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I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.

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2 Pieces Of Drama

2 pieces of drama
The hammer's bout' to fall
2 pieces of drama
there's gunplay in the hall
2 pieces of drama
Make peace with your momma, the consequence is dire
2 pieces of drama
Boy you know not to play with fire
He rocks a big ??? caber
A ping pong table for a ring
He's mentally unstable
To him murder it ain't no thing
He'll do you dirty style
He's holding dirty bile
He's out pumping on the corner
Trying to stay warm
And keep it cool like Miles
He keeps it fundamental
He's got the jeans and the bubblegoose on
There's murder on his mental
He's got the deuce deuce in his palm
And y'all know the fable
How cain did able
Ever since the beginning
The world keeps pinning just like a turntable
2 pieces of drama
The hammer's bout' to fall
2 pieces of drama
there's gunplay in the hall
2 pieces of drama
Make peace with your momma, the consequence is dire
2 pieces of drama
Boy you know not to play with fire
La la la la la la la la (B Real Hand on the Pump sample)
When it's selling out back
Likes to pump crack
To the fiends that be getting high
He keeps his hand on the pump
He's ready to dump
On any chump that would even try
He got a finger on the trigger
He ain't scared to pull it
Head full of liquor
Boy you might catch a bullet
They're holes in stable
Drugs on the table
Everybody's sitting round
Watching cops on the cable
Dressed like a slob
Keeps his hair braided

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Elizabeth Barrett Browning

Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Cry For Home

Ill be waiting
Ill be waiting on that shore
To hear the cry for home
You wont have to worry anymore
When you hear the cry for home
When you hear, hear the call
You wont have to fake at all
Hear the cry for home
Ill be standing
Ill be standing within reach
When you hear, hear the call
Ill be waiting
Ill be waiting in the breach
For you, when you hear
When you hear, hear the call
You wont have to fake at all
Hear the cry for home
(instrumental)
When I listen
When I listen to the song
Well it feels, it feels so free
And you tell me
You will come and go with me
When you hear the cry for home
When you hear the call
You wont have to think at all
Hear the cry for home
Spoken (one more, one more time)
When you hear, hear the call
You wont have to fake at all
Hear the cry for home
(one more open it up, open it up) (spoken)
When you hear, hear the call
You wont have to fake at all
Hear the cry for home
Hear (when you hear, hear the call)
Hear (when you hear, hear the call)
Hear (when you hear, hear the call)
Hear (when you hear, hear the call)
Hear (when you hear, hear the call)
Hear (when you hear, hear the call)

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Avoid Drama

There’s drama in everyone life
Everyone bring around a little baggage with them
The husband and the wife
Probably complaining about someone they dont really like
It sort of weird you see
There’s so much wrong, and I could be right
Even I have a little drama about me

Baby daddy dramaI hate it all
Parents saying I didn’t do enough with my life
Second older sister took a fall
Oldest sister is now a wife
Youngest sister is not so well
Baby father is no where around
Only time can tell
He’s no where insight to be found

Avoiding drama may come easy for some, and others not
The struggles of life pops up in a while
It isn’t all that
Worries take over- not even a smile
There’s so much drama
I can’t even avoid it all
Baby daddy, ex- girlfriend drama
It’s all I use to think about
Why you have to leave your baby mama?

I find it hard to avoid drama
There are drama queens
The baby daddy and the baby mama
The adults and the ex-girlfriends in there teens
The husband cheating on his wife
He causing problem
And messing up his life
Dramas is all around us
It comes out
And hurt us

Dramas
Avoiding it
Dramas
Running away from it
It will come back in a way
And messes with our head
Avoiding drama, it couldn’t be okay

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Jeane

Jeane
The low-life has lost its appeal
And i'm tired of walking these streets
To a room with its cupboards bare
Jeane
I'm not sure what happiness means
But i look in your eyes
And i know
Oh ...
That it isn't there
Oh, we tried, and we failed
Oh, we tried, and we failed
We tried and we failed
We tried and we failed
We tried
Oh, jeane
There's ice on the sink where we bathe
So how can you call this a home
When you know it's a grave ?
Yet you still have that greedy grace
As you tidy the place
But it will never be clean
Jeane
We tried and we failed
We tried, and we failed
We tried and we failed
We tried and we failed
And we tried
Oh ...
Cash on the nail
It's just a fairytale
Oh ...
And i don't believe in magic anymore
Jeane
But i think you know
I really think you know
Oh ...
Oh yes, i think you know the truth
Jeane
Oh ...
No heavenly choirs
Not for me and not for you
Because i think you know
I really think you know
Oh ...
I think you know the truth
Oh, jeane
We tried, and we failed
We tried, and we failed
We tried and we failed

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Henry Wadsworth Longfellow

Hiawatha's Wooing

"As unto the bow the cord is,
So unto the man is woman;
Though she bends him, she obeys him,
Though she draws him, yet she follows;
Useless each without the other!"
Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.
"Wed a maiden of your people,"
Warning said the old Nokomis;
"Go not eastward, go not westward,
For a stranger, whom we know not!
Like a fire upon the hearth-stone
Is a neighbor's homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!"
Thus dissuading spake Nokomis,
And my Hiawatha answered
Only this: "Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!"
Gravely then said old Nokomis:
"Bring not here an idle maiden,
Bring not here a useless woman,
Hands unskilful, feet unwilling;
Bring a wife with nimble fingers,
Heart and hand that move together,
Feet that run on willing errands!"
Smiling answered Hiawatha:
'In the land of the Dacotahs
Lives the Arrow-maker's daughter,
Minnehaha, Laughing Water,
Handsomest of all the women.
I will bring her to your wigwam,
She shall run upon your errands,
Be your starlight, moonlight, firelight,
Be the sunlight of my people!"
Still dissuading said Nokomis:
"Bring not to my lodge a stranger
From the land of the Dacotahs!
Very fierce are the Dacotahs,
Often is there war between us,
There are feuds yet unforgotten,
Wounds that ache and still may open!"
Laughing answered Hiawatha:

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Henry Wadsworth Longfellow

The Song of Hiawatha X: Hiawatha's Wooing

'As unto the bow the cord is,
So unto the man is woman,
Though she bends him, she obeys him,
Though she draws him, yet she follows,
Useless each without the other!'

Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.

'Wed a maiden of your people,'
Warning said the old Nokomis;
'Go not eastward, go not westward,
For a stranger, whom we know not!
Like a fire upon the hearth-stone
Is a neighbor's homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!'

Thus dissuading spake Nokomis,
And my Hiawatha answered
Only this: 'Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!'

Gravely then said old Nokomis:
'Bring not here an idle maiden,
Bring not here a useless woman,
Hands unskilful, feet unwilling;
Bring a wife with nimble fingers,
Heart and hand that move together,
Feet that run on willing errands!'

Smiling answered Hiawatha:
'In the land of the Dacotahs
Lives the Arrow-maker's daughter,
Minnehaha, Laughing Water,
Handsomest of all the women.
I will bring her to your wigwam,
She shall run upon your errands,
Be your starlight, moonlight, firelight,
Be the sunlight of my people!'

Still dissuading said Nokomis:
'Bring not to my lodge a stranger

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Henry Wadsworth Longfellow

The Song of Hiawatha: X

X. Hiawatha's Wooing

"As unto the bow the cord is,
So unto the man is woman,
Though she bends him, she obeys him,
Though she draws him, yet she follows,
Useless each without the other!"

Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.

"Wed a maiden of your people,"
Warning said the old Nokomis;
"Go not eastward, go not westward,
For a stranger, whom we know not!
Like a fire upon the hearth-stone
Is a neighbor's homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!"

Thus dissuading spake Nokomis,
And my Hiawatha answered
Only this: "Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!"

Gravely then said old Nokomis:
"Bring not here an idle maiden,
Bring not here a useless woman,
Hands unskilful, feet unwilling;
Bring a wife with nimble fingers,
Heart and hand that move together,
Feet that run on willing errands!"

Smiling answered Hiawatha:
"In the land of the Dacotahs
Lives the Arrow-maker's daughter,
Minnehaha, Laughing Water,
Handsomest of all the women.
I will bring her to your wigwam,
She shall run upon your errands,
Be your starlight, moonlight, firelight,
Be the sunlight of my people!"

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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Cruel Young Lover

Do you hear me?
Do you hear me?
Do you hear me?
Do you hear me?
Do you hear me?
Do you hear me?
Just because you can
You treat me like a fool
But just because you can
Dont make it right
Can it be so hard
To be a little kind
And you could be here
With me tonight
Ive got feelings
Dont be unkind
Feelings
Dont be unkind
Feelings
Stay with me tonight
Youve been stealing
Thats so unkind
Stealing
A heart, a mind
Stealing
Stay with me tonight
Cruel young lover
Blow your mind out
Time will come when
You will find out
Time will take your cruel power away
Cruel young lover
Try to stand out
Will it always pay
To bland out?
Time will take your cruel power away
Do you hear me?
Do you hear me?
Do you hear me?
Do you hear me?
Do you hear me?
Do you hear me?
Do you hear me?
Once again youre gone
Somewhere in the night
Disappearing
Leaving me alone
The lure of city streets
The pull of unknown souls
The overpowering draw

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Every Face Tells A Story

Look at the man in the corner, hes sitting all alone
His blankets are made out of cardboard,
His pillows are made out of stone
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
See the man walking on the water, see the light in his eyes
He came into the world with a message to tell,
He came into the world to die
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
Youre always telling stories, youre always telling me lies
Youre always telling stories, why?
So think of yourself in the water, seeing your days flashing by
Its too late to see what you wanted to be,
Youve spent all your time, you must die
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
Step down
And make it work out right
Im trying to get to you with my warning
Been there
For nearly half the night
Look its nearly four in the morning

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Laughing

I'm laughing at your funny face
I'm laughing at this funny place
I'm laughing in my space
I'm laughing at a fast pace

I'm laughing and cannot stop
I'm laughing feeling the bop
I'm laughing at your top
I'm laughing with a cop

My stomach hurts
My cheeks are sore
Yet I want to laugh some more
Just want to laugh day and night
Want to laugh 'cause it feels alright

I'm laughing with Pat
I'm laughing at the cat
I'm laughing at the mat
I'm laughing as the cat sat

Giggle, Giggle, Giggle
Giggle, Giggle, Giggle
Giggle, Giggle.


©Copyright 2010 Willmington. All rights reserved

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Can You Hear Me

Can you hear me
I must have been blind to leave you this way
It's hard to say I miss you
I can't live without your love
Can you hear me can you hear me
I know you've got the key
With you I feel so strong
Can you hear me can you hear me
Your love can set me free
I know that I was wrong
Let us try again just one more time
Let the love we found be back cause your's mine
One more chance we're gonna taste it
Now or never no time to waste it
Hold me the moonlight is shining bright
Touch my body soft tonight and tight
Your love's so strong
I'm dreamin' of you all night long
Can you hear me can you hear me
I know you've got the key
With you I feel so strong
Can you hear me can you hear me
Your love can set me free
I know that I was wrong
What I'm gonna do
Can you guide me through
Oh can you hear me
Where are you
What I'm gonna do
Can you guide me through
Oh can you hear me
Where are you
Original you need like a melody
The harder I try the bigger is the tragedy
Heartbeat energy for now and eternaly
Take my dreams and be my destiny
I feel there is a vibration
You and me as one what a combination
Love is the promtantation
Can you hear me my imagination
Can you hear me can you hear me
I know you've got the key
With you I feel so strong
Can you hear me can you hear me
Your love can set me free
I know that I was wrong
Can you hear me can you hear me
I know you've got the key
With you I feel so strong
Can you hear me can you hear me

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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The Laughing Gnome

I was walking down the high street
When I heard footsteps behind me
And there was a little old man (hello)
In scarlet and grey, shuffling away (laughter)
Well he trotted back to my house
And he sat beside the telly (oaah..)
With his tiny hands on his tummy
Chuckling away, laughing all day (laughter)
Oh, I ought to report you to the gnome office
(gnome office)
Yes
(hahahahaha)
Ha ha ha, hee hee hee
Im a laughing gnome and you dont catch me
Ha ha ha, hee hee hee
Im a laughing gnome and you cant catch me
Said the laughing gnome
Well I gave him roasted toadstools and a glass of dandelion wine (burp, pardon)
Then I put him on a train to eastbourne
Carried his bag and gave him a fag
(havent you got a light boy? )
Here, where do you come from?
(gnome-mans land, hahihihi)
Oh, really?
In the morning when I woke up
He was sitting on the edge of my bed
With his brother whose name was fred
Hed bought him along to sing me a song
Right, lets hear it
Here, whats that clicking noise?
(thats fred, hes a metrognome, haha)
Ha ha ha, hee hee hee
Im a laughing gnome and you dont catch me
Ha ha ha, hee hee hee
Im a laughing gnome and you cant catch me
(own up, Im a gnome, aint I right, haha)
Havent you got an ome to go to?
(no, were gnomads)
Didnt they teach you to get your hair cut at school? you look like a rolling gnome.
(no, not at the london school of ecognomics)
Now theyre staying up the chimney
And were living on caviar and honey (hooray!)
Cause theyre earning me lots of money
Writing comedy prose for radio shows
Its the-er (what? )
Its the gnome service of course
Ha ha ha, hee hee hee
Im a laughing gnome and you dont catch me
Ha ha ha, oh, dear me
(ha ha ha, hee hee hee

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Mind Like A Tree

Music :rudolf schenker, peter wolf
Lyrics:klaus meine
Come with me come with me now
Inside the garden
Inside the garden of god
Smell the sand its running through your hands
Its where were from
And where well go in the end
Hear me calling
Hear me calling
Hear me calling
Hear me calling
Hear me calling
Hear me calling
My mind is like a tree
And I want you to water me
You gotta spread the
You gotta spread the seed
Hear me calling
Hear me calling
Hear me calling
Hear me calling
Hear me calling
Hear me calling
Sit in the shadow just smell the grass
Where the past is buried
Where the future grows so fast
My mind is like a tree
And I want you to water me
You gotta spread the
You gotta spread the seed
Hear me calling
Hear me calling
Hear me calling
Hear me calling
Hear me calling
Hear me calling
You touch me so
You touch me so deep
I only wish my eyes could see
The way you feel for me
Hear me calling
Hear me calling
Hear me calling
My mind is like a tree
And I want you to water me
My mind is like a tree
And I want you to water me
You gotta spread the
You gotta spread the seed

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