Political advertising ought to be stopped. It's the only really dishonest kind of advertising that's left. It's totally dishonest.
quote by David Ogilvy
Added by Lucian Velea
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Related quotes
Totally. Totally. Totally Bummed
Totally. Totally. Totally bummed.
Totally. Totally. Totally bummed.
Significant this feeling is,
Hard to overcome.
When an aging is apparent,
And nothing can be done.
And when one has a wisdom,
One developes more and more...
The pressure to pretend there isn't,
Can not be ignored.
Oh, totally. Totally. Totally bummed.
Being now an elder,
Overnight has stunned.
Totally. Totally. Totally bummed.
No more looking 26.
Overnight has stunned.
Disappearing quick was 36.
Overnight has stunned.
And the 46 that came...
Picked up 56 and split.
And now I can't believe it,
I am elderly legit.
Oh, totally. Totally. Totally bummed.
Being now an elder,
Overnight has stunned.
Totally. Totally. Totally bummed.
Being now an elder,
Overnight has stunned.
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Totally Hot
(john farrar)
I want you
But takin it easy aint an easy thing to do
And I want you, want you
You must know
Cause baby I cant begin to keep it in
Our love is so hot, totally hot
You got to me
Baby, baby, so hot, totally hot
You got to me
Gimme what you got, ready or not
Our love is totally hot
Im burnin up
And if my mama could read my mind shed lock me up
And Im burnin, burnin
You must know
Cause baby when youre around I come unwound
Our love is so hot, totally hot
You got to me
Baby, baby, so hot, totally hot
You got to me
Gimme what you got, ready or not
Out love is totally hot
Play the game and let me do the same
And we gonna get along, gonna get along, gonna get along fine
Watchin out for my heart
But when I am near you
Near you aint the place to start, no, no, no, no
Takin it slow
Whenever I cross your trail, my brakes just fail
My love is so hot, totally hot
You got to me
Baby, baby, so hot, totally hot
You got to me
Gimme what you got, ready or not
My love is totally hot
My love is so hot, totally hot
You got to me
Baby, baby, so hot, totally hot
You got to me
Gimme what you got, ready or not
My love is totally hot
Gimme what you got, ready or not
My love is totally, totally, totally hot
(repeats)
song performed by Olivia Newton-John
Added by Lucian Velea
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Through the eyes of a Field Coronet (Epic)
Introduction
In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.
Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.
Prologue
The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain
mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact
that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals
becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,
who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight
in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.
Let them then also be patriotic
into their souls,
believe in and read
out of the word of God
[...] Read more
poem by Gert Strydom
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Unfaithful To Myself (Beware. Beware!)
When I ran away,
I thought that I would stay...
Where it was,
I chose to be.
When I ran away,
It was from myself...
And,
I was not that able...
To remain unfaithful.
I looked in the mirror and my heart stopped.
I saw the anger there.
I looked in the mirror and my heart stopped.
Beware. Beware!
I looked in the mirror and my heart stopped.
I saw the anger there.
And I knew,
It was me who had been untrue.
When I ran away,
It was from myself...
And,
I was not able...
To remain unfaithful.
Oh, when I ran away,
I thought that I would stay...
Where it was,
I chose to be.
But...
I looked in the mirror and my heart stopped.
I saw the anger there.
I looked in the mirror and my heart stopped.
Beware. Beware!
I looked in the mirror and my heart stopped.
I saw the anger there.
And I knew,
It was me who had been untrue.
I looked in the mirror and my heart stopped.
I saw the anger there.
I looked in the mirror and my heart stopped.
Beware. Beware!
Yes,
I looked in the mirror and my heart stopped.
I saw the anger there.
With a feeding of myself wrong beliefs...
That other people made me bleed.
But it wasn't other people it was me.
[...] Read more
poem by Lawrence S. Pertillar
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Political World
We live in a political world
Where love dont have any place
Were living in times where men commit crimes
And crime dont have a face
We live in a political world
Icicles hangin down
Wedding bells ring and angels sing
And clouds cover up the ground
We live in a political world
Wisdom is thrown into jail
It rots in a cell misguided as hell
Leaving no one to pick up the trail
We live in a political world
Where mercy walks the plank
Life is in mirrors, death disappears
Up the steps into the nearest bank
We live in a political world
Courage is a thing of the past
Houses are haunted, children arent wanted
Your next day could be your last
We live in a political world
The one we can see and feel
But theres no one to check, its all a stacked deck
We all know for sure that its real
We live in a political world
The cities are a lonesome fear
Little by little, you turn in the middle
Youre never sure why youre here
We live in a political world
Under the microscope
You could travel anywhere and hang yourself there
Youve always got more than enough rope
We live in a political world
Turning and a-thrashing about
As soon as youre awake youre trained to take
What looks like the easy way out
We live in a political world
Where peace is not welcome at all
Its turned away from the door to wander some more
Or put up against the wall
We live in a political world
Everythings hers and his
Climb into the flame and shout gods name
But youre not even sure what it is
song performed by Bob Dylan
Added by Lucian Velea
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Please Don't Pass Me By
I was walking in new york city and i brushed up against the man in front of me. i felt a cardboard placard on his back. and when we passed a streetlight, i could read it, it said "please do
Ass me by - i am blind, but you can see -i've been blinded totally - please don't pass me by." i was walking along 7th avenue, when i came to 14th street i saw on the corner curious mutilat
Of the human form; it was a school for handicapped people. and there were cripples, and people in wheelchairs and crutches and it was snowing, and i got this sense that the whole city was singin
S:
Oh please don't pass me by,
Oh please don't pass me by,
For i am blind, but you can see,
Yes, i've been blinded totally,
Oh please don't pass me by.
And you know as i was walking i thought it was them who were singing it, i thought it was they who were singing it, i thought it was the other who was singing it, i thought it was someone else.
S i moved along i knew it was me, and that i was singing it to myself. it went:
Please don't pass me by,
Oh please don't pass me by,
For i am blind, but you can see,
Well, i've been blinded totally,
Oh please don't pass me by.
Oh please don't pass me by.
Now i know that you're sitting there deep in your velvet seats and you're thinking "uh, he's up there saying something that he thinks about, but i'll never have to sing that song." but
Omise you friends, that you're going to be singing this song: it may not be tonight, it may not be tomorrow, but one day you'll be on your knees and i want you to know the words when the time co
Because you're going to have to sing it to yourself, or to another, or to your brother. you're going to have to learn to sing this song, it goes:
Please don't pass me by,
Ah you don't have to sing this .. not for you.
Please don't pass me by,
For i am blind, but you can see,
Yes, i've been blinded totally,
Oh please don't pass me by.
Well i sing this for the jews and the gypsies and the smoke that they made. and i sing this for the children of england, their faces so grave. and i sing this for a saviour with no one to save.
Won't you be naked for me? hey, won't you be naked for me? it goes:
Please don't pass me by,
Oh please don't pass me by,
For i am blind, but you can see,
Yes, i've been blinded totally,
Oh now, please don't pass me by.
Now there's nothing that i tell you that will help you connect the blood tortured night with the day that comes next. but i want it to hurt you, i want it to end. oh, won't you be naked for me?
W:
Please don't pass me by,
Oh please don't pass me by,
For i am blind, but you can see,
Yes, i've been blinded totally,
Oh now, please don't pass me by.
Well i sing this song for you blonde beasts, i sing this song for you venuses upon your shells on the foam of the sea. and i sing this for the freaks and the cripples, and the hunchback, and the
Ed, and the burning, and the maimed, and the broken, and the torn, and all of those that you talk about at the coffee tables, at the meetings, and the demonstrations, on the streets, in your mus
N my songs. i mean the real ones that are burning, i mean the real ones that are burning
I say, please don't pass me by,
Oh now, please don't pass me by,
For i am blind, but you can see,
Ah now, i've been blinded totally,
Oh no, please don't pass me by.
I know that you still think that its me. i know that you think that there's somebody else. i know that these words aren't yours. but i tell you friends that one day
You're going to get down on your knees,
[...] Read more
song performed by Leonard Cohen
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Children of Our Age
We are children of our age,
it's a political age.
All day long, all through the night,
all affairs--yours, ours, theirs--
are political affairs.
Whether you like it or not,
your genes have a political past,
your skin, a political cast,
your eyes, a political slant.
Whatever you say reverberates,
whatever you don't say speaks for itself.
So either way you're talking politics.
Even when you take to the woods,
you're taking political steps
on political grounds.
Apolitical poems are also political,
and above us shines a moon
no longer purely lunar.
To be or not to be, that is the question.
And though it troubles the digestion
it's a question, as always, of politics.
To acquire a political meaning
you don't even have to be human.
Raw material will do,
or protein feed, or crude oil,
or a conference table whose shape
was quarreled over for months;
Should we arbitrate life and death
at a round table or a square one?
Meanwhile, people perished,
animals died,
houses burned,
and the fields ran wild
just as in times immemorial
and less political.
poem by Wislawa Szymborska
Added by Veronica Serbanoiu
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Two Folk Songs
I. THE SOLDIER
(Roumanian)
When winter trees bestrew the path,
Still to the twig a leaf or twain
Will cling and weep, not Winter's wrath,
But that foreknown forlorner pain-
To fall when green leaves come again.
I watch'd him sleep by the furrow-
The first that fell in the fight.
His grave they would dig to-morrow:
The battle called them to-night.
They bore him aside to the trees, there,
By his undigg'd grave content
To lie on his back at ease there,
And hark how the battle went.
The battle went by the village,
And back through the night were borne
Far cries of murder and pillage,
With smoke from the standing corn.
But when they came on the morrow,
They talk'd not over their task,
As he listen'd there by the furrow;
For the dead mouth could not ask-
How went the battle, my brothers?
But that he will never know:
For his mouth the red earth smothers
As they shoulder their spades and go.
Yet he cannot sleep thereunder,
But ever must toss and turn.
How went the battle, I wonder?
-And that he will never learn!
When winter trees bestrew the path,
Still to the twig a leaf or twain
Will cling and weep, not Winter's wrath,
But that foreknown, forlorner pain-
To fall when green leaves come again!
[...] Read more
poem by Sir Arthur Quiller-Couch
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II. Half-Rome
What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)
Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Sigismond And Guiscardo. From Boccace
While Norman Tancred in Salerno reigned,
The title of a gracious Prince he gained;
Till turned a tyrant in his latter days,
He lost the lustre of his former praise,
And from the bright meridian where he stood
Descending dipped his hands in lovers' blood.
This Prince, of Fortune's favour long possessed,
Yet was with one fair daughter only blessed;
And blessed he might have been with her alone,
But oh! how much more happy had he none!
She was his care, his hope, and his delight,
Most in his thought, and ever in his sight:
Next, nay beyond his life, he held her dear;
She lived by him, and now he lived in her.
For this, when ripe for marriage, he delayed
Her nuptial bands, and kept her long a maid,
As envying any else should share a part
Of what was his, and claiming all her heart.
At length, as public decency required,
And all his vassals eagerly desired,
With mind averse, he rather underwent
His people's will than gave his own consent.
So was she torn, as from a lover's side,
And made, almost in his despite, a bride.
Short were her marriage joys; for in the prime
Of youth, her lord expired before his time;
And to her father's court in little space
Restored anew, she held a higher place;
More loved, and more exalted into grace.
This Princess, fresh and young, and fair and wise,
The worshipped idol of her father's eyes,
Did all her sex in every grace exceed,
And had more wit beside than women need.
Youth, health, and ease, and most an amorous mind,
To second nuptials had her thoughts inclined;
And former joys had left a secret string behind.
But, prodigal in every other grant,
Her sire left unsupplied her only want,
And she, betwixt her modesty and pride,
Her wishes, which she could not help, would hide.
Resolved at last to lose no longer time,
And yet to please her self without a crime,
She cast her eyes around the court, to find
A worthy subject suiting to her mind,
To him in holy nuptials to be tied,
A seeming widow, and a secret bride.
[...] Read more
poem by John Dryden
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Flight of the Duchess
I
You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!
II
Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore
—And the whole is our Duke's country.
III
I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
[...] Read more
poem by Robert Browning from Dramatic Romances and Lyrics (1845)
Added by Veronica Serbanoiu
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Flight Of The Duchess, The
I.
You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!
II.
Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,---
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
---And the whole is our Duke's country.
III.
I was born the day this present Duke was---
(And O, says the song, ere I was old!)
In the castle where the other Duke was---
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive
[...] Read more
poem by Robert Browning
Added by Poetry Lover
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Strange
Strange, how you stopped loving me!
How you stopped needing me!
When you came along, oh how strange!
Strange, how you stopped loving me!
How you stopped needing me!
When you came along, oh how strange!
Strange, you change like night and day
Just stopped and walked away
When you came along, oh how strange!
Well I guess that I was meant to be
A puppet on a string
To think I found you really love me
Look what love can bring
Strange, youre still in all my dreams
Oh what a foolish me
I still care for you, oh how strange!
How strange!
Well I guess that I was meant to be
A puppet on a string
To think I found you really love me
Look what love can bring
Strange, how you stopped loving me!
How you stopped needing me!
When you came along, oh how strange!
Strange, you change like night and day
Just stopped and walked away
When you came along, oh how strange!
Strange, youre still in all my dreams
Oh what a foolish me
I still care for you, oh how strange!
Well I guess that I was meant to be
A puppet on a string
To think I found you really love me
Look what love can bring
Strange, youre still in all my dreams
Oh what a foolish me
I still care for you, oh how strange!
Strange, how you stopped loving me!
How you stopped needing me!
When you came along, oh how strange!
Strange, youre still in all my dreams
Oh what a foolish me
I still care for you, oh...
song performed by Boney M.
Added by Lucian Velea
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March of Memories
Left, right - left, right . . .
We march today for memories (the grizzled Digger said)
Memories of lost dreams and comrades gone ahead
Comrades bloody war took, dreams that men have slain
(Left, right - left, right . . .) Not ours to dream again.
There was Shorty Hall and Len Pratt, Long Joe and Blue,
Skeet and Brolga Houlihan, and Fat and me and you:
Bright lads, the old bunch; eager lads and keen
That first day we marched down thro' this familiar scene.
Dreams were ours, and high hopes went with us overseas.
(Left, right - left, right . . . ) And now 'tis memories.
We march again for memories (the grizzled Digger sighed)
Memories of lost mates, of foolish hopes that died.
First, Shorty got his issue on the beach at Sari Bair.
(Left, right - left, right . . .) The vision of him there
Brought the dawn of disillusion. I needed little more
To blood me to the butchery, the filthiness called war.
Shorty, like a limp rag, slung there anyhow,
Sprawling on the warm sand like I can see him now.
Always was a merry mate, a rare lad for fun.
(Left, right - left, right . . .) And Shorty, that was one.
We march today for memories; and they come crowding fast
As each year adds another page to the story of the past.
Pratt went west at Mena Base; raved of home and peace.
(Left, right - left, right . . . ) His was a kind release.
For a Lone Pine shell-burst got him; and he was less than man.
'Twas a sniper's bullet bore the name of Brolga Houlihan.
We called him Happy Houlihan, the man who took a chance.
Then the Reaper paused and plotted for the rest of them in France -
Except Long Joe, the luckless, a youth ill-shaped for war.
(Left, right - left, right . . .) And Long Joe was four.
We march today for memories. Little else had we
When we marched home as veterans. Blue and you and me.
For Skeet went with a night raid, and none came back alive.
(Left, right - left, right . . .) So Skeet, he tallied five.
Five gone and four to fight; us and Blue and Fat,
Who vowed he was too big to hit; but a whizz-bang settled that.
Yet Fat was lucky to the end - an end that held no pain.
All hell erupted where he stood; and none saw him again.
And Blue marched, and you marched, and I, a war-torn three.
(Left. right - left, right . . . ) Marched with memory.
We march again with memories (the grizzled Digger spake)
One year? Ten years? How soon shall we awake
To glorious reality? For lately it would seem -
(Left, right - left, right . . .) - we march within a dream.
Where Shorty is, and Blue is, and Happy Houlihan,
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
Added by Poetry Lover
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They're Not Suited Totally
Two strangers,
Too soon meet...
To agree,
No one else can match their needs.
Two strangers,
Too soon meet...
To soon discover,
They're not suited totally!
After feeding sexual needs,
They're not suited totally.
Petty issues raises heat.
And they're not suited totally.
There's no cure or remedy,
That will make two strangers see...
Eye to eye,
As days go by.
Two strangers,
Too soon meet...
To agree,
No one else can match their needs.
Two strangers,
Too soon meet...
To soon discover,
They're not suited totally!
Between them there's no history.
And two strangers will never see...
Eye to eye,
As days go by.
After feeding sexual needs,
They're not suited totally.
Petty issues raises heat.
And they're not suited totally.
There's no cure or remedy,
And soon two strangers will agree...
Between them there's no chemistry.
And one of them wishes to leave.
Since there is no history.
And two strangers will never see...
Eye to eye,
As days go by.
Two strangers...
They're not suited totally!
Between them there's no history.
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
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A Free Green Grass Of Home Towards
(1)
Free To Freedom To Indenpendence To Demoracy
The bsae line is 'Free' in the sense of financial cases and socio-political
fields
Greem grass of free mind-sets
Free To Freedom To Indenpendence To Demoracy
The bsae line is 'Free' in the sense of financial cases and socio-political
fields
Greem grass of free mind-sets
(2)
Free To Freedom To Indenpendence To Demoracy
The bsae line is 'Free' in the sense of financial cases and socio-political
fields
Greem grass of free mind-sets
(3)
Free To Freedom To Indenpendence To Demoracy
The bsae line is 'Free' in the sense of financial cases and socio-political
fields
Greem grass of free mind-sets
(4)
Free To Freedom To Indenpendence To Demoracy
The bsae line is 'Free' in the sense of financial cases and socio-political
fields
Greem grass of free mind-sets
(5)
Free To Freedom To Indenpendence To Demoracy
The bsae line is 'Free' in the sense of financial cases and socio-political
fields
Greem grass of free mind-sets
(6)
Free To Freedom To Indenpendence To Demoracy
The bsae line is 'Free' in the sense of financial cases and socio-political
fields
Greem grass of free mind-sets
(7)
Free To Freedom To Indenpendence To Demoracy
The bsae line is 'Free' in the sense of financial cases and socio-political
[...] Read more
poem by Nyein Way
Added by Poetry Lover
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