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We cannot possibly let ourselves get frozen into regarding everyone we do not know as an absolute stranger.

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Fundamental of Liar Chapter XCVIII: Absolutely Relative

Expensive is absolute, cheap is relative
Far is absolute, near is relative
Ugly is absolute, beauty is relative
Weird is absolute, crazy is relative
Stubborn is absolute, brave is relative
Stupid is absolute, smart is relative
Weak is absolute, strong is relative
Old is absolute, mature is relative
Lose is absolute, win is relative
Rich is absolute, poor is relative
Sad is absolute, happy is relative
Misfortune is absolute, lucky is relative
Safe is absolute, fear is relative
Love is absolute, hate is relative
Important is absolute, forgotten is relative
Easy is absolute, difficult is relative
Wrong is absolute, right is relative
Bad is absolute, good is relative
Lie is absolute, truth is relative

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Love Aint No Stranger

(coverdale/galley)
Who knows where the cold wind blows,
I ask my friends, but, nobody knows
Who am I to believe in love,
Oh, love aint no stranger
I looked around an what did I see
Broken hearted people staring at me,
All searching cos they still believe,
Oh, love aint no stranger
I was alone an I needed love
So much I sacrificed all I was dreaming of,
I heard no warning, but, a heart can tell
Id feel the emptiness of love I know so well
Love aint no stranger,
I aint no stranger
Love aint no stranger,
I aint no stranger to love, no, no, no
Cant hold the passion of a soul in need,
I look for mercy when my heart begins to bleed
I know good loving an Im a friend of pain,
But, when I read between the lines its all the same
Love aint no stranger,
I aint no stranger
Love aint no stranger,
I aint no stranger to love
So who knows where the cold wind blows,
I ask my friends, but, nobody knows
Who am I to believe in love,
Lord, have mercy,
Love aint no stranger,
I aint no stranger
I was alone an I needed love
So much I sacrificed all I was dreaming of,
Cant hold the passion of a soul in need,
I look for mercy when my heart begins to bleed
Love aint no stranger,
I aint no stranger
Love aint no stranger,
I aint no stranger to love
Love aint no stranger,
Love aint no stranger,
I aint no stranger...

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Stranger Eyes

A-when you took the fall
And then you floated down
And then you took the jump
And you fell through clouds
Yeah then you watched the world
Beat the crowd
Come on ride me high
(stranger eyes)
A-well a-ride me high
(stranger eyes)
Yeah you took the fall
And then you landed soft
You thought to yourself
Oo well Im not alone
You with your dark red soul
And your chaperone
Come on ride me high
(stranger eyes)
Wont you ride me high
(stranger eyes)
Come on ride me high
(stranger eyes)
Ride me high
(danger [? ] stranger eyes)
Stranger eyes
Oo well I need your touch
That means so much
Oo well I need your touch
Cause it means so much
A-ride me high
Come on ride me high
(stranger eyes)
A-yeah ride me high
(stranger eyes)
Ride me high
(stranger eyes)
Oh, come on and ride me high
(danger [? ] stranger eyes)
Stranger eyes
(stranger [echo] stranger eyes)
(stranger [echo] stranger eyes)
(stranger [echo] stranger eyes)
[fade]

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Stranger On A Quiet Street

When all the thrills have been forgotten
The chill of night can call them home
And all the dreams that you left stranded
Will slowly start to come along
I felt it as she slipped away, slipped away
I didnt have the words to say
When I saw the stranger
A stranger on a quiet street
Stranger on a quiet street
You can go straight as an arrow
You can go straight as you dare
Walkin the old straight and narrow
Dont always get you there
The sun was shining when I saw it all
She was moving to a different beat
When I met a stranger
A stranger on a quiet street
Stranger on a quiet street
It came to me out of the blue, out of the blue
There came the moment that I really knew
When I met a stranger
A stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street, on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street

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Stranger In My Own House

(a capella: she said: boy, your luck is running out...she make me feel like a stranger...in my own house)
I come stumbling in at a quarter to three
To the sound of my own dog growlin at me
Im scared to move or turn on a light
Youve got me creepin around in the dark
Like a thief in the night
Ive got no excuse, I should have known
Ive got no place to live
I never feel at home
I walk into the kitchen to see whats there
Im tired and Im hungry but the cupboards bare
Ive been working all day and all night too
I cant believe this is all I have to come back to
I guess Ill take a look upstairs, in the danger zone
I wonder what Im doing here
When I never feel at home
Im a stranger in my own house
Ive got the keys to the door
But Im still locked out
Im a stranger in my own house
Ill huff and Ill puff and Ill blow this house down
Cant be a stranger in my own house
I see the do not disturb sign on my bedroom door
What is this sheet and pillow laying on the floor
I wore out my welcome
I hear you loud and clear
Its time to get a few things straight around here
Ive got no excuse, I should have known
Ive got a place to live but I never feel at home
Im just a stranger in my own house
Ive got the keys to the door
But Im still locked out
Stranger in my own house
Ill huff and Ill puff and Ill blow this house down
Cant be a stranger in my own house
Ive got no excuse, I should have known
With a woman like you Im better off alone
Im a stranger in my own house
Ive got the keys to the door
But Im still locked out
Im just a stranger in my own house
Oh, honey Im home
Im just a stranger in my own house
Im just a stranger in my own house
You got a lion on your hands girl, not a mouse!
Im just a stranger in my own house
Im just a stranger in my own house
Well, somebodys got to go...
Stranger
Stranger

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Byron

Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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Byron

Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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Stranger in Strange Crowd

STRANGER IN STRANGE CROWD


Dreams stranger’s path divide
from crowd’s uneven t[h]read
who's tissue, issues poorly understood, through dread
is left behind, swirls second rate as flotsam on life's tide,
noise windmills, senses silent, life-blood sped,
bled white, so often fearing fear, by wisdom wide,
unblessed, unsteady set sights low instead.

Despite stress, sentiments denied, imagination set aside,
stranger story stores till head heeds heart, until desires well led
fire understanding rich allied with empathy sustaining ride.
Swift Pegasus is supplied
with neither saddle, A to Zed accoutrements life tears to shreds
when vested interests, motives pure collide.

Defy temptations of soft ride
along straight road which, comfort fed,
selects ‘safe way’, too often dreads
free choice, autonomy. Self-pride
corresponds to quest for bread.

Distrust that moment Fortune’s tide
entwines in fickle thread
conformity, convention wed.
Scorn empty homage, those who glide
through vain p[l]ain life, misled.

Survival instinct, safe homestead, a ‘living wage’, priorities
appear, as opportunities to seize as each spins finite set
tripped, snipped, then ripped by Norms with ease.

Far from madding crowd who dares assign
himself true rôle in life, who thinks,
who sifts chaff, grain, drains lees from wine, palms pearls from swine?
Who, intact, acts and interacts, discerning fiction, facts,

opposes expedience, authority which hoodwinks
manipulated herd unheard, which lacks
true overview impartial, thus reacts
rather than responds, its armour: chinks.
On each new generation weigh rigid systems spawned by Fate unkind.
As pawns most men play puppet parts in Time’s relay game of tiddly-winks.

Is search for self through mirrored minds
just base reflection on sight lost?
Insisting on base ‘skills’ man finds
intuitions atrophy - cost

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English Eclogues I - The Old Mansion-House

STRANGER.
Old friend! why you seem bent on parish duty,
Breaking the highway stones,--and 'tis a task
Somewhat too hard methinks for age like yours.


OLD MAN.
Why yes! for one with such a weight of years
Upon his back. I've lived here, man and boy,
In this same parish, near the age of man
For I am hard upon threescore and ten.
I can remember sixty years ago
The beautifying of this mansion here
When my late Lady's father, the old Squire
Came to the estate.


STRANGER.
Why then you have outlasted
All his improvements, for you see they're making
Great alterations here.


OLD MAN.
Aye-great indeed!
And if my poor old Lady could rise up--
God rest her soul! 'twould grieve her to behold
The wicked work is here.


STRANGER.
They've set about it
In right good earnest. All the front is gone,
Here's to be turf they tell me, and a road
Round to the door. There were some yew trees too
Stood in the court.


OLD MAN.
Aye Master! fine old trees!
My grandfather could just remember back
When they were planted there. It was my task
To keep them trimm'd, and 'twas a pleasure to me!
All strait and smooth, and like a great green wall!
My poor old Lady many a time would come
And tell me where to shear, for she had played
In childhood under them, and 'twas her pride
To keep them in their beauty. Plague I say
On their new-fangled whimsies! we shall have
A modern shrubbery here stuck full of firs

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Homer

The Odyssey: Book 17

When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. "Old friend," said he to
the swineherd, "I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean."
Then Ulysses said, "Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off."
On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, "Light of my eyes,"
she cried as she spoke fondly to him, "so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw."
"Do not scold me, mother,' answered Telemachus, "nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself."
She heeded her son's words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father's house, and they made him tell them all that had happened to

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Homer

The Odyssey: Book 18

Now there came a certain common tramp who used to go begging all
over the city of Ithaca, and was notorious as an incorrigible
glutton and drunkard. This man had no strength nor stay in him, but he
was a great hulking fellow to look at; his real name, the one his
mother gave him, was Arnaeus, but the young men of the place called
him Irus, because he used to run errands for any one who would send
him. As soon as he came he began to insult Ulysses, and to try and
drive him out of his own house.
"Be off, old man," he cried, "from the doorway, or you shall be
dragged out neck and heels. Do you not see that they are all giving me
the wink, and wanting me to turn you out by force, only I do not
like to do so? Get up then, and go of yourself, or we shall come to
blows."
Ulysses frowned on him and said, "My friend, I do you no manner of
harm; people give you a great deal, but I am not jealous. There is
room enough in this doorway for the pair of us, and you need not
grudge me things that are not yours to give. You seem to be just
such another tramp as myself, but perhaps the gods will give us better
luck by and by. Do not, however, talk too much about fighting or you
will incense me, and old though I am, I shall cover your mouth and
chest with blood. I shall have more peace to-morrow if I do, for you
will not come to the house of Ulysses any more."
Irus was very angry and answered, "You filthy glutton, you run on
trippingly like an old fish-fag. I have a good mind to lay both
hands about you, and knock your teeth out of your head like so many
boar's tusks. Get ready, therefore, and let these people here stand by
and look on. You will never be able to fight one who is so much
younger than yourself."
Thus roundly did they rate one another on the smooth pavement in
front of the doorway, and when Antinous saw what was going on he
laughed heartily and said to the others, "This is the finest sport
that you ever saw; heaven never yet sent anything like it into this
house. The stranger and Irus have quarreled and are going to fight,
let us set them on to do so at once."
The suitors all came up laughing, and gathered round the two
ragged tramps. "Listen to me," said Antinous, "there are some goats'
paunches down at the fire, which we have filled with blood and fat,
and set aside for supper; he who is victorious and proves himself to
be the better man shall have his pick of the lot; he shall be free
of our table and we will not allow any other beggar about the house at
all."
The others all agreed, but Ulysses, to throw them off the scent,
said, "Sirs, an old man like myself, worn out with suffering, cannot
hold his own against a young one; but my irrepressible belly urges
me on, though I know it can only end in my getting a drubbing. You
must swear, however that none of you will give me a foul blow to
favour Irus and secure him the victory."
They swore as he told them, and when they had completed their oath
Telemachus put in a word and said, "Stranger, if you have a mind to
settle with this fellow, you need not be afraid of any one here.

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The Sale of Saint Thomas

A quay with vessels moored


Thomas
To India! Yea, here I may take ship;
From here the courses go over the seas,
Along which the intent prows wonderfully
Nose like lean hounds, and tack their journeys out,
Making for harbours as some sleuth was laid
For them to follow on their shifting road.
Again I front my appointed ministry. --
But why the Indian lot to me? Why mine
Such fearful gospelling? For the Lord knew
What a frail soul He gave me, and a heart
Lame and unlikely for the large events. --
And this is worse than Baghdad! though that was
A fearful brink of travel. But if the lots,
That gave to me the Indian duty, were
Shuffled by the unseen skill of Heaven, surely
That fear of mine in Baghdad was the same
Marvellous Hand working again, to guard
The landward gate of India from me. There
I stood, waiting in the weak early dawn
To start my journey; the great caravan's
Strange cattle with their snoring breaths made steam
Upon the air, and (as I thought) sadly
The beasts at market-booths and awnings gay
Of shops, the city's comfortable trade,
Lookt, and then into months of plodding lookt.
And swiftly on my brain there came a wind
Of vision; and I saw the road mapt out
Along the desert with a chalk of bones;
I saw a famine and the Afghan greed
Waiting for us, spears at our throats, all we
Made women by our hunger; and I saw
Gigantic thirst grieving our mouths with dust,
Scattering up against our breathing salt
Of blown dried dung, till the taste eat like fires
Of a wild vinegar into our sheathèd marrows;
And a sudden decay thicken'd all our bloods
As rotten leaves in fall will baulk a stream;
Then my kill'd life the muncht food of jackals. --
The wind of vision died in my brain; and lo,
The jangling of the caravan's long gait
Was small as the luting of a breeze in grass
Upon my ears. Into the waiting thirst
Camels and merchants all were gone, while I
Had been in my amazement. Was this not
A sign? God with a vision tript me, lest
Those tall fiends that ken for my approach

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Homer

The Odyssey: Book 19

Ulysses was left in the cloister, pondering on the means whereby
with Minerva's help he might be able to kill the suitors. Presently he
said to Telemachus, "Telemachus, we must get the armour together and
take it down inside. Make some excuse when the suitors ask you why you
have removed it. Say that you have taken it to be out of the way of
the smoke, inasmuch as it is no longer what it was when Ulysses went
away, but has become soiled and begrimed with soot. Add to this more
particularly that you are afraid Jove may set them on to quarrel
over their wine, and that they may do each other some harm which may
disgrace both banquet and wooing, for the sight of arms sometimes
tempts people to use them."
Telemachus approved of what his father had said, so he called
nurse Euryclea and said, "Nurse, shut the women up in their room,
while I take the armour that my father left behind him down into the
store room. No one looks after it now my father is gone, and it has
got all smirched with soot during my own boyhood. I want to take it
down where the smoke cannot reach it."
"I wish, child," answered Euryclea, "that you would take the
management of the house into your own hands altogether, and look after
all the property yourself. But who is to go with you and light you
to the store room? The maids would have so, but you would not let
them.
"The stranger," said Telemachus, "shall show me a light; when people
eat my bread they must earn it, no matter where they come from."
Euryclea did as she was told, and bolted the women inside their
room. Then Ulysses and his son made all haste to take the helmets,
shields, and spears inside; and Minerva went before them with a gold
lamp in her hand that shed a soft and brilliant radiance, whereon
Telemachus said, "Father, my eyes behold a great marvel: the walls,
with the rafters, crossbeams, and the supports on which they rest
are all aglow as with a flaming fire. Surely there is some god here
who has come down from heaven."
"Hush," answered Ulysses, "hold your peace and ask no questions, for
this is the manner of the gods. Get you to your bed, and leave me here
to talk with your mother and the maids. Your mother in her grief
will ask me all sorts of questions."
On this Telemachus went by torch-light to the other side of the
inner court, to the room in which he always slept. There he lay in his
bed till morning, while Ulysses was left in the cloister pondering
on the means whereby with Minerva's help he might be able to kill
the suitors.
Then Penelope came down from her room looking like Venus or Diana,
and they set her a seat inlaid with scrolls of silver and ivory near
the fire in her accustomed place. It had been made by Icmalius and had
a footstool all in one piece with the seat itself; and it was
covered with a thick fleece: on this she now sat, and the maids came
from the women's room to join her. They set about removing the
tables at which the wicked suitors had been dining, and took away
the bread that was left, with the cups from which they had drunk. They
emptied the embers out of the braziers, and heaped much wood upon them

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poem by , translated by Samuel ButlerReport problemRelated quotes
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The Face

You take a final look around
And then you put your house-key down
Upon the table by the note
You take your handbag and your coat
You don't want too much to carry
To slow you down on the way

You picture his face
In the morning
As he was going to work
Without saying a word
You saw the face
Of a stranger
It wasn't always like this before
His face like a stranger
You didn't know what to say
So you are going away
From the face of a stranger
And not the lover you knew before

Why should you want to call your friends
Why should you want to start again
You tried explaining through the years
But it would always end in tears
And one thing you know for certain
You've said goodbye to that place

But still
You picture his face
In the morning
As he was going to work
Without saying a word
You saw the face
Of a stranger
It wasn't always like this before
His face like a stranger
You didn't know what to say
So you are going away
From the face of a stranger
And not the lover you knew before

Somewhere a telephone
Is ringing in an empty room
Miles away
You are looking at a new town
But you are thinking of the past
The rain is falling down
Why do you keep that photograph

Of his face like a stranger

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song performed by Anni Frid Lyngstad from ShineReport problemRelated quotes
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Stranger Stranger

(howe/kirke/thomas)
Theres a crazy moon, a crazy sky, looking down on me
Ive been losing track of time
Its been the hardest day, the longest night Ive ever spent alone
I cant get you off my mind
You know what Ive been missing, do I really have to say
We talk but you dont listen, its not always been that way, no... shes a
Chorus:
Stranger, stranger - youre not the girl I knew, will you ever be the same
You act like a stranger, stranger - tell me it aint true
Wont you please explain, why youre so strange
In the morning gloom, this empty room, I can see your face
When I look again, youre gone
Your memory, so close to me, it leaves a trace
Wont you tell me what went wrong
No sign, no words, no warning, we can never be the same, no
When you walked out that morning, you know you left nothing but the blame
I know that youre a...
Chorus:
Stranger, stranger - youre not the girl I knew, will you ever be the same
You act like a stranger, stranger - tell me it aint true
Wont you please explain, why youre so strange
(solo)
Oh, youre a...
Chorus repeats 2x:
Stranger, stranger - youre not the girl I knew, will you ever be the same
You act like a stranger, stranger - tell me it aint true
Wont you please explain, why youre so strange

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Stranger In This Town

(sambora, bryan)
Hey mister can you tell me
What this worlds about
It might just help me out
I used to be a dreamer
But my dreams have burned
You know how luck can turn
Sometimes its hard to find a friendly face
Feel like a stranger to the human race
Its such a lonely, lonely place
I walk alone in the darkness of the city
Got no place to call home
I might be dyin
But you cant hear a sound
cause midnight rain is comin down
Im just a stranger, a stranger in this town
Everybody loves a winner
Till the winners lose
And then its front page news
Nobody loves a loser
When youre down and out
You know there aint no doubt
Im just a victim of circumstance
Please mister give me a helping hand
Brother wont you understand
I walk alone in the darkness of the city
Got no place to call home
I might be dyin
But you cant hear a sound
cause midnight rain is comin down
Im just a stranger, a stranger in this town
Im just a victim of circumstance
Please mister give me a helping hand
Brother wont you understand
I walk alone in the darkness of the city
Got no place to call home
I might be dyin
But you cant hear a sound
cause midnight rain is comin down
Im just a stranger, a stranger in this town
I mean no danger, Im a stranger, Im a stranger
Im a stranger in this town...
I mean no danger, Im a stranger...
Im just a stranger in this town

song performed by Bon JoviReport problemRelated quotes
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Stranger In The House

We dont talk much
We dont make love like we used to
And I stay guarded
Ive got walls and triggers
I never thought I had
And so do you
But this is love
And thats the way we seem content to play it
I touch your clothes when youre gone
I let your scent wash over me
You cry at night and you wish just like a child
That we were how we used to be
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
And she looks like somebody from a lifetime ago
I stonewall you, you stonewall me
But we both know that
Hiding deep inside us
Lives the love that we try hard to lose
And never will
But this is war
And thats the way we seem content to fight it
I get so angry and confused cause
I want out but I want you
You cant decide between moving out or moving in
You dont know what to do
With a stranger in the house
In the house
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
And she looks like you
And he looks like me
Is this the same girl that, I fought so hard to win
And now I fight to lose her
Now I feel that its just like skin to skin
And nerve to nerve
Strung out like wire
Is that the way we are content to live
We face off in anger
In rooms once filled with love
Looking for a chink in the armour
Where we can stab the blade
What are we thinking of
Theres a stranger in the house

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song performed by Rick SpringfieldReport problemRelated quotes
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Dont Look To The Eyes Of A Stranger

(harris)
Dont look to the eyes of a stranger
Dont look trough the eyes of a fool
Dont look to the eyes of a stranger
Somebodys watching when the light goes down
Dont look to the eyes of a stranger
Dont look trough the eyes of a fool
Dont look to the eyes of a stranger
Somebodys watching when the night comes down
Feel someones watching you
You gotta get away
Is it the first time
Youve ever felt this scared
Feel the adrenaline pump
Your heart begins to race
Begin to run now
The sweat runs down your face
Dont know which way to turn
Youd better hide yourself
Hes getting closer now
Youd better improvise
Just hope you never reach
The point of no return
Could be the last time
You see the light of day
Dont look to the eyes of a stranger
Dont look trough the eyes of a fool
Dont look to the eyes of a stranger
Somebodys watching when the night goes down
Dont look to the eyes of a stranger
Dont look trough the eyes of a fool
Dont look to the eyes of a stranger
Somebodys watching when the light goes down
Dont look to, dont look to
Dont look to the eyes of a stranger
Dont look to the eyes of a stranger
Dont look through the eyes of a fool
Dont look to the eyes of a stranger
Somebodys watching when the light goes down
Dont look to the eyes of a stranger

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