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All this time I lived with my parents, and wrought on the plantation; and having had schooling pretty well for a planter, I used to improve myself in winter evenings, and other leisure times.

quote by John Woolman
Added by Lucian Velea
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Plantation Boy

Lots of people walk about proud and free
Lift up your head start looking around
Theres a brandnew feeling of liberty
Like a clear bell thats starting to sound
Plantation boy
Cmon and get going
Yesterdays chains have broken in two
Plantation boy
The new move is growing
Reaching the hills and the valleys and you
Plantation boy
Plantation boy
Lots of smiling faces for you to meet
So many hands to help you along
Just shake off the mud that weighs down your feet
If you stand tall you just cant go wrong
Plantation boy
Cmon and get going
Yesterdays chains have broken in two
Plantation boy
The new move is growing
Reaching the hills, the valleys and you
Plantation boy
Plantation boy
Years of picking cotton for little pay
Living alone in some wooden shack
Sweating in the heat of a summers day
This is all over, you wont come back
Plantation boy
Cmon and get going
Yesterdays chains have broken in two
Plantation boy
The new move is growing
Reaching the hills, the valleys and you
Plantation boy
Plantation boy
Plantation boy
Cmon and get going
Yesterdays chains have broken in two
Plantation boy
The new move is growing
Reaching the hills, the valleys and you
Plantation boy
Plantation boy
Plantation boy
Plantation boy
Wherever you may go
Reaching the hills and the valleys and you...
Reaching the hills and the valleys and you...
Reaching the hills and the valleys and you...

[...] Read more

song performed by Boney M.
Added by Lucian Velea
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Plantation Rock

(words & music by giant - baum - kaye)
Now come along with me
Well do the plantation rock
Its easy as can be
Youll wanna dance round the clock
Well it became a sensation
Rockin on the plantation
Dancin in the fields down to each dock
Now do the plantation rock
So come on bend your knees
Twist with ease side to side
Like the swaying trees keep in rhythm
Now have some pep double step
Shake right there like a rockin chair
And stay with them
Well now youre right at home
Doin the plantation rock
Just do it as you were shown
Youll wanna dance round the clock
Well just like on the plantation
Folks all over the nation
Started rockin on each street and block
Gonna do the plantation rock
Do the plantation rock
Do the plantation rock
Do the plantation rock

song performed by Elvis Presley
Added by Lucian Velea
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The New Inner-City Slave Plantation

The now-a-day slave or labor force
The ruling-class determines the course
The political master’s pastor contorts
Politics and policy aborts

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

Work like a blind jackass
Support and finance the ruling class
Being bi-partisan-just a mask
Cultured career criminals civilizing crass

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

The political engineers of The Greater Good own
The inner city war-zone
The psychotropic drug sets the tone
Slavery as the new world order is the throne

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

Multi-tasking a labor saving device
Freedom of movement has no right
Monopolized government enslaved all might
The inner city slave- plantation private and prime
Real estate blight

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

The thirteenth amendment of the constitution
On the inner city slave-plantation no social, no economical,
No educational, no political absolution

On the inner city slave-plantation, indentured servants,
Chattel slaves, still considered Black Gold
By the God Fearing slave codes used to control

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

On the new inner city slave-plantation
The American Flag can not wave
Even Democracy is revered as a Black Slave

poem by Josephine DixonBanks
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Merlin And Vivien

A storm was coming, but the winds were still,
And in the wild woods of Broceliande,
Before an oak, so hollow, huge and old
It looked a tower of ivied masonwork,
At Merlin's feet the wily Vivien lay.

For he that always bare in bitter grudge
The slights of Arthur and his Table, Mark
The Cornish King, had heard a wandering voice,
A minstrel of Caerlon by strong storm
Blown into shelter at Tintagil, say
That out of naked knightlike purity
Sir Lancelot worshipt no unmarried girl
But the great Queen herself, fought in her name,
Sware by her--vows like theirs, that high in heaven
Love most, but neither marry, nor are given
In marriage, angels of our Lord's report.

He ceased, and then--for Vivien sweetly said
(She sat beside the banquet nearest Mark),
'And is the fair example followed, Sir,
In Arthur's household?'--answered innocently:

'Ay, by some few--ay, truly--youths that hold
It more beseems the perfect virgin knight
To worship woman as true wife beyond
All hopes of gaining, than as maiden girl.
They place their pride in Lancelot and the Queen.
So passionate for an utter purity
Beyond the limit of their bond, are these,
For Arthur bound them not to singleness.
Brave hearts and clean! and yet--God guide them--young.'

Then Mark was half in heart to hurl his cup
Straight at the speaker, but forbore: he rose
To leave the hall, and, Vivien following him,
Turned to her: 'Here are snakes within the grass;
And you methinks, O Vivien, save ye fear
The monkish manhood, and the mask of pure
Worn by this court, can stir them till they sting.'

And Vivien answered, smiling scornfully,
'Why fear? because that fostered at THY court
I savour of thy--virtues? fear them? no.
As Love, if Love is perfect, casts out fear,
So Hate, if Hate is perfect, casts out fear.
My father died in battle against the King,
My mother on his corpse in open field;
She bore me there, for born from death was I
Among the dead and sown upon the wind--

[...] Read more

poem by Alfred Lord Tennyson
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Le Balcon (The Balcony)

Le Balcon

Mère des souvenirs, maîtresse des maîtresses,
Ô toi, tous mes plaisirs! ô toi, tous mes devoirs!
Tu te rappelleras la beauté des caresses,
La douceur du foyer et le charme des soirs,
Mère des souvenirs, maîtresse des maîtresses!

Les soirs illuminés par l'ardeur du charbon,
Et les soirs au balcon, voilés de vapeurs roses.
Que ton sein m'était doux! que ton coeur m'était bon!
Nous avons dit souvent d'impérissables choses
Les soirs illumines par l'ardeur du charbon.

Que les soleils sont beaux dans les chaudes soirées!
Que l'espace est profond! que le coeur est puissant!
En me penchant vers toi, reine des adorées,
Je croyais respirer le parfum de ton sang.
Que les soleils sont beaux dans les chaudes soirées!

La nuit s'épaississait ainsi qu'une cloison,
Et mes yeux dans le noir devinaient tes prunelles,
Et je buvais ton souffle, ô douceur! ô poison!
Et tes pieds s'endormaient dans mes mains fraternelles.
La nuit s'épaississait ainsi qu'une cloison.

Je sais l'art d'évoquer les minutes heureuses,
Et revis mon passé blotti dans tes genoux.
Car à quoi bon chercher tes beautés langoureuses
Ailleurs qu'en ton cher corps et qu'en ton coeur si doux?
Je sais l'art d'évoquer les minutes heureuses!

Ces serments, ces parfums, ces baisers infinis,
Renaîtront-ils d'un gouffre interdit à nos sondes,
Comme montent au ciel les soleils rajeunis
Après s'être lavés au fond des mers profondes?
— Ô serments! ô parfums! ô baisers infinis!

The Balcony

Mother of memories, mistress of mistresses,
O you, all my pleasure, O you, all my duty!
You'll remember the sweetness of our caresses,
The peace of the fireside, the charm of the evenings.
Mother of memories, mistress of mistresses!

The evenings lighted by the glow of the coals,
The evenings on the balcony, veiled with rose mist;
How soft your breast was to me! how kind was your heart!

[...] Read more

poem by Charles Baudelaire
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The Beggar's Daughter of Bednall-Green

Part the First
Itt was a blind beggar, had long lost his sight,
He had a faire daughter of bewty most bright;
And many a gallant brave suiter had shee,
For none was soe comelye as pretty Bessee.

And though shee was of favor most faire,
Yett seing shee was but a poor beggars heyre,
Of ancyent housekeepers despised was shee,
Whose sonnes came as suitors to prettye Bessee.

Wherefore in great sorrow faire Bessy did say,
'Good father, and mother, let me goe away
To seeke out my fortune, whatever itt bee.'
This suite then they granted to prettye Bessee.

Then Bessy, that was of bewtye soe bright,
All cladd in gray russett, and late in the night
From father and mother alone parted shee,
Who sighed and sobbed for prettye Bessee.

Shee went till shee came to Stratford-le-Bow,
Then knew shee not whither, nor which way to goe;
With teares shee lamented her hard destinie,
So sadd and soe heavy was pretty Bessee.

Shee kept on her journey untill it was day,
And went unto Rumford along the hye way;
Where at the Queenes Armes entertained was shee,
Soe faire and wel favoured was pretty Bessee.

Shee had not beene there a month to an end,
But master and mistres and all was her friend;
And every brave gallant that once did her see
Was straight-way enamoured of pretty Bessee.

Great gifts they did send her of silver and gold,
And in their songs daylye her love was extold;
Her beawtye was blazed in every degree,
Soe faire and soe comelye was pretty Bessee.

The young men of Rumford in her had their joy;
Shee shewed herself courteous, and modestlye coye,
And at her commandment still wold they bee,
Soe fayre and so comelye was pretty Bessee.

Foure suitors att once unto her did goe,
They craved her favor, but still she sayd noe;
'I wild not wish gentles to marry with mee,-'
Yett ever they honored pretty Bessee.

[...] Read more

poem by Anonymous Olde English
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Michael: A Pastoral Poem

If from the public way you turn your steps
Up the tumultuous brook of Greenhead Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story--unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of shepherds, dwellers in the valleys, men
Whom I already loved; not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.
UPON the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His bodily frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd's calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and, oftentimes,
When others heeded not, He heard the South

[...] Read more

poem by William Wordsworth
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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

[...] Read more

poem by Virgil
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Pretty Boy

I lie awake at night
See things in black and white
I've only got you inside my mind
You know you have made me blind

I lie awake and pray
That you will look my way
I have all this longing in my heart
I knew it right from the start

Oh my pretty pretty boy I love you
Like I never ever loved no one before you
Pretty pretty boy of mine
Just tell me you love me too
Oh my pretty pretty boy
I need you
Oh my pretty pretty boy I do
Let me inside
Make me stay right beside you

I used to write your name
And put it in a frame
And sometime I think I hear you call
Right from my bedroom wall

You stay a little while
And touch me with your smile
And what can I say to make you mine
To reach out for you in time

Oh my pretty pretty boy I love you
Like I never ever loved no one before you
Pretty pretty boy of mine
Just tell me you love me too
Oh my pretty pretty boy
I need you
Oh my pretty pretty boy I do
Let me inside
Make me stay right beside you

[BRIDGE]
Oh pretty boy
Say you love me too

Oh my pretty pretty boy I love you
Like I never ever loved no one before you
Pretty pretty boy of mine
Just tell me you love me too
Oh my pretty pretty boy
I need you

[...] Read more

song performed by M2M from Shades Of Purple
Added by Lucian Velea
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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Pretty Polly

Polly wouldnt listen to her mama,
Polly wouldnt listen to her papa.
She tried to make the swinging city scene,
And now theres not a place that polly hasnt been.
Polly, pretty pretty pollyanna,
Pretty pretty pollyanna,
Pretty polly garter
Oh, I think that pretty polly should have stayed at home.
Pretty polly, dressed as jolly as can be,
Shes so darling, all the fellas do agree,
And half a million people cant be wrong,
Oh, I think that pretty polly should have stayed at home.
Polly wrote a letter to her mama,
Polly made confessions to her papa.
Mummys proud cause pollys still in chains
Shes happy now her babys coming home again.
Pretty polly, she learned that life is just a game,
She is sorry, she just had to break the chains.
And mama knows, cause mama was the same
Oh, shes happy now her babys coming home again.
Polly, pretty pretty pollyanna,
Pretty pretty pretty pretty pollyanna,
Pretty polly garter
Oh, polly, pretty pretty pollyanna,
Pretty pretty pretty pretty pollyanna,
Pretty polly garter
I think that pretty polly should have stayed at home.

song performed by Kinks
Added by Lucian Velea
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Polly

Written by: R. D. Davies
Published by: Davray MusicCarlin Music Corp.
Chord file
Polly wouldn't listen to her Mama,
Polly wouldn't listen to her Papa.
She tried to make the swinging city scene,
And now there's not a place that Polly hasn't been.
Polly, pretty pretty Pollyanna,
Pretty pretty Pollyanna,
Pretty Polly Garter
Oh, I think that pretty Polly should have stayed at home.
Pretty Polly, dressed as jolly as can be,
She's so darling, all the fellas do agree,
And half a million people can't be wrong,
Oh, I think that pretty Polly should have stayed at home.
Polly wrote a letter to her Mama,
Polly made confessions to her Papa.
Mummy's proud 'cause Polly's still in chains
She's happy now her baby's coming home again.
Pretty Polly, she learned that life is just a game,
She is sorry, she just had to break the chains.
And Mama knows, 'cause Mama was the same
Oh, she's happy now her baby's coming home again.
Polly, pretty pretty Pollyanna,
Pretty pretty pretty pretty Pollyanna,
Pretty Polly Garter
Oh, Polly, pretty pretty Pollyanna,
Pretty pretty pretty pretty Pollyanna,
Pretty Polly Garter
I think that pretty Polly should have stayed at home.

song performed by Kinks
Added by Lucian Velea
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Armenian Folk-Song--The Partridge

As beats the sun from mountain crest,
With 'pretty, pretty',
Cometh the partridge from her nest;
The flowers threw kisses sweet to her
(For all the flowers that bloomed knew her);
Yet hasteneth she to mine and me--
Ah! pretty, pretty;
Ah! dear little partridge!

And when I hear the partridge cry
So pretty, pretty,
Upon the house-top, breakfast I;
She comes a-chirping far and wide,
And swinging from the mountain side--
I see and hear the dainty dear!
Ah! pretty, pretty;
Ah! dear little partridge!

Thy nest's inlaid with posies rare.
And pretty, pretty
Bloom violet, rose, and lily there;
The place is full of balmy dew
(The tears of flowers in love with you!)
And one and all impassioned call;
'O pretty, pretty--
O dear little partridge!'

Thy feathers they are soft and sleek--
So pretty, pretty!
Long is thy neck and small thy breast;
The color of thy plumage far
More bright than rainbow colors are!
Sweeter than dove is she I love--
My pretty, pretty--
My dear little partridge!

When comes the partridge from the tree,
So pretty, pretty!
And sings her little hymn to me,
Why, all the world is cheered thereby--
The heart leaps up into the eye,
And echo then gives back again
Our 'Pretty, pretty,'
Our 'Dear little partridge!'

Admitting the most blest of all
And pretty, pretty,
The birds come with thee at thy call;
In flocks they come and round they play,
And this is what they seem to say--

[...] Read more

poem by Eugene Field
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What Parents When Old, Want From Their Children …

When you were small, a helpless kid,
Just imagine what parents did,
From feeding to keeping you clean –
A routine that had always been!

And now when parents are quite aged,
They feel like birds both that are caged;
Just give them half the love they gave;
Don’t lose your temper / misbehave!

When you were small and could not bathe,
Mom bathed you with towel to swathe,
And wiped you dry and combed your hair,
All your mischief, she had to bear!

When parents are now pretty old,
Or have a fever, catch a cold,
Should not the children care for them,
And treat them for each new problem?

When you were just a little child,
And parents scolded you so mild,
To show you what was wrong and right,
And chalk a future that was bright!

And now when parents have gone weak,
To walk, your assistance, they seek,
Oblige them with a heart all glad:
Old age is less happy, much sad!

When you were craving for good food,
Your mother cooked it as she should,
And heaved a sigh of great relief,
When you’d slept, in disbelief!

And now, when parents ask something,
Be kind and courteously do bring,
They cannot buy whatev’r they feel;
They cannot run or walk or kneel!

When you’d joined school for the first time,
And could not say even a rhyme,
Your mom had taught you how to write,
And sang a ‘lullaby’ at night!

And now when parents cannot read,
And reached a stage, they cannot feed,
Shouldn’t children help them with these chores,
And see that they don’t get bed-sores?

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poem by John Celes
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

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poem by George Crabbe
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Of The Wooing Of Halbiorn The Strong

A STORY FROM THE LAND-SETTLING BOOK OF ICELAND, CHAPTER XXX.

At Deildar-Tongue in the autumn-tide,
So many times over comes summer again,
Stood Odd of Tongue his door beside.
What healing in summer if winter be vain?
Dim and dusk the day was grown,
As he heard his folded wethers moan.
Then through the garth a man drew near,
With painted shield and gold-wrought spear.
Good was his horse and grand his gear,
And his girths were wet with Whitewater.
“Hail, Master Odd, live blithe and long!
How fare the folk at Deildar-Tongue?”
“All hail, thou Hallbiorn the Strong!
How fare the folk by the Brothers’-Tongue?”
“Meat have we there, and drink and fire,
Nor lack all things that we desire.
But by the other Whitewater
Of Hallgerd many a tale we hear.”
“Tales enow may my daughter make
If too many words be said for her sake.”
“What saith thine heart to a word of mine,
That I deem thy daughter fair and fine?
Fair and fine for a bride is she,
And I fain would have her home with me.”
“Full many a word that at noon goes forth
Comes home at even little worth.
Now winter treadeth on autumn-tide,
So here till the spring shalt thou abide.
Then if thy mind be changed no whit,
And ye still will wed, see ye to it!
And on the first of summer days,
A wedded man, ye may go your ways.
Yet look, howso the thing will fall,
My hand shall meddle nought at all.
Lo, now the night and rain draweth up,
And within doors glimmer stoop and cup.
And hark, a little sound I know,
The laugh of Snaebiorn’s fiddle-bow,
My sister’s son, and a craftsman good,
When the red rain drives through the iron wood.”
Hallbiorn laughed, and followed in,
And a merry feast there did begin.
Hallgerd’s hands undid his weed,
Hallgerd’s hands poured out the mead.
Her fingers at his breast he felt,
As her hair fell down about his belt.
Her fingers with the cup he took,

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poem by William Morris
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Winter Born and Live

Some people enter the world
to indigo skies,
the sun beams
on their blessed souls
season after season.
Never a day of
storms or showers form,
in their world
there are no winters.
Their grin comes
without expense,
their soul
without pause flourishes.
Groundhog never appears
to see his shadow,
for spring is
constantly assured.
Nothing did they do
to improve or disparage
their springtime birth.
Their blessed eternal Eastertide
is a purely bestowed.
Any other season
but the consecrated
spring they do not know.

Others enter the world
from inception
blizzards never cease
Hardly a day of a sunny beam
before began sqa ually rage spurned
upon their countenance.
One storm flows
in timely order
after the other,
giving them forever winter,
hail and snow and gales.
Zeus did not curse them
for a deed or word,
but in good fortune
they are not superb.
Though if to see their spirits
you would not presume,
that spring does not show its face
oft to the winter born.
They have a frosty smile still,
upon the winter they do not grieve.

They beam with joy peculiarly
like a summer baby born,

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poem by Sandra Dodd
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