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The studio should not have released this film.

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Girls On Film (Night Version)

See them walking hand in hand
Across the bridge at midnight
Heads turning as the lights flashing out
Are so bright
And walk right out to the four line track
There's a camera rolling on her back
On her back
And I sense a rhythm humming in a frenzy
All the way down her spine
Girls on Film
Girls on Film
Girls on Film
Girls on Film
Lipstick cherry all over the lens as she's falling
And miles of sharp blue water coming in
Where she lies
The diving man's coming up for air
'Cause the crowd all love pulling Dolly by the hair
By the hair
And she wonders how she ever got here
As she goes under again
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (Got your picture)
Girls on Film
Wider, baby, smile and you've just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
I'm touching close
I'm holding bright, holding tight
Give me shudders in a whisper,
Take me up til I'm shooting a star
Girls on Film (she's more than a lady)
Girls on Film
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (see you together)
Girls on Film
Girls on Film (see you later)
Girls on Film

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Girls On Film

See them walking hand in hand across the bridge at midnight
Heads turning as the lights flashing out are so bright
Then walk right out to the fourline track
Theres a camera rolling on her back on her back
And I sense the rhythms humming in a frenzy
All the way down her spine
Girls on film
Girls on film
Girls on film
Girls on film
Lipstick cherry all over the lens as shes falling
In miles of sharp blue water coming in where she lies
The diving mans coming up for air
Cause the crowd all love pulling dolly by the hair, by the hair
And she wonders how she ever got here
As she goes under again
Girls on film (two minutes later)
Girls on film
Girls on film (got your picture)
Girls on film
Wider baby smiling youve just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
Im touching close Im holding bright, holding tight
Give me shudders with a whisper take me high
Till I Im shooting a star
Girls on film (shes more than a lady)
Girls on film
Girls on film (see you together)
Girls on film
Girls on film (see you later)
Girls on film
Girls on film (two minutes later)

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Experimental Film

The color of infinity
Inside an empty glass
I'm squinting my eye
And turning off and on and on
and off the light
It's for this experimental film
Which nobody knows about and which
I'm still figuring out what's going to go
In my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it's
I already know the ending
It's the part that makes your face implode
I don't know what makes your face implode
But that's the way the movie ends
And in my experimental film
Which nobody knows about but which
I'm still figuring out your face implodes
At my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it--
Even though I can't explain it
I already know how great it's
The color of infinity
Inside an empty glass
It's for this experimental film
Which nobody knows about and which
I'm still figuring out what's going to go
In my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it's gonna--
Yeah, you're gonna be in this experimental film
And even though I can't explain it
I already know how great it--
Even though I can't explain it
I already know how great it's

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Buzz Aldrin, Space Imperialist

Buzz Aldrin, Space Imperialist,
discovers a tiny brown lesion
on the end of his nose.
he uses his wife’s
concave make up mirror
to examine it more closely
and confirms his worse suspicions:
It’s malignant.
Coolly, he makes
one appointment with his dermatologist
and another in Samara.
After brushing his teeth
he takes another look
at the tiny brown Angel of Death.
It flakes off
-a brown booger.
Buzz cancels his appointments
and craves a celebratory drink terribly,
but summons his fantastic will power
and resists the urge.

II
Buzz Aldrin, Space Imperialist,
lands on the Dark Side of the Moon
and meets the indigenous Moonpupiks,
who are heavily armed yet friendly.
He has sex with many tribeswomen,
but fends off the attentions of the polymorphous perverse
tribesmen, and tells all that they must
dropp their religion and adopt the
State Religion of NASA, Tanglicanism,
which uses Tang for communion wine.
The natives say they don’t mind a bit
as they are lapsed Moonitarians
and were looking for something to fill the gap.
Disappointed they don’t offer more conversion resistance,
Buzz orders the leaders beheaded
and claims the Dark Side of the Moon
in the name of Rio Tinto,
an Australian mining corporation
whose logo he wears on his helmet
and ship.
Then he wakes up.

II(a)
Buzz Aldrin, Space Imperialist
takes another nap and,
against the advice of his fellow astronauts,
brings 4 or 5 Moonpupiks (MOON pu pix)
back to the Court of Richard Nixon, Imperial Vizard,

[...] Read more

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The Film Of My Love

Co-starring you
And co-starring me
Starring us both together
The film of my love
Will travel the world
Forever and ever and ever
A back lot romance
A scripted affair
The screenplay a blessing from heaven
Were gone with the wind
On the orient express
To join the magnificent seven
The film of my love
Will travel the world
And travel the whole world over
The film of my love
Will travel the world
Over and over and over
The film of my love
Will travel the world
Over and over and over
Over and over and over again
Over and over and over
A close-up of yours
A long shot of mine
Superimposed together
Ill zoom in on you
With a love that is true
In cinemascope forever
A clapper board kiss
Theres an oscar in this
A hit or a miss whatever
A box office wedding
A premier for two
Well be on location forever
When pathe recall
The thrill of it all
Theyll edit us both together
A legend a classic
An epic of love
Captured on film forever
A lasting embrace
That time cant erase
Let them censor the wind
Or the weather
The film of my love
Will conquer the world
Forever and ever and ever
The film of my love
Will travel the world

[...] Read more

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I Feel So Sub-prime

My next-door neighbor is gone
Two small U-haul trucks
Were parked in their driveway
When I got home Friday

The guy that owned the house
Before them
Was an ass
First thing he did

When he and his wife
Moved in was to convert
Their two car garage to
A kick-boxing studio

Our garage faces the street
Their's faces our property
One day I got home from work
Walking up to my door

I glanced to my left
It seemed as if someone else
Was walking too
At just about my pace

Then like Lucy and Harpo
If you remember that TV scene
From 'I Love...' we both
Stopped and stared at each other

The entire back wall of his garage
Was a glass mirror
Like a ballet studio Glass!
Without the class

His studio had been downtown
In a commercial building
I had read the magnetic signs
On the sides of his SUV

Now his studio faced my front yard
Heavy bag hanging there
All the space was needed
Washer and dryer? ? ?

The had been hooked up
Outside for Christ's sake
Under a tacked-on lean-to
To keep the rain out

[...] Read more

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Water's Edge

I went to the water's edge, forgot I couldn't swim
I went to the water's edge, all ready to jump in
I saw the water shimmer
I heard the wind howl
I saw my own reflection
I just can't see it now
You say it's the way of the world
To somehow co-exists
That eventually life unfurls
A path to happiness
So I whisper your little secret
And repeat it under my breath
I'll save it for you in my heart
In case we both forget
Oh, I wish you could wrap yourself around me
I am gripped by a loneliness
Oh, I wish you could wrap yourself around me
I'd be released in your tenderness
I'd be released in your tenderness
I went to the water's edge and saw my life eclipse
I went to the water's edge and then felt myself slip
I dreamed that I was floating, just coast until I grew fins
I want to catch this tide back home and feel you again
Oh, I wish you could wrap yourself around me
I am gripped by a loneliness
Oh, I wish you could wrap yourself around me
I'd be released in your tenderness
Oh, I wish you could wrap yourself around me
I am gripped by a loneliness
Oh, I wish you could wrap yourself around me
I'd be released in your tenderness
I'd be released in your tenderness
I'd be released in your tenderness

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Studio Musician

I am a studio musician
We've never met
But you know me well
I am the English horn
Who plays the poignant counter-nine
Upon the song you heard
While making love in some hotel
I am a part of you
I've never tried for fame
You'll never know my name
I am the strings that enter softly
Or three guitars that glitter gold
I am the thousand trumpet lines
That were an afterthought
Intended eyes,
the way to get a dying record sold
I never ride the road
I never play around
I played what they set down
I'm a working musician
living from week to week
I'm the voice through each empty men
tried to speak
A studio musician
Blowin' the chance I see
And when the woodwind coushin rises
I start to dream
With the low brass bed
But I awake the horns
The drummer calls to me
We're up the letter D
I'm a man of the moment
pop is my stock n' trade
Singles, jingles and demos
conventently made
A studio musician
Whose music will die unplayed
A studio musician
Whose music could have died unplayed

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Intermission Ii

No you not goin
I am goin to the club, I am goin,
No, Im not havin it
I am goin to the club wit you and the boys
You not hangin out wit the boys
No...
I aint never been Im goin...(ring)
Ima go and get the phone but
I am goin to the club
Hello
T-boz
Yeah
Uh, get down to the studio quick you hafta
Hurry you gotta do your part
Yeah, yeah alright Ill be there
Alright...
Thanks, bye
Look, I gotta go to the studio so whats it gonna be
You gon take me or what?
Dang, you gotta go to the studio...
I was gonna take you to the club but ah....
Now why you lyin?
Look, let me tell you somethin, just forget that
*bang, whop, punch...*
Ahhhhhhhh.......
Dont nobody have to take that from nobody
And wit dat I dont know who he think I am...
Shoot, Im about to go, Im gonna go to the studio alright
Ima take the car, he aint gonna go nowhere
Hey, what you doin?
What you think Im doin?
Leaving, leaving, leaving....
Hey, come here...
Tionne.....................

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King Is White & In The Crowd

Talking by the pool of light, language from america.
She puts on the film of him, king is white and in the crowd
They are not a melting pot, say no, say no tapestry
She puts on the film of him, king is white and in the crowd
She takes his hand and she says youll stay
Shes lost in the crowd
King
Wire them up, fire them up
The life and times, the art and talk
Wire them up, fire them up
The life and times, the art and talk
Lovers run camp africa, bars in town are civilised
She puts on the film of him, king is white and in the crowd
Panorama, citylife
Youths dance proud from the waist down
She puts on the film of him, king is white and in the crowd
Shot from where the action is, a rhapsody in black and blue
She puts on the film of him, king is white and in the crowd
Love lies under western eyes, powerful yet transient
She puts on the film of him, king is white and in the crowd
Words & music : simple minds (c) emi publishing ltd reproduced without permission

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King Is White And In The Crowd

Talking by the pool of light, language from Americ.
a
She puts on the film of him, King is white and in the crowd
They are not a melting pot, say no, say no tapestry
She puts on the film of him, King is white and in the crowd
She takes his hand and she says you'll stay
She's lost in the crowd
King
Wire them up, fire them up
The life and times, the art and talk
Wire them up, fire them up
The life and times, the art and talk
Lovers run camp Africa, Bars in town are civilised
She puts on the film of him, King is white and in the crowd
Panorama, Citylife
Youth's dance proud from the waist down
She puts on the film of him, King is white and in the crowd
Shot from where the action is, a rhapsody in black and blue
She puts on the film of him, King is white and in the crowd
Love lies under western eyes, powerful yet transient
She puts on the film of him, King is white and in the crowd

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This be the last time we use the phrase 'Slumdog

We, as Indians, have reasons
To be proud of having
Created history by the film
“Slumdog Millionaire”
At the same time, we, as human beings,
Have to have hung our heads for
Having created slums

Slum, as it means
An overcrowded area of a city,
Where the housing is in a very bad condition
And people live in unhygienic conditions
With no basic facilities

And who created slums,
Not the people residing there
But those whose greed has brought
These slum dwellers into these
Unfit-for-living conditions

The technicalities employed in
Filming this movie deserve all praise
While the different ways of living
Of the slum dwellers equally deserve attention
Of the entire human race
For correction and improvement

The film was declared to be
The best-directed
While the slum tribes have no directions
And they have no one to direct

The film was declared to be
The best film
While the slum where the film was shot
Is the worst place
For any human being

Let the recognition of the film
Bring to light the plight of slumdogs
To the fore
And let the human race do everything
Possible to move these people
Out of the slums, wherever they are,
And to help them live a decent, if not better, living

We shall be doing a great service
If this becomes the last ever time
We use this phrase “Slumdog”

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Girl And Gun

“All that you need is a girl and a gun
if you making a film, ” said Jean-Luc Godard.
In the dark with a girl you can have as much fun
as a guy who’s been laid in a film that is noir,
but if, when you switch on the light, you discover
the girl isn’t loaded, walk out of the trailer,
and if she complains that you’ve been a bad lover,
take out a revolver with which you can nail her.

Inspired by Manohla Dargis’s review of Gustav Deutsch’s “Film 1st, a Girl & an Gun” in the December 2,2009 NYT (“The Old Clips, A Paradise Found and Lost”) :
“To make a film, ” Jean-Luc Godard once memorably said, “all you need is a girl and a gun.” (A little money helps.) In “Film Ist. a Girl & a Gun, ” the Austrian director Gustav Deutsch complicates this witty, deceptively simple formula with a wealth of found footage (material shot by others for other purposes) borrowed from film archives from around the world. As the title suggests, there are girls (voluptuous, ecstatic, threatened) and there are guns (hard, phallic, threatening) along with something of a narrative. If the narrative that Mr. Deutsch has created is rather less thrilling than his mostly silent and often glorious images, this is nonetheless a story well worth considering, and watching. Using material gathered from the likes of the Imperial War Museum (in Britain) and the Kinsey Institute for Research in Sex, Gender and Reproduction (at Indiana University) , he has fashioned something of an origin story about cinema itself. It’s a tale that begins with an unidentified image of a woman in buckskin shooting at some targets and ends with a cowboy bandit pointing his gun at the camera, an image appropriated from Edwin S. Porter’s 1903 short, “The Great Train Robbery, ” one of the most famous in cinema history. Tucked between these loaded images, as it were, is a vision of cinematic paradise, found and lost.
Tumult of a kind pursues the shooting woman (nothing new there) in the form of a mesmerizing, mysterious shot of what looks like an archery target in flames and some text (“at the first Chaos came to be”) from “Theogony, ” an epic Greek poem by Hesiod about the origin of the world. The archery target gives way to fiery orange images of billowing smoke and some electronic thrumming. (The intermittent score tends to underscore the obvious.) The thrumming turns to droning, the smoke turns to lava, followed by more Hesiod (“wide-bosomed earth”) , a woman with bountiful breasts, “Paradeisos” (Greek for paradise) and naked beachfront frolickers…
Women turn out to be the fly in the ointment in “a Girl & a Gun.” (“Dead flies cause the ointment of the apothecary to send forth a stinking savor” or so it says in Ecclesiastes.) Among the many images that follow, many beautifully and floridly tinted, are sleeping, dreaming and fornicating clothed and unclothed women. In one early section, a woman drowsing in a steam room seems to dream of both an undulating jellyfish and a swimming man. In another section, a woman watches a man spin four strange dials hidden behind a cabinet, as if he were initiating her into a secret world. (On the soundtrack, you hear “she dies.”) A world, a subsequent shot suggests — of a woman reading a newspaper with the headline “Cine Monde” — that has been made from images…With “a Girl & a Gun, ” Mr. Deutsch brings in Eros and Thanatos to a seductive if familiar end.


12/2/09

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I Shall Be Released

They say everything can be replaced
Well then distance is not near
I remember every face
Of everyone who put me here
I see my light come shining
From the west down to the east
Any day now
Any day now
I shall be released
They say everyone needs protection
They say everyone must fall
Yet I swear I see my reflection
Some where so high above this wall
I see my light come shining
From the west down to the east
Any day now
Any day now
I shall be released
Standing next to me in this lonely crowd
Is a man who swears hes not to blame
All day long I hear him shout so loud
That he swears he was framed
I see my light come shining
From the west down to the east
Any day now
Any day now
I shall be released
I see my light come shining
From the west down to the east
Any day now
Any day now
I shall be released
Any day now
Any day now
I shall be released

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The Idols

An Ode
Luce intellettual, piena d' amore


Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.

Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.

Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?

[...] Read more

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The Sound of Cities

Turn on again, that old, once new film of your life -
it's called the 'establishing shot'; and as it pans
across your once-favourite city, corny in the sunshine,
arty in the dusk and rain, the home to all your dreams,
the music slides in, takes the reins, the heartstrings of recall...

New York: for some of certain age, the needle hiss
before the recording studio draws in, lung-deep
the low lights, the clink of glasses, murmur,
- the film's in blackandwhite, the evening suits, the faces too -
as the silky rhythm, the syncopated beat
tells the old old story of a love that's sour or sweet..

Pacific Coast: a background seethe of waves;
the studio's Zen-silent; reminiscent saxophone,
a dreaming horn, a rhythm barely sketched;
is it the silence that draws out the sounds,
or sounds (as in the haunting - plink - of Japan's films)
that serve to paint the silence? ...

Paris: rooftops in the rain; and yes, its blackandwhite again:
accordeon plays first, a cardboard lung
wheezing out a memory of the dance of love
or barrel-organ, cranking out a background
like an old toothpaste tube; it's only half-believed
like some street-beggar's story; but you both know
that memory's longing for this sweet dipped madeleine
of romance and the words of love, from that endless source
and flow of Seine, its quays, its honest poverty,
its silver-grey and words of love...

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Im Sorry

This song appears on eleven albums, and was first released on the windsong album, and has also been released on the greatest hits vol 2, favourites, the very best of john denver (double cd), cou
Classics, reflections, the country roads collection and the rocky mountain collection albums. a new studio version has been released on the love again and a celebration of life albums. a live ve
Also appears on the best of john denver live album.
Its cold here in the city
It always seems that way
And Ive been thinking about you almost everyday
Thinking about the good times
Thinking about the rain
Thinking about how bad it feels alone again
Im sorry for the way things are in china
Im sorry things aint what they used to be
But more than anything else
Im sorry for myself
cause youre not here with me
Our friends ask all about you
I say youre doing fine
And I expect to hear from you almost anytime
But they all know Im crying
I cant sleep at night
They all know Im dying down deep inside
Im sorry fro all the lies I told you
Im sorry for the things I didnt say
But more than anything else
Im sorry for myself
I cant believe you went away
Im sorry if I took some things for granted
Im sorry for the chains I put on you
But more than anything else
Im sorry for myself
For living without you
Words and music by john denver

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Annies Song

This song appears on twenty albums, and was first released on the back home again album, and has also been released on the changes, john denver (italian), favourites, greatest hits vol 2, voice
Erica, the very best of john denver (double cd), the rocky mountain collection, the country roads collection, reflections and country classics albums. live versions appear on an evening with joh
Ver, live in london,, live at the sydney opera house, the wildlife concert and the best of john denver live albums. an updated studio version has been released on the gift you are, a portrait an
John denver collection - annies song albums. a further new version also appears on the love again album.
You fill up my senses
Like a night in the forest
Like the mountains in springtime
Like a walk in the rain
Like a storm in the desert
Like a sleepy blue ocean
You fill up my senses
Come fill me again
Come let me love you
Let me give my life to you
Let me drown in your laughter
Let me die in your arms
Let me lay down beside you
Let me always be with you
Come let me love you
Come love me again
Let me give my life to you
Come let me love you
Come love me again
You fill up my senses
Like a night in the forest
Like the mountains in springtime
Like a walk in the rain
Like a storm in the desert
Like a sleepy blue ocean
You fill up my senses
Come fill me again
Words and music by john denver

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Calypso

This song appears on seventeen albums, and was first released on the windsong album, and has also been released on favourites, greatest hits vol 2, voice of america, john denver (italian), the v
Est of john denver (double cd), the rocky mountain collection, the country roads collection, reflections and country classics albums. live versions appears on the live in london, the wildlife co
And the best of john denver live albums. an updated studio version has been released on the earth songs, the very best of john denver (single cd), the john denver collection - calypso and a por
Albums.
To sail on a dream on a crystal clear ocean
To ride on the crest of a wild raging storm
To work in the service of life and the living
In search of the answers to questions unknown
To be part of the movement and part of the growing
Part of beginning to understand
Aye, calypso, the places youve been to
The things that youve shown us
The stories you tell
Aye, calypso, I sing to your spirit
The men who have served you
So long and so well
Like the dolphin who guides you
You bring us beside you
To light up the darkness and show us the way
For though we are strangers in your silent world
To live on the land we must learn from the sea
To be true as the tide
And free as the wind-swell
Joyful and loving in letting it be
Aye, calypso, the places youve been to
The things that youve shown us
The stories you tell
Aye, calypso, I sing to your spirit
The men who have served you
So long and so well
Aye, calypso, the places youve been to
The things that youve shown us
The stories you tell
Aye, calypso, I sing to your spirit
The men who have served you
So long and so well
Words and music by john denver

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Annies Other Song

This song appears on two albums, and was first released on the an evening with john denver album, and has also been released on the country classics - the very best of john denver album. it has
Een released as a studio track. it also appears on some of the variations of the evening with john denver album.
Im bringin me home to you
Its all that I have to give
My life, my love, my everything
Its you I choose to be with
Had a wonderful time in the city
I smile when I recall
The space, the songs, the company
I really had a ball
Its a funny set of circumstances
Is me out on the road alone
With the moon lookin over my shoulder
Im findin my way back home
Im bringin me home to you
Its all that I have to give
My life, my love, my everything
Its you I choose to be with
Ridin high in the rocky mountains
Its a quiet and peaceful time
Id swear the stars are smilin
Like they know whats on my mind
You see on any such an occasion
My thoughts will turn to you
The time I spend all by myself
I mostly spend with you
La la la.......
Im bringin me home to you
Its all that I have to give
My life, my love, my everything
Its you I choose to be with
When I laid down beside you
And all the love that you showed
I want to live my life with you
Its all the dreams that I know
Bringin me home to you
Its all that I have to give
My life, my love, my everything
Its you I choose to be with
Its you I choose to be with
Its you I want to live with
La la la.......
Words and music by john denver

song performed by John DenverReport problemRelated quotes
Added by Lucian Velea
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