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Paulo Coelho

Every blessing ignored becomes a curse.

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William Blake

Tiriel

1

And Aged Tiriel. stood before the Gates of his beautiful palace
With Myratana. once the Queen of all the western plains
But now his eyes were darkned. & his wife fading in death
They stood before their once delightful palace. & thus the Voice
Of aged Tiriel. arose. that his sons might hear in their gates
Accursed race of Tiriel. behold your father
Come forth & look on her that bore you. come you accursed sons.
In my weak arms. I here have borne your dying mother
Come forth sons of the Curse come forth. see the death of Myratana
His sons ran from their gates. & saw their aged parents stand
And thus the eldest son of Tiriel raisd his mighty voice
Old man unworthy to be calld. the father of Tiriels race
For evry one of those thy wrinkles. each of those grey hairs
Are cruel as death. & as obdurate as the devouring pit
Why should thy sons care for thy curses thou accursed man
Were we not slaves till we rebeld. Who cares for Tiriels curse
His blessing was a cruel curse. His curse may be a blessing
He ceast the aged man raisd up his right hand to the heavens
His left supported Myratana shrinking in pangs of death
The orbs of his large eyes he opend. & thus his voice went forth
Serpents not sons. wreathing around the bones of Tiriel
Ye worms of death feasting upon your aged parents flesh
Listen & hear your mothers groans. No more accursed Sons
She bears. she groans not at the birth of Heuxos or Yuva
These are the groans of death ye serpents These are the groans of death
Nourishd with milk ye serpents. nourishd with mothers tears & cares
Look at my eyes blind as the orbless scull among the stones
Look at my bald head. Hark listen ye serpents listen
What Myratana. What my wife. O Soul O Spirit O fire
What Myratana. art thou dead. Look here ye serpents look
The serpents sprung from her own bowels have draind her dry as this[.]
Curse on your ruthless heads. for I will bury her even here
So saying he began to dig a grave with his aged hands
But Heuxos calld a son of Zazel. to dig their mother a grave
Old cruelty desist & let us dig a grave for thee
Thou hast refusd our charity thou hast refusd our food
Thou hast refusd our clothes our beds our houses for thy dwelling
Chusing to wander like a Son of Zazel in the rocks
Why dost thou curse. is not the curse now come upon your head
Was it not you enslavd the sons of Zazel. & they have cursd
And now you feel it. Dig a grave & let us bury our mother
There take the body. cursed sons. & may the heavens rain wrath
As thick as northern fogs. around your gates. to choke you up
That you may lie as now your mother lies. like dogs. cast out
The stink. of your dead carcases. annoying man & beast
Till your white bones are bleachd with age for a memorial.
No your remembrance shall perish. for when your carcases
Lie stinking on the earth. the buriers shall arise from the east

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Elizabeth Barrett Browning

A Curse For A Nation

I heard an angel speak last night,
And he said 'Write!
Write a Nation's curse for me,
And send it over the Western Sea.'

I faltered, taking up the word:
'Not so, my lord!
If curses must be, choose another
To send thy curse against my brother.

'For I am bound by gratitude,
By love and blood,
To brothers of mine across the sea,
Who stretch out kindly hands to me.'

'Therefore,' the voice said, 'shalt thou write
My curse to-night.
From the summits of love a curse is driven,
As lightning is from the tops of heaven.'

'Not so,' I answered. 'Evermore
My heart is sore
For my own land's sins: for little feet
Of children bleeding along the street:

'For parked-up honors that gainsay
The right of way:
For almsgiving through a door that is
Not open enough for two friends to kiss:

'For love of freedom which abates
Beyond the Straits:
For patriot virtue starved to vice on
Self-praise, self-interest, and suspicion:

'For an oligarchic parliament,
And bribes well-meant.
What curse to another land assign,
When heavy-souled for the sins of mine?'

'Therefore,' the voice said, 'shalt thou write
My curse to-night.
Because thou hast strength to see and hate
A foul thing done within thy gate.'

'Not so,' I answered once again.
'To curse, choose men.
For I, a woman, have only known
How the heart melts and the tears run down.'

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Blessing In Disguise

Are you lonely?
Are you Crying?
Are those teardrops in your eyes
is it more blues, is is bad news,
is it a curse?, or a blessing in disguise.
Did you leave him?, do you love him?
Have you said your, said your last goodbyes
Is it over, hey
are you sorry?
Could it be a blessing in disguise
It's the scars that make you stronger
It's the hard times that make you rise,
It's the sweet things that only time bring, yeah
Gonna ride back a blessing in disguise
Ooooooooohhhhh!
Clouds roll by, and bring the rain
tears wiped dry to ease the pain
oh!
Are you lonely?
Are you Crying?
Are those teardrops in your eyes
is it more blues, is is bad news,
is it a curse?, or a blessing in disguise.
Is it a curse or a blessing in disguise
Is it a curse or a blessing in disguise
Is it a curse or a blessing in disguise

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Faint

I am a little bit of loneliness, a little bit of disregard
Handful of complaints, but I can help the fact, that everybody can see these scars
What I want you to want, what I want you to feel
But its like no matter what I do, I cant convince you, to just believe this is real
So I let go, watching you, turn your back like you always do
Face away and pretend that Im not
But Ill be here cause you want what Ive got
I cant feel the way I did before
Dont turn your back on me
I wont be ignored
Time wont heal this damage anymore
Dont turn your back on me
I wont be ignored
I am a little bit insecure, a little unconfident
cause you dont understand, I do what I can, but sometimes I dont make sense
I say what you never wanna say, but Ive never had a doubt
Its like no matter what I do, I cant convince you, for once just to hear me out
So I let go, watching you, turn your back like you always do
Face away and pretend that Im not
But Ill be here cause you want what Ive got
I cant feel the way I did before
Dont turn your back on me
I wont be ignored
Time wont heal this damage anymore
Dont turn your back on me
I wont be ignored
Now
Hear me out now
Youre gonna listen to me, like it or not
Right now
Hear me out now
Youre gonna listen to me, like it or not
Right now
I cant feel the way I did before
Dont turn your back on me
I wont be ignored
I cant feel the way I did before
Dont turn your back on me
I wont be ignored
Time wont heal this damage anymore
Dont turn your back on me
I wont be ignored
I cant feel
I wont be ignored
Time wont heal
Dont turn your back on me
I wont be ignored

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Jubilate Agno: Fragment B, Part 4

For God has given us a language of monosyllables to prevent our clipping.

For a toad enjoys a finer prospect than another creature to compensate his lack.

Tho' toad I am the object of man's hate.
Yet better am I than a reprobate. who has the worst of prospects.
For there are stones, whose constituent particles are little toads.

For the spiritual musick is as follows.

For there is the thunder-stop, which is the voice of God direct.

For the rest of the stops are by their rhimes.

For the trumpet rhimes are sound bound, soar more and the like.

For the Shawm rhimes are lawn fawn moon boon and the like.

For the harp rhimes are sing ring string and the like.

For the cymbal rhimes are bell well toll soul and the like.

For the flute rhimes are tooth youth suit mute and the like.

For the dulcimer rhimes are grace place beat heat and the like.

For the Clarinet rhimes are clean seen and the like.

For the Bassoon rhimes are pass, class and the like. God be gracious to Baumgarden.

For the dulcimer are rather van fan and the like and grace place &c are of the bassoon.

For beat heat, weep peep &c are of the pipe.

For every word has its marrow in the English tongue for order and for delight.

For the dissyllables such as able table &c are the fiddle rhimes.

For all dissyllables and some trissyllables are fiddle rhimes.

For the relations of words are in pairs first.

For the relations of words are sometimes in oppositions.

For the relations of words are according to their distances from the pair.

For there be twelve cardinal virtues the gifts of the twelve sons of Jacob.

For Reuben is Great. God be gracious to Lord Falmouth.

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Certified

Warnings...
Ignored.
Messages...
Ignored .
Speeches...
Ignored.
Lessons taught...
Ignored.
Observations...
Ignor ed.
Pleas...
All ignored with lifestyles threatened!

'Perhaps you weren't considered qualified,
and that's why you were ignored! '

Oh...
I'm not referring to them as the ones doing the ignoring!
I'm referring to those who ARE qualified,
I'm glad I ignored!
I am the maverick...
Deemed unsuitable for their 'selected' tastes!
Look at the mess they are in now.
And 'they' are the ones certified...
With values and standards they uphold!

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Charles Kingsley

Andromeda

Over the sea, past Crete, on the Syrian shore to the southward,
Dwells in the well-tilled lowland a dark-haired AEthiop people,
Skilful with needle and loom, and the arts of the dyer and carver,
Skilful, but feeble of heart; for they know not the lords of Olympus,
Lovers of men; neither broad-browed Zeus, nor Pallas Athene,
Teacher of wisdom to heroes, bestower of might in the battle;
Share not the cunning of Hermes, nor list to the songs of Apollo.
Fearing the stars of the sky, and the roll of the blue salt water,
Fearing all things that have life in the womb of the seas and the livers,
Eating no fish to this day, nor ploughing the main, like the Phoenics,
Manful with black-beaked ships, they abide in a sorrowful region,
Vexed with the earthquake, and flame, and the sea-floods, scourge of
Poseidon.
Whelming the dwellings of men, and the toils of the slow-footed oxen,
Drowning the barley and flax, and the hard-earned gold of the harvest,
Up to the hillside vines, and the pastures skirting the woodland,
Inland the floods came yearly; and after the waters a monster,
Bred of the slime, like the worms which are bred from the slime of the Nile-
bank,
Shapeless, a terror to see; and by night it swam out to the seaward,
Daily returning to feed with the dawn, and devoured of the fairest,
Cattle, and children, and maids, till the terrified people fled inland.
Fasting in sackcloth and ashes they came, both the king and his people,
Came to the mountain of oaks, to the house of the terrible sea-gods,
Hard by the gulf in the rocks, where of old the world-wide deluge
Sank to the inner abyss; and the lake where the fish of the goddess,
Holy, undying, abide; whom the priests feed daily with dainties.
There to the mystical fish, high-throned in her chamber of cedar,
Burnt they the fat of the flock; till the flame shone far to the seaward.
Three days fasting they prayed; but the fourth day the priests of the
goddess,
Cunning in spells, cast lots, to discover the crime of the people.
All day long they cast, till the house of the monarch was taken,
Cepheus, king of the land; and the faces of all gathered blackness.
Then once more they cast; and Cassiopoeia was taken,
Deep-bosomed wife of the king, whom oft far-seeing Apollo
Watched well-pleased from the welkin, the fairest of AEthiop women:
Fairest, save only her daughter; for down to the ankle her tresses
Rolled, blue-black as the night, ambrosial, joy to beholders.
Awful and fair she arose, most like in her coming to Here,
Queen before whom the Immortals arise, as she comes on Olympus,
Out of the chamber of gold, which her son Hephaestos has wrought her.
Such in her stature and eyes, and the broad white light of her forehead.
Stately she came from her place, and she spoke in the midst of the people.
'Pure are my hands from blood: most pure this heart in my bosom.
Yet one fault I remember this day; one word have I spoken;
Rashly I spoke on the shore, and I dread lest the sea should have heard it.
Watching my child at her bath, as she plunged in the joy of her girlhood,
Fairer I called her in pride than Atergati, queen of the ocean.
Judge ye if this be my sin, for I know none other.' She ended;

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Once I Was

Once
you clapped
for me.

Now
you clap
for another.

Once
I was
your luck.

Now
your luck
is gone.

Now
your luck
is lost.


Once
I was your
Blessing.

Now
your blessing
is gone.

Now
your blessing
is lost.

Once
a blessing
in disguise.

Now
a blessing
denied.


Soon
your blessing
is leaving.

Soon
a blessing
in departure.

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Deborah

Time Sire of years unwind thy leaf anew,
& still the past recall to present view,
Spread forth its circles, swiftly gaze ym ore,
But where an action's nobly sung before
There stop & stay for me whose thoughts design
To make anothers song resound in mine.
Pass where ye priests procession bore the law,
When Jourdans parted waters fixd with awe,
While Israel marchd upon ye naked Sand,
Admird ye wonder, & obtaind the land.
Slide through the num'rous fates of Canaans kings,
While conquest rode on Expeditions wings.
Glance over Israel at a single view
In bondage oft, & oft unbound anew,
Till Jabin rise, & Deborah stand enrolld
On the broad guilded leafs revolving fold.

O King subdu'd! O Woman born to fame!
O Wake my fancy for the glorious theme,
O wake my fancy with the sense of praise,
O wake with warblings of triumphant lays.
The Land you rise in sultry suns invade,
But where you rise to sing you'le find a shade.

Those trees in order & with verdure crownd,
The Sacred Prophetesses tent surround.
& that fair palm afront exactly plact
That overtops & overspreads the rest,
Near ye broad root a mossy bank supports,
Where Justice opens unexpensive courts.
There Deb'rah sits, the willing tribes repair,
Referr their causes, & she Judges there.
Nor needs a guard to bring her subjects in,
Each Grace each Virtue proves a guard unseen.
Nor wants the penaltys enforcing law,
While Great Opinion gives effectuall awe.

Now twenty years that rolld in heavy pain
Saw Jabin gall them with Oppressions chain,
When she submissive to divine command,
Proclaims a warr for freedome o're ye land,
& bids young Barack with those men descend,
Whom in the mountains he for battle traind.
Go, says the Prophetess, thy foes assail,
Go make ten thousand over all prevail,
Make Jabins captains feel thy glittering sword,
Make all his army: God has spoke the word.
He fitt for warr & Israels hope in sight
Yet doubts ye number & by that the fight,
Then thus replys with wish to stand secure,

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Faintness

I am a little bit of loneliness a little bit of
disregard
Handful of complaints but I can't help the
fact that everyone can see these scars
I am what I want you to want what I want
you to feel
But it's like no matter what I do, I can't
convince you, to just believe this is real
So I let go, watching you, turn your back
like you always do
Face away and pretend that I'm not
But I'll be here 'cause you're all that I got
I can't feel the way I did before
Don't turn your back on me
I won't be ignored
Time won't heal this damage anymore
Don't turn your back on me
I won't be ignored
I am a little bit insecure a little unconfident
'Cause you don't understand I do what I
can but sometimes I don't make sense
I am what you never wanna say but I've
never had a doubt
It's like no matter what I do I can't
convince you for once just to hear me out
So I let go watching you turn your back like
you always do
Face away and pretend that I'm not
But I'll be here 'cause you're all that I've
got
I can't feel the way I did before
Don't turn your back on me
I won't be ignored
Time won't heal this damage anymore
Don't turn your back on me
I won't be ignored
I can't feel
Don't turn your back on me
I won't be ignored
Time won't heal
Don't turn your back on me
I won't be ignored

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The Bride's Prelude

“Sister,” said busy Amelotte
To listless Aloÿse;
“Along your wedding-road the wheat
Bends as to hear your horse's feet,
And the noonday stands still for heat.”
Amelotte laughed into the air
With eyes that sought the sun:
But where the walls in long brocade
Were screened, as one who is afraid
Sat Aloÿse within the shade.
And even in shade was gleam enough
To shut out full repose
From the bride's 'tiring-chamber, which
Was like the inner altar-niche
Whose dimness worship has made rich.
Within the window's heaped recess
The light was counterchanged
In blent reflexes manifold
From perfume-caskets of wrought gold
And gems the bride's hair could not hold,
All thrust together: and with these
A slim-curved lute, which now,
At Amelotte's sudden passing there,
Was swept in somewise unaware,
And shook to music the close air.
Against the haloed lattice-panes
The bridesmaid sunned her breast;
Then to the glass turned tall and free,
And braced and shifted daintily
Her loin-belt through her côte-hardie.
The belt was silver, and the clasp
Of lozenged arm-bearings;
A world of mirrored tints minute
The rippling sunshine wrought into 't,
That flushed her hand and warmed her foot.
At least an hour had Aloÿse—
Her jewels in her hair—
Her white gown, as became a bride,
Quartered in silver at each side—
Sat thus aloof, as if to hide.
Over her bosom, that lay still,
The vest was rich in grain,
With close pearls wholly overset:
Around her throat the fastenings met
Of chevesayle and mantelet.
Her arms were laid along her lap
With the hands open: life
Itself did seem at fault in her:
Beneath the drooping brows, the stir
Of thought made noonday heavier.

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John Dryden

Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

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One with Darkness

When ever I go out I go out fighting
Screaming for chance to finally end up dying
I have to murder to fulfill my end of this deal
Death is imminent, but something that I’ll never feel.

This is my curse, this is my curse
Sign upon the bloody line I should’ve thought of first
This is my curse, this is my curse
This is my curse, this is my curse
Killing for a living this can’t get any worse
This is my curse, this is my curse

How can I ever love someone else
When murder is my life, and I can’t even love myself
Every night I wake up next to another dead whore
Someone please stop me I don’t want to murder anymore

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The Course of Time. Book I.

Eternal Spirit! God of truth! to whom
All things seem as they are; thou who of old
The prophet's eye unscaled, that nightly saw,
While heavy sleep fell down on other men,
In holy vision tranced, the future pass
Before him, and to Judah's harp attuned
Burdens that made the pagan mountains shake,
And Zion's cedars bow—inspire my song;
My eye unscale; me what is substance teach,
And shadow what, while I of things to come,
As past rehearsing, sing the Course of Time,
The second Birth, and final Doom of man.
The muse, that soft and sickly wooes the ear
Of love, or chanting loud in windy rhyme
Of fabled hero, raves through gaudy tale
Not overfraught with sense, I ask not; such
A strain befits not argument so high.
Me thought, and phrase, severely sifting out
The whole idea, grant—uttering as 'tis
The essential truth—Time gone, the Righteous saved,
The Wicked damned, and Providence approved.
Hold my right hand, Almighty! and me teach
To strike the lyre, but seldom struck, to notes
Harmonious with the morning stars, and pure
As those of sainted bards, and angels sung,
Which wake the echoes of eternity—
That fools may hear and tremble, and the wise
Instructed listen, of ages yet to come.
Long was the day, so long expected, past
Of the eternal doom, that gave to each
Of all the human race his due reward.
The sun—earth's sun, and moon, and stars, had ceased
To number seasons, days, and months, and years
To mortal man: hope was forgotten, and fear;
And Time, with all its chance and change, and smiles,
And frequent tears, and deeds of villany,
Or righteousness—once talked of much, as things
Of great renown, was now but ill remembered;
In dim and shadowy vision of the past,
Seen far remote, as country, which has left
The traveller's speedy step, retiring back
From morn till even: and long, eternity
Had rolled his mighty years, and with his years
Men had grown old: the saints, all home returned
From pilgrimage, and war, and weeping, long
Had rested in the bowers of peace, that skirt
The stream of life; and long, alas, how long!
To them it seemed, the wicked who refused
To be redeemed, had wandered in the dark
Of hell's despair, and drunk the burning cup

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Even Me

Written by roberta martin / fanny crosby
Lord I hear of showers of blessings
Thou art scattering full and free
Showers the thirsty souls refreshing
Let some drops now fall on me
Pass me not oh gentle saviour
Sinful though my heart may be
I am longing for your favor
Whilst thou art blessing
Oh lord
Come on and bless me
Even me lord
Even me
Even me lord
Even me
Let some drops
Let some drops
Whilst thou art blessing
Oh lord
Stop by and bless me
Oh stop by lord
Yes and bless me
Bless me
Protect me
Direct me
Even me lord
I need you
To come on down
And bless me
Sinful though my heart may be
I need you to come down
And bless me
Yes
While
Whilst thou art blessing
While you are in the blessing business today
Not tomorrow
I need you today
Yeah
Bless me
Protect me
Direct me
Even me lord
To stop by
Just drop by
Oh lord lord lord lord lord lord lord
Bless me
Even me
Even me lord
Yeah

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Even Me

Written by roberta martin / fanny crosby
Lord I hear of showers of blessings
Thou art scattering full and free
Showers the thirsty souls refreshing
Let some drops now fall on me
Pass me not oh gentle saviour
Sinful though my heart may be
I am longing for your favor
Whilst thou art blessing
Oh lord
Come on and bless me
Even me lord
Even me
Even me lord
Even me
Let some drops
Let some drops
Whilst thou art blessing
Oh lord
Stop by and bless me
Oh stop by lord
Yes and bless me
Bless me
Protect me
Direct me
Even me lord
I need you
To come on down
And bless me
Sinful though my heart may be
I need you to come down
And bless me
Yes
While
Whilst thou art blessing
While you are in the blessing business today
Not tomorrow
I need you today
Yeah
Bless me
Protect me
Direct me
Even me lord
To stop by
Just drop by
Oh lord lord lord lord lord lord lord
Bless me
Even me
Even me lord
Yeah

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Dangerous Pastime

Is it a blessing,
To have nine lives?
Is it a blessing,
To Know no lies?

Is it a blessing,
To seek the Truth?
Is it a blessing,
To lose one's youth?

Is it a blessing,
To think these thoughts,
As Death takes sips,
From our life draughts?

Is it a blessing,
To hold her hand,
As it slowly fades,
And turns to sand?

Is it a blessing,
To die with her,
Or live on still,
A lonely cur?

And do my thoughts,
Yet waste my time?
And do your thoughts,
Still coincide?

And shall we walk,
And wish to fly,
And ask the skies,
For just more time?

Shall we yet wait
Your hand in mine?
And listen still
For a reply?

Or shall we live,
Woman and man,
And spend our time,
The best we can?

Curiosity killed the cat,
But the cat has nine lives.

Eight left,
what's next,

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The Moat House

PART I

I

UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,

Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.


The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.


The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?


Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--


Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?


Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.

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Gotham - Book II

How much mistaken are the men who think
That all who will, without restraint may drink,
May largely drink, e'en till their bowels burst,
Pleading no right but merely that of thirst,
At the pure waters of the living well,
Beside whose streams the Muses love to dwell!
Verse is with them a knack, an idle toy,
A rattle gilded o'er, on which a boy
May play untaught, whilst, without art or force,
Make it but jingle, music comes of course.
Little do such men know the toil, the pains,
The daily, nightly racking of the brains,
To range the thoughts, the matter to digest,
To cull fit phrases, and reject the rest;
To know the times when Humour on the cheek
Of Mirth may hold her sports; when Wit should speak,
And when be silent; when to use the powers
Of ornament, and how to place the flowers,
So that they neither give a tawdry glare,
'Nor waste their sweetness in the desert air;'
To form, (which few can do, and scarcely one,
One critic in an age, can find when done)
To form a plan, to strike a grand outline,
To fill it up, and make the picture shine
A full and perfect piece; to make coy Rhyme
Renounce her follies, and with Sense keep time;
To make proud Sense against her nature bend,
And wear the chains of Rhyme, yet call her friend.
Some fops there are, amongst the scribbling tribe,
Who make it all their business to describe,
No matter whether in or out of place;
Studious of finery, and fond of lace,
Alike they trim, as coxcomb Fancy brings,
The rags of beggars, and the robes of kings.
Let dull Propriety in state preside
O'er her dull children, Nature is their guide;
Wild Nature, who at random breaks the fence
Of those tame drudges, Judgment, Taste, and Sense,
Nor would forgive herself the mighty crime
Of keeping terms with Person, Place, and Time.
Let liquid gold emblaze the sun at noon,
With borrow'd beams let silver pale the moon;
Let surges hoarse lash the resounding shore,
Let streams meander, and let torrents roar;
Let them breed up the melancholy breeze,
To sigh with sighing, sob with sobbing trees;
Let vales embroidery wear; let flowers be tinged
With various tints; let clouds be laced or fringed,
They have their wish; like idle monarch boys,
Neglecting things of weight, they sigh for toys;

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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

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