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I like to cook good meals, especially when I have a lot of time.

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Five Visions Of Captain Cook

I
COOK was a captain of the Admiralty
When sea-captains had the evil eye,
Or should have, what with beating krakens off
And casting nativities of ships;
Cook was a captain of the powder-days
When captains, you might have said, if you had been
Fixed by their glittering stare, half-down the side,
Or gaping at them up companionways,
Were more like warlocks than a humble man—
And men were humble then who gazed at them,
Poor horn-eyed sailors, bullied by devils' fists
Of wind or water, or the want of both,
Childlike and trusting, filled with eager trust—
Cook was a captain of the sailing days
When sea-captains were kings like this,
Not cold executives of company-rules
Cracking their boilers for a dividend
Or bidding their engineers go wink
At bells and telegraphs, so plates would hold
Another pound. Those captains drove their ships
By their own blood, no laws of schoolbook steam,
Till yards were sprung, and masts went overboard—
Daemons in periwigs, doling magic out,
Who read fair alphabets in stars
Where humbler men found but a mess of sparks,
Who steered their crews by mysteries
And strange, half-dreadful sortilege with books,
Used medicines that only gods could know
The sense of, but sailors drank
In simple faith. That was the captain
Cook was when he came to the Coral Sea
And chose a passage into the dark.
How many mariners had made that choice
Paused on the brink of mystery! 'Choose now!'
The winds roared, blowing home, blowing home,
Over the Coral Sea. 'Choose now!' the trades
Cried once to Tasman, throwing him for choice
Their teeth or shoulders, and the Dutchman chose
The wind's way, turning north. 'Choose, Bougainville!'
The wind cried once, and Bougainville had heard
The voice of God, calling him prudently
Out of a dead lee shore, and chose the north.
The wind's way. So, too, Cook made choice,
Over the brink, into the devil's mouth,
With four months' food, and sailors wild with dreams
Of English beer, the smoking barns of home.
So Cook made choice, so Cook sailed westabout,
So men write poems in Australia.
II

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My Chinee Cook

They who say the bush is dull are not so very far astray,
For this eucalyptic cloisterdom is anything but gay;
But its uneventful dulness I contentedly could brook,
If I only could get back my lost, lamented Chinee cook.

We had tried them without number—cooks, to wit—my wife and I;
One a week, then three a fortnight, as my wife can testify;
But at last we got the right one; I may say 'twas by a fluke,
For he dropped in miscellaneous-like, that handy Chinee cook,

He found the kitchen empty, laid his swag down, and commenced;
My wife, surprised, found nothing to say anything against;
But she asked him for how much a year the work he undertook—
“Me workee for me ration,” said that noble Chinee cook.

Then right off from next to nothing such a dinner he prepared,
That the Governor I'm certain less luxuriously fared;
And he waited, too, in spotless white, with such respectful look,
And bowed his head when grace was said, that pious Chinee cook.

He did the work of man and maid—made beds and swept out rooms;
Nor cooled he in his zeal, as is the manner of new brooms:
Oh, he shed celestial brightness on the most sequestered nook,
For his mop and pail were everywhere—my cleanly Chinee cook.

We got fat upon his cooking; we were happy in those days,
For he tickled up our palates in a thousand pleasant ways.
Oh his dinners! Oh his dinners! they were fit for any duke!
Oh delectable Mongolian! Oh celestial Chinee cook!

There was nothing in creation that he didn't put to use,
And the less he got to cook with, all the more he could produce,
All nature was his kitchen range, likewise his cook'ry book—
Neither Soyer nor Meg Dod could teach that knowing Chinee cook.

And day by day upon my wife and me the mystery grew,
How his virtues were so many and his earnings were so few;
And we laid our heads together to find out by hook or crook,
The secret of the cheapness of that priceless Chinee cook.
And still the sense of mystery grew on us day by day,
Till it came to be a trouble, and we wished him well away;
But we could not find a fault in one so far above rebuke—
Ah, we didn't know the value of that valuable cook.

But one day when I was out he brought my wife a lot of things,
Turquoise earrings, opal bracelets, ruby brooches, diamond rings,

And he ran their various prices o'er as glibly as a book,
And dirt cheap, too, were the jewels of that jewel of a cook.

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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Looking For A Goose To Cook

When you find that you've been saddled for a ride...
Move your hoofs.
When you find that you've been saddled for a ride...
Someone's got you hooked!

When you find that you've been saddled for a ride...
Move your hoofs.
When you find that you've been saddled for a ride...
Someone's got you hooked!

I know,
When I'm hooked.
I can't,
Move my hoofs.
And I don't want to be,
Saddled down...
By a lover,
Looking for a goose to cook.

I know,
When I'm hooked.
I can't,
Move my hoofs.
And I don't want to be,
Saddled down...
By a lover,
Looking for a goose to cook.

When you find that you've been saddled for a ride...
Move your hoofs.
When you find that you've been saddled for a ride...
Someone's got you hooked!

I know,
When I'm hooked.
I can't,
Move my hoofs.
And I don't want to be,
Saddled down...
By a lover...
Looking for a goose to cook.

Many looking at a saddled goose to cook.
And I don't want to be a saddled goose to cook.
Many looking at a saddled goose to cook.
And I don't want to be a saddled goose to cook.

I know,
When I'm hooked.
I can't,

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Joseph’s Dreams and Reuben's Brethren [A Recital in Six Chapters]

CHAPTER I

I cannot blame old Israel yet,
For I am not a sage—
I shall not know until I get
The son of my old age.
The mysteries of this Vale of Tears
We will perchance explain
When we have lived a thousand years
And died and come again.

No doubt old Jacob acted mean
Towards his father’s son;
But other hands were none too clean,
When all is said and done.
There were some things that had to be
In those old days, ’tis true—
But with old Jacob’s history
This tale has nought to do.

(They had to keep the birth-rate up,
And populate the land—
They did it, too, by simple means
That we can’t understand.
The Patriarchs’ way of fixing things
Would make an awful row,
And Sarah’s plain, straightforward plan
Would never answer now.)
his is a tale of simple men
And one precocious boy—
A spoilt kid, and, as usual,
His father’s hope and joy
(It mostly is the way in which
The younger sons behave
That brings the old man’s grey hairs down
In sorrow to the grave.)

Old Jacob loved the whelp, and made,
While meaning to be kind,
A coat of many colours that
Would strike a nigger blind!
It struck the brethren green, ’twas said—
I’d take a pinch of salt
Their coats had coloured patches too—
But that was not their fault.

Young Joseph had a soft thing on,
And, humbugged from his birth,
You may depend he worked the thing
For all that it was worth.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Cook Of The House

Ground rice, sugar, vinegar, seco salt, macaroni too,
Cook of the house,
Im the cook of the house.
No matter where I serve my guests,
They seem to like the kitchen best cause Im the cook of the house,
Cook of the house.
The salads in the bowl,
The rice is on the stove.
Green beans in the colander and where the res is heaven only knows.
Cinnamon, garlic, salt, pepper, corn-bread, curry powder, coffee too,
Cook of the house,
Im the cook of the house.
No, matter where I serve my guests,
They seem to like the kitchen best.
cause Im the cook of the house,
Cook of the house.
Where the rest is heaven only knows.
Matter where I serve my guests,
They seem to like the kitchen best cause Im the cook of the house.
Cook of the house,
Cook of the house,
Im the cook of the house.

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The Yarn of the Nancy Bell

'Twas on the shores that round our coast
From Deal to Ramsgate span,
That I found alone on a piece of stone
An elderly naval man.

His hair was weedy, his beard was long,
And weedy and long was he,
And I heard this wight on the shore recite,
In a singular minor key:

"Oh, I am a cook and a captain bold,
And the mate of the NANCY brig,
And a bo'sun tight, and a midshipmite,
And the crew of the captain's gig."

And he shook his fists and he tore his hair,
Till I really felt afraid,
For I couldn't help thinking the man had been drinking,
And so I simply said:

"Oh, elderly man, it's little I know
Of the duties of men of the sea,
And I'll eat my hand if I understand
However you can be

"At once a cook, and a captain bold,
And the mate of the NANCY brig,
And a bo'sun tight, and a midshipmite,
And the crew of the captain's gig."

Then he gave a hitch to his trousers, which
Is a trick all seamen larn,
And having got rid of a thumping quid,
He spun this painful yarn:

"'Twas in the good ship NANCY BELL
That we sailed to the Indian Sea,
And there on a reef we come to grief,
Which has often occurred to me.

"And pretty nigh all the crew was drowned
(There was seventy-seven o' soul),
And only ten of the NANCY'S men
Said 'Here!' to the muster-roll.

"There was me and the cook and the captain bold,
And the mate of the NANCY brig,
And the bo'sun tight, and a midshipmite,
And the crew of the captain's gig.

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Nothing So Good

Aint nothin so good
As a sunday morning
When the day is dawnin? kinda makes you feel good
There aint nothing so fine
As a lazy weekend
Just hangin out with your best friend
There aint nothing so good
There aint nothing so good as a good time
Theres nothing so right as the right time
I said please ? dont count on me
Said please ? dont count on me
Theres nothing so good as a good time
Maybe there should
There aint nothing so good
Aint nothin so strong
As the strength of a good love
I cant get enough
Cant ever get too much love
There aint nothing so right
As the sound of your voice
Im gonna make it my choice
And get into something good
There aint nothing so good as a good time
There aint nothing so right as the right time
I said please ? dont count on me
Said please ? dont you count on me
Theres nothing so good as a good time
Maybe there should
There aint nothing so good
Sail away
Cant drift too far
Gotta get away
Be where you are
Sail away, sail away
Sail on far
Gotta find a way
Into your heart
Aint nothin so good
As a sunday morning
When the day is dawning
Kinda makes you feel good
There aint nothing so fine
As a lazy weekend
Just hangin out with your best friend
There aint nothing so good
There aint nothing so good as a good time
Aint nothing so right as the right time
I said please ? dont count on me
Said please ? dont count on me
Theres nothing so good as a good time

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Be Good Johnny

Skip de skip, up the road
Off to school we go
Dont you be a bad boy johnny
Dont you slip up
Or play the fool
Oh no ma, oh no da,
Ill be your golden boy
I will obey evry golden rule
Get told by the teacher
Not to day-dream
Told by my mother:
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good (johnny)
Be good be good.
Are you going to play football this year, john?
No!
Oh, well you must be going to play cricket this year then,
Are you johnny?
No! no! no!
Boy, you sure are a funny kid, johnny, but I like you! so tell me,
What kind of a boy are you, john?
I only like dreaming
All the day long
Where no one is screaming
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Johnny!

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Thanks A Lot, Mom

Thanks a Lot, Mom

Thanks a lot, Mom.
Thanks for loving me to no end.
Thanks for being my loving mother.
Thanks for being my thoughtful friend.
Thanks a lot, Mom.
Thanks for feeding me and giving me a home.
Thanks for clothing me and holding me tight.
Thanks for caring when I felt alone.
Thanks a lot, Mom.
Thanks for always making me smile.
Thanks for giving me the extra push.
Thanks for going that extra mile.
Thanks a lot, Mom.
Thanks for living with no regrets.
Thanks for being the life of the party.
Thanks for going all in on bets.
Thanks a lot, Mom.
Thanks for being my inspiration.
Thanks for helping me with my homework.
Thanks for giving me motivation.
Thanks a lot, Mom.
Thanks for treating me with respect.
Thanks for knowing I'm growing up.
Thanks for knowing what to expect.
Thanks a lot, Mom.
Thanks for kicking me while I was down.
Thanks for telling me I'm a liar.
Thanks for knowing what comes around.
Thanks a lot, Mom.
Thanks for giving me my many scars.
Thanks for making me feel at home.
Thanks for breaking my aching heart.
Thanks a lot, Mom.
Thanks for taking away my friends.
Thanks for taking away my family.
Thanks for not having to pretend.
Thanks a lot, Mom.
Thanks for kicking me out of my home.
Thanks for calling me cheap and attention-seeking.
Thanks for putting me out on my own.
Thanks a lot, Mom.
Thanks for ripping away my Brett.
Thanks for saying you don't remember.
Thanks for saying I should forget.
Thanks a lot, Mom.
Thanks for believing your husband over your kid.
Thanks for rewarding him for a crime.
Thanks for punishing me for what he did.

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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Good Love

Everytime I get to see you
I get this feelin
Its so fuzzy inside
And as soon as I walk away from you
Im still tasting your kiss
Saving it in my mind
Its not everyday I find
A guy that makes me smile all the time
Not the way that you do
All the guys I thought I used to love
Compared to you they dont match up
They got nothing on you
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
Baby you got somethin special
That has me thinking of settling down
Youre the one my mama told me
Would sooner or later one day finally come around
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
You bring me joy
And you bring me much pleasure
I could never see myself leaving you ever
Your soft touch is good and it cant get no better
You have got my mind so caught up
Im drunk off of your good love
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Geoffrey Chaucer

The Canterbury Tales; The Maunciples Tale

PROLOGUE TO THE MAUNCIPLES TALE

Heere folweth the Prologe of the Maunciples tale.

Woot ye nat where ther stant a litel toun,
Which that ycleped is Bobbe-up-and-doun
Under the Blee, in Caunterbury weye?
Ther gan oure Hooste for to jape and pleye,
And seyde, 'Sires, what, Dun is in the Myre!

Is ther no man for preyere ne for hyre,
That wole awake oure felawe al bihynde?
A theef myghte hym ful lightly robbe and bynde.
See how he nappeth, see how for Cokkes bones,
That he wol falle fro his hors atones.

Is that a Cook of London, with meschaunce?
Do hym com forth, he knoweth his penaunce,
For he shal telle a tale, by my fey,
Although it be nat worth a botel hey.
Awake, thou Cook,' quod he, 'God yeve thee sorwe,

What eyleth thee, to slepe by the morwe?
Hastow had fleen al nyght, or artow dronke?
Or hastow with som quene al nyght yswonke
So that thow mayst nat holden up thyn heed?'
This Cook that was ful pale, and no thyng reed,

Seyde to oure Hoost, 'So God my soule blesse,
As ther is falle on me swich hevynesse,
Noot I nat why, that me were levere slepe
Than the beste galon wyn in Chepe.'
'Wel,' quod the Maunciple, 'if it may doon ese

To thee, Sire Cook, and to no wight displese
Which that heere rideth in this compaignye,
And that oure Hoost wole of his curteisye,
I wol as now excuse thee of thy tale,
For, in good feith, thy visage is ful pale.

Thyne eyen daswen eek, as that me thynketh,
And wel I woot, thy breeth ful soure stynketh.
That sheweth wel thou art nat wel disposed,
Of me, certeyn, thou shalt nat been yglosed.
See how he ganeth, lo, this dronken wight!

As though he wolde swolwe us anonright.
Hoold cloos thy mouth, man, by thy fader kyn,
The devel of helle sette his foot therin.
Thy cursed breeth infecte wole us alle,

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Byron

Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

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Byron

Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

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