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You've got to clock the hours and pay your dues. Then eventually, people will come to you. You have to be patient and appreciative.

quote by Elisabeth Rohm
Added by Lucian Velea
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Happy Blues

We want to leave you happy
Dont want to leave you sad
We want to leave you happy
Dont want to leave you sad
Want to sing some blues
But dont want to sing them bad
Roy wailed for you
He wailed the blues tonight
Roy wailed for you
He wailed the blues tonight
He wailed, he wailed, he wailed em just right
He talked about a mean woman
Oh what a woman was she
Talked about a mean woman
What a woman was she
Ive got my chance to talk about a man
Ill talk about he
He was good to me
He was good
He was good to me
Whoa, so good
I dont know much about the blues
But I know somewhere
Theres a little bit of soul in ella
Theres a little bit of soul in me
Theres a little bit of soul in ella
Theres a little bit of soul in me
Oh somewhere down the line
Ive had misery
Every woman gets misery
Every woman is crying
Every woman has misery
Every woman is crying
Crying bout a man
And the way he did her wrong
I had one too
I had one too
I had one too
I had one too
He did me wrong, but what did I do
I picked up and took patoot
Yeah, yeah
Yeah, yeah
Yeah, yeah
Yeah, yeah
I want to go out swinging
Swinging the blues tonight
Dont want to talk about mack the knife
Dont want to talk about the snuffing
Just want to have fun talking about

[...] Read more

song performed by Ella Fitzgerald
Added by Lucian Velea
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

poem by Talile Ali
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The Treasure Of Abram

I.
IN the old Rabbinical stories,
So old they might well be true,—
The sacred tales of the Talmud,
That David and Solomon knew,—
There is one of the Father Abram,
The greatest of Heber's race,
The mustard-seed of Judea
That filled the holy place.
'Tis said that the fiery heaven
His eye was first to read,
Till planets were gods no longer,
But helps for the human need;
He taught his simple people
The scope of eternal law
That swayed at once the fleecy cloud
And the circling suns they saw.
But the rude Chaldean peasants
Uprose against the seer,
And drave him forth—else never came
This Talmud legend here.
With Sarah his wife, and his servants,
Whom he ruled with potent hand,
The Patriarch planted his vineyards
In the Canaanitish land;
With his wife—the sterile, but lovely,
The fame of whose beauty grew
Till there was no land in Asia
But tales of the treasure knew.
In his lore the sage lived—learning
High thought from the starlit skies;
Bat heedful, too, of the light at home,
And the danger of wistful eyes;
Till the famine fell on his corn-fields,
And sent him forth again,
To seek for a home in Egypt,—
The laud of the amorous men.

II.
Long and rich is the caravan that halts at Egypt's gate,
While duty full the stranger pays on lowing herd and freight.
Full keen the scrutiny of those who note the heavy dues;
From weanling foal to cumbrous wain, no chance of gain they lose.

But fair the search—no wealth concealed; while rich the gifts they take
From Abram's hand, till care has ceased, and formal quest they make.
They pass the droves and laden teams, the weighted slaves are past,
And Abram doubles still the gifts; one wain—his own—is last—
It goes unsearched! Wise Abram smiles, though dearly stemmed the quest;

[...] Read more

poem by John Boyle O'Reilly
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

[...] Read more

poem by Gert Strydom
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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Ladies Pay

All the sailors theyre all home from leave
And everybodys waiting for them to try to deceive
The storekeepers have drawn their lace curtains bare
And all the women and the wee young girls all waiting there
Oh, but how the ladies pay
Oh, if they only knew how the ladies pay
Yeah now, how the ladies pay
Oh, when the men theyve gone away
Nobody is standing on upon the door
And nobody is feeding any of the poor
The poor sick soldier lies in bed beside his girl
Thinking of another place on the other side of the world
Ah
How the ladies pay
Oh-oh, oh, how the ladies pay
When the men theyve gone away
Oh, I wish I knew how the ladies pay
Day and night, night and day
How the ladies pay
Day and night, night and day
How the ladies pay
Day and night
Night and day
Day and night
Day and night, night and day, ladies pay now
Night and day, day and night
How the ladies pay
Day and night, night and day
How the ladies pay
Day and night now
Night and day and now
How the pay now
Oh, how the pay now
Ladies pay, ladies pay
Ah, ladies pay the way now
Ladies pay, ah, ladies pay
Ah, ladies pay
Night and day, night and day, night and day
Oh, how the ladies pay
Oh, night and day, night and day, night and day
Oh, how the ladies pay

song performed by Lou Reed
Added by Lucian Velea
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At Six O'clock

I heard the Ave Maria at six o'clock,
Today hear crimes on the radio at six o'clock.
I watched The Little Princess on tv at six o'clock,
Today watch explicit sex at six o’clock.
I was playing catch-up with my friends at six o'clock,
Today lonely children play atari at six o'clock.
I drank hot soup at six o’clock,
Today guys smoke crack at six o'clock.
I prayed to the guardian angel at six o'clock,
Today they kill people at six o'clock.
I studied algebra at six o'clock,
Today are planned crimes at six o'clock.
I was happy at six o'clock,
Today are all scared at six o'clock.

Parody in honor of Llorca

poem by Aschelminto Da Silva
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The clock is clicking

The clock is clicking
It is clicking to show just then
A time span of one second
Has become the past
The clock is clicking

Each click means a step
Towards your progress and growth
Optimistic wisdom says
The clock is clicking

Each click means a nail
Onto your coffin
Philosophical wisdom says
The clock is clicking

Each click means the arrival
Of a child in India
Population expert worries
The clock is clicking

Each click means the committal
Of a crime
Police personnel observes
The clock is clicking

Each click means a travel of 2.5 km
In space of the earth's surface
Astromer estimates
The clock is clicking

Each click means a change
In fortune of an individual
Astrologer announces
The clock is clicking

Each click means the admission
Of a heart patient
Health specialist heaves
The clock is clicking

Each click means the drain
Of my battery
The clock cries within
The clock is clicking

Let the clock be clicking
Let any one have his or her inkling
Let us be lively and kicking
Let nothing stop us becoming a king

[...] Read more

poem by Bashyam Narayanan
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Look at The Clock!' : Patty Morgan The Milkmaid's Story

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,
Her gown was a flower'd one, her petticoat green,
Her buckles were bright as her milking cans,
And her hat was a beaver, and made like a man's;
Her little red eyes were deep set in their socket-holes,
Her gown-tail was turn'd up, and tuck'd through the pocket-holes:
A face like a ferret
Betoken'd her spirit:
To conclude, Mrs. Pryce was not over young,
Had very short legs, and a very long tongue.

Now David Pryce
Had one darling vice;
Remarkably partial to anything nice,
Nought that was good to him came amiss,
Whether to eat, or to drink, or to kiss!
Especially ale --
If it was not too stale
I really believe he'd have emptied a pail;
Not that in Wales
They talk of their Ales;
To pronounce the word they make use of might trouble you,
Being spelt with a C, two Rs, and a W.

That particular day,
As I've heard people say,
Mr. David Pryce had been soaking his clay,
And amusing himself with his pipe and cheroots,
The whole afternoon at the Goat in Boots,
With a couple more soakers,
Thoroughbred smokers,
Both, like himself, prime singers and jokers;
And, long after day had drawn to a close,
And the rest of the world was wrapp'd in repose,
They were roaring out 'Shenkin!' and 'Ar hydd y nos;'

[...] Read more

poem by Richard Harris Barham
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Eventually

I met a man
And talked about you
He seemed like a man from Osaka I knew
And he listened while I told him how you hurt me
And he consoled me when he told me he'd been hurt too
And he said we are inter-dependent
And the effects on each other never ending
And that the air has no boundaries
I think this water that surrounds me
Is the same water soaking through to you
So what comes floating to me
Eventually
Will come floating back to you
What comes floating to me
Eventually
Will come floating back to you
I had some tea
With a gal from Paris
We talked about life, sex, love and poetry
And you can't help it
Your name came up again
And she said man those kind of guys
Really know how to steal all of the oxygen
And I said we are inter-dependent
And the effects on each other never ending
And that the air has no boundaries
I think this water that surrounds me
Is the same water soaking' through to you
So what comes floating to me
Eventually
Will come floating back to you
What comes floating to me
Eventually
Will come floating back to you
I have a friend I confide in
He always says doll you got to learn not to lead with your chin
But you can't help it
It all comes up again
And then you have your fill
And your spill reaches down as far as a flood
So what comes floating to me
Eventually
Will come floating back to you
What comes floating to me
Eventually
Will come floating back to you
Eventually
Eventually
Will come floating back to you
Eventually

[...] Read more

song performed by Cyndi Lauper
Added by Lucian Velea
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Death In The Arctic

I

I took the clock down from the shelf;
"At eight," said I, "I shoot myself."
It lacked a minute of the hour,
And as I waited all a-cower,
A skinful of black, boding pain,
Bits of my life came back again. . . .

"Mother, there's nothing more to eat --
Why don't you go out on the street?
Always you sit and cry and cry;
Here at my play I wonder why.
Mother, when you dress up at night,
Red are your cheeks, your eyes are bright;
Twining a ribband in your hair,
Kissing good-bye you go down-stair.
Then I'm as lonely as can be.
Oh, how I wish you were with me!
Yet when you go out on the street,
Mother, there's always lots to eat. . . ."

II

For days the igloo has been dark;
But now the rag wick sends a spark
That glitters in the icy air,
And wakes frost sapphires everywhere;
Bright, bitter flames, that adder-like
Dart here and there, yet fear to strike
The gruesome gloom wherein they lie,
My comrades, oh, so keen to die!
And I, the last -- well, here I wait
The clock to strike the hour of eight. . . .

"Boy, it is bitter to be hurled
Nameless and naked on the world;
Frozen by night and starved by day,
Curses and kicks and clouts your pay.
But you must fight! Boy, look on me!
Anarch of all earth-misery;
Beggar and tramp and shameless sot;
Emblem of ill, in rags that rot.
Would you be foul and base as I?
Oh, it is better far to die!
Swear to me now you'll fight and fight,
Boy, or I'll kill you here to-night. . . ."

III

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poem by Robert William Service
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

[...] Read more

poem by Henry Wadsworth Longfellow
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The Price You Pay

(bruce springsteen)
You make up your mind, you choose the chance you take
You ride to where the highway ends and the desert breaks
Out on through an open road you ride until the day
You learn to sleep at night with the price you pay
Now with their hands held high, they reached out for the open skies
And then with their last breath
They built the roads they would ride to their deaths
Driving on through the night unable to break away
>from the restless pull of the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Now theyve come so far and theyve waited so long
Just to end up caught in a dream where everything goes wrong
Where the dark of night holds back the light of the day
And you gotta stand and fight for the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Little girl down on the strand
With that pretty little baby in your hands
Do you remember the story of the promised land
How he crossed the desert sands
And could not enter the chosen land
On the banks of the river he stayed
To face the price you pay
So let the games start
You better run you little wild heart
You can run through all the nights and all the days
But just across the county line
A stranger passin through put up a sign
That counts so many fallen away
To the price you pay,
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay

song performed by Emmylou Harris
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

poem by Byron from Don Juan (1824)
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Why Would You Wanna Live

It's all happened here before.
I know you've seen it too.
I know you've seen it too.
And it's all happened to you.
Kid you've paid your dues.
Dues and dues.
Why would you wanna live in this world?
Why would you wanna live in this world?
I know you watch the news.
I've seen it too.
I've seen it too.
And it's all happened to you.
Kid you've paid your dues.
Dues and dues.
Why would you wanna live in this world?
Why wouldn't you wanna live in this world?
Wouldn't you wanna live

song performed by Wilco
Added by Lucian Velea
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Somebody Out There

Who cares what I'm gonna do
Without you, without you
Who cares if I blow a few
Without you, without you
I go run after dark
I know you heard it all before
I'm doing fine without you
On my own
What do you expect of me
You used to run, used to be
Got my own life without you
(Now I know)
I've made it through
I paid my dues
There's somebody out there
And black and blue
And so confused
There's somebody out there
And so a few are born to lose
Getting me nowhere
I've made it through
I paid my dues
There's somebody out there
Who cares what you're gonna be
You're without me, you're without me
Who cares if you're coming clean?
You're without me, you're without me
You go run after dark
I think I heard it all before
I'm doing fine without you
(On my own)
What am I supposed to say
I'm used to all the games you play
I'm doing all right without you
(Now I know)
I've made it through
I paid my dues
There's somebody out there
And black and blue
And so confused
There's somebody out there
And all of you are born to lose
Getting me nowhere
I've made it through
I paid my dues
There's somebody out there
It's been weighing on my mind
And taking up my day
Then I opened up my eyes
Nothing left to say

[...] Read more

song performed by Holly Valance
Added by Lucian Velea
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Luxurious

Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
Champagne kisses, hold me in your lap of luxury
I only want to fly first-class desires, you're my limousine
So elegant, the way we ride, our passion, it just multiplies
There's platinum lightning in the sky
Look I'm livin' like a queen
This kind of love is getting expensive
We know how to live, baby
We're luxurious, like Egyptian cotton
We're so rich in love, we're rollin' in cashmere
Got it in fifth gear, baby
Diamond in the rough is lookin' so sparkly
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
Sugar, honey, sexy baby
When we touch it turns to gold
Sensitive and delicate, kinda like a tuberose
You know you are my treasure chest
It's pure perfection when we kiss and
You're my Mr., I'm your Miss
Gonna be until we're old
This kind of love is getting expensive
We know how to live, baby
We're luxurious, like Egyptian cotton
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
[2x]
Cha-ching, cha-ching, we're loaded and we're not gonna blow it
Cha-ching, cha-ching, we're hooked up with the love cause we grow it
Cha-ching, cha-ching, we got hydroponic love and we're smokin'
Cha-ching, cha-ching, we burn it, you and I, we are so lit
And we're so rich in love, we're rollin' in cashmere
Got it in fifth gear, baby
Diamond in the rough is lookin' so sparkly
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper

[...] Read more

song performed by Gwen Stefani
Added by Lucian Velea
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Some People

Some people seem to have it all
Some people always have to crawl
Some people pay to be abused
Some people end up destitute
Some people search their souls for truth
Some people try to be of use
Some people pray before they kill
Some people kill just for the thrill
Some people follow one mans vision, some others die on television
Some people build their homes on sand, some people live in garbage cans
Some people think that live is dear, some people hope the end is near
Some people fight for right to life, some people hate to stay alive
Some people dream of life on mars, some people end their life in cars
Some people throw their lives away, some others go on holidays
Some people live and love in vain, some people dont and go insane
Some people always need to win, some other people love to sin
Some people breaking all their vows, some people slashing sacred cows
Some people like to worship stars, some people think the worlds a farce
Some people try to make ends meet, some others end up kissing feet
Some people find their holy grail, some other people go to hell
Some people never catch their breath, some people drink themselves to death
Some people seem to have it all, some people always have to crawl
Some people pay to be abused, some people end up destitute
Some people search their souls for truth
Some people try to be of use
Some people
!
Gold/ocean/1994

song performed by Alphaville
Added by Lucian Velea
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