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In fifty years of covering the sport, of course Muhammad Ali is by far the dominant figure.

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Oooo...Oooo-Oooo Wee Ow-ouch!

'I'm more dominant and not the weak one.
More dominant and not the weak one.
I'm more dominant and not the weak one.
More dominant and not the weak one.'

Oooo...
Oooo-Oooo wee ow-ouch!

'More dominant and not the weak one.
I'm more dominant and not the weak one.'

Oooo...
Oooo-Oooo wee ow-ouch!

She says I'm on a pacifier.
Unreliable with too many needs.
She says I'm heat under the sheets...
But she's the one who buys the food we eat.

She says I'm not dependable at all.
And by herself she does the best she can alone,
To make all ends meet!
When bill collectors call.
And,
She's more dominant and not the weak one.
More dominant and not the weak one.

Oooo...
Oooo-Oooo wee ow-ouch.
More dominant and not the weak one?
More dominant and not the weak one?

Submissive when she comes to the bed.
Prepared to get her needs met!
And I am ever ready.

I've lost my job and the kids are fed.
I do the best I can...
But I'm not making the bread.
And my ego's thinly spread.
When the work I've done is meager.
And the words I hear from her...
Are wrestling in my head.

'I'm more dominant and not the weak one.
More dominant and not the weak one.'
OW!
'...dominant and not the weak one.
More dominant and not the weak one.'
OW!

[...] Read more

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Rumble in the jungle

Give us some poetry?
Me, we..?
These are the words;
Of Muhammad Ali..!

Ali—baba-booyah! Ali
The emperor of Horus
Sang back the chorus…
Ali—baba-booyah!
Ali—baba-booyah!
Ali—baba-booyah!

The peoples Champion!
A roaring catlike, lion
with long-legs of lynxes
a king of all… the Cobras
With a right leading, paw...
His arm like a ripsaw...
And with words of combat
He was like a buzzing black, gnat...
In the ear of an iron wall-
0f fury, surely, he’s only a Meatball.

Said he a half-crazed; George Forman
He isn’t there, American, Tarzan
surely he isn’t their hero’ this? Muhammad Ali...

Ail—baba-booyah! Ali
The emperor of Horus
Sang back they in chorus
Ali—baba-booyah!
Ali—baba-booyah!
Ali—baba-booyah!

Hellfire’s sharpened inside a mountain beast:
Whose instincts weren’t yet that of a baptized priest?

This only unleashed a thuggish bears raging guffaws…
In a taciturn of natural, laws.
A trudging elephant goes, sleeping…
Wearily on the ropes—he’s just waiting
Tobacco chewing the brawlers
Heart weakening boulders.
His heart thrashing leaf shredding soul…
All this is compounding so all his admirers’ console!
Muhammad Ali...

Ali—baba-booyah! Ali
The emperor of Horus
Sang back in chorus

[...] Read more

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Hooray! Hooray!

Un lugar halle yo junto al mar
Ali, ali, ho
Si tu quieres ir te llevare
Ali, ali, ho
Hay un manantial que es de cristal
Ali, ali, ho
Tu conmigo ven te escondere
Ali, ali, ho
Hoy es, hoy es,
Una fiesta sin igual
Para todos es sensacional
Hoy la fiesta es
Hoy es, hoy es,
Una fiesta sin igual
Tienes que cantar tu ya lo ves
Hoy la fiesta es
Hoy la fiesta es
Por el campo vas y correras
Ali, ali, ho
Las estrellas hoy nos guiaran
Ali, ali, ho
Yo contigo ire sin temor
Ali, ali, ho
Al lugar auqel te voy a amar
Ali, ali, ho
Hoy es, hoy es,
Una fiesta sin igual
Para todos es sensacional
Hoy la fiesta es
Hoy es, hoy es,
Una fiesta sin igual
Tienes que cantar tu ya lo ves
Hoy la fiesta es
Hoy la fiesta es

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Hooray! Hooray! Its A Holi-holiday

Un lugar halle yo junto al mar
Ali, ali, ho
Si tu quieres ir te llevare
Ali, ali, ho
Hay un manantial que es de cristal
Ali, ali, ho
Tu conmigo ven te escondere
Ali, ali, ho
Hoy es, hoy es,
Una fiesta sin igual
Para todos es sensacional
Hoy la fiesta es
Hoy es, hoy es,
Una fiesta sin igual
Tienes que cantar tu ya lo ves
Hoy la fiesta es
Hoy la fiesta es
Por el campo vas y correras
Ali, ali, ho
Las estrellas hoy nos guiaran
Ali, ali, ho
Yo contigo ire sin temor
Ali, ali, ho
Al lugar auqel te voy a amar
Ali, ali, ho
Hoy es, hoy es,
Una fiesta sin igual
Para todos es sensacional
Hoy la fiesta es
Hoy es, hoy es,
Una fiesta sin igual
Tienes que cantar tu ya lo ves
Hoy la fiesta es
Hoy la fiesta es

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[intro]

Yo, my name is Taquell A.K.A Baby Poppa
Told ya I know ali
Yall thought I was playin
I told yall I know the Lunatics
Leezy, Nelly, Spud, Murph AND Kyjuan man
I know all of em since '99
Before Country Grammar before the Free City album
And now, Big Lee got that Heavy Starch out in the streets
It's over fo' real
Now next time Baby Poppa tell you somethin
You better listen
So keep your ears open cuz it's Ali
Heavy Starch let's go
Yo, Ali, Heavy Starch
Heavy Starch
Heavy Starch
Say it again
Heavy Starch
Do it like we do Heavy Starch Big Lee
Big Leezy fo sheezie with Heavy Starcheezy
What's up Ali
Hey Ali Heavy Starch
Peace to Ali comin from Son keepin it real, luv
Yo what's up Ali
Shouts out to Big Lee yea
Ali
Heavy Starch
What's up Ali
Heavy Starch
Big Leezy with the Heavy Starch
What's crack-a-lackin Heavy Starch
Heavy Starch
What's up Ali
Heavy Starch
Hi Ali Heavy Starch
Heavy Starch Big Lee
Big Lee Heavy Starch, Heavy Heavy Heavy Starch hahaha one luv
Right on Ali Right on Heavy Starch
Ali Heavy Starch, whatever you do dirty, keep it St. Louis

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Ali.

Growing up into the'deep south'way,
Black and White, no grey.! !
‘Know your place'every day,
No change, things just stay.!

Across his path, came the noble art,
Latent passion and talent inside.
The strength of mind and heart,
Convention could and would be defied.

The champion he would fight,
Against all the odds.
He won against Liston that night,
Was his fate in the'Lap of the Gods'?

Islam growing in his mind,
A ‘change'of name.
His future is signed,
He felt no shame.
From that day,
The name 'Clay' was history,
No longer 'Clay'.!
Only 'Mohammed Ali.'!

Ridiculed and demonized,
Endless pressure and torment..
Undermined and patronised,
His pride and resolve, they could not dent.
66'year of the draft, Ali protests about,
Uncle Sam made his stand.
Ali was outside the‘age drought'!
Their plan didn't go as planned.
Ali, they had much underrated,
A blow they would deal.
His conviction cannot be over-stated,
Place in history, he would seal.
A reporter asked him, ' What did he think of the‘Viet Cong',
Ali replied, 'No‘Viet Cong', ever called me a‘Nigger.' '
He remained resolute and strong,
The story just got bigger.!
His title, they would threaten to remove,
His reputation was at stake.
Action they would prove,
However his defiance and dignity would not break.

Government against him all the way,
Pressure still growing.
But he kept them at bay,
No giving in, no bowing.
He was still the champ,

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Your (pbuy) Love's Miracles

The space is full of small droplets, delicate
But all of the don't have the same fate,
Only those the colors of the rainbow create
Who are blessed with your love, peace be upon you!
O Prophet Muhammad, peace be upon you!

Countless flowers smile in parks and valleys
Not for months and years but some dailies
Only those give forth sweet smell in rallies
Who want to see you, peace be upon you!
O Prophet Muhammad, peace be upon you!

A large variety of herbs spreads on the ground
Some with ease and some with hardship found
Only those for good health are the most sound
That want to kiss your feet, peace be upon you!
O Prophet Muhammad, peace be upon you!

Numberless particles lie down on earth's face
Humility stays with them in close, fast embrace
Only those shine with marvelous, high grace
Who wait for you, o dear peace be upon you!
O Prophet Muhammad, peace be upon you!

Countless oysters live in the lap of ocean
Pearls are not found in the same proportion
But in those who have your love's passion
Are blessed with pearls, peace be upon you!
O Prophet Muhammad, peace be upon you!

Countless stars roam about in endless heaven
All the time, in all seasons, round the days seven
But only those flames dark night does enliven
That pray for you o dear, peace be upon you!
O Prophet Muhammad, peace be upon you!

Homeless clouds float in the sea of sky
Some crawl low some move on high
Only those quench the thirst of earth dry
That saturate with your love, peace be upon you!
O Prophet Muhammad, peace be upon you!

Countless breaths come to us and depart
With them moves ahead life's slow cart
But only those give life to the beating heart
That are filled with your love, peace be upon you!
O Prophet Muhammad, peace be upon you!

Endless tears trickle down the walls of eyes
Along with repeated sobs and fast sighs

[...] Read more

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

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That Fifty Year Old Woman

That fifty year old woman
she is someones mother
that fifty year old woman
she is someones lover
them fifty years of her life
unseen by a cover.

Covered by the leaves
from the autumn trees is the grass
surrounded by blue tape
and nosey people who pretend to pass
a group of actors walk by
they have come from a history class
to make history new
with conversation with questions to ask.

A fifty year old woman
in an autumn so cold
a fifty year old woman
seen dark winter unfold
them fifty years of life
it is all we are told.

The actors, they didn't get any information
they did not get pictures
nothing known about the situation
nothing at all to discuss
fifty years of age is all thats said
on the morning paper on the fifty bus
thats all thats said
a fifty year old woman, shes found dead.

That fifty year old woman
shes not someones mother
that fifty year old woman
how she had no lover
them fifty years of life
unseen by a cover.

That fifty year old woman
she was quoted in the paper today
that fifty year old woman will be gone tomorrow
the writers they will show no sorrow
because its the way things work
as people pass
she no longer lies on grass
shes covered in dirt.

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Boughetto

ft. Murphy Lee

ALI
Uh Uh...Ali and Murphy uh uh
school boy with the college boy and uh..and uh

Murph: Ali and Murphy is...
Ali: Bougie Baby
Murph: (But Um) But if it aint ghetto
Ali: They're gonna boo me baby
Murph: Gotta lake or pool
Ali: And a jacuzzi baby
Murph: But its still McDonalds
Ali: And a movie baby
Murph: Thatz soo crazy!!

(Ali)
Check Check

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MERE MoLLA

song Lyrixx-

Molla...Molla...Ali Molla..
tuje pe vari jau...
tere Reham mo karam pe sadke jau....
mere molla...mere Ali molla.....

jaan Bhi Dedu tu AgAR Kahe....
Tere been Na rahu is jahaa me...
Ab Na sukan...Na chen ise jahaan me....

Molla....Molla....Ali Molla......
Molla...Molla...Ali Molla..
tuje pe vari jau...
tere Reham mo karam pe sadke jau....
mere molla...mere Ali molla.....


Lut rahi HE muje ye jahaa ki janjire....
ho rahi judda ye sarhade......
muje le chal tere Dar pe molla....
muje le chal tere dar pe molla.......

Molla...Molla...Ali Molla..
tuje pe vari jau...
tere Reham mo karam pe sadke jau....
mere molla...mere Ali molla.....


wRRitten By:
SANDEEP JAHAAl

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Fifty Cents A Day

I am an humble Soldier
far from my friends and home,
mid scenes of war and hardships
I constantly must roam,
with many officers over me,
and them I must obey,
and do just what they tell me,
for fifty cents a day.

I enlisted in the army
to help my country's cause,
because I loved it dearly,
and would sustain its laws,
I felt a free man's duty,
his country to obey,
I came not as a hireling,
for fifty cents a day

I enlisted as a soldier.
a free man and a man
To do a soldiers duty,
as best a soldier can.
hope to fight the rebels,
and hate this long delay.
I came to help my country,
for fifty cents a day.

I now must yield to hardships
in cold in storm and rain
perchance with scanty rations
not even then complain
the right of seeking comfort
long since I signed away
my life I am slowly losing
for fifty cents a day.

who send the soldiers to the field
to buy his willing hand,
with promises so plentiful,
of treatment like a man?
twas those who, in two days,
received a larger pay
than does the soldiers in a month
at fifty cents a day

who promised to the soldier,
his wrongs should be redressed
if tyanny or officers
should his right oppress?
alas! the sword may smight him,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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William Cowper

The Task: Book VI. -- The Winter Walk at Noon

There is in souls a sympathy with sounds;
And as the mind is pitch’d the ear is pleased
With melting airs, or martial, brisk, or grave:
Some chord in unison with what we hear
Is touch’d within us, and the heart replies.
How soft the music of those village bells,
Falling at intervals upon the ear
In cadence sweet, now dying all away,
Now pealing loud again, and louder still,
Clear and sonorous, as the gale comes on!
With easy force it opens all the cells
Where Memory slept. Wherever I have heard
A kindred melody, the scene recurs,
And with it all its pleasures and its pains.
Such comprehensive views the spirit takes,
That in a few short moments I retrace
(As in a map the voyager his course)
The windings of my way through many years.
Short as in retrospect the journey seems,
It seem’d not always short; the rugged path,
And prospect oft so dreary and forlorn,
Moved many a sigh at its disheartening length.
Yet, feeling present evils, while the past
Faintly impress the mind, or not at all,
How readily we wish time spent revoked,
That we might try the ground again, where once
(Through inexperience, as we now perceive)
We miss’d that happiness we might have found!
Some friend is gone, perhaps his son’s best friend,
A father, whose authority, in show
When most severe, and mustering all its force,
Was but the graver countenance of love:
Whose favour, like the clouds of spring, might lower,
And utter now and then an awful voice,
But had a blessing in its darkest frown,
Threatening at once and nourishing the plant.
We loved, but not enough, the gentle hand
That rear’d us. At a thoughtless age, allured
By every gilded folly, we renounced
His sheltering side, and wilfully forewent
That converse, which we now in vain regret.
How gladly would the man recall to life
The boy’s neglected sire! a mother too,
That softer friend, perhaps more gladly still,
Might he demand them at the gates of death.
Sorrow has, since they went, subdued and tamed
The playful humour; he could now endure
(Himself grown sober in the vale of tears)
And feel a parent’s presence no restraint.
But not to understand a treasure’s worth

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Part II

So, they ring bell, give orders, pay, depart
Amid profuse acknowledgment from host
Who well knows what may bring the younger back.
They light cigar, descend in twenty steps
The 'calm acclivity,' inhale—beyond
Tobacco's balm—the better smoke of turf
And wood fire,—cottages at cookery
I' the morning,—reach the main road straitening on
'Twixt wood and wood, two black walls full of night
Slow to disperse, though mists thin fast before
The advancing foot, and leave the flint-dust fine
Each speck with its fire-sparkle. Presently
The road's end with the sky's beginning mix
In one magnificence of glare, due East,
So high the sun rides,—May's the merry month.
They slacken pace: the younger stops abrupt.
Discards cigar, looks his friend full in face.

"All right; the station comes in view at end;
Five minutes from the beech-clump, there you are!
I say: let's halt, let's borrow yonder gate
Of its two magpies, sit and have a talk!
Do let a fellow speak a moment! More
I think about and less I like the thing—
No, you must let me! Now, be good for once!
Ten thousand pounds be done for, dead and damned!
We played for love, not hate: yes, hate! I hate
Thinking you beg or borrow or reduce
To strychnine some poor devil of a lord
Licked at Unlimited Loo. I had the cash
To lose—you knew that!—lose and none the less
Whistle to-morrow: it's not every chap
Affords to take his punishment so well!
Now, don't be angry with a friend whose fault
Is that he thinks—upon my soul, I do—
Your head the best head going. Oh, one sees
Names in the newspaper—great this, great that,
Gladstone, Carlyle, the Laureate:—much I care!
Others have their opinion, I keep mine:
Which means—by right you ought to have the things
I want a head for. Here's a pretty place,
My cousin's place, and presently my place.
Not yours! I'll tell you how it strikes a man.
My cousin's fond of music and of course
Plays the piano (it won't be for long!)
A brand-new bore she calls a 'semi-grand,'
Rosewood and pearl, that blocks the drawing-room.
And cost no end of money. Twice a week
Down comes Herr Somebody and seats himself.
Sets to work teaching—with his teeth on edge—

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