absent one from blame,
I hear you this, or other, thing adduce;
Or him you let, at least, an audience claim,
Where still one ear is open to excuse:
And before dooming men to scaith and shame,
To see and hear them ever is your use;
And ere you judge another, many a day,
And month, and year, your sentence to delay.

III
Had Norandine been with your care endued,
What he by Gryphon did, he had not done.
Profit and fame have from your rule accrued:
A stain more black than pitch he cast upon
His name: through him, his people were pursued
And put to death by Olivero's son;
Who at ten cuts or thrusts, in fury made,
Some thirty dead about the waggon laid.

IV
Whither fear drives, in rout, the others all,
Some scattered here, some there, on every side,
Fill road and field; to gain the city-wall
Some strive, and smothered in the mighty tide,
One on another, in the gateway fall.
Gryphon, all thought of pity laid aside,
Threats not nor speaks, but whirls his sword about,
Well venging on the crowd their every flout.

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Give a Rouse

I

King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!

II

Who gave me the goods that went since?
Who raised me the house that sank once?
Who helped me to gold I spent since?
Who found me in wine you drank once?

Chorus. King Charles, and who'll do him right now?

King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!


III

To whom used my boy George quaff else,
By the old fool's side that begot him?
For whom did he cheer and laugh else,
While Noll's damned troopers shot him?

Chorus. King Charles, and who'll do him right now?

King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!

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Cavalier Tunes: Give a Rouse

King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in Hell's despite now,
King Charles!

Who gave me the goods that went since?
Who raised me the house that sank once?
Who helped me to gold I spent since?
Who found me in wine you drank once?
(Chorus)
King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in Hell's despite now,
King Charles!
To whom used my boy George quaff else,
By the old fool's side that begot him?
For whom did he cheer and laugh else,
While Noll's damned troopers shot him?
(Chorus)
King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in Hell's despite now,
King Charles!

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Coming Home

It's a long and lonely highway.
When you're traveling all alone.
I was on my way to nowhere.
But now i'm coming home.
I'm coming home.
I've been running through the fire.
I've been running for so long.
If i took it any higher.
Baby i would be still be gone.
But now i'm coming home, coming home.i'm coming home.
Coming home, coming home, i'm coming home.
Well my home was really never.
On a far and distant shore.
If i stayed away forever.
I could never miss you more.
And so i'm coming home,coming home.i'm coming home.
Coming home,coming home,i'm coming home.
I think of all these years gone by.
Never even wondered why.
I never touched the ground.
All the time that's come and gone.
All the nights i've been alone.
And now i'm homeward bound.
I heard the thunder over canaan.
And i've heard the angels cry.
And their voices came revealing
"as you live,so will you die."
I'm coming home,coming home,i'm coming home.
I'm coming home,coming home,i'm coming home.
Coming home, coming home, i'm coming home
I'm coming home
I'm coming home, coming home, coming home...

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Its All Coming Back To Me Now

There were nights when the wind was so cold
That my body froze in bed
If I just listened to it
Right outside the window
There were days when the sun was so cruel
That all the tears turned to dust
And I just knew my eyes were
Drying up forever
I finished crying in the instant that you left
And I cant remember where or when or how
And I banished every memory you and I had ever made
But when you touch me like this
And you hold me like that
I just have to admit
That its all coming back to me
When I touch you like this
And I hold you like that
Its so hard to believe but
Its all coming back to me
(its all coming back, its all coming back to me now)
There were moments of gold
And there were flashes of light
There were things Id never do again
But then theyd always seemed right
There were nights of endless pleasure
It was more than any laws allow
Baby baby
If I kiss you like this
And if you whisper like that
It was lost long ago
But its all coming back to me
If you want me like this
And if you need me like that
It was dead long ago
But its all coming back to me
Its so hard to resist
And its all coming back to me
I can barely recall
But its all coming back to me now
But its all coming back
There were those empty threats and hollow lies
And whenever you tried to hurt me
I just hurt you even worse
And so much deeper
There were hours that just went on for days
When alone at last wed count up all the chances
That were lost to us forever
But you were history with the slamming of the door
And I made myself so strong again somehow
And I never wasted any of my time on you since then

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Last Instructions to a Painter

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.

Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.

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Coming Up

Want a love to last forever
One that will never fade away
I want to help you with your problem
Stick around, I say
Coming up, coming up, yeah
Coming up like a flower
Coming up, I say
You want a friend you- can rely on
One who will never fade away
And if youre searching for an answer
Stick around. I say
Its coming up, its coming up
Its coming up like a flower
Its coming up. yeah
You want some peace and understanding
So everybody can be free
I know that we can get together
We can make it, stick with me
Its coming up, its coming up
Its coming up like a flower
Its coming up for you and me
Coming up, coming up
Its coming up, its coming up, I say
Its coming up like a flower
Its coming up
I feel it in my bones
You want a better kind of future
One that everyone can share
Youre not alone, we all could use it
Stick around were nearly there
Its coming up, its coming up everywhere
Its coming up like a flower
Its coming up for all to share
Its coming up, yeah
Its coming up, anyway
Its coming up like a flower
Coming up

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Orlando Furioso Canto 8

ARGUMENT
Rogero flies; Astolpho with the rest,
To their true shape Melissa does restore;
Rinaldo levies knights and squadrons, pressed
In aid of Charles assaulted by the Moor:
Angelica, by ruffians found at rest,
Is offered to a monster on the shore.
Orlando, warned in visions of his ill,
Departs from Paris sore against his will.

I
How many enchantresses among us! oh,
How many enchanters are there, though unknown!
Who for their love make man or woman glow,
Changing them into figures not their own.
Nor this by help of spirits from below,
Nor observation of the stars is done:
But these on hearts with fraud and falsehood plot,
Binding them with indissoluble knot.

II
Who with Angelica's, or rather who
Were fortified with Reason's ring, would see
Each countenance, exposed to open view,
Unchanged by art or by hypocrisy.
This now seems fair and good, whose borrowed hue
Removed, would haply foul and evil be.
Well was it for Rogero that he wore
The virtuous ring which served the truth to explore!

III
Rogero, still dissembling, as I said,
Armed, to the gate on Rabican did ride;
Found the guard unprepared, not let his blade,
Amid that crowd, hang idle at his side:
He passed the bridge, and broke the palisade,
Some slain, some maimed; then t'wards the forest hied;
But on that road small space had measured yet,
When he a servant of the fairy met.

IV
He on his fist a ravening falcon bore,
Which he made fly for pastime every day;
Now on the champaign, now upon the shore
Of neighbouring pool, which teemed with certain prey;
And rode a hack which simple housings wore,
His faithful dog, companion of his way.
He, marking well the haste with which he hies,
Conjectures truly what Rogero flies.

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A New Damon And Pythias

CHARLES:
So, brother, I am out and yu are in.
Farewell, farewell, to all my splendor bright!
Yet, just to know 'tis you, dear Agar Wynne,
Tinges my melancholy with delight.
Indeed, I find it very hard to go;
Yet pleasure surely mingles with my woe.


Ay, you are in, and I am in - the soup!
For me the shades; for you the favored place.
Yet doth it cheer me when my spirits droop
Just to behold yur ever welcome face.
Aside. (But by the gods, just give me half a show,
The merest chance to kick, and out you go!)


AGAR:
Sweet Frazer, though I ill disguise my joy
In winning thus to fame, despite my foes;
It pains me to the heart, my dear old boy,
To think 'tis you whom I must so depose.
Nay, but it brings the hot tears to mine eyes,
To know that you must sink that I may rise.

Agar is in, and Charles is out, you say.
Tis sure a cruel fortune wills it so.
My joy is clouded o'er with grief to-day.
Because, my dear old friend, you have to go.
Aside. (But, give me strength, and I shall scheme and plan
To keep you out for ever, if I can!)


CHARLES:
Dear Agar, when I gaze into your eyes,
Those kindly orbs whose depths so well I know,
Nay, I am filled with wonder and surprise
That I did not resign long years ago.
For who is Charles, to hold a place on high,
When such a man as Agar Wynne is by?


Indeed, the sorrow I so lately felt
Has given place to purest joy alone:
For now, at last, discerning Fate has dealt
Bare justice, and you sit upon my throne.
Aside. (But give me half a chance, that's all I crave;
I'll dig with joy your Legislative grave!)

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English Eclogues VI - The Ruined Cottage

Aye Charles! I knew that this would fix thine eye,
This woodbine wreathing round the broken porch,
Its leaves just withering, yet one autumn flower
Still fresh and fragrant; and yon holly-hock
That thro' the creeping weeds and nettles tall
Peers taller, and uplifts its column'd stem
Bright with the broad rose-blossoms. I have seen
Many a fallen convent reverend in decay,
And many a time have trod the castle courts
And grass-green halls, yet never did they strike
Home to the heart such melancholy thoughts
As this poor cottage. Look, its little hatch
Fleeced with that grey and wintry moss; the roof
Part mouldered in, the rest o'ergrown with weeds,
House-leek and long thin grass and greener moss;
So Nature wars with all the works of man.
And, like himself, reduces back to earth
His perishable piles.
I led thee here
Charles, not without design; for this hath been
My favourite walk even since I was a boy;
And I remember Charles, this ruin here,
The neatest comfortable dwelling place!
That when I read in those dear books that first
Woke in my heart the love of poesy,
How with the villagers Erminia dwelt,
And Calidore for a fair shepherdess
Forgot his quest to learn the shepherd's lore;
My fancy drew from, this the little hut
Where that poor princess wept her hopeless love,
Or where the gentle Calidore at eve
Led Pastorella home. There was not then
A weed where all these nettles overtop
The garden wall; but sweet-briar, scenting sweet
The morning air, rosemary and marjoram,
All wholesome herbs; and then, that woodbine wreath'd
So lavishly around the pillared porch
Its fragrant flowers, that when I past this way,
After a truant absence hastening home,
I could not chuse but pass with slacken'd speed
By that delightful fragrance. Sadly changed
Is this poor cottage! and its dwellers, Charles!--
Theirs is a simple melancholy tale,
There's scarce a village but can fellow it,
And yet methinks it will not weary thee,
And should not be untold.
A widow woman
Dwelt with her daughter here; just above want,
She lived on some small pittance that sufficed,
In better times, the needful calls of life,

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